• 영어영문학
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• 제55권6호
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• pp.975-992
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• 2009

Whereas many Dickinson scholars tend to focus on Emily Dickinson's anthropocentric dimension, her work also reveals an ecocentric aspect. On the one hand, influenced by New England Puritan typology and its offshoot Emersonian Transcendentalist idealism, Dickinson reveals her indebtedness to these two worldviews by emphasizing the invisible over the visible and the spiritual over the physical. At times, she reflects the common thread of the two outlooks-a hierarchical thinking, in which nature is inferior to human beings and does not have its own identity outside of human use. On the other hand, seeing through the downside of the hierarchical Emersonian idealism, Dickinson sometimes suggests an alternative stance on nature in a nonhierarchical way. She often appreciates nature for its own sake, becoming its neighbor and companion. This aligns Dickinson with modern ecocritics and ecofeminists who criticize a hierarchical anthropocentrism and promote an egalitarian ecocentrism in which natural and human beings are fellow citizens of the earth community. And yet, unlike most ecocritics who advocate a complete shift to an egalitarian paradigm, Dickinson embraces both anthropocentrism and ecocentrism in her poetry of "open portfolio." This openness stems from her belief in interrelatedness between God, nature, and human beings. Housing the two opposing perspectives in her poetry, she widely opens the possibility to choose the better way to relate to our sister and brother, nature.

• 조형예술학연구
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• 제6권
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• pp.119-139
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• 2004

The intention of the research is to look into the form reflecting the spiritual image due to Oriental aesthetic from a realistic point of view. In this regard, I will pay attention to examining the process from figurative perspectives, in which painting image by subject acquires the beauty of form. Of the main subjection this paper, figure is an image itself appearing in painting. At this point, I will attempt to show how the meaning and value of image have been interpreted and judged on the aesthetic standard in Oriental painting in particular. For this process, I generalize the conception of the image as 'figure' and through this I will reconsider the standard of understanding and the value of perception regarding painting images on the method which are more applicable to the expressions of Oriental painting. The reason why I try to find out the true nature of images in Oriental painting from a figurative viewpoint is to convert a conventional sense of value which recognizes the images of Oriental painting only as results of idealism, into more practical field. If the true nature of Oriental painting is fixed and restricted to natures of idealism, any productive development and any changes in form for future couldn't be expected at all. In fact, what the ideological and aesthetic values of art suggest is clearly a proof of real art form. However, it is not a hard thing to prospect that only a superficial idealism will be ceaselessly produced, while the practical study about aesthetic values, meaningful results of painting expressions, is totally ignored, if ideology itself is used as criteria to judge the identity of it or if only the idealistic aesthetic values are emphasized while any clue to show a real existence of oriental paintings is not certain. Actually, nobody can deny the fact that interests about real natures regarding art expressions have been relatively ignored while armed with mental ideology for esthetic view of oriental painting in traditionalism Therefore, it is clear that 'spiritual status' itself can generate any form. Traditionally, in the Orient, the standard of judging a real value of things, which put a focus on a spiritual view of value rather than on a materialistic view of it, has been vaguely positioned the identity of images in painting As a result, the aesthetic convention has finally committed to an error that for images of oriental painting, ideological criteria like so called spiritualism are applied as a judging way, and esthetic meanings and values of real painting are considered as strategic results and spiritual intentions.

• 한국한의학연구원논문집
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• 제2권1호
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• pp.1-25
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• 1996

The purpose of this paper is to study the basic medicine of the Gojoseon(古朝鮮) dynasty, especially 5 fields which are the theory of yin-yang(陰陽論), the theory of 5 progressive phasis(五行論), the theory of mind-body(心身論), Seon-gyo(仙敎), acupuncture(鍼術). The theory of yin-yang can be studied in the point of contents of it, not the name of it. Whan-in(桓因) is the god of sky, Woong(熊) is the god of earth. Whan-woong(桓雄), who is the son of Whan-in(桓因), came down from the sky, turned into a man. Woong(熊) lived in the cave, eating garlic and wormwood for 21days, got out of it and turned into a woman. The changes occurred by the mutual aid of Whan-woong and Woong. The theory of 5 progressive phasis can be founded in the archery. The bow and arrow is made of cucumber, horn and ligament of cow, glue made from airbladders of sciaenoid fish, which belong to mock(木). Beejeongbeepal(非丁非八) and make strong one's abdomen(腹實) belong ti soo(水), empty out one's chest(胞虛) belongs to whar(畵), thrusting(前推泰山) belongs to mock(木), shooting(發如虎尾) belongs to geom(金). Basically mind and body have no differance. Mind without body does not exist. Exocism excites the exorcist to the condition of whar(火). There are 3 parts, as treaLment, prevent, regimen, in the medicine. 2 parts as idealism and realism are in regimen. Seon-gyo(仙敎) belongs to the idealism of regimen. In China, is became Taoism(仙敎) later The art of accupunture was developed in the Gulf of pohair(渤海灣).

• 디지털융복합연구
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• 제14권1호
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• pp.479-489
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• 2016

본 연구에서는 융합적 장애학의 시각에 근거해 중도 시각장애인의 장애 자부심 구축에 관해 일본 TV드라마 "챌린지드"를 중심으로 주인공 塙와 주변 인물로 나누어 그들의 장애관의 실체를 분석하였다. 이 경우, 연구방법 고론으로서 Priestley(1998)의 장애다중패러다임에 의거한 융합적 장애학을 도모하고자 하였다. 중도시각장애인의 장애자부심 구축과 장애 수용의 패러다임은 근본적으로 상이하다. 그런 면에서 장애수용 이론에 대한 비판은 의료모델에 대한 비판과 통한다. 드라마상에서 장애 자부심의 본질이 가장 두드러진 인물로는 주인공 塙와 교사회장, 교장으로 이들은 사회적 관념론이 체화된 인물로서의 공통점을 보인다. 그 외 인물들의 경우, 초기에는 시각장애교사인 塙의 신체성과 장애 정체성을 부정하지만 이윽고 장애에 대한 사회적 관념론적 시각으로 전화하게 되며, 드라마의 인물들은 완전히 융화된다. 마지막으로 본 연구의 시사점으로는 드라마 자체에 관한 인문학적 사회과학적 분석이라는 내재적 시사와 더불어 드라마를 수단으로 한 교육적 효과와 같은 외재적 시사로 제시하였다.

• 패션비즈니스
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• 제14권1호
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• pp.1-10
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• 2010

The purposes of this study were to examine effects of individual's ethics on corporation ethics and corporation ethics management and perception for corporation ethics management innovation system, and to compare consumers' and entrepreneurs' perceptions toward innovation system for ethics management in fashion industry. The subject used for this study were 260 subjects (117 consumer and 143 entrepreneurs). For data analysis, descriptive statistics, Pearson's correlations, Cronbach's alpha, regression, and t-test were used. As the results, first, ethic values on idealism and machiavellism significantly influenced on the business ethics. Business ethics also affected on business ethics management. In addition, business ethics management influenced on perception for ethics management innovation system. Finally, there were significant differences between consumers and entrepeneurs on perceptions toward innovation system for ethics management. Based on these results, prevention marketing strategies of counterfeit goods would be provided.

• 한국수학사학회지
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• 제17권2호
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• pp.9-14
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• 2004

본 논문은 수리철학의 발전과정에 관한 발자취를 조사한다. 자연적으로 암시하는 주된 의문들 중에서 그것들은 수리철학의 변천과정에 의해서 생각되어질 것이다. 수리철학의 역사를 위한, 혹은 더 특별하게 말하자면 철학에 대한 수학의 관계를 위한 명백한 자료는 현재까지 그 수가 많지 않은 편이다. 더욱이 각각의 사색가들에 따른 철학에 대한 수학의 범위, 영향, 관계에 대한 의견차이와 논쟁이 분분하다. 수학과 철학의 발전 과정에서 서로에게 미치는 영향력에 대해서도 강조할 필요가 있다.

• Architectural research
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• 제11권1호
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• pp.1-6
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• 2009

While the ideal universality of the modern period has achieved outstanding results in terms of establishing sanitary cities in contemporary urban environments, it has caused the decline of the genius loci. This study raises the question of the lost sense of place and proposes a solution, 'The Human-Environmental Ecological City'. The Human-Environmental Ecological City, called 'Ecoumenal City', does not provide a fake idealism with the conclusion of modernity of non-place or sense of place without modernity. It is both cosmological and geogenic, and the technology of the time is projected onto it human-environmentally. It does not pursue any more a urban planning as the overall work of an individual, but it aims at a balance rediscovered through the individual spontaneousness.

• 패션비즈니스
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• 제11권6호
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• pp.75-86
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• 2007

This study investigated the differences of consumers' perception toward immoral shopping behavior when they shop in apparel retail stores by consumer characteristics such as ethical ideology and gender. Forsyth's(1980) ethical ideology measuring idealism and relativism was used. Three hundred twenty-five college students enrolled at a large university located in a metropolitan area participated in the study. These students were divided into four groups on the basis of their ethical ideology: situationist, subjectivist, exceptionist, or absolutist. A series of factor analyses revealed three factors of immoral shopping behaviors: shoplifting, active immoral shopping behaviors, and passive immoral shopping behaviors. The four groups significantly differed in regard to their perceptions toward active immoral shopping behaviors and passive immoral shopping behaviors. T-tests revealed that females tended to perceive shoplifting and passive immoral shopping behavior factor worse than males. The results of this study would be used for developing consumer educational programs and retail training programs.

• 한국수학사학회지
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• 제14권1호
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• pp.47-60
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• 2001

The present study develops the given theme “Mathematics and Reality” along two lines. First, we explore the answers, in its various facets, to the following question: How is it possible that mathematics shows such wondrous efficiency when explaining nature\ulcorner In addition to a comparative analysis between empiricism and rationalism, constructivism as a function of idealism is compared with realism within the frame provided by rationalism. The second step involves limiting our discussion to realism. We attempt to explain the various stages of mathematical realism and their points of difficulty. Postulate of parallels, Godel's theorem, continuum hypothesis and choice axiom are typical examples used in demonstrating undecidable propositions. They clearly show that it is necessary to mitigate the mathematical realism which depends on bivalent logic based on an objective exterior world. Lowenheim-Skolem theorem, which states that reality is composed not of one block but rather of diverse domains, also reinforces this line of thought. As we can see the existence of undecidable propositions requires limiting the use of reductio ad absurdum proof which depends on the concept of excluded middle. Consequently, it becomes obvious that bivalent logic must inevitably cede to a trivalent logic since there are three values involved: true, false, and undecidable.

• International Journal of Human Ecology
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• 제11권2호
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• pp.39-50
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• 2010

This paper compares a cross-cultural and gender differences and similarities about consumer ethical perceptions and behaviors, and ethical ideologies between Korean and the US college students. It also examines the relationships between consumers' ethical perceptions and behaviors, and the relationships between consumer ethics and ethical ideologies. This research provides some evidence that supports the premise that consumer ethics is influenced to an extent by consumers' nationality and gender. The differences are not universal, however, and could perhaps be described as situational. The American college consumers were found to be more idealistic and relativistic than the Korean college consumers. But the differences were minor The American male college consumers were found to be more idealistic than the American female college consumers. The ethical consumer groups were found to be more idealistic and less relativistic than were the unethical consumer groups. Perceptions were positively related to behaviors in the consumer ethics. But the magnitude of impacts is different between the nations and in the dimensions of consumer ethics.