• 제목/요약/키워드: History of korea modern Design

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한국 근현대 붙박이 가구의 변천과 현안 - 1930년대 중반부터 1990년대 후반까지를 중심으로 - (A Study on the Modern History and the Problematic issues of Built-in Furniture in Korea - from the mid 1930's to mid 1990's -)

  • 강혜승;김민수
    • 한국가구학회지
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    • 제28권3호
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    • pp.135-144
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    • 2017
  • The development of human civilization has been accompanied by a corresponding development of storage facilities. In particular, the storage of residential spaces not only performs the storage management function for personal property but also is considered an important prerequisite for a comfortable life. While examining the history of the transformation of built-in furniture, this study emphasizes the social and cultural implications of Korean residences. Therefore, We attempt to uncover the Korean characteristics that can be discovered in the transformation of storage furniture according to the changes that occurred in Korean residential forms following the modern era and to question the problematic issues of the built-in furniture in Korea.

구 동양척식주식회사 부산지점(부산근대역사관)의 복합구조 특성 (The Composite Structure Characteristics of the Formerly the Busan Branch of Toyo Takushoku Co.(Busan Modern History Museum))

  • 안재철
    • 대한건축학회논문집:계획계
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    • 제35권10호
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    • pp.63-70
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    • 2019
  • The Busan branch of the former Toyo Takushoku Co. carried out the same business as a bank at the time of construction. This required an open space of long-span, which had no pillars, on the first floor where many customers frequently visited. In addition, an office space is required in the upper part, and a column is arranged so as to place a corridor in the center. It was designed with modern complex structures for space utilization and structural adaptation. As a result, scientific structural calculations of the modern era began and various structural technologies were introduced, the rationalization and value of various spatial characteristics and their structural design were analyzed from a technical historical perspective in the structure requiring long-span space. The Busan branch of the former Toyo Takushoku Co. is a complex structure with three structures. It is highly valuable as a building that tried to design its structure in a variety of spaces through calculation and introduction of new technology based on the principle of force in modern times.

전북지역 근대교회의 조적기법과 의장특성 연구 (A Study on the Brick laying Techniques and Design Characteristics of Modern Churches in Jeonbuk province area)

  • 김현용;홍승재
    • 한국농촌건축학회논문집
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    • 제7권1호
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    • pp.51-60
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    • 2005
  • In Korea, there still exist a number of modern architectural structures which were built from 1876 - when Korea first opened its port to foreign trade - to the early 1960s. Modern architectures have been rather neglected from the study of Korean architecture history partly because of its short period and negative attitude toward them that they are remains of the Japanese colonial period. However, interest in modern structures is recently increasing, and researches and studies are actively going on. This dissertation is a study on brick laying techniques and design characteristics of Modern brick structure churches in Jeonbuk-province. The results demonstrate that modern brick structure churches in Jeonbuk-province have become small and simple with time and that their structures and designs are closely related.

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경성부청사 실내공간의 표현 특성에 관한 연구 (A Study on the Expressive Characteristics of the Interior of the Kyungsung Municipal Government Building)

  • 오인욱
    • 한국실내디자인학회논문집
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    • 제19권3호
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    • pp.103-110
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    • 2010
  • As ongoing construction of a new municipal government building leads to the destruction of the interior of the Kyungsung Municipal Government Building(currentlySeoul Metropolitan City Hall) despite its enormous historic value, this study aims to identify the unique features of spatial composition and interior design of the Kyungsung Municipal Government Building, which is widely known as a typical example of public architecture of the 1920s. The primary goal is to perform a systemic arrangement of its interior data and define the modern historic implications of its interior design, thereby laying the foundation for a compilation of the history of modern interior design. From a historical perspective, the Kyungsung Municipal Government Building-an explicit symbol of Japanese colonial supremacy-has served as the administrative hub of a hugecity for 19 years during the Japanese colonial rule and for 64 years following Korea's independence from Japan. From the perspective of architectural history, it also represents modern transitional buildingsin their shift from historicism into modernism, as manifested by its reasonable placement of interior space matching well with topographical form, easy access by citizens, open office space, and, excluding decoration, a simple and non-authoritarian exterior. Its interior design style follows Western historicist architecture, whereasits simple interior decoration embodies expressive characteristics of pragmatic simplicity. Such elements are notably found in the Grand Central Hall, the Municipal Head's Reception Room, and the Grand Conference Room.

스웨덴 근.현대 가구 디자인의 특성과 브루노 맛손(Bruno Mathsson)의 작품세계 (A Study on the Characteristics of Swedish Modern Furniture Design and the works of Bruno Mathsson)

  • 홍민정;최정신
    • 한국가구학회지
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    • 제20권5호
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    • pp.517-532
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    • 2009
  • This study was carried out to review the characteristics of the Swedish modern furniture design and the works of Bruno Mathsson, who is appreciated as one of the most important furniture designers in the history of modern Swedish design. First, the authors examined how the Swedish designers set the value of warm, graceful humanity, practical simplicity, and the traditional craftsmanship in their furniture design with modernist ideology. Second, by examining the range of Bruno Mathsson's works from the 1930s to the 1980s, the authors searched for how these works show the realized models of the ideals of Swedish modern furniture. In this, this article explains that Mathsson's works and the modern Swedish furniture could have been regarded and beloved as being innovative and modern for more than 50 years for their friendliness to human body by the ergonomic structure and to human feeling by the quality of natural materials and finishes. In addition, their consistent effort to adopt traditional craftsmanship into functionalist ideals of modern design shows how these furniture designs could have keep the lasting quality in the life of people in different time frames.

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군복의 특징을 활용한 현대 패션액세서리 디자인 개발 - 가죽 수공예 조각기법을 중심으로 - (Fashion accessories design development using the characteristics of military uniform - Focusing on leather handcraft carving techniques -)

  • 장지수;하승연
    • 한국의상디자인학회지
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    • 제21권4호
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    • pp.97-113
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    • 2019
  • Among the many factors affecting fashion trends, the concept of war has been particularly instrumental throughout human history. Specifically, military uniforms worn during the WWI and WWII became popular fashion styles that introduced military uniforms to modern fashion and continue to be influential to this day. And the fashion accessories market is continuously demanding new styles. The purpose of this study is to investigate the reasons why military uniforms have been continued to be influential in contemporary fashion, to apply fashionable features of military uniforms, and to make leather accessories by using leather-carving techniques. The characteristics of military uniforms were analyzed in advance research, domestic and international literature, and cases applied in modrern fashion collection. In conclusion, five modern fashion accessories were developed by combining the form, function, and decorative elements of the military uniform that have been constantly reflected in modern fashion with leather handcraft carving techniques. This study is meant to suggest the possibility of developing artistic and original fashion accessories that are both practical and reflect the history of military uniforms.

사이버 뮤지엄의 형식과 구성에 관한 고찰 -자연사 박물관 분야에 대한 해외사례를 중심으로- (A Study on the Formations and Compositions of the Cyber Museum -Focusing on the case of oversea natural history museum-)

  • 임경부;임채진
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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    • pp.7-10
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    • 1999
  • The organization of modern society is suddenly changing from the modern society to the ultra modern informationalized society. Various social members must satisfy cultural and artistic desires to serve museum concept and function to move the informationalized society. A lot of natural history museum in the world build cyber space exhibition lines. Audiences do not directly visit but they view but they view the exhibit, get an education, participate in the cultrue programs and earn the museum's informations. Especially, in the case of national and public museums in Korea, they do not concerned the museum architecture before processing the character and collections of the museum. Cyber museums determine museum character, policy, information, collections converge of opinion voluntary collection and grasp of location, because cyber museum can be finished be4fore the work of the future museum.

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Analysis of Korea Buncheong ware by Bunjang (White slip) technique

  • Kim, Hae-Jin;Ro, Hae-Sin;Kim, Won-Seok
    • International Journal of Contents
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    • 제9권2호
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    • pp.70-76
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    • 2013
  • Bunjang is one of the oldest and the best known traditional pottery technique in the Korean ceramic history, which still remains popular today. This research designed for understanding origin and changing history of Bunjang, Birth of Buncheong ware, Definition of Buncheong ware, process of Bunjang, Texture of clay, Glaze, and firing, form, decorative pattern, technique of Bunjang, CIngredients and Raw material: Proportion of raw materials. Bujang technique that can be called beginning of modern ceramic art in Korea, in this research, we can recognize the aesthetic value of Bujang and how modern ceramic artists are going to take advantage of Bunjang technique for their own use.

뮤지엄 건축 역사의 공백기 보완을 위한 1930년대까지의 초기 근대 뮤지엄 건축 연구 (A Study on the Early Museum Architecture until the 1930s to fill the Gap in the History of Museum Architeture)

  • 이관석
    • 대한건축학회논문집:계획계
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    • 제36권3호
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    • pp.79-90
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    • 2020
  • This study traces the flow of modern museum architecture from the 18th to 19th century when the rationalist architectural spirit influenced the museum architecture to the 1930s, before the museums of the modern architectural masters appeared. With early modern museums until the 1930s as a target, which had long been enshrined in classicality, finally contributed to narrowing the gap with the times, but did not receive the right evaluation, this study examines their different architectural styles from previous museums and reveals that they have a significance to announce the departure of modern museums beyond classical ones. The three museums, built in the 1930s, will be identified as respectable early modern museums that will fill the remaining blank space of the history of museum architecture. In this study, modern museums are asymmetric, non-centre oriented, and non decorative. They have multi-directional circulation, and a neutral, open and flexible exhibition space. They also try to align themselves with the modern architectural tendency of the day.