• 제목/요약/키워드: Knit velvet fabric

검색결과 2건 처리시간 0.015초

친유성 아크릴 수지로 처리된 폴리프로필렌 편직물의 유흡착 성질 (Oil Absorptive Properties of Polypropylene Knit Fabric Treated with Oleophilic Acrylic Resin)

  • 정화진
    • 한국산학기술학회논문지
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    • 제17권2호
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    • pp.528-535
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    • 2016
  • Ethyl acrylate(EA) 혹은 lauryl acrylate(LA)와 hydroxy ethyl acrylate(HEA)를 용액중합법에 의해 공중합하여 2종의 친유성 아크릴 전구중합체를 얻은 다음, 여기에 가교제로서 hexamethylene diisocyanate(HDI)를 첨가 배합하여, 폴리프로필렌 velvet 편직물에 통상의 pad-dry-cure방법으로 수지가공을 실시하여 유흡착재를 제조하였다. 가교 아크릴 수지(EA-HEA-HDI)의 겔화도는 전체 acrylate에 대한 HEA의 사용량과 가교제인 HDI의 농도가 증가할수록 증가하였다. 얻어진 유흡착재의 수지 부착율에 따른 흡유능과 유보유율은 시험유로서 n-decane, toluene, 대두유, 윤활유, 벙커C유를 사용하여 평가 하였고 대두유를 제외하고 사용된 모든 오일에 걸쳐 흡유능에 미치는 최적의 부착율은 약 6%로 나타났다. 한편 유보유율은 부착율의 증가에 따라 증가하였고 더욱이 고비중, 고점도 오일의 경우에서 전반적으로 보다 증가된 값을 나타내었다. 또한 흡유능은 LA-HEA-HDI로 처리된 유흡착재가 EA-HEA-HDI의 그것에 비하여 높았으며, 아크릴 수지의 측쇄 알킬기의 길이가 증가할수록 보다 높은 흡유능을 나타내었다.

1990년대 남성복 소재에 나타난 조형성에 관한 연구 (A Study on the Formativeness of Materials of Man′Fashion in 1990′s)

  • 이효진;류근영
    • 복식문화연구
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    • 제8권6호
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    • pp.806-821
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    • 2000
  • Each and everything named fashion together with clothes were limited in the boundary of women and men's wear has been slow and narrow in changing speed compared to women's, even there are some differences in accordance time. But maintaining the basic features, men's wear in the latter 20th century has undergone diverse change in the part of materials such as various synthetic fiber, glass, metal, artificial leather and the see-through fabric able to seeing the body wearing the clothes. Therefore, the aim and definition of this study is to present the systematic framework giving help to develop men's wear design newer and more various by considering moulding of materials which existing men's wear could not show up and by grasping material trend of men's clothes in 1990s. The results of the study were summarized as follows : (1) Material containing lustering is categorized as Velvet, Silk, Lustering materials by synthetic fiber and Lustering materials by additional substance. The Velvet generally acknowledged having something to feel womanly image shows the bisexual character coexisting feature of men and women after grafting with men'fashion. The Silk was endowed the role as means of pleasure to express beyond boundary of sex breaking the existing consciousness which men should wear male clothes, not considering differences between men and women. The lustering made by synthetic fiber expressed modern sensitivity aesthetically to the suit. The lustering materials made by additional substance is seen mixed masculine character with womanly character. (2) See-through materials are acknowledged as decadence beauty caused by expanding subjective awareness in beauty. (3) Materials by the sorts of Net is categorized as Lace, Knit The Lace expression seemed to emphases the human liberation of men and women and the humanity from liberation of subjecthood. The Knit can be felt both woman's image and man's image as bisexual image, not raising only one side sex. (4) Elastic materials offered the opportunity to approve exposure in a time when exposure of men's body was not granted ethically. (5) Leather was shown as indication of social status and inferiority and expression of collective resistance against sexual stagnation of men and women.

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