• 한국의류학회지
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• 제47권6호
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• pp.977-995
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• 2023

This study was aimed at determining the connection between ancient Korean embroidery and the Cheonsuguk mandala-embroidery insignia. Literature and empirical studies were conducted simultaneously, with the scope of these analyses spanning up to 7C in ancient Korea and Japan. The present study confirmed that the structure of Goguryeo tomb murals influenced by Buddhist art is represented in the Cheonsuguk mandala-embroidery insignia, and changes in the image resulted in modifications to the embroidery technique. Embroidery and color composition via complementary color contrast were implemented through Variant 1 outline stitching, which exhibited the development of Baekje embroidery. The embroidery technique confirmed that the form of embroidery developed in to chain stitching, needle looping stitching, outline stitching, satin stitching and Variant 1·2 outline stitching. These findings indicate that Cheonsuguk mandala-embroidery insignia is the result of the integration of the Goguryeo and Baekje cultures.

• 한국통신학회논문지
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• 제38C권11호
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• pp.966-971
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• 2013

본 논문에서는 군 계급장 자체를 UHF RFID 태그로 개발하는 과정과, 그 태그를 사용하여 보안을 강화한 군 보안출입관리 시스템을 보여준다. 일반적으로 군보안 출입관리 지역에서 저주파 HF 대역의 RFID 태그가 붙어있는 신분증으로 보안을 점검 관리하고 있으나, 한 단계 보안강화를 위하여 계급장 자체를 태그화 하여서 신분증과 계급장의 태그를 인식함으로서 강화된 보안 체계가 갖추어진 출입관리시스템을 구축 하였다. 개발된 태그는 모자나 어께에 붙일 수 있는 형태의 금속성 일반 계급장 자체를 모델화하여서 UHF RFID 태그로 설계 하였다. 군 보안출입관리시스템은 개발된 태그를 사용하여 출입자의 성명, 계급, 주소지 등을 관리 할 수 있으며, 출입한 날짜와 시간을 계속적으로 누적 관리 할 수 있어서 어느 군인이 언제 보안지역을 출입을 했었는지 과거 내역 조회가 가능하다.

• 복식
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• 제61권3호
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• pp.122-138
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• 2011

The present research aims to consider the real remains of 2 suits of Kasaya owned by the Hwaeom Temple(華嚴寺) based on research results about Kasaya in the meanwhile. The present research on 2 suits of remains which are Royal gifts given to monk soldiers in case of a national crisis of the Joseon Dynasty has a big meaning in examining characteristics of Kasaya and grasping characteristics and structure of the 17th century's Kasaya of the Joseon Dynasty through dense survey and analysis according to components. If examining characteristics of Kasaya, the Kasaya of the Great Monk Seo San(西山) is composed on the basis of an initial form of Sun and Moon Light Patch's generation and the Kasaya of the Great Monk Byeok Am(碧巖) has a form that is separately attached through production of embroidery patch as a process of being settled down. If examining what surrounds gold thread in the girth and expression of Sumeru and Chaeunmun(彩雲紋), the composition of a form similar to an insignia badge, so because this is a Royal gift, this can be estimated as being analyzed in a Buddhism aspect by devising a design from the insignia badge at the time, with a meaning like an official uniform given to a monk. Although the insignia badge is a square, it seems that the Sun and Moon Light Patch is made as a rectangular form corresponding to the structure of Kasaya. In addition, it is thought that what the Samjoko(三足烏) idea which is a symbol of the Sun based on Buddhism and Taoism is used together with Yijoko(二足烏) even in expression of the Sun and Moon Light Patch in the Joseon Dynasty which was a Confucian country has a relationship with what a bird was expressed in the insignia badge of winged animals.

• 대한치과교정학회지
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• 제46권3호
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• pp.180-185
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• 2016

The incorporation of technological advances in the field of clinical orthodontics to increase treatment efficiency has led to the development of customized appliances (Insignia$^{(R)}$), archwires (Suresmile$^{(R)}$), and the production of devices to enhance tooth movement (Acceledent$^{(R)}$). This review presents a comprehensive study of the literature concerning these products, and analyzes the available evidence of their efficiency. To date, one pilot study has evaluated the efficiency of the Insignia$^{(R)}$ system, three retrospective studies have assessed the efficiency of the Suresmile$^{(R)}$ system, and a few Acceledent$^{(R)}$ reports have described its effect on treatment time. Critical appraisal of the reviewed papers revealed that the efficiency of the Insignia$^{(R)}$ system cannot be confirmed based on the available evidence, while the use of Suresmile$^{(R)}$ can reduce overall treatment time in simple cases. The acceleration of tooth movement by Acceledent$^{(R)}$ devices has not yet been confirmed.

• 보존과학회지
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• 제37권2호
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• pp.144-153
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• 2021

1979년 국가민속문화재로 지정된 광화당 원삼은 보존상태가 상당히 양호하다. 그러나 지정조사 시에는 없던 봉흉배가 부착되어 '봉흉배가 달린 유일한 자적원삼(紫赤圓衫)' 유물로 알려지면서 보존처리의 필요성이 제기되었다. 이에 지정문화재에 대한 잘못된 정보를 바로잡기 위한 과학적 분석과 동시에 지정 상태로의 원형 복원도 요구되었다. 본 연구를 통해 광화당 원삼에 대한 유물 이력을 조사하고, 현전하는 봉흉배와 봉흉배 수본(繡本) 등의 유물 조사를 병행하여 원형 복원에 대한 자료를 확보하였다. 직접적으로는 에너지 분산형 X선 형광분석을 실시하여, 봉흉배에 사용된 금속사가 은을 기본으로 티타늄 코팅한 것을 확인하였다. 티타늄으로 도금된 금사를 사용한 봉흉배는 1986년 광화당 원삼 사진에서는 확인되지 않았으며, TiN계 피막 도금법이 1990년대에는 여러 산업에서 활용되었다는 점에서 1990년대 초중반에 봉흉배가 부착된 것으로 추정할 수 있다. 특히 X선 형광분석을 활용한 금사의 과학적 분석 결과를 통해 보존처리의 핵심적인 근거자료를 확보하였다. 본고는 전세 유물 보존처리에 있어 유물 이력과 유사 유물 조사의 중요성에 대한 각성과 지정문화재에 대한 잘못된 정보를 바로잡을 수 있는 원형복원의 선례로서 의미가 있다.

• 한국의류학회지
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• 제47권4호
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• pp.684-695
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• 2023

The Korean Volunteer Corps (KVC) and the Korean Independence Army (KIA) were Korea's main armed forces that led the independence movement against Japan. KVC members were partly merged into the KIA as the army's first branch in 1942. This study examines two different styles of KVC military uniforms: one that complies with the Uniforms Act of the Army of the Chinese Nationalist government and one that uses the same style without a field cap and a belt. The KIA's first branch had three different uniforms: one similar to that of the KVC, one belonging to the KIA and following the Army Uniform Protocol, and one influenced by the U.S. Army. The KVC and the KIA's first branches had insignias representing their identity. The former wore a distinctive insignia with the corps' name, whereas the latter had a cap badge with Korean national symbols under the Army Insignia Protocol. KVC members who may have initially worn their previous uniform in the early days of joining the KIA later adopted the KIA style. This study is expected to offer basic resources to reproduce KVC and KIA military uniforms and verify the authenticity of related artifacts.

• 복식
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• 제66권3호
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• pp.32-50
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• 2016

The purpose of this study is to reveal the process of enactment and revision, the contents of the police uniform system by the Government-General of Joseon, and to examine the relationship between the uniform system and the ruling policies of Imperialist Japan. The research methodology involved document research of official gazettes that published legislation on the police uniform system. Political background was referenced from various preceding studies. The research results are as follows. The Japanese invasion of Korea, in regards to the police, appeared as infiltrations through the three routes of consular police, temporary military police, and inside the Korean police. Each organization had different uniform systems, and after the installation of the Japanese police in 1907, the uniform system of high level officers of the Korea police was changed to the Japanese-style. After the installation of the Government-General of Joseon in 1910, a police uniform system was not enacted until 1918, with the exception being made for police officers due to the military police system. The 'Police Officer Uniform System of the Government-General of Joseon' enacted in 1918 stood out for its golden insignia on solidly colored fabric, which effectively indicated rank, as well as the Japanese flag pattern and the cherry blossom pattern, which symbolized imperialist Japan, on the cap badge and insignia. The 1918 uniform system had many differences from the Japanese system of the time in terms of design, perhaps due to the political autonomy of the governor-general. The 1918 uniform system was completely revised in 1932. This uniform system was modified in various ways. The system was almost identical to the Japanese system at that time. This is the result of Japan's intent to dominate Korea, which involved assimilating Korea into Japan with the purpose of conducting a full-fledged invasion of the continent after the Manchurian Incident.

• 패션비즈니스
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• 제2권1호
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• pp.35-48
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• 1998

The purpose of this paper is to examine the street fashion, which is influenced by the youth culture in 1960s. Youth culture is the youth subculture which appeared multiform in the 1960s. It tried to create a new culture by subverting the ruling class culture with their combative life style and peculiar appearance which are distinguished from mother culture. Youth cultures as youth subculture are symbolically expressed in their style which had strong characteristics of sub-fashion and anti-fashion, and which are different from mother fashion in shape. Therefore youth subculture fashion had an effect on street fashion in the 60s. The influence that the youth culture fashion had had on the street fashion is summarized as follows: Beats fashion was intelligency look on black dress, black polo-neck shirts, black trousers, black glasses and heavy black eyeliner. Mods fashion was neat style on Edwardian suit with narrow trousers, pointer-toeshoes and smooth croped hair. Folkis fashion was ethnic look, middle east asian look, peasant look, Indian style, south america look, gypsy style, natural materials, natural dying, tie-dye, beads and hand made ornaments. Rockers fashion was violence appearance categorized 'blue collar' on black leather jacket decorated with metal studs and hand-painted insignia, blue jeans and boots for motor bike. Swinging London & the Psychedelics fashion was blend mods look with pschedelic color and motive pattern. Hippie fashion was intermix pschedelic and natural or ethnic style. It was appear to be a meaningless, unpredictable assortment of diverse items and style. Faded and tattered jeans, army jackets, vintage hat, beads, embroidered headband, white sheets, diverse theatrical costumes, sandals or bare feet, granny dress, peasant blouse, blanket cape, tie-dye T-shirts and long hair. Greasers fashion was adorned black leather jacket with chains, fringing, badges, insignia and sleeves had been crudely ripped off. They came to be known wore jeans so soaked with oil. Skinheads fashion was aggressive working class identity with donkey jacket, jeans rolled up, collarless union shirts, heavy boots, braces and hair cropped short.

• 복식
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• 제57권10호
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• pp.24-34
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• 2007

The purpose of this study is to examine the pieces of 100 fabrics excavated from unknown woman's tomb Incheon, by analyzing woven methods, names of the fabrics, the kinds and the shapes of the patterns. The characteristics to assume the period of the fabrics are as follows. The geumsundan which was woven peacock insignia at chest and back area was excavated for the first time from the tomb of Joseon. Peacock insignia woven with satin weave using supplementary golden wefts, wrapped gold thread. These kind of fabrics were usually imported in the $15^{th}$ century, according to the old documents, 'Nogeoldae' 'Joseonwangjosilrok' written at the end of Goryeo or early in Joseon. Thus, these relics are from about $15^{th}$ century. From this tomb, the mixture fabric of cotton and ramie are excavated. According to another excavated cases, the mixture fabric of cotton and ramie appears from the period before the Japanese Invasion of Korea in 1592, and after the invasion, there are usually mixture fabric of cotton and silk. This also tells that these fabrics show the characteristics of those from the early period of Joseon Dynasty. The rounded patterns of Jangot is only shown from the fabrics of late Goryeo Dynasty, and the cloud pattern of an upper garment with a squared neckline is shown from the early Joseon Dynasty. So, the patterns from these excavated costumes are ranged from the late Goryeo Dynasty to the early Joseon Dynasty. To assume the period through the overall study above, these relics show the characteristics of the $15^{th}$ century fabric.

• Animal Systematics, Evolution and Diversity
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• 제8권2호
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• pp.301-324
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• 1992

제주도 연안과 부근 섬을 1991년 3월 부터 10월까지 5회에 걸쳐 채집한 재료와 그동안 한남대학교 생물학과와 이화여자대학교 생물학과에 보관되어 있던 제주도 표본들을 동정. 분류한 결과 30 과 40 속 67 종이 분류 되었고, 이 중 11 종은 한국미기록종이었다. 특기를 요하는 기록종에는 간단한 기재를 하였고, 미기록종에 대하여는 기재와 도판을 첨가 하였다.