• Title/Summary/Keyword: Hwaryong

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The Dragon Symbol and its Meaning in the Painting Poetry (제화시에 나타난 용(龍)의 표상과 그 의미)

  • Park Hae-young
    • Journal of the Daesoon Academy of Sciences
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    • v.49
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    • pp.157-186
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    • 2024
  • This study aims to understand the symbolic meanings of dragons in the contemporary period through the painting featuring poetry based on the Hwaryong (paintings of dragons) and to analyze the literary representations and characteristics of dragons. First, the shape and aura of the dragon in the paintings should be confirmed. In dragon Painting Poetry (Paintings Featuring Poetry), the shape of the dragon is embodied in the aura of 'spirit.' However, people in previous eras customarily believed that dragons were real. In addition, the main spirit of the Hwaryong was in the representation of the dragon's aura, or "Jeonsin (transmission of spirit)," such as the creature's dragonly virtue or Heavenly Perfection. Next, the rhetorical representation of the dragon in the painting is to be examined. In the actual Painting Poetry, dragon images were relatively common in descriptions of pines, bamboo, and plum trees. The pine-bamboo-plum motif is known as Sehan Samwu (the three friends of the cold season), and since the Northern Song Dynasty, it has become a symbol of literary incision. Manifested as a dragon, the pine-bamboo-plum motif has a common denominator of winding branches, tangled stems, and bluish jade coloration, and like the dragon, it is used as a backdrop for weather phenomena such as rain, wind, and lightning. In the schematic that connects the Hwaryong, dragon Painting Poetry, the original meaning of the dragon is transformed into shapes and language. This is the meaning conveyed by the dragon, and this symbolic meaning was shared among the writers of the period who viewed the poems and paintings.

Proving Report on Natural Cave of Choongcheon Valley in Suburbs of Hwaryong City (화룡시 근교의 충천계곡 자연동굴 탐사기)

  • Soh, Dea-Wha;Xu, Chun-Zi
    • Journal of the Speleological Society of Korea
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    • no.72
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    • pp.1-8
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    • 2006
  • 우리는 한국동굴학회의 요청과 사업계획에 따라, 동북-중앙아시아지역 동굴과학정보망 구축 사업에 동의하고 이를 기원하는 뜻으로 중국 길림성 연변조선족자치주 화룡시 근교의 충천계곡(골)자연동굴을 탐사하였다. 이를 위하여 1년 전 어느 날 화룡시 충천 골에 있는 동굴을 찾아 연길에서 차를 타고 장인촌으로 간 적이 있었다. 그곳에 가서 수소문하여 동굴에 대해 잘 알고 계신다는 김창현 노인을 찾았다. 당시 우리가 그 노인을 찾았을 때는 이미 점심때가 다 되었다. 우리가 동굴을 찾아가 보려고 김창현 노인을 찾아왔다고 하자, 그 노인은 동굴이 이곳에서 멀리 떨어져 있어서 아침 일찍 떠나야 하기에 오늘은 갈 수 없다고 하였다. 그리하여 우리는 김 노인으로부터 동굴에 대한 이야기만 좀 듣고 돌아와서 후에 약속한 날에 다시 탐사방문을 추진하기로 결정하였고, 바로 이때부터 우리는 국제교류와 협력을 통하여 사실상 국제동굴과학정보망 구축 사업에 동참을 시작한 셈이 되었으며, 이를 적극 지지한다.

Shape Design of Initial Section for Non-circular Shaped Mold Spring (비원형 단면을 갖는 금형스프링의 단면설계)

  • Lee, Hyoungwook;Choi, Hwaryong
    • Journal of Institute of Convergence Technology
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    • v.1 no.1
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    • pp.24-28
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    • 2011
  • The purposes of this study are predictions of the changes in the section geometry and determination of the initial cross section so that opposite side in height direction is exactly parallel after coiling process. Finite element analysis is carried out for the calculation of the sectional changes for mold spring item. Analysis results reveal that the slope of the top and bottom sides varies in the range of 5 to 8 degrees and the amount depends on the dimension of the outer diameter. The slopes of the sides should be defined first among design variables.

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