• Title/Summary/Keyword: Image Expression

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코카콜라 병에 표현된 패션의 표현 유형과 미적 특성 (Expression Types and Aesthetic Characteristics of Fashion in Coca-Cola Bottle)

  • 김장현;김영삼
    • 한국의류학회지
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    • 제37권3호
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    • pp.371-385
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    • 2013
  • This study considers types of expression and examines aesthetic characteristics through analyzing designs (such as the Coca-Cola contour bottle as fashion) which has actively progressed in the collaboration of fashion designers and fashion brands. The conclusions of this study are as follows. The types of fashion expression on the Coca-Cola contour bottle are a presentation of diverse fashion images through a digital print expression that allow people-friendly images to be three-dimensional (or by adding a formative element) and the use of accessories or clothes. The symbolism characteristic were first indicated for the aesthetic characteristics on the Coca-Cola contour bottle. Symbolism is indicated through the identification of an implicit meaning towards a specific object. The symbolism of fashion was highlighted by designing the Coca-Cola's contour bottle with a typical material and pattern pursued by fashion designers and fashion brands. Second, the characteristic of playfulness was presented to expresses the instinctive desire in human nature for pleasure. The expression of visual playfulness is emphasized through the combination of item and image or by changing and re-analyzing a form through refuting stereotypes. Third, the characteristic of femininity was shown to express beauty in external image or a woman's delicate and soft inner propensity. Femininity was created by presenting a sensual femininity that recognized the voluminous curve silhouette of the Coca-Cola bottle such as a sexy female body or through the combination of a women's inner beauty with the sensory image of the object.

디지털 이미지의 표현과 해석 관점에서의 정성적 비교 문화 연구: 문화적 Schema 를 중심으로 (Qualitative Cross-Cultural Study on the Expression and Perception of Digital Images: Focusing on Cultural Schema)

  • 최지웅;김소령;김지현;이인성;김진우
    • 한국HCI학회:학술대회논문집
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    • 한국HCI학회 2009년도 학술대회
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    • pp.1301-1308
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    • 2009
  • In this paper, we conducted cross-cultural studies on digital images, which is an important element of the user interface. We brought in the schema theory to explain the cross-cultural difference in expressing and perceiving digital images. Participant-ethnography, in-depth interview, and card sorting were conducted to explore how expression and perception of image are influenced by schemas. Our results of qualitative studies indicate that there are differences in schemas between cultures depending on the topic of expression and perception. With these results, we suggest globalization and localization strategies of website.

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실내공간의 이미지 표현에 있어서 자연성 적용에 관한 연구 (A Study on the Application of Natural Characteristics in Image Expression of interior Design)

  • 나인영
    • 한국실내디자인학회논문집
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    • 제17호
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    • pp.52-59
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    • 1998
  • In the modern ages when the surroundings of a city has become firm and monotonous this study designed to suggest an direction towards creative approaches to space planning by analyzing the images of interior space with the introduction of natural expressions as an alternative to create original space in order to give vitality to the previous standardized space and to satisfy human beings psychological desire. The results of the analysis as a way of expressing direct indirect and eclectic images using nature a source of arts read that most of the natural expressions show perceptive images strongly that natural elements can become the elements of design in any form and that nature's images are expressed by not only natural and artificial materials. In conclusion natural expression in interior space does not have any fixed form of expression but gives a great deal of vocabulary to the image formation of interior space by stimulating being's sentiment with the spatial restructure of nature's own particular order of form.

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건축 마감 재료의 사회적 이미지에 관한 연구 (A Study on the Social Image of Architectural Finishing Materials)

  • 김소희
    • 한국실내디자인학회논문집
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    • 제13권5호
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    • pp.39-47
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    • 2004
  • In modem days when architectural materials have grave impacts on overall design expression, materials for architecture, especially finishing materials have become the most essential elements for the design expression, as architectural space and form have been. This study closely verifies the concept of tensity analyzed in preceding studies by quantifying it through experimentation and questionnaire, and suggests possible alternatives which verified concept of tensity applies into the architectural design. It was examined how architects consider the finishing materials through a questionnaire. With a questionnaire, the possibility of quantificative analysis for tensity is evaluated by SPSS program. Moreover, a questionnaire about the social image that the architectural finishing materials have was also conducted. This questionnaire results In the actual methods to apply quantificated psychological tensity and social images into the architectural design and recommends better plan to select finishing materials for each spacial function and usage, Due to the great influence of social images in design expression, the application mechanism of the tensity should follow the general and individual principles together. With the tensity figure and application of social images we can find more resonable method for material selection.

A study on the Interactive Expression of Human Emotions in Typography

  • Lim, Sooyeon
    • International Journal of Advanced Culture Technology
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    • 제10권1호
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    • pp.122-130
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    • 2022
  • In modern times, text has become an image, and typography is a style that is a combination of image and text that can be easily encountered in everyday life. It is developing not only for the purpose of conveying meaningful communication, but also to bring joy and beauty to our lives as a medium with aesthetic format. This study shows through case analysis that typography is a tool for expressing human emotions, and investigates its characteristics that change along with the media. In particular, interactive communication tools and methods used by interactive typography to express viewers' emotions are described in detail. We created interactive typography using the inputted text, the selected music by the viewer and the viewer's movement. As a result of applying it to the exhibition, we could confirm that interactive typography can function as an effective communication medium that shows the utility of both the iconography of letter signs and the cognitive function when combined with the audience's intentional motion.

영상콘텐츠 제작에서 편의성 높은 '깊이감' 표현방법에 관한 연구 (A Survey on the Convenient Way of Expression of 'Sense of Depth' in Producing Moving Image Contents)

  • 김경일
    • 디지털콘텐츠학회 논문지
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    • 제9권2호
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    • pp.187-192
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    • 2008
  • 본 연구는 차원 높은 영상콘텐츠 제작 과정 중 깊이감의 표현을 위해 적용될 수 있는 기술들과, 그 기술들의 구체적인 내용 및 이에 대한 검증에 관한 것이다. 깊이감을 표현하는 기술에는 조명을 이용하는 방법, 피사계심도 자체를 이용하는 방법과 렌즈를 이용하는 방법, 그리고 카메라의 움직임 즉 줌과 돌리를 이용하는 방법 등이 있다. 이와 같은 방법들이 실제로 적용될 수 있는지 확인하기 위해 선호 빈도를 조사해 본 결과, 기술이 적용된 사진들이 대부분 선택되었다. 깊이감을 표현하는 방법 가운데 렌즈를 이용하는 방법이 가장 편의성 높은 방법이라는 점을 확인할 수 있었다.

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시각기호의 3차원을 활용한 패션일러스트레이션의 은유와 환유적 표현방법 분석 (The Expression of Metaphor and Metonymy in Fashion illustration by Three Components of Visual Sign)

  • 최정화;유영선
    • 복식
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    • 제54권3호
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    • pp.13-25
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    • 2004
  • The purpose of this study was to show the analysis system and the expression which is applied to fashion illustration by three major components in visual sign, metaphor and metonymy. The results of this study were as follows : Firstly, metaphor in qualisign of syntactics was revealed as a color such as realistic description, a pattern such as clothing of figure. etc. Metonymy was revealed as a social and cultural background color, a concept pattern. etc. In sinsign of syntactics. metaphor was revealed as a human body, non-human body and metamorphosis human body and metonymy as a human body and non-human body. In legisign of syntactics, the metaphor by perspective was used for a fantasy of space. and the metonymy was revealed as a color perspective representation, etc. The degree of change of texture was revealed as a metaphor and metonymy of gradation. And conventional custom sign was almost revealed in metaphor. Secondly, semantics showed about fashion image as juxtaposition of two similar objects in metaphor and as real description and simplification in metonymy Alternative fashion image in semantics was presented as a object related to fashion image. Conventional symbolic sign was presented as a role to clarify a fashion message in metaphor. Thirdly, the metaphorical and metonymical expression in pragmatics were usually presented as drawing and painting.

FCM 군집화 알고리즘에 의한 얼굴의 특징점에서 Gabor 웨이브렛을 이용한 복원 (Reconstruction from Feature Points of Face through Fuzzy C-Means Clustering Algorithm with Gabor Wavelets)

  • 신영숙;이수용;이일병;정찬섭
    • 인지과학
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    • 제11권2호
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    • pp.53-58
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    • 2000
  • 본 논문은 FCM 군집화 알고리즘을 사용하여 표정영상에서 특징점들을 추출한 후 추출된 특징점으로부터 Gabor 웨이브렛들을 이용하여 표정영상의 국소영역을 복원한다. 얼굴의 특징점 추출은 두단계로 이루어진다. 1단계는 이차원 Gabor 웨이브렛 계수 히스토그램의 평균값을 적용하여 얼굴의 주요 요소성분들의 경계선을 추출한 후, 2단계에서는 추출된 경계선 정보로부터 FCM 군집화 알고리즘을 사용하여 얼굴의 주요 요소성분들의 최종적인 특징점들을 추출한다. 본 연구에서는 FCM 군집화 알고리즘을 이용하여 추출된 적은 수의 특징점들 만으로도 표정영상의 주요 요소들을 복원할 수 있음을 제시한다. 이것은 인간의 얼굴 표정인식 뿐만아니라 물체인식에도 적용되어질 수 있다.

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감정 트레이닝: 얼굴 표정과 감정 인식 분석을 이용한 이미지 색상 변환 (Emotion Training: Image Color Transfer with Facial Expression and Emotion Recognition)

  • 김종현
    • 한국컴퓨터그래픽스학회논문지
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    • 제24권4호
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    • pp.1-9
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    • 2018
  • 본 논문은 얼굴의 표정 변화를 통해 감정을 분석하는 방법으로 조현병의 초기 증상을 스스로 인지할 수 있는 감정 트레이닝 프레임워크를 제안한다. 먼저, Microsoft의 Emotion API를 이용하여 캡처된 얼굴 표정의 사진으로부터 감정값을 얻고, 피크 분석 기반 표준편차로 시간에 따라 변화하는 얼굴 표정의 미묘한 차이를 인식해 감정 상태를 각각 분류한다. 그리하여 Ekman이 제안한 여섯 가지 기본 감정 상태에 반하는 감정들의 정서 및 표현능력이 결핍된 부분에 대해 분석하고, 그 값을 이미지 색상 변환 프레임워크에 통합시켜 사용자 스스로 감정의 변화를 쉽게 인지하고 트레이닝 할 수 있도록 하는 것이 최종목적이다.

현대패션의 신체부위에 따른 에로티시즘[Eroticism]표현 - 에디토리얼 패션사진을 중심으로 - (Expression of Eroticism According to Body Part in Modern Fashion - Focused on Editorial Fashion Photography -)

  • 최나리;우주형
    • 복식
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    • 제56권9호
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    • pp.24-36
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    • 2006
  • The consumption became a virtue of social in 20th century, and this consumption culture created an ideal body image through mass media. Sexual image became a new standard of 'beauty' in a modern fashion, and designs which expressed sexual image appear every season. Individuals were fascinated with some parts of human body. These body parts are different based on the time period and the culture that the individual belonged to. This study focused on the erotic body parts and expression on the editorial fashion photography. Eroticism represented in the editorial fashion photographs can be divided into the expression by clothing design and by creating erotic atmospheres. Erotic expressions by clothing design can be presented by 1)exposing directly 2)exposing indirectly 3)emphasizing the body parts. The most frequently presented erotic body parts in fashion photographs were legs(25%), followed by the bodice with breast (21%), the waist (16%), the hip (12%), neck & shoulder (10%), arms (9%), and abdomen (7%). The results indicated that legs were considered to be a erotic body parts often than the traditionally referred erotic body parts, such as bodice with breast or hip. While direct exposing method (e.g., adhesion, see-though) was frequently used for other body parts.