• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2013.06a
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• pp.193-195
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• 2013

오디오 핑거프린트는 콘텐츠의 오디오 신호의 특색을 요약한 서명(signature)으로 2nd 스크린 서비스의 기반 기술로 주목 받고 있다. 이를 이용한 오디오 핑거프린트 시스템은 콘텐츠의 오디오를 인식하고 해당 콘텐츠와 연관된 메타 데이터를 2nd 디바이스와 웹을 통해 연결시키는 기능을 제공한다. 스마트링크 TV 는 이러한 오디오 핑거프린트를 이용한 KBS 의 콘텐츠 장면(scene) 기반 2nd 스크린 서비스 플랫폼이다. 본 논문에서는 한국의 방송환경에 적용된 스마트링크 TV 의 전반적인 플랫폼 구조와 활용방법에 대해 살펴본다.

• Korean Linguistics
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• v.72
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• pp.199-225
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• 2016

This study has two main purposes: to establish a list of source domains in the metaphors for Middle East respiratory syndrome (MERS) and to uncover ideological meanings embedded in them in Korean news reports from KBS and JTBC. The first part of this study presents metaphors such as [MERS IS WAR], [MERS IS WAVE], [MERS IS A LIVING THING], and [MERS IS A THING], which were found in the data. The latter part of this study deals with how the two broadcasting companies use these metaphors differently according to their ideologies. In the metaphor of [MERS IS WAR], KBS tends to show less of the agents who controls the war since the war against MERS has failed which casts responsibility to the controlling agents, the government and big hospitals. In this, KBS tries to present less of the information of the responsible agents that presented in JTBC. Through the metaphor of [MERS IS WAVE], KBS presents the aftermath of MERS as something not serious. Compared to JTBC, KBS tends to suggest that the aftermath of MERS is predominantly an economic effects by metaphorically suggesting that predominantly the economic sector got hit by MERS.

• Journal of Nuclear Fuel Cycle and Waste Technology(JNFCWT)
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• v.20 no.4
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• pp.501-510
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• 2022

The nuclear criticality analyses considering burnup credit were performed for a spent nuclear fuel (SNF) disposal cell consisting of bentonite buffer and two different types of SNF disposal canister: the KBS-3 canister and small standardized transportation, aging and disposal (STAD) canister. Firstly, the KBS-3 & STAD canister containing four SNFs of the initial enrichment of 4.0wt% ²³⁵U and discharge burnup of 45,000 MWD/MTU were modelled. The k_eff values for the cooling times of 40, 50, and 60 years of SNFs were calculated to be 0.79108, 0.78803, and 0.78484 & 0.76149, 0.75683, and 0.75444, respectively. Secondly, the KBS-3 & STAD canister with four SNFs of 4.5wt% and 55,000 MWD/MTU were modelled. The k_eff values for the cooling times of 40, 50, and 60 years were 0.78067, 0.77581, and 0.77335 & 0.75024, 0.74647, and 0.74420, respectively. Therefore, all cases met the performance criterion with respect to the k_eff value, 0.95. The STAD canister had the lower k_eff values than KBS-3. The neutron absorber plates in the STAD canister significantly affected the reduction in k_eff values although the distance among the SNFs in the STAD canister was considerably shorter than that in the KBS-3 canister.

• The Journal of the Korea Contents Association
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• v.16 no.11
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• pp.510-524
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• 2016

The 4-part series of , the 6-part series of , the 7 part-series of , and the 6-part series of differ in terms of their themes, although each one of them focuses on Asia. By winning prominent prizes around the world, these documentaries produced by the 'Insight Asia' Project Team of the Korea Broadcasting System (KBS) were affirmed of their competence in producing quality material. The purpose of Insight Asia Project was to improve the quality of KBS documentaries, and to make them competitive in the world market, Europe in particular. The specific goal 'Insight Asia' Team set for itself was to produce, in 5 years' time, documentaries of equal caliber to the (pre-Murdoch) National Geographic and the BBC. Unfortunately, the "Korean Wave," which was once active in the drama genre, was in stagnation at the time the team was being launched. As a result, KBS shifted refocused on documentaries as its driving force and provided detailed minute plans of action. However, the 'Insight Asia' Project was suspended abruptly in its fourth year, after a change in management in the network, and a discussion or evaluation on 'Insight Asia' Project never occurred. This study's objective is to retrace how the project 'Insight Asia' had been developed, and to clarify its meaning with respect to the KBS's globalization project. For this study, producers who participated in the project were interviewed.

• Broadcasting and Media Magazine
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• v.20 no.1
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• pp.11-19
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• 2015

• Broadcasting and Media Magazine
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• v.18 no.4
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• pp.44-53
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• 2013

• Satellite Communications and Space Industry
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• v.8 no.2 s.19
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• pp.76-92
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• 2000

• Broadcasting and Media Magazine
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• v.11 no.3
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• pp.12-19
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• 2006

• Broadcasting and Media Magazine
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• v.19 no.4
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• pp.33-41
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• 2014

• Information and Communications Magazine
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• v.19 no.4
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• pp.77-87
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• 2002