• 대한영양사협회학술지
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• 제26권1호
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• pp.1-13
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• 2020

This study was undertaken to optimize preparation of sweet rice muffins using lotus (Nelumbo nucifera Gaertn) seed powder. The experimental conditions used in the preparation included lotus seed powder (X₁) and soybean oil (X₂). The muffin formulation was optimized using rheology. Lightness (P<0.01) displayed a quadratic model pattern, whereas yellowness (P<0.01) and redness (P<0.05) was presented a linear model. Texture properties significantly differed in cohesiveness (P<0.05). Evaluating the sensory characteristics of muffins, except for flavor and texture, the remaining properties of color (P<0.01), taste, overall quality, and appearance (P<0.05) were found to be significantly different. The overall quality was also affected by the proportion of lotus seed powder, rather than the amount of soybean oil. The optimal ratio for palatability of muffins was determined to be 47.80 g lotus seed powder and 95.28 g soybean oil. Taken together, our results indicate that sweet rice muffins prepared using lotus seed powder are sufficiently competitive in terms of function and quality.

• 한국의류산업학회지
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• 제10권4호
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• pp.479-488
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• 2008

The purpose of this study was to re-interpret the traditional patterns in modern point of view and connect them to the apparel textile design to use them widely in our real life. For this, a documentary research on the traditional patterns and arabesque patterns was made first, and then, through the manual and photoshop workings, two apparel textile designs were suggested. As a result, the followings were acquired: First, the arabesque pattern, which is a traditional pattern of Korea, has a continuous life power and a natural formative characteristics. In its pattern, there is an abundant possibility of change. So, it has a wide usability regardless of time and space. As the symbolic image of the arabesque pattern is connected with the instinctive beauty sense of human beings, it has shown the more adhesive affinity that any other materials. Second, two kinds of textile design were suggested. The motif of work 1, "Fragrance of Woman," was the richness and the harmony, and so a lotus arabesque pattern was selected to present its concept, "Classic Elegance." The expression technique was to use a manual work and cloths to make it a voluminous one. The motif of work 2, "Green Field" was to show the clean beauty with a lotus arabesque pattern. Its concept was the "Natural Elegance," and the expression technique was to repeat the motif by using the Adobe Photoshop to complete the work.

• 한국환경생태학회지
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• 제30권5호
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• pp.848-856
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• 2016

본 연구는 주남저수지를 대상으로 빠르게 확산되고 있는 연꽃군락의 분포와 고니류의 활동범위를 파악하여 연꽃군락의 확산과 고니류 월동지 이용패턴의 관계를 확인하고자 수행하였다. 연꽃의 확산 시기와 더불어 전반적인 낙동강 하구 일원의 고니류 개체수 변화추이를 살펴본 결과 연꽃의 확산과 주남저수지 월동개체수의 관련성은 뚜렷하지 않았다. 주남저수지 내 연꽃군락의 분포는 2013년에 비해 2014년도에 수면 대비 비율이 13.2%에서 19%로 확산이 지속되었으며, 고니류 개체는 연꽃군락 내부와 경계부 100m이내와 외부로 구분하였을 때 1차(2013년 12월 17일) 조사는 내부가 외부보다 약 3.1배 높은 밀도로 관찰되었으며, 3차(2014년 1월 29일)는 약 5.5배, 4차(2014년 12월 3일)에는 약 7.5배로 모두 연꽃군락 내부 관찰밀도가 매우 높았다. 2014년 1월 12일 2차조사는 탐방객이 집중하는 휴일 조사로 이러한 경향은 나타나지 않았다. 이는 고니류의 먹이활동 가능지역과 연꽃군락의 적정 생육공간이 일반적으로 수심 1m 남짓한 유사지역이라는 데에서 기인할 수도 있다. 그러나 연꽃군락의 증가가 고니류의 개체수 감소로 이어지지 않고 오히려 연꽃군락 중가와 함께 고니류가 지속적으로 증가하는 것으로 보았을 때 최소한 상충관계로 작용하지는 않음을 확인할 수 있었다.

• 복식
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• 제52권2호
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• pp.81-90
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• 2002

There are increasing a foreign visitors since 88 Seoul Olympic game. Uniform is getting increased importance as one of the symbols which represent the characteristic of restaurant as well as gloves good impression to the customers and foreign tourist. This study aims at developing uniform packages (including table cloth, mat, napkin, end so on) that satisfy the customers' need and let foreign visitors recognize the outstanding beauty of Korean traditional pattern. For uniform design, It was selected a sumacsae of a the lotus flower motif and developed a textile pattern design by using CAD system. And then the developed textile design was printed a polyster100% fabric by using the digital textile printing system. Uniform packages designs were developed applying traditional sumacsae motif in order to capture a modern stance of beauty under using blue and pink color and same concept of modern image.

• 화훼연구
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• 제17권1호
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• pp.15-22
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• 2009

무안 회산지 백련꽃의 재배와 개화 조절에 필요한 자료를 얻기 위하여 2008년 4월 20일과 5월 4일에 각각 비대근경과 종자를 용기에 식재하여 비가림 재배 관리한 후 동년 9월 4일에 근경생장 유형과 개화 특성을 조사하였다. 주근경이 분지된 것은 실생의 경우 10%, 비대근경은 15%였다. 주근경의 마디 수는 개화된 것은 14개 이상이었으며, 개화가 되지 않은 것은 11마디 이하였다. 실생 번식한 것은 모두 개화되지 않았으며, 비대근경을 식재한 것은 80%가 개화되었다. 첫 번째 꽃은 7월 말과 8월 초에 피었으며, 4.0~4.4개의 꽃이 피었다. 첫 번째 꽃대는 주근경이 분지되지 않은 것의 경우 8.8번째 마디에서, 주근경이 분지된 것은 8.0번째 마디에서 출현되었다. 화경이 지상부에 출현된 후 개화까지는 16일이 소요되었다. 백색의 꽃은 높이 15.3 cm, 폭 28.2 cm 크기로 수명은 3.3일이었으며, 생체중은 29.2 g이었다. 이상의 결과로부터 무안 백련꽃의 개화를 시키기 위해서는 근경의 비대가 시작되기 이전에 주 근경의 마디를 8마디 이상 생장시켜야 함을 알 수 있었다.

• 한국전통조경학회지
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• 제36권3호
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• pp.160-171
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• 2018

꽃창살은 사찰경관을 구성하는 조형요소이며 조망시점이 외부에서 형성되는 장식적 경관요소라는 인식 아래, 경북 영주시 성혈사 나한전의 꽃창살에 표현된 연지의 생태미학적 특성과 도입된 소재의 상징성을 분석 해석한 본 연구의 결과는 다음과 같다. 나한전 정칸 창호에는 사각형 2개가 연속된 문틀 등 비목재 부분을 제외하고 총 176개의 순수 문양이 조각되어 있다. 그 중 중문 어칸(御間) 문살의 기본 개념은 전통정원에서 방지(方池)를 상징하는 연지의 설계언어로 판단된다. 창살 어칸에서 가장 비중이 높은 식물인 연꽃은 '청정(淸淨)'과 '불염(不染)' 그리고 불교의 극락세계인 연화장세계로 인식되며 꽃창살에 묘사된 연꽃은 생성소멸의 특징을 담은 다채로운 형태로 펼쳐져 있어 불연일체(佛蓮一體)의 경관상(景觀像)이 잘 드러나고 있다. 또한 네가래와 벗풀은 실제 연못 주변에서 발견되는 수생식물로 생태적 측면에서도 연지의 수생태계와도 부합되는 사실적 표현일 뿐 아니라 물총새, 백로, 왜가리 등 날짐승의 표현은 정적인 수생태계에 동세와 활력을 불어넣고자 한 생태미학적 발상이다. 또한 동자승을 비롯하여 수(壽) 부(富) 귀(貴) 다남(多男) 등의 기복사상을 구현하고자 한 것으로 판단되는 물총새, 기러기(백로), 물고기, 참게, 개구리 그리고 용 등 7개 분류형의 동물들과 식물이 공생하는 연지풍경을 꽃창살에 연출하였다. 성혈사 나한전 어칸의 꽃창살은 연과 연잎의 생성과 소멸, 서식처의 생태적 적지(敵地), 공생과 먹이연쇄 등 수생태계 측면에서도 매우 부합되는 표현으로 가득하며 이는 상징과 생태미학의 총화이자연지 풍경의 총합적 어울림이다.

• 한국의상디자인학회지
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• 제22권2호
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• pp.151-165
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• 2020

In this study, the pattern of texture was developed by applying the pattern shown in the Amita Yeoraebul and the Avalokitesvara with symbolism suitable for children's clothing. In addition, the design and the manufacturing of a children's wearable Hanbok were attempted, and the results are as follows: Amitha Yeoraebul is a Buddha who oversees paradise in Buddhism, and Avalokitesvara controls both paradise and the real world and provides mercy. Applying the various patterns in the Buddhist paintings, four daily hanboks for children were produced using patterns featuring symbolic the meanings of large round original patterns chrysanthemums, turtles, and lotus patterns. The lotus symbol represents love, nobility, and wealth, while the turtle symbol represents longevity, the chrysanthemum pattern symbolizes auspiciousness, and the large round original pattern means a constant continuation. To maintain the traditional hanbok form but allow convenient wear it in daily life, it is made in the jeogori + shorts, vest + long pants, and one-piece + jacket style. Currently, the daily dress of Hanbok and the modernization of traditional Korean clothes are being promoted. At this point, the study developed Hanbok fashion products that contain symbolic stories suitable for children are trying to maintain the image of traditional culture as much as possible.

• 한국진공학회:학술대회논문집
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• 한국진공학회 2013년도 제44회 동계 정기학술대회 초록집
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• pp.272-273
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• 2013

Some living thingsuse micro- or nano- structures for living in nature. Scientists and engineers made efforts to mimic them, and they succeeded in making new types of applications. They used 'Namib desert beetle' to self-filling device by moisture harvesting and 'lotus leaf' to self-cleaning device by water repelling. 'Namib desert beetle' and lotus leaf have micro-patterns on their surface, which consists of hydrophobic or hydrophilic materials [1]. Moreover, micro-patterns on the surface make self-filling or self-cleaning property enhanced because of the surface roughness. Surface roughness enhances wettability [2]. Micro-pattern is a significant factor to make the surface be functional, so we want to make new types of functional surface by micro-patterning. In this work,we make several functional micro-patterns (radial, line, and dot arrays) using maskless lithography and analyze the characteristics of each micro-pattern. In order to analyze and understand surface characteristics, micro-patterns with varying sizes are investigated. All experiments are proceeded on mr-DWL5 photo resists coated on silicon wafers in same condition. All the experiments have demonstrated good performances about hydrophobic or hydrophilic property corresponding to their material and structural combinations. In radial micro-pattern, although the surface is flat, water drops on hydrophilic radial pattern can be convergent to a middle point and water drops on hydrophobic radial pattern can be divergent from the middle point. In line array micro-pattern, water drops can roll off along only one direction in parallel with the line arrays. Such phenomena might be mainly caused by the local change of surface roughness. From these results, controlling the movement and direction of water drops is made feasible without introducing a slope, which can potentially be used for new types of applications.

• 한국패션뷰티학회지
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• 제6권2호
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• pp.97-103
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• 2008

This research thesis is designed to put Korean traditional and unique wedding dress with a greater significance and value than any other dress into application right for the global and contemporary trend, as part of a bid to show Korean traditional beauty. To do it, this thesis has attempted to add the traditional beauty to Korean inherent wedding dress and contemporary wedding dress, with the use of various traditional beauty elements, such as the line firm, materials and color based on the research on wedding dress, such as, 'Wonsam' or 'Unlined Jacket, and 'Long-sleeve Red Silk Jacket', and 'Dangeu' or 'Court Suit' that women wore in the Joseon Dynasty. To recreate Korean traditional beauty of line this research thesis has firstly put into the application the sleeve of 'Wonsam' or 'Unlined Jacket' and the form of a large section of 'Wonsam' of 'Unlined Jacket', and 'Doreyon Line' or 'Trimming Line' of 'Dangeu' or 'Court Suit' as wedding dress that women wore in the Joseon Dynasty. Secondly, this thesis has applied lotus and peony patterns out of traditional ones inlaid with 'Long-Sleeve Silk Jacket' into the contemporary wedding dress to develop a creative and special design. Thirdly, regarding the expressive pattern technique, this thesis has designed the repetitive rhythmical pattern with the use of beading technique and embroidery technique, which makes needle work picture and pattern in fabric. Lastly, it can demonstrate the original and distinct Korean style in application of western wedding dress into traditional and contemporary dress, by devising two collections of dress art pieces.

• 복식
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• 제59권8호
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• pp.132-151
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• 2009

All of 132 kinds of fabrics are used in excavated costume from the Dongrae Jung's Tomb. Classified by its materials, it is divided into small groups as follows: 58 pieces of silk tabby 43.9%, 2 of filament silk tabby 1.5%, 14 of thin filament silk tabby 10.6%, 19 of spun yarn silk 14.4%, 4 of twill without a pattern 3.0%, 8 of patterned silk tabby 6.1%, 23 of satin damask 17.4%, 1 of damask with supplementary gold thread 0.8%, 2 of mixture fabric with silk and cotton 1.5%, and 1 of ramie fabric 0.8%. Classified by ways of weaving: 96 pieces of plain weave 73%, 23 of satin weave 17%, 8 of patterned silk tabby consisting of plain weave material and twill weave pattern-6%, 4 of twill weave 3%, and 1 of compound weave 1 %. In point of patterns, the most often used ones are plant patterns such as lotus patterns, peony patterns, plum blossom patterns, flowers representing seasons patterns, and small flower patterns. For animal patterns, it has phoenix patterns designed together with flowers representing seasons patterns. And for natural scenery patterns, it shows cloud patterns with treasures patterns together. For object patterns, it also shows treasures patterns mixed with cloud or lotus together. For geometrical patterns, it has rhomboid patterns and 卍 character patterns; some show only rhomboid patterns and others show material patterns of 卍 character patterns blended together with fruit, lotus, etc.