• Journal of the Korea Society of Computer and Information
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• v.14 no.5
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• pp.55-64
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• 2009

In this paper, we design and implement verification and interface application for interactive data broadcasting middleware. This application implements ACAP and OCAP verification item according to their types (format, protocol. resource, presentation). Therefore, using this application, we can verify whether digital settop-boxes used in digital terrestrial television and digital cable television conforms to the ACAP and OCAP standards. In this paper, we evaluate our proposed application using TVPLUSiTM verifier which can verify interactive TV application in real broadcasting environment. Through performance evaluation, we show that the DTB-H650F set-top-box supports OCAP and ACAP standard 80% and 95%, respectively.

• Broadcasting and Media Magazine
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• v.11 no.4
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• pp.104-117
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• 2006

In this Paper, we analyze the application of Interactive Data Broadcasting in DMB(Digital Multimedia Broadcasting) in the accordance with convergence of service and technology. With the acceleration of digital convergence in the Ubiquitous period substantial development of digital media technology and convergence of broadcasting and telecommunication industry are being witnessed. Consequently these results gave rise to newly combined-products such as DMB(Digital Multimedia Broadcasting), WCDMA(Wide-band code division multiple access), Wibro(Wireless Broadband Internet), IP-TV (Internet protocol TV) and HSDPA(High speed downlink packet access). The preparatory stage for the implementation of Interactive Data Broadcasting Service will be reached by the end of December, 2006. DMB is the first result of a successful convergence service between Broadcasting and Telecommunication in new media era. Multimedia technology and services are the core elements of DMB. The Data Broadcasting will not only offer various services of interactive information such News, Weather, Broadcasting Program etc, but also be linked with characteristic function of mobile phone such as calling and SMS(Short Message Service) via Return Channel.

• Journal of Broadcast Engineering
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• v.16 no.2
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• pp.350-359
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• 2011

Fast developments of broadcasting technologies since 1990s enabled not only High Definition Television service providing high quality audiovisual contents at home but also mobile broadcasting service providing audiovisual contents to high speed moving vehicle. Terrestrial Digital Multimedia Broadcasting (T-DMB) is one of the technologies developed for mobile broadcasting service, which has been successfully commercialized. One of the major technical breakthroughs achieved by T-DMB in addition to robust vehicular reception is an adoption of framework based on MPEG-4 System. It naturally enables integrated interactive data services by using Binary Format for Scene (BIFS) technology for scene description and representation of graphics object and Object Descriptor Framework representing multimedia service components as objects. T-DMB interactive data service has two fundamental limitations. Firstly, graphic data for interactive service should be always overlaid on top of a video not to be rendered out of it. Secondly, data for interactive service is only received by broadcasting channel. These limitations were considered as general in broadcasting systems. However, they are being considered as hard limitations for personalized data services using location information and user characteristics which are becoming widely used for data services of smart devices in these days. In this paper, the architecture of T-DMB hybrid data service is proposed which is utilizing broadcasting network, wireless internet and local storage for delivering BIFS data to overcome these limitations. This paper also presents hybrid BIFS technology to implement T-DMB hybrid data service while maintaining backward compatibility with legacy T-DMB players.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1999.06b
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• pp.103-108
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• 1999

방송 환경의 디지털화와 더불어 단순히 단방향 방송 정보만을 시청하던 기존의 방식을 넘어 사용자의 다양한 욕구를 수용할 수 있는 대화형 방송 서비스(interactive broadcasting service)가 시작되고 있다. 대화형 방송 환경에서는 특히 사용자 측에 제공된 방대한 양의 디지털 멀티미디어 자료에 대한 효과적인 접근이 요구되는데, 본 논문에서는 이를 위하여 방송 비디오를 효과적으로 브라우징(browsing) 및 검색하고 전체의 내용을 짧은 시간 내에 개관할 수 있도록 하는 동적 비디오 요약(dynamic video abstraction) 기법에 관하여 고찰한다. 동적 비디오 요약에 의한 요약 비디오(skim video)는 전체 비디오를 내용에 기반하여 효과적으로 표현할 수 있도록 동영상 내의 주요 구간만으로 구성된 것으로, 대화형 방송에서 새로운 형태의 프로그램 안내 및 사용자 저장 자료에 대한 브라우징 도구 등으로써 매우 유용하게 사용할 수 있다. 본 논문에서는 자동으로 비디오 요약을 구현하기 위한 접근 방법과 전체 기능 구성 및 각 기능들의 구현 방법에 대하여 기술한다.

• Journal of Broadcast Engineering
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• v.8 no.4
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• pp.465-472
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• 2003

In this paper we propose the structure of MPEG-4 multimedia player platform for Terrestrial Digital Multimedia Broadcasting (DMB) Service. Korea will launch DMB service at next 2004 you based on Eureka-147 Digital Audio Broadcasting (DAB) Service System. This new mobile multimedia broadcasting services provide not only high quality digital audio broadcasting services, but also various multimedia data broadcasting services including high quality video. For the sake of MPEG-4 Systems technologies, it will provide an interactive service to users in the near future. Therefore it terminal shall have various functionalities as well as playing audio-visual contents. However there is no precedence standard for such mobile interactive multimedia broadcasting system. Therefore it is very import to provide the multimedia player platform of DMB service for accelerating the development process of commercial terminal and providing a direction of next DMB terminal structure.

• Broadcasting and Media Magazine
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• v.22 no.4
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• pp.11-17
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• 2017

본 고에서는 멀티 응용 데이터 플랫폼으로 진화하고 있는 하둡(Hadoop) 2.0의 주요 특징과 관련된 다양한 데이터 처리 프레임워크들에 대해서 기술하고자 한다. 기존의 맵리듀스(MapReduce) 기반의 배치 처리(Batch Processing)에 최적화되어 있던 하둡 1.0과는 달리, YARN의 등장과 함께 시작된 하둡 2.0 플랫폼은 다양한 형태의 데이터 처리 워크플로우들(Batch, Interactive, Streaming 등)을 지원할 수 있는 기능을 제공하고 있다. 또한, 최근에는 고성능컴퓨팅 분야에서 주로 활용되던 기술들도 하둡 2.0 플랫폼에서 지원되고 있다. 마지막으로 YARN 어플리케이션 개발 사례로서 본 연구팀에서 개발 중에 있는 Many-Task Computing (MTC) 응용을 위한 신규 데이터 처리 프레임워크를 소개한다.

• Broadcasting and Media Magazine
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• v.25 no.2
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• pp.44-51
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• 2020

동영상 프레임 내 객체 영역들을 배경으로부터 분할하는 기술인 동영상 객체 분할(video object segmentation)은 다양한 컴퓨터 비전 분야에 활용 가능한 연구 분야이다. 최근, 동영상 객체 분할과 관련된 연구 내용으로 CVPR, ICCV, ECCV의 컴퓨터 비전 최우수 학회에 매년 20편 가까이 발표될 정도로 많은 관심을 받고 있다. 동영상 객체 분할은 사용자가 제공하는 정보에 따라 비지도(unsupervised) 동영상 객체 분할, 준지도(semi-supervised) 동영상 객체 분할, 인터렉티브(interactive) 동영상 객체 분할의 세 카테고리로 분류할 수 있다. 본 고에서는 최근 연구가 활발하게 수행되고 있는 비지도 동영상 객체 분할과 준지도 동영상 객체 분할 연구의 최신 동향에 대해 소개하고자 한다.

• Korean journal of communication and information
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• v.46
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• pp.9-36
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• 2009

In a competitive media environment, Internet Protocol television (IPTV) has gained appeal because of its essential characteristics, 'Internet and Interactivity'. Our study aims to explore predictors that affect IPTV-VOD adoption within the context of competing media (i.e., existing multi-channel video programming services, such as cable television and digital broadcasting satellite services). In addition, this study examines if IPTV-VOD functions as a substitute for existing multi-channel services, such as cable television and direct broadcasting satellite services. A self-report survey through face-to-face interviews was conducted in Seoul metropolitan area and other six big cities. Our findings showed that primary factors for adopting an IPTV-VOD are: age of user, subjective importance of terrestial broadcasting services, real-time terrestrial broadcasting services, and other interactive service characteristics, such as time-shifting. Also, IPTV-VOD services were found to be a substitute for existing multi-channel video programming services.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2003.11a
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• pp.157-160
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• 2003

한국의 방송은 이제 인터랙티브 TV 서비스를 실시하기 시작했다. 인터랙티브 서비스는 잠재가치가 매우 뛰어나 앞으로의 방송시장에 막대한 부를 안겨줄 수 있을 것으로 예상되고 있다. 그러나 우리나라는 인터랙티브 TV프로그램이 기술적으로는 충분히 가능함에도 불구하고, 그다지 실질적으로 활용하지 못하고 있다. 이는 근본적으로는 인터랙티브 기술이 시청자의 관심과 참여를 이끌어낼 만큼 경쟁력 있는 포맷의 컨텐츠를 발굴해 내지 못하고 있기 때문이다. 따라서 본 논문에서는 우선 TV의 인터랙티브성(Interactivity)을 정의 내리고, 해외 인터랙티브 TV프로그램 제작 성공 사례를 분석한다. 그리고 이들이 어떤 기술을 바탕으로 서비스를 하고 있으며 어떻게 성공할 수 있었는지 알아보도록 한다. 그리고 한국 디지털 방송의 성공을 위한 인터랙티브 방송 모델을 제시한다.

• Archives of design research
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• v.18 no.1 s.59
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• pp.195-204
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• 2005

Due to the of evolution of digital technology, trends are moving toward personalization and customization in design (art), media, science. Existing mass media has been broadcasting to the general public due to technical and economic limitation and art works also communicate one-sidedly with spectators in the gallery or stage. But nowaday, it is possible for spectators to participate directly. We can make different products depending on the tastes of individuals who demand media or art. The essence of technology which makes it possible is 'interactive technology'. A goal of this research is to find out the true nature of the interactive design in multimedia contents and find the course of interactive communication design research. In this paper, we pass through two stages to solve this kind of problem. At first, we studied the concept of multimedia contents from the aspect of information revolution. Next, we decided our research topic to be 'visual reacting with audio' and made audio-visual art work as graphic designers. Through this research we can find the possibility to promote 'communication' in a broad sense, with appropriate interactive design.