• 건축역사연구
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• 제7권3호
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• pp.67-86
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• 1998

In this thesis, the Development of Station Buildigs Design during last a hundred years in Korea is analyzed. From the early time to today, several posts of Office of Korean National Railroads have controlled the Station Buildings Design by Standard Drawings. Sometimes, private architects joined in designing the Stations, that have the value as historic architecture. Under the Japanese imperialistic rule, Japanese Officer designed all of the stations ; that can be classified 1) wooden compromise style, 2) renaissance style, 3) northern European house style, 4) general station by standard drawing, 5) Korean house style. 6) modernism style. Especially, Korean house style was not planned to commemorate the old Korean Architecture, but to beguile the Japanese tourists' monotony of the journey in Korea. After the Independence, the Station Buildings are grouped into 1) international style, 2) modernism style with traditional details, 3) Station Complex Buildings. In the future, design of the Railroad Station Building needs to be diversified to satisfy tourists' emotion.

• 한국문헌정보학회지
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• 제6권
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• pp.137-163
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• 1979

The Purpose of this study is analyzed that (l) How the public Libraries under the Japanese Rule since the end of the Yi-Dynasty were recepted and generated by the people and (2) How they were organiged and managed. (3) Also it examined that how they affected the development of the libraries of today. 1. The following are the analyzed results: Three types of the public Libraries under the Japanese Rule for a period of 36 years engaged busily in colonization were Private's Public Libraries, Local Self-Government's Libraries and the Central Governmental Libraries, and were in order established. 2. They were eatablished by individuals, Confucian School Foundation, Young Men's Clubs, School Associations, Korean brethren residing abroad, or The Press Centering around the Local Self-Governments and the Japanese Government-General. 3. In 1932 of the period of the Japanese Rule, the number of Libraies gained the summit and reached 80 Libraries. The Public Libraries including the Central Governmental Libraries remained in existence until the end of the War had been kept up the functions of the Libraries, but the Private Libraries operated by the Koreans were very small and poor. As a result, most of them were closed up and some Libraries transferred their controls to the public. Until the end of the war, only a little over 10 Private Libraries were Kept up. From the aspects of it's organization system, the most of their libraries replaced their chief librarians with non-professional county-headmen or Local supporters. From the aspect of collections, they wate mainly consists of Japanese books for the proper quidance of the public thought based on the ideology of Japanese Rule to Korea and on the industrial promotion rather than books about Koreanology or Western books. At that time, the Library users were with the jobless men and students as the central figures. And the next ranking by the social position of readers was children, farmers, merchants, industrialists, public servants, miscellaneous and educators. Their reading tendencies laid stress on linguistics and literature, physical sciences and medicine, While the reading trend of military sciences and medicine, while the reading trend of military sciences and engineering were very inactive. This was because the Japanese Government-General had not kept the military collections on file. Besides, they were reluctant to make Korean's learn the professional knowledge and so the main reference materials of technology not provited. Most of the Libraries put practiced in circulation services were very important circulation in withinder of the reading room rather than in outside of the Library building. On the other hand, their circulation services has above came with many limitations. As stated above, the public Libraries' managements and activitives under the period of Japanese Rule were the way and means to achive the colonial and imperialistic purpose of the Japanese Empire.

• 건축역사연구
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• 제18권6호
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• pp.127-144
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• 2009

This thesis aims to analyze the architectural form for the restoration of noogak(樓閣), Boje-roo(普濟樓) which was constructed at the central court of Beomeo-sa(梵魚寺). The results are as follow; 1. Boje-roo was established in 1700. By the constructional records and poetic essays of the times, the architectural of the establishment building was consisted fo two stories structure. The passage system for the approach to the court was the nuha-jinip(樓下進入), that is to say, one might walk between the columns of lower story of the building. And one could ascent the upper stairs and approach to the upper level, inner court. 2. By the remodelling in 1812, the building was varied to one story structure. Therefore the passage system for the approach to the inner court transformed from the nuha-jinip to the ugak-jinip(隅角進入), that is to say, one might ascent the atairs of the podium and could approach the inner court through the both sides of the building. 3. Under the Japanese imperialistic rule, the structure of it's roof and walls of Boje-roo were altered to the Japanese style. In 1965, the wooden columns were shifted to the concreted column, and the wooden wall-panels were shifted to the brick wall attached stone slates. 4. Conclusively speaking, for the restoration of Boje-roo, the establishment form in 1700 is the more proper than the remodelling form in 1812.

• 헤리티지:역사와 과학
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• 제39권
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• pp.95-130
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• 2006

근대 초부터 일제강점기까지 세키노 타다시(關野貞)를 비롯한 일본인 관학파 연구자들은 신라고분을 비롯한 한국의 문화유적 전반에 대한 조사연구와 자료수집활동을 했다. 이들은 초기에는 메이지정부의 지원을 받았고 한국이 식민지화된 이후에는 조선총독부와 유관기관으로부터 재정 지원을 받으면서 고고, 미술, 건축, 인류학, 민속학 등 전 분야에 걸친 조사를 하였다. 이들이 신라고분을 비롯한 한국의 문화유산을 조사한 목적은 한국에 대한 일본의 식민지배를 정당화하기 위한 이론적 근거와 필요한 자료를 찾기 위한 것이었으므로, 지역적으로 편중되고 왜곡된 시각이 나타나기도 한다. 1886년부터 한국의 고분과 출토유물에 대한 관심을 가진 일본인 연구자들에 의한 방한 조사가 계속 끊임없이 이루어졌다. 1904년 세키노가 한국에서 조사한 건축조사 보고서인 "한국건축조사보고(韓國建築調査報告)"에는 오릉을 비롯한 여러 고분에 대한 내용이 간단하게 소개되었고, 1906년에는 이마니시 류(今西龍)가 최초로 소금강산에 위치한 '북산고분(北山古墳)'과 황남동 남총(南塚)에 대한 발굴조시를 한 후, 적석목곽분(積石木樹墳)과 횡혈식석실분(橫穴式石室墳)의 구조에 대한 초보적인 인식이 이루어졌다. 1909년 건축학을 전공한 야츠이 세이이치(谷井第一)는 서악동 석침총(石枕塚) 발굴조사에서 작성한 석실의 평면도와 단면도는 한국에서 이루어진 발굴조사에서 최초로 제작된 유구실측도면으로 수치가 표현된 점에서 이전의 스케치된 그림과는 뚜렷하게 구분된다. 또한 이후 발굴조사에서는 이러한 유구 실측도면의 작성은 계속 이어진다. 이마니시와 야쯔이는 신라고분의 입지적 특징, 분구의 형태와 규모, 출토유물 등에 대한 조사 결과에 근거하여 적석목곽분과 횡혈식석실분은 서로 연대적으로 차이가 있음을 밝혔다. 조선총독부는 1916년에 "고적 및 유물보존규칙"과 "고적조사위원회규정"을 시행하고 고적조사위원회와 박물관협의회를 설치했다. 박물관이 활동하게 되면서 고분에서 출토된 유물들을 전시하고 유적을 조사하는 사업들은 모두 조선총독부의 허가를 얻어야 됐다. 1921년에는 금관총(金冠塚)이, 1927년에는 서봉총(瑞鳳塚)이 각각 발굴조사되면서 경주의 대형 적석목곽분은 화려한 출토유물로 주목을 받게 되지만, 전국 각지에 대한 조사가 이루어지면서 여러 고분들에 대한 보고서 발간은 이루어지지 못했다. 최근 몇몇 연구자들의 노력에 의해서 미발간 보고서가 간행되었지만, 서봉총과 같이 중요한 고분들에 대한 보고서가 아직 출판되지 못한 점은 당시의 한계로 볼 수 있다. 1920년대 후반에는 노모리 켄(野守健)이 지적도를 기초로 제작한 경주고분 분포도는 현재 통용되고 있는 155기의 고분의 규모와 위치를 명기한 자료로 시내에 소재한 여러 고분의 전체 모습을 확인시켜준 점에서 그 의미가 크다. 1930년대부터 아리미츠 쿄이찌(有光敎一)와 사이토 타다시(齋藤忠)는 다수의 적석목곽분과 횡혈식석실분에 대한 발굴조사를 통해서 한 묘제에 여러 가지 형식의 분묘가 존재하고 있음을 확인하였고, 특히 복잡하게 중복된 모습으로 노출된 적석목곽분에 대한 발굴조사경험은 이전에 이루어진 발굴조사와 보고서간행 등에 있어서 발전된 모습을 보여준다. 이번에 지난 근대~일제강점기에 발굴조사된 신라고분에 대한 발굴조사 내용을 살펴본 결과, 이때 조사된 여러 유적들에 대한 조사내용을 재검증하는 작업이 필요하며 이는 한국고고학사를 정리하는데 있어서 중요한 사실임을 재확인할 수 있다.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.3-11
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• 2006

The vocabulary of modern grand hotels' interior designs reflects western design patterns, showing its nostalgia for modern architecture. And it also contains the trace of past designs implanted by others then, expressing the hardships of Korean history. Like this, the past architectural style distorted under the Japanese imperialistic rule has continued to exist until now without any significant changes, because there has been little effort to figure out the history of modern interior designs. And also there has been the lack of data and aesthetic descriptions about the modern interior designs that contain the historical nature of society. Therefore, this study will review the interior design of modern buildings, which trace back to the fawning of the Korean Interior Design. And it aims to understand the hotel interior's expressive characteristics and historical meanings by paying a particular attention to its lost parts. And it also alms to have a significant meaning in taking the first step toward a clue of the history of Korean modern interiors by systematically putting in order the ever-disappearing materials of modern hotel interiors.