• 제목/요약/키워드: Indigo

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Fabric Dyeing with Indigo and Japanese pagoda tree for Color mixture (II) - Treatment on Protein Fibers -

  • An, Sun-Young;Bae, Jung-Sook;Huh, Man-Woo
    • 한국염색가공학회지
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    • 제22권4호
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    • pp.306-313
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    • 2010
  • To achieve color diversification of natural dyeing, color mixture dyeing with Indigo and Japanese pagoda tree is applied to wool and silk fabrics. After dyeing with Japanese pagoda tree extract solution of 5~25%(o.w.f.), the indigo dyeing was carried out up to four times. Alternatively after repeat dyeing with indigo one to seven times, the dyeing with Japanese pagoda tree extract solution was applied in 5 steps(5~25%). In color mixture dyeing, the dye uptake of wool fabrics appears higher than that of silk. The sequence of Japanese pagoda tree extract dyeing after Indigo dyeing was generally higher dye uptake compared with that of Indigo dyeing after Japanese pagoda tree extract dyeing. For wool and silk fabric, the pre-dyeing with Japanese pagoda tree solution was more effective for color diversification but the pre-dyeing with Indigo was more effective for the exhibition of intermediate color shade.

쪽과 홍화를 이용한 색상배합 염색 (Color-matching of Fabrics by Natural Dyeing using Indigo and Safflower)

  • 유혜자;이혜자
    • 한국염색가공학회지
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    • 제15권4호
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    • pp.32-38
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    • 2003
  • To get the variety of color by natural dyeing, cotton and silk fabrics were dyed with natural indigo and safflower in turn. The two ways of dyeing processes were carried. First, silk and cotton fabrics were dyed repeatedly in safflower dyebath to five times to get the five fabrics dyed in different shades. And then indigo dyeing process was carried on the top of the dyed fabrics with safflower. In second way, the fabrics were dyed in five stages of shade by repetition of dyeing process in indigo dyebath. And then safflower dyeing was carried on the top of the dyed fabrics with indigo. When indigo dyeing process was added on the top of the fabrics dyed in five shades with safflower, the color differences decreased between five shades of fabrics, their color values got similar in hue, shade and chroma. When safflower dyeing process was added on the top of the fabrics dyed in five shades with indigo, the fabrics showed different hue of colors between red and blue of Munsell color circle such as RP, P and PB. Like almost of fabrics dyed with plants materials, the lightfastness and laundering fastness of dyed samples were poet and drycleaning fastness were good.

쪽 염료의 환원조건에 따른 섬유소 직물의 염색성과 색채특성 (Dyeing properties and colorimetric characteristics for cellulose fabrics dyed with indigo by different reducing conditions)

  • 신주동;최종명
    • 복식문화연구
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    • 제24권6호
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    • pp.777-787
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    • 2016
  • This study was carried out in order to provide useful data for planning fabrics of summer eco-friendly fashion products. The fabrics used in this study were four cellulose fibers: cotton, cotton/mulberry blended, flax, and flax/lyocell blended. Dyeing with natural indigo was carried out under three different reducing conditions (i.e., general, eclectic, and eco-friendly) that have different reducing agent and pH levels, and hydrosulfite and glucose were used as a reducing agent. The dye uptake (K/S value) of fabrics dyed with natural indigo by a reducing condition was the highest at 660nm. Regardless of the fabrics, dye uptake was the highest under the general reducing condition and the lowest under the eco-friendly reducing condition. Under different reducing conditions, the dye uptake of natural indigo fabrics with the maximum absorption wavelength indicated a difference. The colorfastness of cellulose fabrics that were dyed with natural indigo had a rate of 4 to 5 except for rubbing fastness, which indicated good colorfastness. Additionally, natural indigo-dyed cotton and flax fabrics had good antibiosis. When the color characteristics of fabrics dyed with natural indigo were measured, all of the three reducing conditions created purple blue (PB) colors, and the color characteristics of dyed fabrics by reducing condition and fabric showed significant differences.

조선 전기 아청사여복식(鴉靑賜與服飾)의 고증적 분석 -성종 재위기의 포 류와 이엄을 중심으로- (A Study on the Historical Research of Indigo Clothing Gifts of Early Joseon -Focusing on the Po and Ieom of King Seongjong's Reign-)

  • 최정
    • 한국의류학회지
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    • 제44권1호
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    • pp.107-125
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    • 2020
  • Indigo [鴉靑] was used as a symbolic color in 15th century diplomacy. This study reinforces the historical research for characteristic and shapes of indigo colored royal clothing gift in King Seongjong's reign with a focus on po [袍] and ieom [耳掩]. Clothing made of fur that was combined with satin damask, silk gossamer [綃] were frequent gift, and a sable coat was a symbol of high-ranking clothes. Another clothing's materials were satin damask, sheer fabric gauze [羅], cotton, tabby with silk and ramie [紵絲]. The indigo color of King Seongjong's reign was recommended not for luxury. Historical research factors for indigo clothing gift were extracted from noblemen's relics. Danryeong and jigryeong are shaped of narrow sleeves and trapezoid gusset pleated in and out. Sable coat can consist of satin damask outshell, sable lining, and double oblique collar. Heohyung are presumed types of short sleeved fur vests. Ieom can be reconstructed with an indigo fabric outshell and sufficient fur. Dapho has gusset pleated wide and narrow. As additional gifts, the shapes of yoseon-cheopri and cheopri were analyzed. We selected a commercial fabric similar to relics and an indigo powder dyeing method to remedy a lack of traditional material. The reconstructed data were presented as flat drawings and samples.

인디고 염색을 위한 친환경 환원공정 개발: 한세눌라 균주의 이용 (Development of Eco-friendly Reduction Process for Indigo Dyeing : Using Hansenula misumaiensis Strain)

  • 신윤숙;손경희;류동일
    • 한국염색가공학회지
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    • 제26권3호
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    • pp.237-241
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    • 2014
  • The aim of this study is to develop an eco-friendly reduction process of indigo as an alternative choice. Hansenula misumaiensis was used and their reducing activity toward synthetic indigo as well as natural indigo was estimated by dyeing test in terms of indigo dye uptake. The changes in K/S value and pH were monitored on the time-based measurements. Also, reduction duration was evaluated. On the basis of the results described in this study, it was confirmed that Hansenula misumaiensis reduced indigo. Reducing power of Hansenula misumaiensis reached to maximum in two days. It can be possible to develop eco-friendly process of indigo reduction using Hansenula misumaiensis by the optimization of strain culture conditions and the optimization of reduction conditions.

천연염료(쪽물)의 염색특성 연구(II) ―쪽 생엽 추출액에 의한 면 및 견섬유의 염색성― (The Study on the Dyeing Properties of Natural Dyes(II) ―Dyeing Properties of Cotton and Silk Fabrics by Color Solution Extracted from Leaf Dyeing of Indigo Plant―)

  • Kim, Ae Soon
    • 한국염색가공학회지
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    • 제7권4호
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    • pp.16-24
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    • 1995
  • Traditionally dyeing fabric with dyestuff extracted from Indigo was a popular method of obtaining blue color in the world before synthetic dyestuff was developed in the 1890's. As the Korean traditional process of dyeing extracted from Indigo, there are two kinds of dyeing process; The deposite dyeing of muddy Indigo and the leaf dyeing of Indigo plant. In order to study the properties of leaf dyeing of Indigo, the dyeing properties, color difference on cotton and silk fabrics under several dyeing conditions were investigated. In the dyeing of cotton and silk fabrics with leaf dyeing of Indigo, the dyeing affinity of silk was higher than that of cotton, the cotton and silk fabrics were dyed dark yellowish Green and dark Blue, respectively. the dye uptake increased with the increase of dyeing temperature and of the unmber of dyeing times. When cotton and silk fabrics dyed with leaf dyeing of Indigo at 6$0^{\circ}C$ for six number of times, the K/S value of dyed cotton and silk were calculated 1.286, 2.613 respectively.

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Process Balance of Natural Indigo Production based on Traditional Niram Method

  • Shin, Younsook;Yoo, Dong Il;Kim, Kangwha
    • 한국염색가공학회지
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    • 제24권4호
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    • pp.253-259
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    • 2012
  • In this work, the natural indigo production process from Polygonum tinctorium was balanced based on the traditional Niram method in Korea. A standard procedure was determined considering the conditions of indican extraction from plant material, the amount of alkali for precipitation, storage of extract, etc. The effect of experimental conditions on the yield of crude dye was investigated. The contents of indigo and indirubin of the crude dyes were analyzed by HPLC. Increase of the amount of crude dye was observed within 1-2.5 days of extraction time. Longer extraction beyond 2.5 days resulted in a slight decrease in the amount of crude dye. There was no consistency in terms of indigo content depending on extraction pH. We found that the storage of extract or harvested plants affected adversely to dye yield and dye quality. Based on the lab scale extraction, large scale extraction was performed for 2-2.5 days in water and 2.0-2.5 g/L of $Ca(OH)_2$ was applied for precipitation of indigo dye. We obtained natural indigo dye containing about 15% of pure indigo in scale-up production using whole plant except root.

쪽으로 천연염색된 닥/면섬유 혼방직물의 색채특성과 색채감성 및 색채선호도 (Colorimetric Properties, Color Sensibility and Color Preferences for Mulberry/Cotton Blended Fabrics Dyed with Natural Indigo)

  • 신주동;최종명
    • 한국생활과학회지
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    • 제22권2호
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    • pp.365-374
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    • 2013
  • The purposes of this study were to evaluate the color characteristics and color sensibility of mulberry/cotton blended fabrics dyed with indigo, the natural dye, and analyze effects of them on color preferences. The values of CIE $L^*$, $a^*$, $b^*$ $C^*$, h were calculated for the color characteristics of indigo-dyed fabrics, and their hue, value, and chroma were calculated according to the Munsell color system. Fifty male and female college students evaluated the color sensibility of nine types fabrics dyed with indigo on a seven-point scale. The data were analyzed by descriptive statistics, factor analysis, Kruscal-Wallis test, correlation analysis, and regression analysis. The mulberry/cotton blended fabrics naturally dyed with indigo showed the characteristics of PB color tones, low value, and low chroma. The color sensibilities of fabrics dyed with indigo were classified into four factors: 'classic', 'sporty', 'elegant' and 'natural'. There were significant differences according to the fibers and the repeating times of dyeing in the color sensibility for the fabrics. Cotton fabrics were evaluated to be more classic, sporty, elegant, and natural than the mulberry/cotton blended fabrics, and the deeper the color, the more classic, sporty, and elegant the fabric was evaluated. The students preferred the indigo dyed fabrics which have more classic, sporty, and natural sensibility. There were significant relationships between the color sensibilities and colorimetric properties of the fabrics dyed with indigo. The color preferences of the dyed fabrics with indigo were found to be influenced by the 'classic', 'sporty', 'natural' of color sensibility.

천연염료의 복합염색에 관한 연구 (A Study on the Complex Dyeing of Natural Dye)

  • 신영준
    • 한국의상디자인학회지
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    • 제14권4호
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    • pp.151-162
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    • 2012
  • Regarding experimental study on the dyeing properties of natural dye, I have dyed silk fabric with Styphnolobium japonicum, sappan wood, and indigo. The results of the experiment have been analysed by wavelength of maximum absorption, K/S and CIE Lab chromaticity co-ordinated. The results are as follows: In case of complex dyeing using Styphnolobium japonicum and sappan wood, dyeing with sappan wood, which is red related color, after dyeing with Styphnolobium japonicum, which is yellow related color, is more efficient. When dyeing was maden by complex of Styphnolobium japonicum and sappan wood, Dyeing method by the order of "Styphnolobium japonicum${\rightarrow}$sappan wood${\rightarrow}$mordanting" made the best result of complex dyeing. In case of complex dyeing using Styphnolobium japonicum and Indigo, dyeing with Styphnolobium japonicum after the indigo made the best result. When dyeing with indigo first, and then Styphnolobium japonicum, yellow color was not well dyed, and low level of saturation caused lusterless color. Ordering of Styphnolobium japonicum${\rightarrow}$sappan wood${\rightarrow}$indigo made the best result of complex dyeing in case of complex dying with Styphnolobium japonicum and indigo. Dyeing order, sappan wood first and then indigo last method shown 560~640 nm wavelength of maximum absorption which most color was blue related. In contrast, Indigo first and then sappan wood method shown 460~560nm wavelength of maximum absorption which color was red related. Complex dyeing with sappan wood and indigo was showing lusterless color. In case of dyeing with red and blue, dyeing with sappan wood and indigo was not appropriate.

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Rhodococcus sp. RHA1 유래의 Indole Oxygenase의 클로닝 및 발현 (Cloning and Expression of Indole Oxygenase Gene Derived from Rhodococcus sp. RHA1)

  • 강미숙;이진호
    • 한국미생물·생명공학회지
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    • 제37권3호
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    • pp.197-203
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    • 2009
  • indigo는 염색산업에서 매우 중요한 색소로, 현재는 고가의 식물에서 추출된 indigo 대신에 합성 indigo가 주로 사용된다. 최근 미생물을 이용한 생물학적 방법으로 indigo를 생산하고자 하는 연구가 많이 진행되고 있으며, 여러 미생물원으로부터 다양한 형태의 indole oxygenase를 탐색, 특성의 규명, 효소의 특성 개량, indigo 생산등의 연구가 진행되고 있다. 본 연구는 Rhodococcus sp. RHA1 유래의 indole oxygenase로 추정되는 유전자를 클로닝하여 대장균에서 발현시킨 결과, 청색 색소가 축적되었으며, 분광광도계, HPLC 및 TLC분석을 통해서 그 청색 색소가 indigo임을 확인하였으며, 또한 전세포를 이용하여 indole 첨가시 indigo가 생성됨을 측정하여, 본 연구의 효소가 indole을 indigo로 전환을 촉매하는 indole oxygenase임을 확인하였고, 트립토판을 첨가한 TB배지에서 약 $236{\mu}M$의 인디고가 생산됨을 알았다. 본 연구를 통해 조사된 특성 이외에 효소 활성의 개량, 적절한 생산용 균주의 선정, 경제적이며 안정적인 대량 발현, 배지 및 배양 공정의 최적화 과정등을 거칠 경우, 보다 더 실용적인 indigo생산 생물공정의 확립이 가능할 것으로 기대된다.