• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2001년도 The 6th International Symposium of East Asian Resources Recycling Technology
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• pp.144-148
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• 2001

In this study, to improve the color of iron oxide from waste pickling acid at the cold rolling mill, quality control technologies to improve color were investigated. During operation of the spray roaster, the charge amount of waste acid per hour, temperature, and numbers of spray nozzles were investigated. At the admixing process, titanium oxide, silica, and goethite were tested. The color character of iron oxide can be improved by process control of the spray roaster and the admixing process at a pigment factory. Iron oxide from this study is appropriate for use as a colorant of a concrete product.

• 자원리싸이클링
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• 제11권5호
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• pp.24-29
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• 2002

철강압연공장에서 산세공정중 발생하는 산화철의 색상을 개선하기 위하여 배소로 조업과 색상혼합공정을 연구하였다. 배소로 조업에서는 조업온도, 폐산장입량, 폐산분사 노즐수에 대하여 검토하였으며, 색상혼합공정에서는 산화티탄, 실리카, 괴타이트를 색상혼합재로 검토하였다. 배소로 조업에서는 조업온도를 낮게 할수록 산화철의 명도가 개선되었으며, 색상혼합공정에서는 괴타이트 첨가 경우에 제일 많이 산화철의 적색 및 명도가 개선되었다.

• 보존과학회지
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• 제35권6호
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• pp.573-587
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• 2019

본 연구는 전통적인 철화분청사기 안료를 재현하기 위하여 국내산 자철석과 점토, 비가소성 원료를 혼합하여 재현시편을 제작하고, 발색이 양호한 30개의 시편들을 과학적으로 분석함으로써 유약의 발색특성을 알아보고자 하였다. 안료의 주원료인 자철석은 1,200℃의 환원 환경에서 짙은 흑색으로 발색하는 안료이나, 부가적으로 첨가되는 석회 성분과 반응하여 1,230℃ 산화 환경에서는 녹황색 계열로 변색된다. 적철석은 소성 온도 및 환경에 크게 영향을 받지 않으나 Fe를 10 wt% 이상 함유한 점토와 혼합하였을 때는 짙은 흑색으로 발색한다. 안료의 유동성은 R₂O₃/RO₂ 값에 의해 결정되며, 이는 발색에도 영향을 미친다. 미세조직 관찰에서 안료의 입자크기와 소성 환경에 따라 유약층의 발색과 철산화물 결정들이 일부 다른 양상을 보인다. 자철석을 원료로 한 안료는 1,200℃ 산화 환경에서는 유약층과 분장토의 경계면에 철산화물이 응집체 형태로 존재하며, 흑갈색으로 발색하지만, 환원 환경 소성에서는 철산화물의 응집체가 존재하지 않고 유약층에 균질하게 분포하며, 짙은 흑색으로 발색한다. 반면, 적철석을 기반으로한 안료는 산화 환경에서 유약층내 수지상 조직을 형성하며, 흑색으로 발색한다.

• 한국환경과학회지
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• 제16권8호
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• pp.929-939
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• 2007

Red mud is a waste generated by the aluminium industry, and its disposal is a major problem for this industry. Red mud has a reddish-brown color and superfine particle characteristics. So, it can be a promising pigment admixture for concrete industry. An experimental study was conducted to investigate the potential use of red mud in color concrete. The micro structures of red mud and iron oxide pigment such as porosity, pore size distribution, diameter of particle were analyzed with the aid of SEM, X-ray diffraction(XRD), and the infrared absorbance. Tests on physical properties of color concrete, such as strength, slump, early shrinkage crack patterns, and color characteristics were carried out and the results were reported in this paper.

• 보존과학회지
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• 제35권1호
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• pp.91-98
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• 2019

The fragments of a wall painting excavated from among the historical remains of Jeseoksa Temple in Iksan. The extent of the damage to the fragments was examined and an analysis of the components of the pigment was conducted. The results of the component analysis of the pigment confirmed that the white pigment consisted of alkali feldspar and mullite. Although the results of the visual inspection revealed differences in color in the red and black pigments, the main component of the two colors was confirmed to be iron oxide. Red and black pigments are found at the same position. Although differences of color is obvious, those are identified as hematite and magnetite of oxidized steel's affiliation. It is judged that Differences of ingredients happened by external environment's factors.

• 보존과학회지
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• 제38권4호
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• pp.327-333
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• 2022

Sri Lanka has four types of mural painting styles; Classic, Late Classic, Kandyan, and Southern styles, but there is little research on scientific analysis for mural paintings. In this study, we analyze white, yellow, and red clay pigments which were collected from ancient producing sites. Analyzing pigment samples shows that samples are containing aluminum oxide(Al₂O₃) and silicon dioxide(SiO₂) which are connected to the soil. And a degree of iron oxidation determines yellow or red colors. To understand the characteristics of clay pigment samples, we go over previous pigment analyses of mural paintings in Sri Lanka. Kaolin is identified after the 17^th century, yellow and red ochre are applied in early periods, Classic and Late Classic styles. The change in raw materials of pigments occurred in the 17^th century.

• 보존과학회지
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• 제33권2호
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• pp.61-73
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• 2017

경산 임당 유적에서 출토된 61점의 칠기유물에 대해 현미경관찰 및 FT-IR, SEM-EDX를 이용하여 당시 옻칠기법을 확인하고자 하였다. 칠기유물의 하지에는 메움제로서 토분, 그을음, 목탄 등이 이용되었으며, 붉은 칠에는 산화철(석간주)이 사용되었다. 하지층은 구성방법에 따라 5가지 방법으로 구분되었으며, 중간층과 상층은 구성방법에 따라 8가지 방법으로 구분되어, 총 17가지의 칠기법이 확인되었다. 다른 유적의 칠기법과 비교한 결과, 하지층은 동시대의 다른 유적의 칠기법과 동일한 방법이었으나, 경상 지역에서 산화철이 붉은색 안료로 주로 사용된 것을 확인 할 수 있었다.

• Applied Microscopy
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• 제52권
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• pp.3.1-3.8
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• 2022

Our purpose in this study is to analyze the microstructural characteristics and constituent elements of inorganic substances added to the yellow ink and red ink pigments used in permanent makeup. We observed the microstructural properties of inorganic pigments added to the ink using a scanning electron microscopy (SEM) and analyzed the constituent elements of the inorganic pigment particles using an energy dispersive X-ray spectroscopy (EDX). In red wine-colored ink, cubic titanium dioxide with a diameter of 110 to 200 nm was the major component, and rod-shaped iron oxide was rarely observed. Most of the ingredients of taupe yellow ink were rod-shaped yellow iron oxide, and a small amount of cubic titanium dioxide was observed. Red wine-colored ink and taupe yellow ink contained lumps composed of titanium dioxide particles. In red wine-colored ink, lumps were formed by agglomeration. However, we observed that the surface of the lump composed of titanium dioxide in the taupe yellow ink had a smooth surface caused by external physical compression. The titanium dioxide particle mass which found in taupe yellow ink in this study is an artificial product. When this mass accumulates in the dermis, it may cause a color mismatch. Therefore, permanent makeup using fine pigments should be free of foreign substances that may cause trouble in the skin. In addition, there is a need to improve the quality of the ink so that the required color can be safe and long lasting in the dermis.

• Corrosion Science and Technology
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• 제15권1호
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• pp.13-17
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• 2016

The aim of this study was to evaluate the use of iron-nickel oxide ($Fe_2O_3$.NiO) nanopowder (FeNi) as an anti-corrosion pigment for a different application. The corrosion protection ability and the mechanism involved was determined using aqueous solution of FeNi prepared in a corrosive solution containing 3.5 wt.% NaCl. Anti-corrosion abilities of aqueous solution were determined using electrochemical impedance spectroscopy (EIS) on line pipe steel (API 5L X-80). The protection mechanism involved the adsorption of metallic cations on the steel surface forming a protective film. Analysis of EIS spectra revealed that corrosion inhibition occurred at low concentration, whereas higher concentration of aqueous solution produced induction behavior.

• 보존과학회지
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• 제33권6호
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• pp.507-518
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• 2017

Through a combination of scientific analytical methods, the coloring materials used in $20^{th}$ century paintings in historical churches of Baclayon, Dauis and Loay, which are municipalities in Bohol, Philippines, were studied. Inorganic pigments were identified using SEM-EDS and XRD. Iron-based pigments were commonly found in the paintings, yielding dark yellow and brown colors. Zinc oxide was identified as the white pigment in the ceiling paintings of Dauis Church and Loay Church, while titanium dioxide was detected in the column painting in Baclayon Church. Organic analysis showed the presence of Pigment Yellow 3, a synthetic organic pigment. Paint layers, as well as other components of the samples such as grounds and metal leaves, were examined microscopically. It was observed that different types of grounds were applied on different types of surfaces. Moreover, organic pigments were found in combination with white extender materials. Microscopic examination also revealed alterations in the artworks, such as the overpaint layer found in the samples from Baclayon Church cornice and the imitation metal leaf layers applied over the original gilt surface in the Loay Church retablo.