• Title/Summary/Keyword: K-dress

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A Study on the Dress Form for the Making Dresses: Focusing on the Size Cover Rate and Correction (드레스 제작을 위한 인대 연구: 사이즈 커버율과 보정을 중심으로)

  • Lee, Sanghee;Kwon, Sookhee
    • Human Ecology Research
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    • v.58 no.2
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    • pp.215-228
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    • 2020
  • Underlying dress forms for high coverage patterns are very important in the dress industry. Size 9 from brand D was chosen according to the analysis that it was the best option because a dress should have a large allowable range in one size. The criteria for selection were the dress form with a waist circumference of 63.50 centimeters, which is close to the standard size of women in Korea. Brassieres for dresses were included to enhance the aesthetic value of the correction process in producing a basic dress pattern. An experimental torso pattern was applied to evaluate the fit and suitability of the dress form that was also later verified in the process of the dress works. Three dresses were produced and presented on the chosen study dress form. The research procedures are as follows. First, the sell-through rates and feedbacks were collected from the dress form vendor. Second, a literature survey on dresses and a dress company investigation were conducted. Third, the amount of body dimension changes due to the use of a bra in the dresses were examined. Fourth, after the correction of the dress form, the torso pattern was made by draping. Fifth, the torso experimental clothing made of muslin material was evaluated. Sixth, the dress works of the top design were presented using the size 9 basic pattern developed by brand D.

The Suitability of the Size Classification of Dress Shirts on the Market (시판 드레스셔츠의 치수 구분 적합성)

  • Han, Eun Joo;Kweon, Soo Ae;Choi, Jong Myoung;Song, Jae Min;Lim, Bo Youn
    • Journal of the Korean Society of Clothing and Textiles
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    • v.39 no.5
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    • pp.695-702
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    • 2015
  • This study provides basic data that are helpful to prepare a sizing system for dress shirts that improves the wearer's size fitness. The 16 different parts of the dress shirts were measured for 24 pieces of dress shirts with three kinds of size (95, 100 and 105) among the eight different brands on the market. The measurement sizes of the dress shirts analyzed the accuracy of the size information, size classification by size designation, and differences of size by brand. The results of the study were: 1. The size information of dress shirts differed from customer demand. 2. The size increments between size designations differed from each other even though measurement sizes of the dress shirts increased as the size designation increase. 3. Measurement sizes of the dress shirts were different between brands even for dress shirts of the same size designation. It is necessary that manufacturers secure an accurate and standardized sizing system and provide accurate information for the measurement sizes of dress shirts on an online shopping mall.

What is the Meaning of Black in Korean Traditional Mourning Dress?

  • Park, Saet Byul;DeLong, Marilyn
    • International Journal of Costume and Fashion
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    • v.14 no.2
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    • pp.81-96
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    • 2014
  • The meanings of colors vary with time and space. For the most important events in a person's life, such as wedding or funeral, people use color to symbolize their identities or roles. Traditionally, the colors of dress had indicated the wearer's age, class, or marital status in Korea. However, Korea's exposure to western cultures has affected in many dimensions of its modern history. Especially, influenced by social change, the traditional dress has undergone many modifications in forms, silhouettes, materials, and color. However, women's mourning dress has been maintained as a long lasting tradition and the use of white in mourning dress has been regarded as a norm until recently, while men have worn a regular black suit with a black tie. But, the shift from white to black in mourning dress has been observed in recent mourning practices. To examine this change of color in Korean traditional mourning dress, a historical approach utilizing multiple resources, such as interview, observations of events, documents, and archival records was applied.

The Wearing Practices and Subjective Fabrics Preferences for Spring and Fall Dress Shirts of Male Office Workers (직장 남성의 춘추용 드레스 셔츠 착용 실태 및 소재 선호도)

  • Kim, Kyung-Hee;Choi, Jong-Myoung
    • The Research Journal of the Costume Culture
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    • v.14 no.2
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    • pp.299-309
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    • 2006
  • This study was intended to analyze the wearing practices and the subjective fabrics preferences for men's dress shirts. It was performed by means of convenience sampling survey of male office workers wearing dress shirts who were living in Seoul, Geonggi, and Chungcheong area. Collected data were analyzed by frequency analysis, cross-tabulation analysis, t-test, and ANOVA using SPSS. The results were as follows: Most of the male office workers owned 5 dress shirts, and blue color dress shirts were preferred to white one. It was shown that most of the respondents wore dress shirts at the office almost every day with necktie. The preferred sensations of the dress shirt fabrics were the soft, wrinkle-free, smooth and dry ones. There were partially significant differences according to gender and age of male office workers in the wearing practices and subjective fabrics preferences of dress shirts.

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A Study on Queen Elizabeth II's Dress : Focusing on the Dress and Role Enactment

  • Cho, Youn-Yung;Yang, Sook-In
    • The International Journal of Costume Culture
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    • v.13 no.1
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    • pp.12-22
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    • 2010
  • As an influential political leader, Queen Elizabeth II holds the link between past queens and today's women political leaders and her dress represents so much in accordance to her role. It is important to analyze the dress and role enactment of Queen Elizabeth II in order to provide a guide to the future women political leaders all over the world. The Queen's dress helps her show tradition which has developed over one thousand years of history. She represents Britain to the world focusing on national identity and unity. The Queen always distinct herself from the rest of the world to show the pride of British Monarch, but when she is visiting other counties for diplomatic relationships she would surely show a friendly gesture on her dress to assimilate herself with that country. Also, same as all other women, the Queen seeks practicality in her dress. Therefore, I was able to classify the Queen's dress into jive groups as a way of role enactment. They are tradition, representation, distinction, assimilation, and practicality.

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A Basic Study on the Product Development of Dress Forms (의복 생산용 바디 개발을 위한 기초 연구)

  • Cui, Ming-Hai;Jung, Kyong-Won;Nam, Yun-Ja;Choi, Kueng-Mi
    • Fashion & Textile Research Journal
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    • v.8 no.3
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    • pp.317-325
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    • 2006
  • The purposes of this study are to examine clothing businesses which are using dress forms and grasp the problems in apparel manufacturing process, to verify the size and shape of the dress forms for uniformity, to ascertain the uniformity between the dress forms being sold today and the somatotype of the target consumers. The following results were obtained. First, most of the clothing businesses used the existing dress forms in the company. The dress forms didn't reflect the somatotype of the current consumers. And the users satisfaction was below the average. Second, the size and shape of the dress forms being sold today had lack of uniformity between themselves. Third, the dress forms didn't reflect the shape characteristics as well as the size of the target consumers. Consequently, The dress forms need to have the following. First, It is necessary that the dress forms have various functions in a dress form in the future. Second, to get high satisfaction of clothing fit, we need to build up the data base of the consumers somatotype. The data base have to consist of not only circumference but also width, thickness, angle of the current consumers. Last, the further studies of the dress forms need to meet the clothing businesses demand.

A Study of Various Collar of Casual Korean Dress (생활한복의 깃 디자인 기원에 관한 연구)

  • Kwen, Jin;Park, Hea-Ryoung
    • Fashion & Textile Research Journal
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    • v.3 no.3
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    • pp.211-218
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    • 2001
  • In this paper, various shapes of collar of the casual Korean dress at present are analyzed and are also surveyed the origins from which such designs are derived. Collars of the casual Korean dress are to be classified into Round-collar, Mokpan-collar, Dangco-collar, Knife-collar, Baja-collar, Danryoung-transfer-collar, Double-collar, Transfer-collar, and so on. Round-collar, Mokpan-collar, Dangco-collar, Knife-collar, Baja-collar, Danryoung-transfer-collar, Double-collar, Transfer-collar are motivated from the classical types of collar during the dynasty of the Choxian and adopted without any modifications. However, modifications to meet modern sense with the basic motif on the classical types of collar are applied to Transfer-collar where all kinds of collar shapes since ancient times are referred for modifications. In addition, collars such as Double-collar, Hi-neck-collar, which are not found in the classical Korean dress, could be said to be created only for the casual Korean dress From the above, it could be seen that most collars of the casual Korean dress are based on the shapes of the classical Korean dress. Therefore, it could be also confirmed that the casual Korean dress design has its identity originated from the classical Korean dress since the ancient times.

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A Development of Wedding Dress Design by Digital Clothing (디지털 클로딩에 의한 웨딩드레스 디자인 개발)

  • Lee, Seoyun;Cho, Kyuwha;Kim, Jiyoung
    • Journal of Fashion Business
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    • v.18 no.2
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    • pp.166-182
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    • 2014
  • The purpose of this study is to develop a wedding dress design using digital clothing program to produce an actual dress. The level of actualization of the wedding dress design through digital clothing was evaluated by comparing the shape, ornament details, material, and tone. Also, the direction of improvement was sought by apprehending the limitations for the future of wedding dress design created by digital clothing. In order to evaluate the level of actualization on major design techniques of wedding dress, design planning of 4 dresses was performed based on the major images of wedding dresses. Virtual dress was created using DC Suite program and an actual wedding dress was produced using the pattern created in the process of virtual dress designing. The wedding dress designed by digital clothing was superior in silhouette or expression of pleats, but they rather lacked in expressing corsage, 3-dimensional objects, sheen material or double material. However, by supplementing a few functions, digital clothing can be effectively utilized in wedding dress design with the convenience and speed of digital operation. The digital clothing performs rapid production in the design development stage, modifies simply and confirms in real time and is highly effective, Therefore, if a program designed for wedding dress is developed, its effectiveness will be improved to maximize the customer satisfaction, and it will significantly reduce the time and cost which will make a great contribution to the wedding industry.

Manufacturing of Personal Dress Form by Replica Method -With Special Reference to the Verification of Size- (석고법에 의한 인체모형 제작 -치수검정을 중심으로-)

  • Shim, Kue-Nam;Oh, Ji-Young
    • Fashion & Textile Research Journal
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    • v.1 no.2
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    • pp.148-153
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    • 1999
  • The purpose of this study was to manufacturing of personal dress form by replica method for draping. The objects were physical body and personal dress form of their torso somatotype. Comparing the measurements of Martin method and of sliding gauge method to examine the fitness of dress form. Dress form was found bigger than physical body. This was due to the transformation in processing that wrap a Suck-Go bandage and pack a polyurethane foam. On the basis of the result, manufacturing of personal dress form and foundation by draping, it was wearing done test on the physical body, through the procedure that investigate the possibility of usage and the manufacture of personal dress form.

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A Study for the Development of a Variable Wedding Dress Design (가변적 웨딩드레스 디자인 개발을 위한 연구)

  • Jeon, Mi-Jin;Moon, Sun-Jeong;Chung, Sham-Ho
    • Fashion & Textile Research Journal
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    • v.15 no.5
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    • pp.694-703
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    • 2013
  • A variable dress design can be an alternative to satisfy a consumer need for diverse expression and self-realization at a lower cost factor. In the area of wedding dress, the change in the trend of wedding culture (which tends to demand more units of wedding dress) makes the cost factor more important in the purchase selection. A variable design has a clear advantage for wedding dresses and the wedding industry. This is the first research on a variable design that focuses on wedding dresses. This research develops a variable wedding design which respects consumer preferences independent of a variable wedding dress design that presents a new shape of silhouette or the development ofa new wedding dress materials. A survey on the supply side was conducted to examine market preferences by first browsing the Naver portal site and then checking the websites of major wedding dress suppliers. A questionnaire survey was conducted with a sample of 348 brides-to-be that inquired on wedding dress selection factors and purchase patterns. The survey shows that consumers prefer mermaid and A-line silhouettes, silk material, white-ivory color, and tube top necklines. The result conforms to the types commonly found in the designs of suppliers. We apply a detachable design to a basic mermaid silhouette and implemented change for 7 kinds of styles -based on the result of the survey. We suggest a variable wedding dress design as a new means to solve the cost concern and the customer need for diverse expression. The research represents a new life style for wedding culture and facilitates the development of the wedding industry.