• 한국조경학회지
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• 제45권1호
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• pp.1-15
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• 2017

본 연구는 일제강점기에 계획된 부산 도시공원 32개소를 대상으로 도시의 성장과 발전에 따른 공원의 변화과정을 고찰했다. 특히, 도시공원의 변화과정을 도시계획적 관점에서 검토하기 위해 부산시에서 편찬된 도시계획사 관련 서적, 부산시보 고시공고, 도시공원 유원지 녹지현황 내부 자료, 결재문서 등을 조사 분석했다. 그 결과, 일제강점기 일본 거류지역 일본인에 의해 조성된 대정공원, 고관공원, 용두산공원은 시가지 공원계획 이전부터 공원으로 이용되었으며, 이러한 공원을 포함한 1944년 법적으로 명시한 32개소의 공원은 방재기능을 고려하여 계획되었다. 해방이후, 한국전쟁의 혼란한 시기와 도시계획 재정비로 인해 공원부지는 무허가 건축물 난립, 주택건설, 상업지, 공공청사 및 학교 건립 등으로 이용되었으며, 그에 반해 도심지에 위치한 도로공원과 대부분의 소공원은 폐지되었다. 하지만, 그린부산 정책과 더불어 일제강점기 당시 도심 외곽에 계획된 미집행 공원은 도시 성장으로 도심지에 위치한 주요 공원으로 자리 잡아, 쾌적한 도시형성을 위한 공원사업으로 연지공원, 양정공원, 당곡공원이 조성되고 있다. 이렇게 일제강점기에 계획된 32개소의 공원은 부산 도시형성 과정의 시대상을 반영하여 폐지 또는 조성되었다. 폐지된 공원은 개발압력에 토지매입 효율성이 낮다고 판단된 공원이며, 조성되고 있는 공원은 개발이 용이하지 못했던 위치에 입지한 공원이다. 따라서, 공원이 사회공통자본으로 인정받기 위해서는 공원 부지의 토지매입 여건에 대한 충분한 검토가 필요한 것으로 밝혀졌다.

• 건축사
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• 3호통권251호
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• pp.48-55
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• 1990

• 한국실내디자인학회논문집
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• 제25권4호
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• pp.51-59
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• 2016

Recent modern architecture shows a lot of cases that introduce natural light in indoor space, arousing diverse emotions within a minimal space by means of changes in the light. There are various causes for the background of these streams of times, and it may be said that pursuing the relationship between natural phenomena and space, using changes in light, is an important factor among them. This is closely linked to the raise of phenomenological architecture. In the case of Japan, there are many cases where the architectural language connected to the traditional architecture has been restructured to fit to modern architectural technique. The modern reinterpretation and development of the Japanese traditional effect of light and its meaning can be seen in cases of Kuma Kengo and Tadao Anndo. Of the modern architects that have used the appearance of spatial concept of light in Japanese architectural space, Kengo Kuma shows his attempt at finding identity in his designs through the acceptance and modern reinterpretation of orientalism of nature, along with the traditional and regional interpretation through materials and ways construction. It is his use oh light input used in traditional Japanese settings that have differentiated his work. On this, the present thesis intends to analyze and synthesize what impressions Kengo Kuma's unique methods of light production create in the formation of users' spatial perception, how the unique encounter of light and materials seems to perceivers, and the characteristics of his light production and expression that harmonize space, human, and nature in the visual and perceptual experience of space;

• 한국조경학회지
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• 제33권2호
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• pp.122-129
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• 2005

• 한국전통조경학회지
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• 제30권3호
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• pp.1-11
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• 2012

본 연구는 경성제국대학 정원공사의 시행과정을 통한 일제강점기에 진행된 조경공사의 특성을 분석하여 다음과 같은 결과를 도출했다. 첫째, 일제강점기 경성제국대학 정원공사는 회계법에 의해서 진행되었으며, 정원 설계도면 내역서 착공 및 준공 서류 공사대금 지급서류 등이 작성되었다. 둘째, 경성제국대학 정원공사에 참여한 청부업체는 모두 일본 업체이며, 5개 업체가 견적서를 제출한 후 최저낙찰제에 의한 수의계약으로 진행되었다. 셋째, 경성제국대학 정원은 사분원과 선형이며, 화단 경계는 측구로 활용되어 배수시설과 연계되었다. 넷째, 조경 수목은 설계도에 상세하게 명시되지 않았지만, 내역서를 통해서 수종을 알 수 있다. 수목은 지역적 특성으로 조선 자생종이 다수 도입되었으며, 적송은 당시에도 규격이 클 경우 고가였다. 이와 같이 본 연구는 일제강점기 조경공사에 사용된 주재료와 기법을 실증적으로 밝힌 것에 의의가 있다.

• 건축역사연구
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• 제7권3호
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• pp.67-86
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• 1998

In this thesis, the Development of Station Buildigs Design during last a hundred years in Korea is analyzed. From the early time to today, several posts of Office of Korean National Railroads have controlled the Station Buildings Design by Standard Drawings. Sometimes, private architects joined in designing the Stations, that have the value as historic architecture. Under the Japanese imperialistic rule, Japanese Officer designed all of the stations ; that can be classified 1) wooden compromise style, 2) renaissance style, 3) northern European house style, 4) general station by standard drawing, 5) Korean house style. 6) modernism style. Especially, Korean house style was not planned to commemorate the old Korean Architecture, but to beguile the Japanese tourists' monotony of the journey in Korea. After the Independence, the Station Buildings are grouped into 1) international style, 2) modernism style with traditional details, 3) Station Complex Buildings. In the future, design of the Railroad Station Building needs to be diversified to satisfy tourists' emotion.

• 한국디지털건축인테리어학회논문집
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• 제7권1호
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• pp.29-34
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• 2007

Purpose of this paper is find the similarity and dissimilarity of Korean, Chinese and Japanese traditional furnitures for storage. Also this paper tries to have a comparative analysis on life style, characteristics of housing space and furniture's form of three countries. The study can be summarized as follows. First, space scale and seat levels of three countries are related to furniture's height and form, so that Chinese furniture have over scale than human, and Japanese furniture have the type of box for stacking. Second, the way of heating and materials of floors are concerned with the type of furniture's legs. Third, even if these dissimilarities, the aesthetic characteristics of three countries furniture would be a data base for making design identity of East Asian modern housing furniture.

• 건축역사연구
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• 제30권6호
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• pp.23-32
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• 2021

This study was described with a focus on the maintenance and management of Local Confucian School(Hyanggyo) architecture, centering around cases investigated through official documents written in the 1910s. In 1910, by the Japanese imperial rule, the regulations on Local Confucian School(Hyanggyo) property were enacted, and the income was paid solely to elementary school education expenses and ancestral rites. Through this process, many Local Confucian School(Hyanggyo) buildings were destroyed while only the space for ritual sacrifices remained by the Japanese colonial rule. In particular, as the land, which was the basis of Local Confucian School's property, was sold for various reasons, the finances gradually deteriorated. In addition, as the architectural acts that Local Confucian School preserves itself are restricted, it loses its original character. This study was of great significance that identified the intention to dispose of Local Confucian School(Hyanggyo) property by Japanese imperialism in the 1910s and clarified the purpose of its disposal.

• 식품과학과 산업
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• 제45권2호
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• pp.29-35
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• 2012

Japanese apricot (Prunus mume Sieb. et Zucc.) is the national symbol and was once the most important temperate fruit crop in Taiwan. Fruiting cultivars were originally introduced from southern China but commercial production was not significant until the 1970s. Currently 6,400 ha of Japanese apricot orchards distribute on shallow mountain hills in the central and the southern part of the island. Taiwanese commercial fruiting cultivars are plausibly chance seedlings or sports from the early introduction and are very low chilling required for budbreak. Ornamental cultivars have been mainly introduced from Japan but cultivations have been limited in high altitude area due to their high chilling requirement. In 2009, Taiwan Agricultural Research Institute's breeding program released the first low chill ornamental cultivar 'Tainung No.2' with a great ornamental potential in subtropical regions. Cultivation and production of Japanese apricot fruit in Taiwan continue to dwindle due to the declining Japanese market share. Ongoing industry transformation to increase domestic consumption and consumer's interest will sustain the future of Japanese apricot in Taiwan.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.67-75
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• 2012

This Study is concerned with the Design Characteristics of Korean, Chinese and Japanese brick church architecture. The main subject of the study is to investigate the commonness and difference between Korean, Chinese and Japanese brick church architecture in the early stage(1880-1920). In carrying this study into execution, I examined the architectural and historical backgrounds based on the preceding research works, and analysed the plan, the spacial composition, design elements, techniques and materials, etc. The result of this study is as follows ; The basic concept of composition of space is same in order to embody the Basilican space, but the inner elevation and detail of brick structure is different. Chinese churches are more close to Western basilican style church in the point of shape and plan, but in the point of inner elevation and decoration of church, Japanese churches are more close to Western style church. Korean churches are in the middle of its. There are different attitudes of naturalization of western church architecture in Korea, China and Japan.