• 복식문화연구
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• 제3권1호
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• pp.1-15
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• 1995

This study is concerned with the julpoong of Koguryo. The meaning, form, structure, user, the origin of the word the julpoong were examined. The pien of he ancient China and the julpoong of Koguryo were examined. The result of the analysis of this study is as follows. The Chinese and the people of Koguryo used the meanings of the julpoong differently : the Chinese referred the julpoong to the conical hat with the seams including one seam on it, while the people of Koguryo called the julpoong as the conical hat with seams excluding one seam on it. the people of Koguryo called the julpoong with one seam as the chack . The julpoong was used by all people of Koguryo : the government officials, envoys, and the commoners wore it. The word julpoong of Koguryo was derived from dulband, dulband, dubend, dolband of Persians. the word julpoong is correspondent with the above the persian words. The julpoong of Koguryo word was transliteration of dulband(dulband, dulbend, dolband) meaning turban or sash. The hat called chack by the people of 고구려 was the conical hat with one sea and their meaning of he chack was different from the meaning of the chack of the Chinese. The julpoong a kind of conical hat, was called by the pine by the ancient Chinese.

• 인문언어
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• 제6권
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• pp.213-240
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• 2004

This paper argues that Koguryo historically belonged to Korea based on the linguistic homogeneity among Koguryo, Sinra, and Paekche. The language of Koguryo shows the following four distinct properties from Chinese. First, Koguryo, Sinra, and Kara share a dual structure of national birth myths, and the directional vocabulary found in the countries also shows the evidence that the Korean people moved from North to South. Chinese, on the other hand, has no indication of these facts. Second, the place names in Koguryo shared the same properties with those of the countries in the Korean Peninsula at the same period, but were different from those of China. It is also noticeable that the national name of Korea, adopted from the national name of Koruryo, was announced to the world and that Korea has been acknowledged as our national name since then. The legitimate lineage of Koguryo > Parhay > Hu-Koguryo > Korea proves that Koguryo belonged to Korea historically, Third, the names of kings were very similar among the Three Kingdoms, but distinct from those of China. The names of kings were created on the basis of the sun as well as nature and human functions or activities like nuri (world), Piryu (originated from the name of a river), onjo (all over world), Chumong Hwar-bo (a person who is good at shooting), Paem-bo (a baby crawling like a snake), K\ulcornerchir-bo, Isa-bo, etc. This is a common characteristic among the Three Kingdoms, but clearly different from China. Fourth, the governmental names were very similar among the Three Kingdoms, but distinct from Chinese ones. These linguistic properties shared among the Koguryo, Packche, and Sinra are never accidental, but provide reliable evidence that the countries were founded by the Korean people. Koguryo, therefore, belonged to Korea historically.

• 한국의상디자인학회지
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• 제9권1호
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• pp.51-69
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• 2007

Mu-Guan(武冠) is a headgear of northern nomadic people's costume, Ho-Bok(胡服). It became a part of Chinese(中原) Costume through the adoption of Ho-Bok(胡服) by King Muryong(武寧王) of Kingdom of Cho(趙). Chinese(中原人) did not use it as the formal costume of high class but the Costume military or low-level classes because Chinese(中原人) reguad it as a practical costume only for low-level classes. In this process, Mu-Guan(武冠) and it's clothes had got changed. It became high in shape by an influence Hsien-pi(鮮卑族)'s headgear and became generous in it's going with clothes for Chinese(中原) Costume. It needs to attend that Mu-Guan(武冠) could be found in Koguryo(高句麗)'s mural paintings. Mu-Guan(武冠) of Koguryo(高句麗) had kept the same pattern from middle of 4C to late of 5C. Actually Koguryo(高句麗)'s Mu-Guan(武冠) was similar with Han(漢) dynasty's, but It was quite different from Qin(晉) or Wei(北魏) dynasty's which belong to same period with Koguryo(高句麗)'s. It is possible to guess at Koguryo(高句麗) advanced Mu-Guan(武冠) as their own. Koguryo(高句麗) could be aware of 'Changed Mu-Guan(武冠)'. Because there are frequent diplomatic event between Koguryo(高句麗) and Chiese Dynasties, Barbarian Dynasties. Moreover the guess have persuasion by the existence of 'Changed Mu-Guan(武冠)'in Jee-an(集安) district's mural painting as a Costume of holy person. In brief, It could be noticed that Koguryo(高句麗)'s Mu-Guan(武冠) is distinguished from Chinese and Barbarian dynasties' and Koguryo(高句麗) advanced Mu-Guan(武冠) in their own style.

• 복식
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• 제56권3호
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• pp.42-56
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• 2006

The purpose of this study is to review the literatures and the wall paintings of the ancient tombs of Koguryo in an effort to try to understand the characteristics of the culture of dyeing in Koguryo. The research findings follow: 1. The colors that were in vogue in Koguryo are five cardinal colors (red, blue, white, black, and yellow) and compound colors, like purple and green. Those colors were used in some or all parts of the clothing and even on some parts of the body. 2. Some clothing of Koguryo as shown in the wall paintings were made with a single and solid color by dip dyeing method. But the majority of the clothing had a variety of patterns. Among the patterns, the geometrical dot pattern took the majority. 3. The dyeing techniques used in Koguryo were printing, yarn dyeing, embroidery, wax resist dyeing, drawing and painting. The development of yarn dyeing method, weaving with silk-threads dyed in various colors, enabled to produce Geum fabrics, which were used for the upper classes' clothing. 4. The esthetic features represented in the colors of Koguryo include the beauty of contrast coloring, preference for red, preference for geometrical patterns, and the harmony of yin and yang.

• 헤리티지:역사와 과학
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• 제53권1호
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• pp.106-125
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• 2020

1949년 안악3호분의 발굴로부터 현재에 이르기까지 북한에서 조사한 고구려 고분과 성곽 등 많은 유적은 남한 고구려 고고학 연구의 중요한 자료가 되었다. 해방 이후부터 고고학 조사와 관련된 제도를 정비한 북한에서는 압록강 유역의 적석총과 안악3호분이나 덕흥리벽화분을 위시한 고분, 대성산성과 안학궁 등 평양과 지방의 성곽과 신원 도시유적 등을 조사하여 고구려 역사를 체계화하고 문화의 우수성을 밝혔다고 평가한다. 그러나 1990년대 이후 북한의 고구려 고고학 조사와 연구는 '대동강문화'의 연장선상에서 진행되다보니 고고학 조사는 평양을 중심으로 한 서북한 일대에 치중되었고, 그 결과는 '고구려는 고조선을 계승한 천년 강성대국'이라는 대명제를 실증, 확증한다는 결론으로 귀결되고 있다. 이러한 주체적인 해석은 더욱 공고해져서 고구려 건국연대를 기원전 277년으로 소급시키고 이에 연동하여 적석총의 등장은 기원전 3세기로, 고구려의 평양진출을 3세기대로, 평양은 4세기 이전에 부수도로서 위상을 갖추었다고 평가한다. 최근에는 평양 일원의 성곽은 층위적으로 고구려의 고조선 계승이 증명되었다고 주장한다. 그러나 고구려의 기원전 277년 건국이나 고조선 계승의 고고학적 근거가 객관성을 담보했다고 보기 어렵다. 단군릉과 동명왕릉의 개건에서 드러나듯이 자칫 선택적 조사와 자의적인 해석이라는 비판의 소지가 있다. 때문에 남한에서의 고구려 고고학 연구는 북한의 발굴조사와 보고된 자료를 그대로 취신할 것인가, 또는 유적, 유물에 대한 해석을 그대로 인용할 것인가 등에 대한 비판적 검토가 필요하다. 남, 북한의 공동 조사와 학술교류가 필요한 이유이다.

• 한국정보통신학회논문지
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• 제10권8호
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• pp.1359-1365
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• 2006

디지털 고구려는 안악 3호분 고구려 고분을사용자와 상호작용을 높이기 위해 게임요소를 가미하여 제작한 가상현실 환경이다. 디지털 고구려는 디지털 기술로 문화 유산 복원만이 아니라 일반 대중에게 특히 초등학생 어린이들에게 고구려인의 생활상과 문화를 이해하고 역사 학습을 도와주는데 중점을 두었다. 본 논문에서는 고구려의 고분과 벽화들을 복원하는 과정과 교육용 환경으로서 사용자들의 관심을 높이기 위해 게임의 형태를 취한 가상현실 환경 제작 과정, 그리고 개발과 시연을 통해 나타났던 개선점들과 몰입감을 증대시키기 위한 향후 연구방향에 대해 논한다.

• 복식
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• 제56권6호
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• pp.87-95
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• 2006

This is a study regarding the development of Cultural Products with Applied Koguryo Wadang Patterns. The objective of this study is in developing unique Cultural Products which combine traditional Korean images with modern feel by utilizing Koguryo Wadang patterns. The among Korean traditional patterns which implicit the sense of beauty and modeling, chose and investigated the Wadang patterns of the Koguryo. And from it, studied about the originality and characteristics of the Koguryo Wadang patterns. In this characteristics of the Wadang pattern, the representative lotus design pattern was based and reorganized to fine the probability of the modern expression using traditional patterns. After design plans were made for each works, natural dyes were used to dye(dip dyeing, printing) the fabrics(cotton:Kwang-mok) by theme. Approximately 16 pieces of Cultural Products that can be used in daily life were created using Koguryo Wadang patterns, including Traffic or credit card cases, Name card cases, Pouches, CD cases, Cushions, Bags, Purses, Vest, Muffler. In addition, the increased quality of the products will be a competitive edge in the world market where products compete with no national bounds.

• 복식
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• 제55권2호
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• pp.82-91
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• 2005

The purpose of this study is to analyze the style of trousers of Koguryo(高句麗). Trousers of Koguryo were called Go(袴: trousers) and those had various forms according to the shape of gusset(dang, 糖), width and length of the trousers. Commonly the trousers that had worn by Koguryo people had gausset in those bottom not to be shown hip. The gausset was cut triangle or square so if a person wear the trouser with the triangular gausset, the trouser has a pointed hip. Sometimes the trousers had non pointed hips were dicovered in the wall-paintings of the Koguryo tombs, they are thought the trousers that had no gaussets or square one. And also there were another trousers that had wide/narrow legs and long/short legs. Trousers of wide legs were called Gwango(寬袴) and narrow legs Sego(細袴). Gwango(寬袴) grew wider over time and in the late age, the trousers were called Daegugo(大口袴) with wide ends were worn. Trousers were also decorated elaborately with patches on the edges, leg ties, vents, etc.

• 헤리티지:역사와 과학
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• 제33권
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• pp.68-92
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• 2000

This paper reconsiders the users of iron arrowheads from Mongchon Earthen Wall(夢村土城). Because the Mongchon Earthen Wall has been seen as a major dwelling fort of the Hansong Period(漢城時代 : 18 B.C.~475), Paekche(百濟), these iron arrowheads have been considered as artifacts of the Hansong Paekche with no systematic analysis since they were found in 1985. However, uncovering numerous Koguryo artifacts, the excavations in 1988 and 1989 showed that Koguryo(高句麗) army had occupied the Mongchon Earthen Wall after they had conquered Hansong Paekche. In this paper, focusing on the formal similarity between these arrowheads and those from other Koguryo sites, I attempt to reconsider the nature of arrowheads from the Mongchon Earthen Wall. Found from a small pit, all of these arrowheads (88 in number) seem to have been contemporaneous. While all are stemmed, they can be divided into nine types on the basis of the shape of body and point. Most types are equal or similar to Koguryo arrowheads of other regions, and especially type F and G have not been found in southern Korean Peninsula. Accordingly, it is suggested that the existing models be reconsidered, and that Koguryo army who had conquered Hansong Paekche used these arrowheads around mid-5th century AD. Although at this point it is difficult to determine the users of these arrowheads only by analyzing several formal attributes due to Korean archaeology's little understanding of the arrowheads of the Three Kingdoms Period(三國時代), I expect that application of natural scientific methods will contribute to a better understanding.

• 복식문화연구
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• 제7권2호
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• pp.205-210
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• 1999

This study is concerned with the costumes of musicians and dancers of the Three Kingdoms recorded in Sam Kuk Sa Ki(三國史記). Costume names of musicians and dancers of Silla, Koguryo and Backje were traced and examined for this research. Results of this study can be summerized as follows : 1. head gears of entertainers of the Three Kingdoms were different from one another. 2. Wide sleeved robes were worn by the entertainers of the Three Kingdoms ; however, entertainers of Silla and dancers of Backje wore purple robes whereas entertainers of Koguryo wore yellow robes. 3. Belts of the entertainers of Silla wore belts, made of red leather and decorated with gilt ornaments while the entertainers of Koguryo wore belts made of purple ra. 4. Entertainers of both silla and Koguryo wore black leather boots where as dancers of Backje wore leather shoes.