• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
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• pp.161-163
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• 2005

• Archives of Plastic Surgery
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• 제44권5호
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• pp.472-473
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• 2017

• 수완나부미
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• 제13권2호
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• pp.167-186
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• 2021

The Grand Stupa is mentioned in historical text as 'Rajakudakan', which means a royal building with a multitiered superstructure. This Grand Stupa is the principal construction of Wat Chedi Luang, and marks the center of the Chiang Mai City Plan. This study argues that the Grand Stupa was built in 1391 during Phaya Saen Mueang Ma's reign, possibly inspired by the construction of Ku Phaya in Bagan. Thereafter, in 1545, the Grand Stupa's superstructure collapsed after the great earthquake, resulted in the irreparable damage since then. Therefore, a survey using a 3D laser scanner is conducted to collect the most precise data on the current condition of the Grand Stupa, yielding an assumption of its reconstruction. Other simultaneous stupas or those that show a close architectural relationship (e.g. stupas in Wat Chiang Man and Wat Lok Moli and the stupa of King Tilokaraj in Wat Chet Yot in Chiang Mai) are also employed as research frameworks for the reconstruction. As a result, the architectural research on the Grands Stupa, compared with simultaneous stupas, yields a fruitful argument that the pre-collapse superstructure form of the Grand Stupa marks the most architectural similarity to the stupa of Wat Chiang Man.

• 건축역사연구
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• 제27권2호
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• pp.125-138
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• 2018

During the 1950s, the North Koreans rebuilt their capital-Pyongyang-as a modern city under the principle of Soviet urban design. One North Korean architect, Kim Jung-hee, has been widely credited since the late 1980s as the master architect of the General Plan of the city's reconstruction. While Kim Jung-hee played a crucial role in its reconstruction, his heroic image as the founding architect of Pyongyang is considerably attributed to North Korea's mythical narratives rather than his historical activities. This paper argues that Pyongyang's postwar urban design was not a work made by a single actor, Kim Jung-hee; rather, it was a long-term collaborative project in which a team of North Korean architects and Soviet technical advisors took their respective roles. Beginning in the late 1980s, North Korea, which had been struggling with economic decline and an increasing sense of lagging behind in its rivalry with its Southern counterpart, used heroic narratives during the 1950s' postwar reconstruction period as an important propaganda tool for their regime. In this mythical narrative of Pyongyang's reconstruction, massive economic and technical aid from other communist countries has often disappeared, and the memory of the architects who contributed greatly to the reconstruction but later purged in North Korea have also completely vanished. Kim Jung-hee, meanwhile, remained in this epic as the founding architect who rebuilt the city in faithful accordance with the leadership of Kim Il Sung.

• 복식
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• 제62권8호
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• pp.118-133
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• 2012

A historical research on the costume of memorial service officials during the period of late 18th century, King Jeongjo period, is performed for an accurate reconstruction of the memorial service for King Danjong, which is a part of King Danjong Cultural Festival held at Yeongwol. This paper summarizes the results of the research as follows: 1. Jangneung memorial service is held only on Hansik day and the procedure follows the rule based on Gukjooryeui(國朝五禮儀). The service was first held in 1791 for King Danjong and his royal followers. 2. The rule based on Chunkwantonggo(春官通考), defines the king's tomb memorial services and attendees. King Danjong's memorial service follows the rule regarding its attendees and the attendees include high-ranking local government officials, local confucian scholars, and service men. 3. The costume of attendees for the King Danjong's memorial service is as follows: 1)Dangsangkwan(堂上官) and Danghakwan(堂下官) wear Sangbok(常服), which consisted of Samo(紗帽), Heukdanllyeong(黑團領), Pumdae(品帶), and black boots(黑靴). 2)Local confucian scholars wear their uniform consisting of Yukeon(儒巾), Dopo(道袍), Sejodae, and black boots. 3)Service men wear their uniform consisting of Jeonjakeon(典字巾), red-robe with rounded collar called Hongui(紅衣), Kwangdaw hoe(廣多繪), and Uuhae(雲鞋).

• 영어영문학
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• 제56권6호
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• pp.1339-1360
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• 2010

An analogical reading of socio-historical context of Harold Pinter's The Caretaker employs some postcolonial discursive analyses of postimperial British capitalistic interests in their post war reconstruction. It is also concerned with causes of so-called broken society. The Caretaker dramatizes minimal actions: a tramp is invited by the elder brother; a job as caretaker is offered; he is reluctant to accept the first offer by the elder brother, but is willing to the second by the younger; eventually, he is excluded because he makes noises while dreaming. These trivial actions produce serious and critical speech acts with their socio-historical implications. The tramp Davies is socially and thereby existentially excluded from the centre of the cold, banished to even colder peripheries. The audience face to the question. Why is Davies excluded? This study tries to answer the question, uncovering deep-rooted capitalistic racism, and reading its symptoms. Even after 50 years The Caretaker was staged, post-imperial broken society tries to operate the betrayals of disparity between the cause and effect of what has gone wrong. Pinter confirms that the action of the play takes place in a house in west London. With the city of London as its capitalistic centre, British imperialism lavished much of its wealth which has only served sectional interests dividing people against themselves. Pinter dramatizes the root of broken society. On the one hand, Pinter foregrounds the very general conflicts between individuals and forms of power; on the other hand, he underlies the very specific strategies of socio-historical exploitation, domination and exclusion.

• 건축역사연구
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• 제17권4호
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• pp.43-64
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• 2008

Kyeongbokgung succeeded in regaining its status as a royal palace after the reconstruction that began in the second year of King Gojong(1865) only to have most of its buildings taken down in the early 20th century. Fortunately, however, there is the Pukkwoldohyong(Map of North Palace), which drew out each of the buildings of Kyeongbokgung and their arrangement in details in 1907 when the royal palace lost its original appearance. And there is another plot plan of the royal palace at the Korea University Museum, which labeled it Kyeongbokgung-Baechido(Planning Map of Kyeongbokgung Palace). The map presents almost the same plan as Pukkwoldohyong in terms of making and expressive methods, being estimated to have been made in 1888 since its building arrangement doesn't show the changes made after 1890. The map also offers more information about the uses of each building than Pukkwoldohyong and matches the excavation results of the relics. Kyeongbokgung-Jeondo(Map of Kyeongbokgung Palace), which is recorded to be made during the reconstruction of the palace in the early years of King Gojong in historical materials, describes the shapes and arrangements of the buildings in a concrete and realistic fashion. The Kyeongbokgung-Baechido seems to be one of the plans made in the process of restoring and repairing buildings that were lost or destroyed in fire. The Kyeongbokgung-Baschido has the following historic values; 1) it provides dues to estimate the early state of the palace after the reconstruction during the reign of King Gojong. In fact the Sujeongjeon and Heungbokjeon show the early state of the reconstruction; 2) it contains data with which to understand the changes to the palace after 1890, around which they added Hamhwadang and Jibokjae; and 3) it offers information about the uses of the palace's buildings from 1885 to 1880 with its descriptions of the building purposes and relationships regarding the life in the palace.

• 시큐리티연구
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• 제42호
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• pp.423-447
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• 2015

이 논문의 연구목적은 북한에서 사회적 일탈행위에 대한 처벌과 재사회화의 양식이 형성된 기원을 분석하는 것이다. 이 논문은 북한에서 일탈에 대한 처벌과 재사회화의 양식이 한국전쟁을 전후한 세 시기, 즉 해방 이후의 국가건설기(1945-50), 한국전쟁기(1950-53), 그리고 국가재건기(1950-61)를 통해 형성되었음을 분석하였다. 첫째, 해방 이후 북한은 '민주개혁'을 통해 일본제국주의 잔재와 봉건제도를 청산하게 된다. 북한에서 새롭게 건설된 국가는 '인민민주주의'의 규범에 기반하여 사회적 일탈자들을 처벌하고 이들에 대한 재사회화를 정당화하였다. 둘째, 한국전쟁은 북한사회를 전시체제로 급속히 전환시켰다. 전시체제하에서 사회적 일탈행위는 이적행위로 규정되어 처벌과 낙인찍기의 대상이 되었다. 셋째, 전후 북한은 전시행위에 준하여 반동적요소(적대계층)를 색출하고 이들을 처벌 고립시켜 나갔다. 전후 북한의 인민들은 수직적으로 통제되고 수평적으로 단절된 구조하에서 감시와 처벌, 교육을 통해 사회주의적 인간으로 재사회화 되었다.

• 한국산학기술학회논문지
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• 제18권11호
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• pp.785-793
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• 2017

비교적 짧은 역사를 지니고 있는 미국과 호주에서도 조차 역사유산, 문화유산에 대한 보존 및 재사용에 대한 중요성을 크게 인식하고 이를 보존, 활용하는 데에 매우 체계적이고 현실적인 방안을 모색하여 이를 실천하고 있다. 반면, 반만년이란 오랜 역사를 지니고 있는 우리나라의 경우, 소중한 건축유산을 어떻게 보존하고 다시 사용해야 하는지에 대한 복원 시스템 및 활용방안에 대해 명확한 기준들이 매우 부족한 것이 현실이다. 본 논문은 이렇게 역사가 짧고 따라서 역사, 문화유산이 그리 많지 않을 것 같은 호주, 미국을 대상으로 이 나라에서의 이들 유산에 대한 보존 및 활용방안이 어떻게 이루어지고 있는 지를 사례를 통하여 그의 제도와 시스템을 면밀히 조사, 분석하고자 하였다. 이를 통하여 지금까지 재개발에 의해 한순간에 사라져 갔던 우리들의 옛 건축, 구도심 환경, 특히 현재의 건축물들에 대한 인식 제고와 일괄적인 재건축에서 벗어나 역사와 함께 건축적 환경이 지속될 수 있는 건축물 및 도시환경의 가이드라인을 제시하고자 하였다.

• 한국의류학회지
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• 제42권2호
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• pp.360-378
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• 2018

Noeui was a garment used for women's outfits and robes. In the late Joseon Dynasty it was a special garment that could only be worn by the class belonging to the royal family. Noeui was especially prepared as a wedding dress, and was worn by the bride at the Chinyeong ceremony on the day of the wedding ceremony. Until now, Noeui did not have in depth research at the costume history despite its importance as a royal costume in the Joseon Dynasty. Thus, based on Uigwe for the Royal Wedding Ceremony of King Injo and Queen Jangryeol (which is the only material with a diagram of Noeui and its pattern) this study historically investigated and restored the Noeui set of Queen Jangryeol, which was arranged in 1638, when King Injo and Queen Jangryeol were married. This academic study is the first to historically confirm and restore Queen Noeui's set, and rigorously analyze the historical materials as well as provide new comments on the shapes of Noeui's Git and the front side.