• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.151-156
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• 2007

The Eight Scenery, as a traditional landscape to today, gradually caught the concern of landscape scholars, as well became the mutual cultural wealth of South Korea, China and Japan even of the whole Asia. The Yanjing Eight Scenery firstly originated from the Jin dynasty is an important representation of Eight Scenery culture in Scenic Spots and Historical Sites of China. The transition process of Yanjing Eight Scenery is examined in this thesis, and the cause of such change is also analyzed. Moreover, the landscape content of Yanjing Eight Scenery is classified in detail, and the succession of the landscape architecture of the Yanjing Eight Scenery style under the traditional culture is analyzed from the aspects of rebuilding pavilion, landscape arrangement, building, and new landscape architecture rebuilt followed the religious, the plant landscape and the traditional culture based on the classification. Beijing regional culture has influenced Yanjing Eight Scenery by its classification, the landscape evaluation, and the analysis of the landscape feature, in addition, this paper searches for the model to research the Eight Scenery culture in each country of Asia.

• 대한건축학회논문집:계획계
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• 제34권10호
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• pp.119-130
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• 2018

In the late 1950s, departing from their unquestioning following of Soviet architecture, North Koreans attempted to discover the specificities of traditional Korean architecture and apply them to their contemporary monuments. This paper examines the ways in which North Korean architects developed their unique version of Socialist realism in the making of Pyongyang Grand Theater. The traditional elements in harmony with North Korea's political ideology-an early form of Juche ideology-and modern building technologies were to be viewed as contemporary elements, and not as a simple revival of the past. This study applies Socialist realism's compositional principle "national in form and socialist in content" to Pyongyang Grand Theater and examines specifically what "socialist content" and "national form" were and how the two were combined in the construction of Pyongyang Grand Theater. By situating the building in the context of localization of Socialist realism which is universal art principle of the communist world, this study contributes to the deeper and wider understanding of North Korea's Modern Joseon Architecture.

• 한국전통조경학회지
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• 제29권2호
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• pp.39-51
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• 2011

본 연구는 조선시대 문인들의 조경공간과 관련한 기록을 대상으로 조선시대 다양한 전개양상을 보인 와유문화와 전통조경공간과의 문화사적 관계를 살펴보고자 한 것이다. 현실의 유교적인 삶과 자연의 도교적인 삶을 절충하며 살아야 했던 조선시대 문인들의 산수자연에 대한 태도는 다방면의 문화가 난숙해지면서 점차 철리적(哲理的)인 태도에서 심미적(審美的)인 태도로 변화하게 되었다. 이러한 산수자연관의 변화와 명말청초 시은(市隱)하고자하는 성시산림(城市山林)의 문화가 전래되면서 산수자연을 일상공간에서 쉬이 즐기고자 하는 바람이 간절해졌다. 그러한 바람은 현실 속에서 소요유(逍遙遊)한다는 의미를 갖는 와유문화(臥遊文化)에 주목하게 되고 다양한 와유문화의 양상들을 만들어냈다. 국문학분야에서는 일상공간에 앉아 산수의 감흥을 글로 즐길 수 있는 산수유람기(山水遊覽記)가 발달하고, 미술분야에서는 이상향을 그렸던 관념산수화(觀念山水畵)가 실제의 경관을 옮겨 핍진(逼眞)한 산수의 미를 즐길 수 있는 실경산수화(實景山水畵)로 발달하게 되었다. 조경분야에서는 개인의 이상(理想)을 표현할 수 있는 일상공간에 산수자연을 담아 감상의 측면에서 가장 생생함을 체험할 수 있는 공간을 조성하였다. 또한, 전통조경공간은 방안에 누워서도 꿈꾸고 싶은 대상으로 실제 산수이상의 의미를 지니게 되었다.

• 한국전통조경학회지
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• 제31권1호
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• pp.1-12
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• 2013

한국의 전통 석가산(石假山)은 고려시대 창안되어 조선시대로 계승된 우리의 우수한 석정문화(石庭文化)이다. 이 연구는 고려시대와 조선시대 석가산 문화가 시대 흐름에 따라 석가산 내면에 어떠한 함의성(含意性)을 표상하며 계승되어 왔는지를 분석하였다. 고려시대 산악형 풍경을 모사해 창안한 한국의 전통 석가산은 괴석을 소재로 진산(眞山)을 모사한 작은 인공가산(人工假山)을 만들었다. 그리고 산수풍경을 축경적(縮景的)으로 재현하고 심산유곡의 흥취를 집안에서 와유(臥遊)하며, 풍류를 즐기는 동시에 정서적 안정과 치유라는 실용적 측면의 경물(景物)로서의 심미적 풍경의 산수체험을 석가산을 통해 경험하였다. 이러한 석가산은 내향적으로는 경물 자체의 형식미를 초월하며 불로장생을 염원하는 삼신산(영주, 봉래, 방장)과 도교적 신선사상이 응축된 오악(숭산, 태산, 화산, 항산, 형산)을 표상하며, 신선계(神仙界)를 이상향적으로 나타내고자 하였다. 또한 석가산을 대하며 유교의 요산요수(樂山樂水)의 교훈을 실천해 심성을 가다듬고, 중국의 명산명호(名山名湖)를 모방하는 등 석가산 내면에 다양한 함의성을 포용하며 변천, 발달하였다. 한국의 전통 석가산은 심미적 풍경의 산수체험은 물론 실용적 경물로서의 형식미를 초월하며, 석가산의 심오한 상징적 함의성을 표상하여 무한한 상상의 관념적 공간으로 승화시켰다.

• 한국전통조경학회지
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• 제32권1호
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• pp.22-30
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• 2014

"임원경제지"는 동아시아 그리고 세계적으로도 유래가 없는 백과사전으로 가치를 인정받고 있으나, 다양하게 취급되어진 분야 및 방대한 내용면에서만 평가가 이루어졌다. 또한"임원경제지"관련한 대부분의 학술연구도 편찬시기의 정세(政勢)인 농업에만 초점을 맞춰 연구가 진행되어 단순한 농서(農書)의 개념으로 해석하여 왔다. 이에 본 연구는 19세기 조선시대 서유구에 의해 편찬된 것으로 알려진"임원경제지"영인본의 조경관련 내용 중 임원조영이론과 조영맥락을 분석하고,"임원경제지"에 기술된 전통조경의 원리 및 기법에 주목하여 한국의 전통조경 작정서로서의 가치를 조경학적 관점에서 파악하였다."임원경제지"의 분석한 결과 '조경요소에 대한 전문성', '구성 체계의 우수성', '우리나라 현실에 적합한 토착성', '저작을 위한 환경요인의 우수한 가치 제고' 면에서 다른 동양 주변국의 유사 조경서들과 견주어도 한국의 대표 '조경기술서'로서 가치와 위상을 충분히 갖추고 있다는 사실에서 그 중요성을 발견할 수 있었다.

• 건축역사연구
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• 제11권2호
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• pp.7-22
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• 2002

Architectural style is said to be product reflecting political, social and cultural condition. Especially, in colony, architectural style is strongly related to political condition or policy. After colonization in 1910, public buildings with western historical architectural style in Japanese version were widely built by Japanese colonial government in Korea. And in the late 1920s, modernism style in architecture became dominant in Korea as like other countries. In this situation, curious buildings in strange architectural styles came out. One example is railroad station buildings with traditional Korean architectural style and timber house station having a steep roof which is widely used in North Europe such as Alps area with good sights and mountains. Generally, the colonizer says that colonization is the only way to save the colony at crisis defined by colonizer and they insist that they can help the colony modernize. To justify colonization, the colonizer attributes the colonization to the characteristics of the nation and stagnation of the traditional culture etc.. Accordingly, the colonizer tries to depreciate colony's traditional value and culture. In case of colony which has similar cultural background historically (in this case, economical exploitation is less important than other Asian colony by European power), this depreciation of traditional value and culture in Korea was done more strongly than others. At this time, we should understand special relation between Korea and Japan historically. Even though, colony's locality is adopted by the colonizer in public fields, which is based on political purpose or exotic taste etc.. In early days of Japanese ruling period, Japan never use the Korean traditional facts in public. Therefore there is no use of Korean traditional architectural style in public field. In late 1920s, some railroad station buildings were constructed in new styles without precedence in modern Korea. One is railroad station buildings in Korean traditional architectural style, the other is railroad station buildings in timber house stations having a steep roof which is different form western historical architectural style. It was mystery that Japan had constructed railroad stations in Korean traditional style which Japan had tried to destroy together with Western style railroad station buildings. This paper is made to solve the mystery why the colonizer(Japan) constructed entirely different types of railroad stations at the same time in the late 1920s and 1930s. The key point to solve this mystery is tourism. In this paper, to solve this mystery, I try to use terminology' 'Colonial Tourism' in architecture why colonial power had constructed railroad stations with colony's traditional architectural style and Western style having a steep roof which can be seen north European region.

• KIEAE Journal
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• 제14권1호
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• pp.5-13
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• 2014

The ancestors of China created various proper dwellings in the vast Chinese lands, according to distinct geographical environment, climate, and special local products. The purpose of this study is to compare features of 7 typical traditional Chinese dwellings in different areas from historical, geographical, structural and tinctorial aspects, in order to see what the differences are and rearrange them by these 4 different scales as estimate standards. By Comparing features between 7 traditional dwellings, advantages and disadvantages of them were found out. Not only natural terrain but also cultural mentality is an important factor that effected on the changes of regionality. The result showed that historical length in a certain extent reflected the differences between dwellings in different areas; there are more regular type dwellings in the northern China; dwellings in different structural material types following their regions; and, southern dwellings prefer natural and simple exterior colors. Also From construction aesthetics and culture perspective, Different cultures have cultivated and brought out different dwelling styles. Thus, protecting on traditional dwellings is of great necessities and this study will bring benefits in many aspects. For a further research, the result of this study can be utilized as the base data that suggest directions for effective Chinese residence planning in different areas meeting different demands.

• 한국농촌건축학회논문집
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• 제22권4호
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• pp.1-8
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• 2020

Recently, cultural property policies have changed from the preservation of cultural assets to the utilization of cultural assets. In historic villages, more and more traditional housings have been used as lodging facilities. On the other hand, low birth rates, aging population, declining population due to population outflow to the cities, increasing vacant houses, and aging buildings are tasks of historic villages. To be preserved the historic villages continuously, it is time to review how to regenerate and utilize the growing number of vacant houses. This study targets Tambasasayama city, which is drawing attention to the regeneration and utilization of vacant houses among historic Japanese villages. We want to analyze the operation systems and deregulation of a traditional housing regeneration project in Tambasasayama city and draw suggestions for the regeneration and utilization of vacant houses in traditional villages in South Korea.

• KIEAE Journal
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• 제13권3호
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• pp.135-144
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• 2013

Philippines, having the unique combination between its traditional and vernacular culture and European culture during colonization by Spain over three hundred years, shows the variations of style and scale in domestic architectures. Bahay na bato, one of the typical house of recent stone house in Philippines, has been completed referring traditional bahay kubo and Spanish stone built house, adapting vernacular principles in traditional house and new Spanish culture and life styles. Especially, vernacular for climates, earthquakes, social and cultural conditions, environment and materials in traditional bahay kubo still alive in bahay na bato mingled with spanish architectural technology and culture. This study place emphasis on the vernacular characteristics in bahay na bato by considering the climate control method in traditional house and Spanish influences on Philippines house.

• KIEAE Journal
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• 제14권5호
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• pp.111-116
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• 2014

Han-ok has been forgotten by rapid industrialization, however, recent interest in Korean traditional culture and eco friendly architecture are increasing. Government is also processing various policies and research in Han-ok for historical reasons. Still Han-ok is considered as temporary discover stage not daily space. Moreover, previous weakness of Han-ok made it difficult to supply. There is a need to build new Han-ok style public buildings different from traditional or new Han-ok for revitalization of Han-ok. Moreover, development of new Han-ok style public buildings model are needed for the public which include updated concept and function. From public buildings model development and supply people can visit and explore Han-ok. Therefore Han-ok tradition can be modernized. In addition to this Korean traditional culture and mode of living can be developed and conserved. This research focuses on public buildings of Han-ok supplication and aims design elements and regional trend.