• 건축역사연구
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• 제21권1호
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• pp.27-46
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• 2012

The core idea of the critical regionalism could be summarized as a self-conscious synthesis between universal civilization and world culture. After World War II, it has been applied to architecture for overcoming the problem of Industrial Capitalism and uniformity of 20th century Modern Architecture. Naturally, religious architecture cannot also be an exception in this cultural trend, thus we can also apply the critical regionalism to the Korean Catholic Church Architecture with the basic premise that the Traditional Western and Modern Style Church Architecture should be regarded as universal civilization, and the Traditional Korean Architecture and endemicity as one of world culture. In the context, this article attempts to analyze the regionality of Korean Modern Catholic Church Architecture constructed between the 19th century and 1980's, and how it has been differently transformed with the view of the critical regionalism. Its analysis will be carried out within three types; transformation of the Traditional Korean Architecture and the influence of Japanese Modern Architecture, representation of the Traditional Korean Architecture, and abstraction of the Traditional Korean Architecture with each advantages and disadvantages.

• 건축역사연구
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• 제3권1호
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• pp.23-43
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• 1994

In this study, it has compared and investigated the architecture of Six-Dynasty in China which was the same period of Baegje. There are no buildings to remain as a Baegje's architecture, but the architectural traces are remained. Especially, the architectural traces in Six-Dynasty are much left in cave temples. The reason to compare the architecture between China and Baegje intends to restore the Baegje's architectural style ultimately. The two countries, China and Baegje, were very close and they traded each other at that time. In the method of comparison, it has been investigated the form, the style and characteristics in each parts such as podium, column base, column, doors and windoors, brackets and roofs. As a result of the study, it has shown that the Baegje's architecture was not splendid compared to the architecture of Six-Dynasty. Baegje developed it's own architectural technique and used it only to the Baegje architecture. Since there was historical records that Baegje sent it's own architectural engineers to surrounding countries, Silla and Japan, it confirms that Baegje's architectural techniques were excellent. We need more time and constant research to restore the Baegje's architectural style ahead of time.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.3-11
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• 2012

The first visual contact in architecture happens in surface, and it could be significant object as well as the starting point to recognize the essence and perceive the buildings. Architecture surface could not get out of the restriction of structures and materials that support buildings for a long time in the past. Architecture surface in the past should fulfill the structural role to form are appearance of buildings and support buildings at the same time, so it was difficult to get out of logic for material and thickness of walls, arrangements and sizes of windows. However, since the modern age, architecture surface came to be freer according to the development of building technology, and development of technology changes shows tendencies to express role of new design factor as an architectural element emphasized expression and autonomy,s which was escaped from the subordinate relationship that the surface of building must do the structural function. In this study, it would be examined the expressive characteristics of various epidermis that are expressed in architecture of Herzog & de Meuron since the end of 20thcentury focused on comprehended and analyzed results of changes and characteristics of contemporary society. Through this, it would be comprehended the epidermis of architecture that has particular character expressed in modern buildings of Herzog & de Meuron, and it would be composed a certain linkage between this and characteristics of contemporary society and it would be investigated that the establishing process of inner spaces. Identification through case analysis for this would perform a role of catalyst for the new possibility and development of contemporary architecture's surface expression in the future.

• Asia pacific journal of information systems
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• 제28권4호
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• pp.240-257
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• 2018

In today's turbulent business landscape, a firm's ability to explore new IT capabilities and exploit current ones is essential for enabling organizational agility and achieving high organizational performance. We propose IT exploration and exploitation as two critical organizational learning processes that are essential for gaining and sustaining competitive advantages. However, it remains unclear how the emerging cloud-based IT architecture affects an organization's ability to explore and exploit its IT capabilities. We conceptualize modularity and virtuality as two critical dimensions of emerging cloud-based IT architecture and investigate how they affect IT exploration and exploitation. We test our hypotheses using data obtained from our field survey of IT managers. We find that modularity is positively associated with both exploration and exploitation whereas virtuality is positively associated with exploration, but not with exploitation. We also find that the effect of modularity on exploitation is stronger than its effect on exploration.

• 한국전자거래학회지
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• 제11권2호
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• pp.71-91
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• 2006

현재 대부분의 기업은 비전 및 미션 달성을 위해, 업무프로세스에서 애플리케이션의 단위 기능까지, 정보기술 자원을 통합된 관점으로 구성하기를 원한다. 하지만 이를 위해 제시된 엔터프라이즈 아키텍처는 기업의 정보기술 환경이 개방화되고 복잡도가 증가하면서 애플리케이션 개발 영역을 명확하게 포함하지 못하고 있다. 따라서 본 논문에서는 엔터프라이즈 아키텍처에서 애플리케이션 개발 영 역을 효과적으로 포함할 수 있도록 하기 위해 전사 관점의 소프트웨어 아키텍처 프레임워크를 정의하고 이를 포함하는 엔터프라이즈 아키텍처 프레임워크를 설계하였다. 전사 관점의 소프트웨어 아키텍처 프레임워크는 추상화 수준을 고려하여 메타 아키텍처, 개념적 아키텍처, 논리적 아키텍처, 물리적 아키텍처인 네 개의 하부 아키텍처를 가지는 계층형 소프트웨어 아키텍처 구조로 새롭게 정의하였으며, 이러한 아키텍처를 포함하는 엔터프라이즈 아키텍처 프레임워크는 눈높이(Perspective)와 관점 (View)별로 전사 관점의 소프트웨어 아키텍처 프레임워크를 분석하여 아키텍처 이해관계자와 아키텍처 간의 관계를 바탕으로 새롭게 설계하였다. 본 연구의 결과물은 기업의 전사 영역에 걸쳐 통합 관점에서 정보기술 구성 및 엔터프라이즈 아키텍처에 기반을 둔 체계적인 애플리케이션 개발에 활용가능하다.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.3-12
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• 2007

This study examines the nature-introducing methods between Korea Traditional Architecture and Landscape Architecture dividing them into three; semantic methods, constructive methods and visual methods on the basis of architectural features deduced from Borrowed Landscape theory which is a typical nature-introducing theory in the orient. Through the findings of this study, we can explain the nature-introducing methods of Landscape Architecture by way of the method of the Borrowed Landscape which was frequently used by our ancestors for a long time to Introduce nature in the course of building structures, and we can find several similarities between the Architecture of two fields of both different times and areas. It can be said to be meaningful for us to be able to confirm the contemporary value of Traditional nature-introducing method through the Borrowed Landscape theory. However, we can find that there is a difference between Traditional Architecture and Landscape Architecture in looking at nature. If the Landscape Architecture which emerged recently as a result of recognizing the importance of nature, maintains the nature view of regarding nature and architecture as equal, the nature view of Traditional Architecture is essentially different in that it is humble and aims to return to nature. The most outstanding feature of nature-introducing way in Traditional Architecture obviously implies something different from the various architectural trends of 'nature-human', or 'nature-architecture' which appeared breaking the relation of dichotomy. It is the thinking that 'nature and human are continual', and 'human is part of nature'; that is, 'the humbleness to nature'.

• 한국실내디자인학회논문집
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• 제25호
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• pp.213-220
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• 2000

The meaning of light is not always developed aspect in process of architecture history as essence worth of the architecture. It means that architectural light is not affected simple development of civilization, but it has more complex aspect. The technology of applying architecture has continuous development of society that light is possible to extend quantity by development of technology because light is component not simple material or tools but strong worthy aspect, quality development of architecture comes true by exact understanding and application. Conversion from medieval society to modern society begins at the Industrial Revolution has new skills and materials, the architectural conform general space filled with non-characteristic light, and it gives rising to pursuit Utopia is not exist frequently. In result, light of metaphysical meaning is diminished and exterminated. In other hand light seems to be tools by development of technology in modern society, recovering its own meaning in other aspect. That light makes perfect image of architecture not by finite meaning only for simple space but by expressing strongly point that unify the whole architectural composition. Light is free from partial material of architecture. Light activates major composition through high-technology, and has possibility to carry out the essential worth animate architecture. The light expresses relative speciality for sense of place recognizes major component which the human being lives in and conform the real meaning of architecture.

• 한국실내디자인학회논문집
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• 제14권1호
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• pp.3-10
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• 2005

The purpose of this study is to find the relationship between hightech architecture and digital one through the discussion on Karl B tticher's view on tectonic in 19th century. The discussion of tectonics which has not been brought up until recently. Since there are no studies regarding contemporary architecture relating to Karl B tticher's view on tectonic, so it is fairly significant to study Karl B tticher's conception, discussion and relationship of contemporary architecture. To study the essence and meaning of Karl B tticher's view on tectonic in 19th century, we will analyze each examples of hightech architecture and digital architecture through Karl B tticher's dual form. B tticher insist that dualistic relationship is united and produced simultaneously. Because they have so closed relationship each other, it's impossible to apply only decoration without structure. Therefore they have mutual assistant relationship. A relationship can be found between hightech architecture's technology and structural symbol that Karl B tticher tried to find in steel which is new material ornament. Digital architecture can be confirmed as images which are made of maximum expose through consistent dynamics of structure. Karl Btticher try to find structural symbolism between new meterail, iron, and decoration. In modern architecture it has the closed relationship with high-tech technology.

• 한국컴퓨터정보학회논문지
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• 제16권9호
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• pp.175-183
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• 2011

데이터는 IT의 핵심요소이다. 다른 아키텍처는 선진 기술과 기법을 참조하고 도입하여 적용이 가능하지만 데이터 아키텍처는 고유한 것이어서 우리 스스로 구축을하여야 한다. 데이터는 기술의변화와 진화에 민감하지 않은 영역으로 처음 구축 시 잘 만들면 건물의 철골 구조물과 같이 건실한 정보 시스템을 구축하는데 좋은 방향을 제시할 수 있다. 잘 구축된 데이터 아키텍처는 엔터프라이즈 아키텍처 구축을 용이하게 하고, 구축 후 관리 및 운영을 효과적으로 할 수 있게 한다. 본 논문은 엔터프라이즈 아키텍처를 위한 데이터 아키텍처 구축 모델을 제시한다.

• 한국실내디자인학회논문집
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• 제21권6호
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• pp.92-99
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• 2012

The Norwegian architect, Sverre Fehn who was born in 1924 and died in 2009 designed various buildings in his country. Since he studied architecture, he had been interested in the domestic/local architectural environment as well as international modern movement such as CIAM. Pavilion of the Nordic Nations designed in 1960s gave him world reputation for the peculiar design characteristic in which Scandinavian tradition and modern design were integrated. Fehn introduced his unique architectural philosophy that is called 'Platform Architecture'. This concept is based on the Fehn's long-term interest in the philosophy of Genius Loci and place-specificity. It consists of three theoretical elements: Tectonic of Place, Horizontality of Space and Visual-Perception by Light. This paper focuses on three case projects: Villa Busk in 1990, Norwegian Glacier Museum in 1991, Aukrust Museum in 1993. It is aimed to discover differences as well as similarities of the projects, and ultimately to summarize the cases under the light of 'Platform Architecture'. As a conclusion, it is found that each case project has unique spatializing method to organize the given place and program by 'Platform' architectural design. 'Platform Architecture' is still relevant in the contemporary architecture and interior design because of its deep consideration on place, environment and human.