• 제목/요약/키워드: Koguryo

검색결과 88건 처리시간 0.023초

발해 말액(抹額)의 고구려 기원설 재검토 (A Refutation on the view of Parhae Marek's Origin as from Kokuryo)

  • 김민지
    • 복식
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    • 제59권5호
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    • pp.180-201
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    • 2009

  • I scrutinized the idea that Parhae Marek was inherited from Kokuryo which was presented in "The study on the Marek" published in the journal of the Korean Society of Costume 55-5, and concluded the following results: 1. The Marek which Samguk sagi recorded is the red head scarf used for dancers who do Koguryo dance in the Babarian Music System in Tang dynasty. Since its original record Tong dian tells that Kokuryo performers' costumes then had strikingly changed and Quichi and GaoChang dancers also wore Marek, so the idea that Marek was originated from Koguryo should be reconsidered. 2. Considering the Yaksoori mural's indistinguishable condition as well as the same scenes from other Kokuryo mural paintings, I can't evidently tell that the first person who carries shouldering drum puts Marek on. 3. should be pronounced [Mal] for the meaning of a head scarf and its definition can't be limited only for the sash type. 4. Diverse historical data on head scarves deny the assumption that the sash type of hairband would have been succeeded from Kokuryo to the Parhae Marek. 5. The Marek of Princess Junghyo's mural painting can be an example that shows the costume of Tang influenced Parhae's. But the similarity in styles of costume between contemporary countries doesn't mean their reciprocal racial or political identity.

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고구려사지(高句麗寺址)를 중심(中心)으로 고찰(考察)한 5세기전후(世紀前後) 불사계획(佛寺計劃)의 변화(變化) (The Change of Site Pattern of Buddhist Architecture of Koguryo)

  • 김성우
    • 건축역사연구
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    • 제5권1호
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    • pp.9-17
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    • 1996

  • A few archeological excavation of Buddhist temple sites of Koguryo were reported with information of site arrangement. The interpretation of such information is very important not only for the explanation of Korea early Buddhist architecture but also for the development of East Asian cases in general since no archeological evidences of the same period were found in other countries such as China. Though the investigation of the four temple sites this paper attempt to identify their date of construction and the process of change. The study depended much on comparative studies of the change of site elements such as pagoda, image hall., corridor, and other buildings. The study could conclude that the site of SangO-Ri must be the earliest case which was followed by ChungRung-Sa, which was built in around 427AD. The site of ToSung-Ri was the case which was the work of the rate 5th century. Such process of the development of Buddhist architecture in Koguryo unveils the fact that the process of change was a continuous flow toward a consistent goal of change that had much to do with the contemporary religious situation.

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사료로 본 삼국 및 통일신라시대의 기거용 가구 - 床榻(상탑)을 중심으로- (A Study on the Daily life Furniture in Three Kingdoms and Unified Silla Period - Based on the Sang(상) and Tap(탑) -)

  • 이정미
    • 한국실내디자인학회논문집
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    • 제14권5호
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    • pp.80-88
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    • 2005

  • The ondol is a uniquely Korean system of providing warmth to room. The ondol rooms never use daily life furniture because the ondol warms the floor surface where people sit. Finally, the ondol floor changed the traditional housings inner space. Before use ondol where daily life furnitures[sang(상) and Tap(탑)] are installed in the room. The origin of daily life furnitures are the ancient tomb mural of Koguryo Period. The daily life furniture can be classified as three large groups in the ancient tomb mural of Koguryo. First, a single seat[Jowa-sang(좌상)] of set up a screen[병풍]. The second, It make possible Many peoples take a seat with no decoration seat[Tap(탑)]. The third, uptodately table and chairs. A radical difference between sang(상) and Tap(탑) whether set up a screen[병풍]. The meaning of sang(상) and Tap(탑) in Koguryo ancient tomb provided Oksa-jo[옥사조] in Samkuk-sagi[삼국사기] with several valuable leads to help solve the sang(상)'s meaning. Furthermore, It will be start ponit of study on constructive shape of inner space in those days.

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고구려 안악3호분의 음식문화 (Food Culture of Tomb of An-Ak No. 3 in Koguryo Dynasty)

  • 고경희
    • 한국식생활문화학회지
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    • 제31권1호
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    • pp.51-63
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    • 2016

  • The aim of this study was to investigate food culture represented by the grain yard, water well, kitchen, and meat storage space which were depicted in the mural painting of An-Ak tomb No. 3. The mural paintings of An-Ak tomb No. 3 were compared with those of ancient Chinese tombs before the 4th century in order to understand their characteristics. Above all, the tomb murals describe the form and function of the stove (buttumak) as well as the cuisine using the cauldron (sot) and steamer (siru) in a very interesting manner. The meat storage space of An-Ak tomb No. 3 shows whole carcasses of animals such as roe deer, dog, and pig. However, Chinese murals show that while small animals such as soft-shelled turtle, fish, chicken, duck, pheasant, rabbit, etc. were stored as whole carcasses without being cut into pieces, large animals such as cows and pigs were slaughtered and each piece of their carcasses such as the head, thigh, meat loaf, and cardiopulmonary part was separately depicted. These tomb murals vividly describe the food culture of Koguryo and China before the 4th century.

  • https://doi.org/10.7318/KJFC/2016.31.1.051 인용 PDF KSCI

蘇骨과 骨蘇 (A Study on Sokol(蘇骨) and Kolso(骨蘇))

  • 김진구
    • 복식문화연구
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    • 제3권2호
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    • pp.201-214
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    • 1995

  • The purpose of this study was to identify the key features of Sokol(蘇骨) and Kolso(骨蘇) and to determined the relation between sokol and kolso. A Comparative linguistical method was used for the analysis of this resarch. Also, sokol(蘇骨) and julpoong(折風) were examined to determine the relationship between the sokol and the julpoong. Results of this study indicated that the sokol and the kolso were identical head covering used by the nobility of Koguryo. The characteristics features of the sokol and kolso were that these tow head coverings wee made of purple ra(羅) and were decorated with gold and silver. The investigation found that the sokol and the kolso were not of Koguryo's native words. These words were derived from this neighboring words. The sokol and kolso were transliterations of neighboring words. The sokol and julpoong were different head coverings: The sokol was for the nobility while the julpoong was for a man of lowly position.

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한국동물부작(韓國動物符作)과 식문화(食文化) - 고구려(高句麗) 고독(古讀)의 사신도(四神圖)를 중심(中心)으로 - (Animal Charm and Food-Culture of Korea - Focused on the Sa-Shin-do(pictures of Four gods)of the old tomb of Koguryo Dynasty -)

  • 김민기
    • 한국식생활문화학회지
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    • 제1권1호
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    • pp.31-43
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    • 1986

  • There is the picture of four gods(四神圖) painted on the wall of old tomb of Koguryo dynasty in $4{\sim}5$ century. Four gods in this picture were Symbolized by four animals, tortoise, tiger, ryong which is imaginative large Snake, and bong hwang which is also imaginative birds. Those animals wese believed at that time as protecting geities against all of the haman disaster and evils. The peoples of Kojosun dynasty carried those animal charms, and painted or graved on some where of living environment such as furniture, utensils, tools, wall, ceiling, etc. They ate those animals as food or medicine to treatment of all disieses and to get rid of evils and to gain well-being. A lot of examples in historical records were cited and interrelated to above super stitions.

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