• Journal of the Korean Society of Food Culture
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• v.11 no.2
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• pp.155-167
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• 1996

This study presents a sociocultural study of 'traditional' as well as contemporary dietary construtions among Seoulites. It also represents the first interdisciplinary study of food between nutritional science and anthropology in Korea. This study was performed a case study based on in- depth interviews with those who were born around the Japanese occupation period and raised in Seoul experiencing radical social changes modern Korean history. The participants were mostly in their late sixties and very knowledgeable of 'traditional' foods of Seoul and the ways they were made and consumed. This interview data show the historicity of foods were used and understood differently in past and represented different understandings of, for instances, 'nature' and 'culture' of Seoulites. This study not only provides new approaches to food study but also identifies the common ground on which an interdisciplinary study of food between nutritionists and anthropologists can develop.

• Korean Institute of Interior Design Journal
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• v.20 no.3
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• pp.59-68
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• 2011

As society alters and building ages, many industrial facilities lost their function and abandoned in central city areas, and sometimes creating many problems. However, many European countries successfully transformed those urban decay to vivid cultural hub. The purpose of this study was to analyze a concept and methods of converting idle industrial facilities to successful cultural spaces. A case study of Tate Modern, Baltic Center for Contemporary Art, and Ruhr Museum was conducted using literature review, site visit, and interview methods. Findings indicated that converting historically significant idle industrial facilities to cultural center had not only reused abandoned site but also helped regenerating adjacent urban areas. This article demonstrates the key factors of successful conversion strategies as convenience, participation, placeness, historicity, and accessibly; and thus an effort to actively enhance the strategic factors were demanded in future conversion projects. A continuous studies on exploring extensive cases in various perspectives are required for further generalization in future studies.

• Korean Institute of Interior Design Journal
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• v.16 no.1 s.60
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• pp.11-20
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• 2007

Modern architecture does a role in terms of connecting traditional and current architecture. In the same time, Which is important part of korean architecture history because of introduction of western architecture. Accordingly, At this meaninglessly going out and leaving of modern architecture, the purpose of this study is systematic researching of 'Cho-sun government-general' interior which is disappeared. I progressed this study to research into the period context at construction of Cho-sun government-general md tendency of architecture and interior at that time. And then understand interior space organization of it. Cho-sun government-general adopted Neo-Baroque style from tendency of that time. Also, showed composite order which is mixed in the Greek temple, the Renaissance and the classic style representing the power. This characteristic is different from current composit order, which is comprehended by our. In order to understand aesthetic value of current straight interior space, It have to be interacted the present and past. But It's averted because it was made in the period of Japanese imperialism. Therefore, We should explore history of interior design that is endowed with sociality and historicity between modern and future interior space as well as current.

• Korean Institute of Interior Design Journal
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• v.27 no.3
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• pp.33-40
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• 2018

As the standard for the value of modern people's life increases, hotels make efforts for the users' qualitative and mental satisfaction. As an approach to hotel space design differentiated for new experiences for travelers, a design that reflects the placeness is needed so that people can experience the local culture and historical meaning of the place. Thus, this study divides the components of placeness into physical factors, socio-cultural factors, and semantic factors. As for methods for the design expression of placeness formation, physical factors are classified as the connection to surrounding environments, center, passage, and area. Socio-cultural factors are classified as cultural experiences in the place. Semantic factors are classified as symbolism and historicity. For a case analysis in this study, overseas four-star hotels or higher, where placeness stood out are analyzed, based on the above-extracted components of placeness. As a result of the analysis, the hotels in the cases showed an aspect of expression that emphasized semantic factors despite there were differences in the detailed expression method, depending on the designers. The expression of the place that reflected locality and temporality showed the connection of time, connecting the past with the present. In the future, only the design expression based on the historical and symbolic meanings of the place will be the experience that remains in the users' memories, very precisely.

• Korean Institute of Interior Design Journal
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• v.24 no.1
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• pp.64-71
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• 2015

This study aims to disclose the dynamics of Daniel Libeskind Museums by the principles of counterbalance. Balance as a dynamic concept is the settlement of instability and tension and to draw overall sense of balance by controlling new perception elements that may cope with the unbalance elements. This is based on balancing compensation and can be explained as a counterbalance. Daniel Libeskind, a representative architect of deconstructivism, creates dynamic space by using oblique lines on the plane. The study was carried out under the assumption that this space would be designed under the certain principles rather than the result of momentary feelings and the analysis was conducted by the counterpoint of music and counterbalance. As a result, Daniel Libeskind balances in a way of forming the mutual right angle by using oblique lines which cancel out the unbalance in plane composition or making the same angle based on vertical / horizontal axis. Counterbalance has been achieved in the section and elevation as well as plane and complex and diverse oblique lines were worked under the constant principle not accidental results. The axes of Daniel Libeskind's architecture have been known to follow contextualism with symbolism and historicity but it was found that a design technique considering counterbalance was used in the overall control.

• Korean Institute of Interior Design Journal
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• v.14 no.1
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• pp.142-150
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• 2005

This study is arranged the principles of the preservation and restoration in pre-modern architecture, presented guideline of the Intoner restoration in there, and attempted relative-analysis by cases of Japan in curtain of Saporo Houheikan. The method of Original- restorations and Repairs must be preserved In materials and technologies in order to hand over the future generations. The process and method of restorations are the important Cultural Properties as Architecture's itself. And Restorations of industrial manufactures hold the the important position in restoration of pre-modern Architectures. Because industrial technologies are developed and forgotten in rapid. Specially, because industrial materials as curtains were apt to recognize as consumption goods, historicity in that are contained the history of fabric, industrial technologies, and relations of traditional technologies. Conclusionaly, restorations of interior materials in our country are required of \circled1the construction of workframe in search and restoration for original preservation, \circled2the conception of refaires and establishment of investigation, \circled3the stocking of restoration-technologies of pre-modern cultural properties of architectures, \circled4the recognitions of record-preservation, \circled5the improvement of organization, upbring of technicians, establishment of theorical systems.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.264-269
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• 2007

Modern architecture does a role in terms of connecting traditional and current architecture. In the same time, Which is important part of korean architecture history because of introduction of western architecture. Accordingly, At this meaninglessly going out and leaving of modern architecture, the purpose of this study is systematic researching of the modern Government Office interior. I progressed this study to research into the period context at construction of the modern Government Office and tendency of architecture and interior at that time. And then understand interior space organization of it. The early modern Government Office adopted Neo-Baroque style from tendency of that time. Also, showed composite order which is mixed in the Greek temple, the Renaissance and the classic style representing the power. But, after late 1920 It adopted Modern Style. This characteristic is different from current composit order, which is comprehended by our. In order to understand aesthetic value of current straight interior space, It have to be interacted the present and past. But It's averted because it was made in the period of Japanese imperialism. Therefore, We should explore history of interior design that is endowed with sociality and historicity between modern and future interior space as well as current.

• The Journal of the Korea Contents Association
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• v.7 no.10
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• pp.274-282
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• 2007

Although many korean cities are getting interested in promoting its attractiveness as a tourism destination, they have little distinguishing attractiveness. In order to reinvigorate competitive urban tourism, developing more charming tourism resources and studying urban contents including its historicity and regionalism regarded as an effective means. By examining old maps therefore, the purpose of this study is to indicate competitive contents of urban tourism focused on the case of Gangneung.

• Journal of the Korean Institute of Rural Architecture
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• v.14 no.3
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• pp.61-68
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• 2012

The purpose of this paper is to derive attractive items of 'Hanok' in order to preserve 'Hanok' in urban area, focused on the 13 preceding studies which have got in respect of image, satisfaction, preference, awareness and advantage of 'Hanok' in urban area revolved around the latest studies. This study is analysis of questionnaire items and results of 13 preceding studies. And attractive items are classified with general and overall survey items, advantage of 'Hanok' in urban area, and image of Hanok-density urban area. These can also be classified with 5 items which are space, health, material, form, and image of 'Hanok' in urban area. As a result, Space items are composed with 'use of a space', 'cosiness', 'garden' and 'floor and ondol(korean floor heating system). Health items are composed with 'lighting and ventialtion', 'a sense of the season' and 'natural material'. Material items are composed with 'natural beauty', 'wooden', 'changhoji(traditional Korean paper made from mulberry bark for doors and windows) and hanji(traditional Korean paper handmade from mulberry trees), 'rafter' and 'new materials'. Form items are composed with 'attractive appearance', 'simply decoration' and 'traditional elements'. Image items are composed with 'crowding', 'traditionality and historicity', 'dichroism' and 'warmth'.

• Journal of the Korean Society of Fashion and Beauty
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• v.6 no.1
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• pp.60-72
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• 2008

A midst the tendency in an attempt to rehabilitate the coexistence of values in Oriental and Western cultures, along with centripetal attention through reincarnation of the Oriental culture, the modem fashion trend is also inclusive of such Oriental flavors even in the opposite Western fashion icons with an outlook for futuristic alternative. In this regard the study is to investigate the Oriental Characteristics shown in the contemporary fashion in a more profound and right manner by evaluating its spirituality and formativeness through analytical survey on preliminary literatures, whose key words are as follows; Fist, heterogeneity inclusive of the Oriental comprehensiveness through non-periodic chaos; second, imperfection in pursue of perfection through non-perfection; third, asymmetry caused by polarized historicity together with agility in the Oriental costumes; fourth, simplicity bridging into religious naught, and; fifth, spatial comfortablity shrouded by loose design. As a result, the study demonstrates that Oriental sensitivity implicative at the modem fashion, prior to its formativeness, shed out a clue of the Oriental profound spirits in its fashion style.