DOI QR코드

DOI QR Code

Analysis of Korea Buncheong ware by Bunjang (White slip) technique

  • Kim, Hae-Jin (Division of Crafts Design, Kongju National University) ;
  • Ro, Hae-Sin (Division of Crafts Design, Kongju National University) ;
  • Kim, Won-Seok (Division of Crafts Design, Kongju National University)
  • Received : 2012.04.30
  • Accepted : 2013.05.17
  • Published : 2013.06.28

Abstract

Bunjang is one of the oldest and the best known traditional pottery technique in the Korean ceramic history, which still remains popular today. This research designed for understanding origin and changing history of Bunjang, Birth of Buncheong ware, Definition of Buncheong ware, process of Bunjang, Texture of clay, Glaze, and firing, form, decorative pattern, technique of Bunjang, CIngredients and Raw material: Proportion of raw materials. Bujang technique that can be called beginning of modern ceramic art in Korea, in this research, we can recognize the aesthetic value of Bujang and how modern ceramic artists are going to take advantage of Bunjang technique for their own use.

Keywords

References

  1. K. S. Gang, The research of grayish-blue-powdered celadon, Iljisa, Korea, 1986
  2. D. K. Gang and Y. W. Kim, Rediscovery of Korea art (9) Ceramic Art, Solbook, Korea, 2004
  3. Y. S. Go, The first draft of aesthetic analysis of Korea art history, Tongmunkwan, Korea, 1963
  4. Y. M. Jung, The pottery of Korea, Moonye Publisher, Korea,1991
  5. H. S. Lee and P. Y. Kim, Glaze and basic material of glaze, Daekwangbook, Korea,1988
  6. Y. J. Lim, The history of Korea pattern, Mijinsa, Korea, 1983
  7. J. Y. Kim, Korean Art Book-White Porcelain and Punchong Ware, Yekyong, Korea, 2000
  8. Ewha Womans University Museum, Excavation report of the Joseon white porcelain point at Gwangju, Korea, 1986
  9. S. H. Shin, movement of the modern ceramic art for the future, Hongik University research institute, Korea, 1993
  10. Y. M. Chung, G. Choi, Y. I. Yoon, J. H. Cho, The Story of Korean Ceramics, World Ceramic Exposition Foundation, Korea, 2004
  11. Y. I. Yoon, Study on the Establishment and Relocation of Royal Kilns during the Joseon Period 1,2: Ancient Art, Art History Association of Korea, Korea, 1981, pp.149-151.
  12. Y. I. Yoon, Characteristic of Ceramics in the Early, Mid, and Late Joseon Period, Ancient Art, Spring/Summer/Autume, Korea, 1990
  13. K. Choi, Study on the Requirements for the Production of Bunchongware, Cultural Properties vol. 21., Research Institute of the Cultural Properties Administration, Korea, 1988
  14. J. Y. Kim, Essay on Bunchengwear: Masterpiceces of Buncheong Ware, Collection of Ho-Am Art Museum, Ho-Am Art Museum, Korea, 1993
  15. D. B. Park, Study on Firing of Ceramics during the Joseon Period, Cultural Properties vol. 11. Seoul, Research Institude of the Cultural Properties Administration, Korea, 1977
  16. M. N. Choi, Bunchengwear Kiln Sites in Cheonghang-ri, Korean Anthropology Vol. 1.Seoul: Department of Archeology and Anthropology, Seoul National University, Korea, 1967
  17. A. R. Lee, Instroduction to the New Collection of the National Museum of Korea Bunchengwear Bowl with Stamped Design: Museum Newspaper 278, National Museum of Korea, Korea, 1994