• 영어영문학
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• 제57권3호
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• pp.391-411
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• 2011

This paper examines Du Boisian critique of American exceptionalism through a close textual analysis of his writings from early essays to later works. As an attempt to respond to the persistent grip American exceptionalism has on both the academia and the intellectual world at large, this paper tries to fill in the gaps within the discourse of American exceptionalism by exploring the works of one of the most towering American intellectual figures, and suggests that the discourse of American exceptionalism has remained within the purview of white scholars. Although at times inconsistent and contradictory, Du Bois's trenchant critique of American civilization and Western imperialism deconstructs the original ideals of America, creating more than a fissure in the ideology/hegemony/state fantasy of American exceptionalism. I argue that Du Boisian critique of American exceptionalism shows its violent marginalization and racialization based on white supremacy. Du Boisian critique should be a cautionary tale for those scholars who talk of "reform" or "replenishment" or even who occlude the possibility that American exceptionalism has not always functioned as a "state fantasy" by assuming its absolute blinding powers.

• 한국도서관정보학회지
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• 제46권1호
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• pp.203-239
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• 2015

이 연구는 문헌정보와 아카이브적 측면에서 학생독립운동의 지식정보자원관리에 대한 효율적인 자료수집, 자료해제, DB구축과 아카이브를 제시하는데 그 목적이 있다. 연구는 학생독립운동과 지식정보자원 관련 문헌적 고찰과 일제식민지 치하 학생독립운동 시발과 그 운동과정에서 생성된 자료들의 유통과 이들 자료들이 어떻게 관리되고 있는지에 대한 실제적 조사로 이루어졌다. 이들은 운동과 투옥 그리고 재판의 과정에서 다양한 문헌정보를 생산했으며 이것을 기반으로 정보자원관리와 아카이브가 이루어지고 있다. 이 연구의 결과는 학생독립운동의 지식정보자원에 대한 가치와 역량을 나타내고 진일보한 학생독립운동 연구와 발전에 기여하게 될 것이다.

• 한국사회복지학
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• 제65권2호
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• pp.287-311
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• 2013

이 연구의 목적은 일제강점기에 이루어진 농민복리의 실상을 체계적으로 자료화하고, 당시 농민복리를 정치 경제 사회 문화적 작용을 바탕으로 사회사 관점에서 해석하는 데 있다. 1차 자료 중심으로 일제강점기에 이루어진 농민복리를 공공부조, 사회복지서비스, 농민복리운동, 농장의 사회사업, 상부상조, 기타로 분류 자료화했다. 이 자료를 사회사 관점에서 혼란한 사회에서의 표적화, 음모론적 시혜, 독점자본과 차별 속의 수혜, 소외된 자의 저항적 자구책, 문명적 삶의 부분적 개량화, 구조적 이중고 속의 종교적 은혜, 농민의 국부적 생활 향상이라는 일곱 주제를 추출하여 해석하고, 이 내용에 근거하여 농촌사회복지에의 함의를 제시하였다.

• 한국산림과학회지
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• 제87권3호
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• pp.372-382
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• 1998

이 연구의 목적은 오래전부터 인정되어온 산하주민(山下主民)들의 관습적인 산림이용권이 일제하 산림소유권의 재편과정을 겪으면서 어떻게 처리되었는가를 밝히는 데 있다. "어느 지역의 주민이 집합체의 관계로 촌락공유림(村落共有林)이나 타인의 토지에서 초목, 야생물 및 토사의 채취, 방목 기타의 수익을 하는 권리"로 정의할 수 있는 관습적인 산림이용권은 총유(總有)와 특수지역권(特殊地役權)으로 구분할 수 있으며, 그러한 권리가 적용되는 산림을 촌락공유림(村落共有林) 및 특수지역림(特殊地役林)으로 구분할 수 있다. 이러한 관습적인 산림이용권은 삼림법(森林法)(1908), 삼림령(森林令)(1911), 조선임야조사사업(朝鮮林野調査事業)(1917~1924) 및 조선특별연고삼림양여사업(朝鮮特別緣故森林讓與事業)(1926~1934)을 거치면서 그 권리가 사유(私有) 또는 공유(公有)로 전환 해체되었다. 특히, 조선특별연고삼림양여사업(朝鮮特別緣故森林讓與事業)의 결과 관습적인 산림이용권은 소유권과 이용행태의 측면에서 큰 변화를 초래했다. 즉, 소유권이 공유(共有)(연고(緣故) 포함)에서 사유(私有) 또는 공유(公有)로 전환되었고 관습적인 산림이용권의 핵심내용인 집합체로서의 공장이용권이 해체된 것이다.

• 영미문화
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• 제9권1호
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• pp.239-272
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• 2009

Our investigation of the intricate relationship among nationalism, humanism, and imperialism begins from reading Song of Ariran, the auto/biography of Kim San recorded by Nym Wales, together with Margaret Drabble's fictional adaptation of Lady Hong's autobiography, The Memoirs of Lady $Hyegy{\breve{o}}ng$, in her novel The Red Queen, in which the story of Barbara Halliwell, a modern female envoy of Lady Hong, is interweaved with Lady Hong's narrative. In spite of their being seemingly disparate texts, Song of Ariran and The Red Queen are comparable: they are written by Western female writers who deal with Koreans, along with the Korean history and culture. Accordingly, both works cut across the boundary of fiction and fact, imagination and history, and the East and the West. In the age of globalization, Western women writing (about) Korea and Koreans traversing the historical and cultural limits inevitably engage us in post-colonial discussions. Despite the temporal differences--If Song of Ariran handles with the historical turmoils of the 1930s Asia, mostly surrounding Kim San's activities as a nationalist, The Red Queen is written by a twenty-first century British woman writer whose international interest grapples with the eighteenth-century Korean Crown Princess' spirit in order to reinscribe a story of Korean woman's within the contemporary culture--, both works appeal to the humanistic perspective, advocating the universal human beings' values transcending the historical and national limitations. While this sort of humanistic approach can provide sympathy transcending time and space, this 'idealistic' process can be problematic because the Western writers's appropriation of Korean culture and its history can easily reduce its particularities to comprehensive generalization, without giving proper names to the Korean history and culture. Nonetheless, the Western female writers' attempt to find a place of 'contact' is valuable since it opens a possibility of having meaningful communications between minor culture and dominating culture. Yet, these female writers do not seem to absolutely cross the border of race, gender, and culture, which leaves us to realize how difficult it is to reach a genuine understanding with what is different from mine even in these 'universal' narratives.

• 한국지역지리학회지
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• 제12권1호
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• pp.44-58
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• 2006

본 연구의 목적은 일제강점기의 신사(神社)와 관련해 지배적 이데올로기와 장소 사이의 관계를 고찰하는데 있다. 조선신사는 일제의 내선일체(內鮮一體)를 달성키 위한 식민지배 전략 중 하나로서 공간적으로는 중일전쟁(1937년) 이전까지 개항장을 비롯한 전국의 중요 도시들에 51개의 신사들이 세워졌으며, 당시의 철도체계와 연계해서 해안과 내륙의 주요 도시들을 연결한 일종의 "신사 네트워크"였다. 또한 시각적으로 이 신사들은 도시의 조망이 탁월한 구릉에 대부분 입지하였으며, 일본인 거류지를 포함한 식민지 경관들과 인접하였다. 이 신사들에 안치된 천조대신(天照大神)과 명치천황(明治天皇)은 응시의 주체로서 지배자를, 그리고 피식민지인들은 응시의 대상으로 전락하였음을 상징하였다. 이러한 점들로 미루어 신사는 식민지 지배를 위한 감시 장치였다고 할 수 있다. 사례지역인 전주는 공간적으로 호남평야의 중심도시로서 전라선 철도와 연계되었다. 또한 전주신사는 전주읍성의 서문 밖에 위치한 다가산(多佳山)(65m) 구릉의 정상에 세워져 전망이 탁월하였으며, 일본인 거류지를 비롯한 식민지 경관들과 인접하였다. 그런데 광복이 되자 전주신사가 시민들에 의해 해체되었다. 이것은 훼손된 민족 정체성을 회복시키고자 노력한 시민들의 저항 담론의 결과였다. 그 장소에는 대신 충혼탑과 가람 시비가 세워짐으로써 다가산은 일제의 신사가 세워졌던 장소에서 국가 및 민족 정체성을 상징하는 장소로 탈바꿈하였다. 이런 관점에서 정치적 이데올로기가 경관을 통해 장소에 재현된다고 할 수 있다.

• 건축역사연구
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• 제6권1호
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• pp.47-65
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• 1997

In the time of the rule of Japanese imperialism, Japanese style official residence played major role at the implantation of modern dwellings into Korea and its influences on Korean modern dwellings are distinguishable. This study focuses on the Japanese style official residence implanted into Korea before 1910. Before 1910 Japanese civilians in Korea builded just a traditional Japanese dwellings at the Japanese settlement in the ports opened. But Japanese engineers engaged in governmental organization of construction in the Old-Korean Empire builded a central corridor type Japanese dwellings as official residence. The central corridor type Japanese dwelling was an urban dwelling compromised between Japanese style and western style and distinguished by an outer-court type plan, Japanese entrance hall, central corridor and western style reception room. It is certified that the central corridor type Japanese dwelling was implanted into Korea before 1910 and this was the first time an urban dwelling to be implanted and spread through the whole Korea. The central corridor type Japanese dwelling implanted into Korea took in On-Dol and transformed to Korea-Japanese eclectic style. The central corridor type Japanese dwellings implanted into Korea in the time of the rule of Japanese imperialism makes function as a precedent of a modern urban dwelling to Korean and makes Korean dwellings transform from the rural inner court type into the urban outer court type.

• 동의신경정신과학회지
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• 제7권1호
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• pp.137-153
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• 1996

Through the classification of region and kinds of illness about the death of vagrants from 1906 to 1942, the results on the study of vagrants under the rule of Japanese imperialism are followings.1. The statistics about the death of vagrants from 1906 to 1912 have no coherence. So this study excludes that time.2. A mental disease as a cause of death of vagrants is 25.4%. It shows the highest ratio of all the other diseases.3. A mental, nervous disease among the cause of vagrants' death is 15%.4. On outbreak ration of mental disease is 26.7 times in men, 24.6 times in women higher, and on nervous disease 48.1 times in man, 48.9 times in woman higher than Japanese.5. Regional outbreak ratio is higher than Japan. The orders are Chonlabukdo, Chungcheongbukdo, Hwanghaedo, Kangwondo. The above results show that vagrants under the rule of Japanese imperialim is produced by cause of disease. The cause of vagrants' death is also related to social situation at that times. And it accord with the basis of documents. The relation between the death of vagrants and mental, nervous disease are considered to be studied in detailI.

• 영어영문학
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• 제54권4호
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• pp.579-597
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• 2008

This article discusses David Henry Hwang's M. Butterfly as a suggestive text for examining Western masculinity in crisis in the post-imperialist age, in which territorial imperialism is no longer valid. Previous scholarship on M. Butterfly has centered around the interlocking dynamics of imperialism, racism and sexism. Such critical attentions focus on how Hwang deconstructs racialized significations of the East and the West. In these discussions, the issue of gender is often addressed merely as a trope to represent the power relations between the East and the West. As such, gender as well as sexuality is highlighted as the very source of subversion of the power relations. My discussion departs from a critique of the gendered trope of the East and the West, highlighting a postmodern agent, the allegedly feminized character Song Lining: a Chinese actor who passes for a woman for political purposes in postcolonial China. Remaining an "inappropriate/d other" in the gendered imperialist discourse, Song becomes an emergent subject, who is capable of playing gender ambiguity for reclaiming a devalued identity, that of homosexual Asian man. Discussing how the central character Rene Gallimard's masculine identity is constructed in a cross-cultural space and how it evolves, I also argue that Gallimard's melancholic death signifies a historical unsustainability of imperialist masculinity in the postmodern/postcolonial age since World War II.

• 비교문화연구
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• 제33권
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• pp.263-286
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• 2013

Is this a right way in politics that attitude of Japanese scholars to separate Natsume Soseki from the expansionism of pre-war Japan to protect 'sanctity'? Nowadays, most Japanese scholars are regarded to share the desire that minimize the memory of the behavior of Japanese Imperialism in East Asia, such as Korea, China, etc. Furthermore, 'the desire to minimize' inescapably concluded in avoidance, concealment, at last the temptation of deliberate misleading. Until now, the controversy about the Natsume Soseki's travel to Korea and Manchuria has repeated in defence and criticism surrounding the self-awareness and recognition of others of Natsume Soseki, making the expression in a record of Natsume's travel as the subject of study, for example, the degrading expression about Chosun people and scorn for Chinese and Russian. This paper will investigate that Natsume's travel is the political practice which is combined with the desire for the empire, focusing on the political context in the action of journey of Natsume and its contents other than the expression itself.