• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.73-77
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• 2001

Deconstruction Architecture takes various approaching ways in the plural situation of modem times while it has a common thinking way in the whole area of society, art field, etc. This plural phenomenon is expressed by collage used as a painting technique. We examine the relations of collage and Deconstruction Architecture to see what kind of space formation factor collage is applied in the Deconstruction Architecture, which can be applied to the architecture composing vocabulary, and classify the aspects that collage technique is expressed with space formation factor of Deconstruction Architecture by category. We can see that superimpositon, interpenetration, juxtaposition, scaling, open structure, undecidability, assemblage, etc. are expressed as various factors in the space of Deconstruction.

• Korean Institute of Interior Design Journal
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• no.27
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• pp.128-135
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• 2001

Environmental friendly architecture'is undeniably a verb important and global paradigm. Beyond energy-conscious design and building with renewable materials, environmental friendly architecture also deals with recyclable and found forms and images. Concepts of sustainable building lead to the analysis of all currently available options for building optimization. Tomorrow's framework for information and communication processing, as well as automation and process optimization. The purpose of this study is to define the conceptions about 'environmental friendly Architecture' and to discover new alternative architecture in the end of the 20th century.

• Korean Institute of Interior Design Journal
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• v.17 no.2
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• pp.56-66
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• 2008

The purpose of this study is to analyze the multi-layered space utilized as strategy for deconstruction in the architecture of Hiromi Fujii. Although the design of Eisenman and Fujii was based on the philosophical theory of Jacques Derrida, there are many different aspects of architecture. At the same time, Hiromi Fujii could construct his concept of multi-layered space to colligate the academic knowledge of Jacques Derrida, Roman Jakobson and Colin Rowe. This kind of concept for multi-layered space is a critical element to be distinct from the characters between two architects, and it is implied such as an significant concept to analyze the architecture for Hiromi Fujii. This multi-layered space contains interesting and researchable value to understand and to analyze the western architecture theory from the viewpoint of Asian architect. Accordingly, the purpose of the thesis is to find the meaning to establish an theoretical foundation for being under discussion to the architecture of Fujii through the concept of multi-layered space.

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.05a
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• pp.34-35
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• 2004

• Korean Institute of Interior Design Journal
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• v.22 no.4
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• pp.3-14
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• 2013

This study is aimed to specify the meaning of the body and the design trends in contemporary architecture. Architecture is based on the human life of various meaning, events, experiences, images, senses and interactions through the body. Thoughts, behaviors, and senses of human are interrelated in architectural experiences. Individuals experience the built environments and space, not through the ideas but through the senses and movements of the body. So, bodies make the real space of architecture. Contemporary architecture accepts the theory of phenomenology and places on the thoughts of Maurice Merleau-Ponty, Heidegger, Nroberg Schulz and so on. Such researches effect on the architectural trends to make design processes works on the programs in views of the expansion and the structuralization of human body. In detail, the aim of this study is to analyse the architecture as the fields of the subject with body as the center, design processes and principles changed form metaphysical thought to phenomenological discourse, and the design trends in contemporary architecture at last. In process of movements, vision centered architecture moves into the bodily experienced architecture and changed the trends from absolute form design to design of relative processes. In conclusion, architectural formation-dissolution-reconstitution of body creates the architectural thoughts such as human proportions, perspective space, ergonomics, modular, organic architecture, experience space, synesthesia, event architecture, fashion-invoked architecture, interactive surfaces, metamorphosis, and others.

• Journal of The Korea Institute of Healthcare Architecture
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• v.5 no.8
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• pp.23-32
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• 1999

It's difficult to understand the interior of complex facilities such as general hospital, because interior spatial composition in hospital tends to be focused. So it is important to find out how people understand the structure of interior spaces. Therefore, this study aims to analyze spatial information from the sign data concerned with sighting and thinking of subject who make way-finding as a first-time visit from an entrance to a goal by way-finding method and clarify plan of sign in two general hospital which have typical plans in Korea.; One is corridor type and the other is hall type.

• Journal of The Korean Digital Architecture Interior Association
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• v.1 no.1
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• pp.16-23
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• 2001

This study is aimed to analyze present states of computer education in interior design dept. and therefore to offer basic data in order to establish middle and long term plan on computer education. According to results of analysis, computer education course accounts for 10.1 percent in total curriculum. But this component ratio has great difference between university and jumopr college. Namely computer education course of college is much more weighter than that of university. It seems to be results from college's characteristic strategies. But this results to unsuitable curriculum allocation. To solve this problem, further examination of linking computer's course with drafting and drawing course should be required. And to heighten more effect of computer education, other circumstance as well as educational facility should be improved and common CAD laboratory should be produced.

• Journal of The Korean Digital Architecture Interior Association
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• v.5 no.1
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• pp.17-23
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• 2005

To begin with, this research arranged this concepts by analyzing paper a reference paper. So, the theory was arranged by approaching the ideal, formative and contemporary side. In order to type characteristics expression of organic design, after year 2000 printed in "Interiors" journal analyzed the contents based on interior works. 1. A type of metaphorical expression, order and the imitations of animals and plants. 2. A type of non liner, and dynamical balance and irregularity. 3. A type of mass of indeterminate form. 4. A type of fluidity by a curved line and a curved surface.

• Korean Institute of Interior Design Journal
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• no.7
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• pp.64-69
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• 1996

Le Corbusier planned and began to build space of new architecture expression around 1920s by connecting his theory of architecture of a great influence upon his creation of works with the puristic plincipes. The objective of this study consists in enguiring into the interior space of Le Corbusier's villa in 1920s and 1930s , especially into villa La Roche-Jeanneret , villa Terrasses, and villa Savoye. The constituents of the villas introduced new architectural concepts, including geometry, economics , and his new five architectural factors, and there appeared such phenomena as were shown in the paintings of the purist period, such as transparency, contrast , etc. We can see through this study, that Le Corbusider's architectural purpose is the realisation of his architectural and puristic. concepts.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2003.05a
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• pp.135-138
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• 2003

Skin, the complex membrane that holds the body together, also embraces the full spectrum of design today-from product to architecture, fashion, and media. Every object has a skin. thick or thin, smooth or rough, porous or impermeable, the skin is the line between a hidden interior and an exterior we experience. Skin： Surface, Substance and Design is a compendium of products, furniture, fashion, architecture and media that expand the limits of what we understand as surface. Reflecting the convergence of natural and artificial life, this provocative a thesis shows how enhanced and simulated skins appear everywhere in today's world.