• 대한건축학회논문집:계획계
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• 제35권8호
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• pp.15-22
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• 2019

According to Kenneth Frampton, the modern architecture starts to be recognized as the poetics of construction and lays a great weight in its value on the technology of making forms and the inherent meaning in the tectonics. The tectonic connotes not only the technological construction of the architecture but also ontological details as the joint of material and texture. The works of Carlo Scarpa are examples to prove the way how the ontological meanings are exposed in the tectonic form of architecture. The purpose of this study was to analyze the connections between Carlo Scarpa's architectural thoughts and visual logic(schemata) from the characteristic of details in his work during the 1950s to 1970s. Through the analysis, the Italian tradition in the architecture is reinterpreted through isolation and break of recollected montages. Carlo Scarpa makes spatial fragments and aspects of reinterpreting in surroundings and situation with the architectural place in Venezia. As a result, the unique details of his craftsmanship provide lessons on how to reinterpret the traditional architecture. In conclusion, Carlo Scarpa's architecture emphasizes the passage of its perceptive experience aspects as a dis-joint of tectonic forms. It may imply the significance of his philosophical approach, especially to the ontological architecture and tectonics.

• 한국산학기술학회논문지
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• 제10권8호
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• pp.1970-1976
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• 2009

최근 소프트웨어의 규모가 증대되고, 소프트웨어에 대한 관리가 능동적이어야 한다는 요구에 따라 소프트웨어 아키텍처의 중요성은 더욱 증대되고 있다. 소프트웨어 아키텍처는 건축물의 청사진과 마찬가지로 소프트웨어 골격의 구조에 대한 표현이 된다. 소프트웨어 구성요소와 이들간의 관계를 보다 정확하고, 종합적으로 표현하기 위해 소프트웨어 아키텍처는 다양한 뷰를 통해 명세되어진다. UML(Unified Modeling Language)은 소프트웨어 및 소프트웨어의 아키텍처를 문서화하기 위해 사용되는 모델링 도구이다. 그러나 UML은 실제 사용하는 것이 용이하지 않으며, 또한 그 표준도 지속적으로 변경된다. 도한 UML을 정확히 배워서 사용하는 것이 용이하지 않으며, 특히 도구없이는 표현하기가 매우 어렵다는 것도 사실이다. 본 연구에서는 소프트웨어 아키텍처 설계를 위한 아키텍처 뷰를 소개하고, 각각의 뷰를 설계하기 위한 UML을 소개한다. 특히 UML의 단순화된 표현을 소개하여 파워포인트와 같은 일반적인 문서화 도구를 이용하여서도 소프트웨어 아키텍처를 쉽게 문서화할 수 있는 방법을 소개한다. 또한 이 표현방법을 GLORY 시스템의 아키텍처 설계에 적용해 보고 적용효과를 분석해 본다.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.289-297
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• 2006

This study was begun on the premise that architecture which has the definite disposition for survival even in the urban, social structure of that uncertainty and constructs specialty is biomorphic architecture. This study was made with the following four specific purposes largely. First, through the theoretical investigation of biomorphic architecture that appears in the tendency that mordern architecture develops into the architecture of do-stereotype and new form, its meaning and definition are examined. Second, the analysis of biomorphic architecture is investigated and the generation causes are applied architecturally and generate biomorphic architecture is made. Third, by analyzing the material expression characteristics of biomorphic architecture, the meaning and possibility of architecture, which expresses the vitality of organism, as the material expression characteristics of biomorphic architecture, are investigated. The material expression characteristics was deduced through the generation background of biomorphic architecture. The material expression characteristics of biomorphic architecture is the various modeling by smart-network and the response system of sensitivity poly-logue.

• 한국실내디자인학회논문집
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• 제17호
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• pp.73-79
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• 1998

This study aims to show the present status of the expressions in the contemporary architecture in Kore under its pluralistic and equivocal situation. Non-residential buildings constructed since 1960 till 1997 have been analyzed focused on the rationality romantic property and koreanity which are the expressional aspects and its expressional characteristics in contermporary architecture in Korea such as the properties of the quasi-thematic approach limitary subsistence unexisting common ownership mixed copy and normative diversity have been grasped. These results prove that the common features after Modernism such as the restoration of humanity search for the architectural forms of plural meaning the pursuit for the regionality are also applied for the expressions of the contemporary architecture in Korea, Also this study can be the attempt to clarity the identity of the contemporary architecture in Korea and where it is now.

• 한국농촌건축학회논문집
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• 제1권3호
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• pp.53-64
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• 1999

This is designed to find out the relations between traditional dwelling and its ecological concepts and factors in the natural environment. This also reveals how to design the dwelling under the full consideration of eco-system and its application possibility. Now, I have a conclusion that Modern architecture application would be possible if we design buildings under full-consideration of ecological environmental elements, inheriting the characteristics of the typical architecture items through more detailed and further advanced studies in traditional architecture methods.

• 한국주거학회논문집
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• 제17권1호
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• pp.37-45
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• 2006

The purpose of this study is to explore the spacial boundary in Kazuyo Sejima's housing architecture, to give attention to contemporary housing architecture that we inhabit, and to escape from existing architectural concepts. This study seeks to the meaning and possibility of the spacial boundary on the basis of contemporary architecture. The spacial boundary can be studied in the aspect of architectural space that molds human experience and perception. As a result of this study, three properties in the spacial boundary are revealed. One property of the spacial boundary is soft that protect privacy from gaze of exterior. Another property is that communication that changes according to material of boundary and its experience of observer. The other property is to have uncertainty by compound of programs and material-mixing senses including its perception. This results means that the spacial boundary as interface which is represent our everyday life in the contemporary housing architecture.

• 한국IT서비스학회지
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• 제7권4호
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• pp.167-178
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• 2008

This paper addresses the issue of workflow on Grid and P2P, and proposes a layered workflow architecture and its related workflow models that are used for not only distributing workflows' information onto Grid or P2P resources but also scheduling the enactment of workflows. Especially, the most critical rationale of this paper is on the fact that the nature of Grid computing environment is fitted very well into building a platform for the maximally parallel and very large scale workflows that are frequently found in very large scale enterprises. The layered architecture proposed in this paper, which we call Enterprise Workflow Grid Architecture, is targeting on maximizing the usability of computing facilities in the enterprise as well as the scalability of its underlined workflow management system in coping with massively parallel and very large scale workflow applications.

• 시스템엔지니어링학술지
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• 제6권2호
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• pp.21-27
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• 2010

As system is larger, and technology evolves, the system gets complicated due to its integration and heterogeneity of system components. To address its complexity and to accomplish efficient system development, various methodologies have been developed. MBSE using Models and tools is one of methodologies. MBSE methodologies and its products are differently applied according to the organization and project. It is proper that unique methodology is applied in a development of single system. But what if a variety of methodologies are applied in the same domain or SoS development, it will cause a confusion of communication and waste of engineering efforts. As a way to resolve this, it can be considered that MBSE using architecture framework that clearly define products. In other words, by taking advantage of that an architecture framework provides the type, representation and meta-model of products, the reusability and universality of MBSE products can be improved.

• 건축역사연구
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• 제14권4호
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• pp.59-72
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• 2005

Architectural embodiment of a national identity has long been a significant topic in Korean architectural circles. For this reason, it must be helpful to examine the so-called, 'National Romanticism' of Finnish architecture around 1900 in that Finnish architects of the time struggled to embody their national identity through their projects. Considering the historical and linguistic affinities between Finland and Korea, the Finnish architectural situation draws . our additional attention. This paper aims at showing its historical background, the meaning of each type of buildings in the stream, and limitations it implies. The atmosphere of Finnish nationalist movement, which was provoked by [Kalevala] publications (1835; 1845) and shown in Karelianism, was heightened by Tsarist Empire's Russification programme of Finland in the late 19th century Architecture was one of the most important genres expressing her national identity. Finnish national romantic architecture could be divided into three. The first is a log house style for artists' studio house, motivated by the Finnish vernacular farmstead - especially by Karelian farmhouse. This type of building signifies the Finns' will to return to their motherly soil. The second is a stone architecture style for public buildings, inspired by Finnish church or castle of an early medieval time. By using roughly-cut granite as the main exterior material, buildings of this type symbolise the toughness of legendary heroes and Finns' desire for national Independence. The third type of building was based on both of the former or more dependent on architects' Imagination and creativity. However, Finnish national romantic architecture has been criticised by some critics owing to its decorative, eclectic and self-indulgent characteristics. Probably, it was not really national but rather inter-national because of the Influences of English Arts and Crafts Movement, the American Richardsonian architecture and the continental Art Nouveau. And the negative images of 'national' and 'romantic' made some historians coin other terms like 'national realism' or 'material realism'. As another limitation, one raises the low degree of its contribution to the entire architectural history. Despite these criticisms, however, this paper argues that Finnish national romantic architecture is meaningful in itself, particularly because it illustrates vividly Finns' struggle to search for their national identity and, after all, their craving for national independence.

• 건축역사연구
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• 제31권1호
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• pp.77-88
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• 2022

Architecture had played a significant role model in philosophy because the construction of building represented doing philosophy. 'Architecture as metaphor' made it possible that doing philosophy was a kind of construction of thinking and western philosopher considered himself as an architect of idea. As a system of system, architectural analogy gave philosophy a chance to insist himself as a theory of theory. So architecture had always been a privileged model of discourse system and also a fundamental metaphor in philosophy. Because of its original meaning, Architecture as techne could be considered as poiesis, that was the special building(making) in western culture. The archi(arche) - structure(techne) was a ideal model and mechanism of philosophy because with this analogy doing philosophy became a kind of building act to make a logical system of idea. This kind of tradition in philosophy, especially metaphysics, made the characteristics of western philosophy 'architectonic' that implied the meaning of the rational, stable, hierarchical and holistic. But this kind of tradition exposed the problem of philosophy that focused on Identity and excluded the others. The logocentrism of western philosophy was also the limitation of architectonic thinking and its reductionism became a grand monologue which only allowed systematic, rational discourse. Its ideological position Inevitably caused the anti-architectural thinking in modern age as a diverse form of new trend of thinking as like postmodernism or deconstruction. Even Deconstructivism, or 'informe', non-representation in architecture depends upon anti-architectural thinking. Relationship between architecture as metaphor and the building of philosophy is problematique issue.