• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.197-198
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• 2006

The latest university makes the use of exhibition hall bring into relief a specific character and identity. This purpose of this design is to induce interest the exhibition plan, that is useful to appreciation of audience according to space structure. The concept of this design is to design continual circulation plan and to give correctness Information of the exhibit. Because to this exhibition hall is too small space, this design focus is continual circulation plan. The exhibit is classified to according to the character of that, which is distinguished according to the colour plan. The center of the hall is main image hall of university. The right space of the main hail is university history exhibition hall and the left space of the hall is a founder memorial hall. The main colour is light cream. An image object colour plan is point colou, which is bluish green colour.

• 건축역사연구
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• 제9권1호
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• pp.47-64
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• 2000

The Chapel and Exhibition hall of Chul-du-san-Holy place are considered as the most important work of architect Lee Hee-Tai (1925-1980), and as a work representing Korean architecture in 1960's. What is the reason that these buildings can acquire such a remarkable estimation? This study tries to make clear this reason with an analytic method. These buildings are situated in singular site, in which small mountain comes up alongside with Han-river. Architect laid out the Chapel and Exhibition hall to the memory of 108 saints who died for their faith in this mountain, considering the specificity of the site, the direction of approach stair, and the formation of public space. Architect proposes an opposed composition of form for these two buildings. So the Exhibition hall is characterized by trabeated structure, centripetal force and Apollonian order. It has strictly proportioned facade, which is composed of two 15m-by-l5m squares and subdivided equally in three portions. The Chapel is charaterized by arcuated structure, centrifugal force, and Dionysosian sentiment. In this work, architect Lee Hee-Tai also expressed the locality of Korean architecture with the grammar of column-roof.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.265-272
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• 2006

Traditionally exhibition design as been restricted to architectural, interior, and lighting design, but recently it has begun to overlap into environmental, performance, and installation art. Exhibition design also increasingly involves the application of film, fashion, and the new media. In the past, exhibits were arranged and displayed for the visitor to view directly, but with the development of more effective exhibit media a connection has been created between the exhibit and the visitor. However exhibition design has reached the limits of continuous growth without background theory, when now it must take Into consideration the museum's activation and the importance of the exhibition's design. Exhibition design has developed and grown rapidly since the Taejeon Expo in 1993, but it is a difficult development without a theoretical structure. The flow of exhibition design must be systemized, as the systemization of the transition process of exhibition design has not yet been achieved. This study aims to present an arrangement of exhibition design flow, and to investigate the variation factors in the transition process of exhibition design and exhibit medium development, based on the 18 year history of the Independence Hall that introduced the first systematic planning of an exhibition in 1987.

• 한국실내디자인학회논문집
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• 제17권5호
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• pp.115-122
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• 2008

There are many ways to know the social and cultural level of each country. Among them, a museum are not only the best place to understand the history, the life style and the culture level. The most important constituent, which museum architecture has, are visitors, exhibition and communication between visitors. Exhibition space composition is the one of important things in museum architecture, and it's essential to show an intent of exhibition to visitors. This thesis has the purpose to provide the basic material through analyzing exhibition space composition and exhibition method of the theme museum and understanding the relativity of them so that the new theme museums can be designed in the Tight direction. So I chose the independence museum that opened within recent 10 years, finally middle & small size's theme museum were selected. The results from the case study are as follow. Firstly, the exhibition space unit of basic type and center-hall enter type had a one-way for gateway and used the exhibition of three or four faces. The exhibition space unit of around tile center-hall type and guidance type had the separated gateway and used the exhibition of one or two faces. Secondly, the exhibition method of selected museums was divided into the wall face type and the island type. The exhibition method of two faces mainly used in guidance type caused complicated visitor circulation. In that case, it seemed to be good that two walls were used alternately. Thirdly, there were visual type, audio-visual type, handling type and experiential type in the method of exhibition. The former two types were used mostly, and the latter two types were rarely used. Fourthly, the wall face type was inefficient for exhibition because given walls were supposed to be used. Therefore, it was more effective to use the wall face type and the island type together.

• 기록학연구
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• 제13호
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• pp.287-320
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• 2006

기록을 관리하는 궁극의 목적은 이용 제공에 있다. 기록물전시회는 기록관 및 기록관리에 대한 대중적 인지도를 높이고, 이에 대한 관심을 제고시킬 수 있는 기회가 된다. 또한, 미지의 이용자에게 적극적으로 접근하여 서비스를 제공할 수 있다. 아울러, 아키비스트에게는 소장하고 있는 기록물에 대한 개괄적인 분류 및 평가를 할 수 있는 기회를 제공하기도 한다. 이러한 기록전시의 기능과 중요성에도 불구하고 기록물전시회를 개최한 기관 및 단체는 아직 많지 않은 형편이다. 본고에서는 대한불교조계종 중앙기록관의 역사기록전시 사례를 바탕으로 전시기획, 기록물 선별 및 전시 실제에 대하여 소개함으로써 기록전시의 참고 유형을 제시하고자 한다.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.22-32
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• 2013

Today, the museum historical material and mental, physical culture and heritage to preserve the collection and exhibition organization rather than to recognize that culture acts as a community to respond to the subject of the attitude and the ability jeokgeukhwa also due to the trend of the times due to changes in lifestyle education and research, and public participation in culture by expanding the role of dissemination activities are becoming. Museum exhibit these changes as part of a combination of various technologies in the coexistence of digital and analog display direction proactive and aggressive behavior, such as visitors expect to have an evaluation of the public and communicate the expectations of the plan in the exhibition space, the larger the effect can feel. This effective display for visitors to watch the way for a systematic approach to provide direction to the urgent reality. Museum visitors experienced officials to improve the quality of research in a variety of ways spectators began to try and move the action was to put the attention on the characteristics. Visitors to visit the Museum of History and ages, categorized by the type of display any difference in the behavior of the visitor experience and attributes based on what is being investigated for the History Museum's exhibition of any exhibit to visitors that experience and is to an analysis.

• 한국농촌건축학회논문집
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• 제14권4호
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• pp.47-54
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• 2012

Since ancient times in Korea, in spite of the ranks of high and low, drink was like a all sorts of human emotions. In particular, the drought, or any weapon except when wages found the ball back to God or to buy a drink to celebrate the sixtieth birthday or marriage and feasting like mails, and the priests or the funeral, such as consciousness raising in this procedure. The country had strict rituals in ceremonial events were thereby is living up to deep. The history of the drink in the history of the past, given that the main grain farming culture has already begun since the era of gojoseon was launched remains to be seen. This has been a long history of traditional attention to clean up and organize the showing to the public hall is a nationally scarce in some areas of that era, or the facility is not large. Therefore, in this study, alcohol-related exhibits and Museum recognizes the reality of the future sake Museum architectural plans: the Foundation provides materials for that purpose.

• 한국농촌건축학회논문집
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• 제10권2호
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• pp.53-61
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• 2008

There are many ways to know the social and cultural level of each country. Among them, a theme museum are not only the best place to understand the history, the life style and the culture level. This thesis has the purpose to provide the basic material through analyzing the space composition and the visitor circulation of the theme museum and understanding the relativity of them so that the new theme museums can be designed in the right direction. So I chose the independence museum that opened with in recent 10 years, finally middle & small size's theme museum were selected. The results from the case study are as follow. Firstly, according to a result of analyzing the characteristics of space composition with the ratio of each part's area, space composition of each museum is mainly for the exhibition part, but rarely for the education part. Secondly, theme museums in Jeju have the limit of diversity of circulation method because they have not the free circulation method. Thirdly, the characteristics of space composition is divided into basic type, center-hall enter type, around the center-hall type and guidance type. Fourthly, by analyzing the characteristics of space composition and circulation method of traffic line, it's realized that selective circulation method was applied to basic type and center-hall enter type, and guidance circulation method was applied to around the center-hall type and guidance type.

• 한국콘텐츠학회논문지
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• 제16권9호
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• pp.198-210
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• 2016

본 연구는 다크투어리즘 관광지 중 하나인 서대문형무소 역사관을 대상으로 실제 관광자들의 관람동선과 관람행태를 분석하고자 하였다. 이를 위해 선행연구를 통해 도출된 관람동선 유형과 관람자의 행동기록 코드인 'Muse-Ethogram'을 기반으로 직접관찰법을 이용한 행태추적 조사를 실시하였다. 서대문형무소 역사관 관광자들의 관람동선과 관람행태를 분석한 결과, 제안동선(SA), 임의동선(UNA), 유도동선(DA)이 모두 나타났다. 관람자의 관람행태는 이동(M), 정지/관람(SL), 읽음(RE)이 전체적으로 가장 높은 빈도를 보였으며, 다크투어리즘만의 관람행태인 '감정을 표현함(EXP)'이라는 새로운 행태를 발견하였다. 관람자들의 행태패턴은 정지/관람-읽음-이동(SL-RE-M)의 빈도가 가장 높게 나타났다. 이상의 연구결과는 다크투어리즘 관광지의 콘텐츠 구성시 관람동선이나 관람행태, 전시방향관련 계획 및 설계 가이드라인으로 활용될 수 있을 것이다.

• 건축역사연구
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• 제12권3호
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• pp.53-63
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• 2003

Tree-ring chronologies can be used to date historical buildings by matching them with the chronologies of living trees or previously dated samples. Tree-ring dating gives a calendar year to each tree ring and produces the felling dates of logs or woods which had been used for buildings. In Korea, several chronologies of Japanese red pine(Pinus densiflora Sieb. et Zucc., 'sonamu' in Korean), a major species for the wooden building materials, have been developed and used for dating historical buildings. In this study, Tongmyungjeon Hall of Changkyung Palace in Seoul was dated by tree rings. The present Tongmyungjeon Hall was known to be reconstructed in A.D. 1834 after burned-out in A.D. 1790. We sampled total of 122 wood samples which were replaced during the repair process in 2002-2003. Felling dates of the samples were determined by the dendrochronological crossdating method. Crossdating method employs graphic comparison of the master patterns (ring-width chronologies of known dates) with those of the sample chronologies of unknown dates. Tree-ring dates confirmed that the reconstruction of 1834 utilized second-handed timbers as well as fresh-cut ones. The felling dates of wooden floor frames were mostly A.D. 1913, indicating the 'Ondol' floors were changed to the wooden floors around 1914 when the Japanese rulers brutally destroyed the royal Korean Palaces and transformed palace buildings to their offices or exhibition halls after occupying Korea in 1910. This study proved that tree-ring dating was a useful and accurate method to identify the critical dates for the history of Korean traditional buildings.