• Title/Summary/Keyword: Heo Jong

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A Review on 『GuGeupGanIBang(救急簡易方)』 (『구급간이방(救急簡易方)』에 대한 소고(小考))

  • KIM, Dan Hee;Kim, Namil;Ahn, Sang-woo
    • The Journal of Korean Medical History
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    • v.23 no.1
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    • pp.43-54
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    • 2010

  • 1. "GuGeupGanIBang(救急簡易方)" is a Korean annotation emergency treatment book made by scholars that were learned in medicine such as Naeuiwon(內醫院) head Yoo n Ho(尹壕) Seo Ha gun(西河君) Im Won jun(任元濬) GongJoChamPan(工曹參判) Park An sung(朴安性) Hanseongbu Jwayun(漢城府左尹) Gwon Geon(權健) SungRokDaeBuHaengByeongJoPanSeo(崇祿大夫行兵曹判書) YangCheonGun(陽川君) Heo Jong(許琮) following instructions of King Sungjong. This book was made by supplementing "EiBangRyuChwi(醫方類聚)", "HyangYakJeSengBang(鄕藥濟生方)" and "GuGeupBang(救急方)". When Yoon Ho presented it the king in May 1489(the 20th year of Sungjong), the king made the governors of each province publish it in large numbers, allowing common people to have this book and find the treatment immediately and save lives. 2. "GuGeupGanIBang(救急簡易方)" consists of 8 volumes, 127 chapters. Contents on stroke is the largest section. Separate chapters for gynecology and pediatrics let children that are easily ill and women that cannot get treatment freely be taken care of. It is an first aid medical book covering all ages, fulfilling its original purpose.

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An Analysis on the Visual Structure from the Building Area around An-ap Pond (안압지 호안 건물지의 조망 경관구조 분석)

  • 박경자;이관규;양병이
    • Journal of the Korean Institute of Landscape Architecture
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    • v.29 no.2
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    • pp.14-21
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    • 2001

  • This study aims to analyze visual structure by evaluating the view from five building sites around An-ap pond, and attempt to determine which site commands the best view and will provide the most active use. The results of this study can be summarized as follows: According to the questionnaire survey of experts on the relations of dominancy-subordination(´chu-jong´), vacancy-solidness(´heo-sil´), sparsity-density(´so-mil´) based on ancient oriental Yin-Yang theory and analysis of visual structure on angle of elevation, depression, and the landscape-component ratio to be seen through five building sites around the west of An-ap pond, building site three was selected as the building site which has the best landscape. Therefore, it is estimated that building site three played the role of core-building site. According to the result of correlation analysis, the greater the increased in the component ratio of sky, mountain ,the greater the degree of harmony within the landscape. As well, the degree of harmony increased when the landscape component ratio of a distant view was greater than that of a near view. Moreover, it was proved that the relationships of ´chu-jong´, ´heo-sil´, ´so-mil´ are correlative, not independent.

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IMPERVIOUS SURFACE ESTIMATION USING REMOTE SENSING IMAGES AND TREE REGRESSIOIN

  • Kim, Soo-Young;Kim, Jong-Hong;Heo, Joon;Heo, Jun-Haeng
    • Proceedings of the KSRS Conference
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    • v.1
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    • pp.239-242
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    • 2006

  • Impervious surface is an important index for the estimation of urbanization and environmental change. In addition, impervious surface has an influence on the parameters of rainfall-runoff model during rainy season. The increase of impervious surface causes peak discharge increasing and fast concentration time in urban area. Accordingly, impervious surface estimation is an important factor of urban rainfall-runoff model development and calibration. In this study, impervious surface estimation is performed by using remote sensing images such as landsat-7 ETM+ and high resolution satellite image and regression tree algorithm based on case study area ? Jungnang-cheon basin in Korea.

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Review on succession aspects of direction structure and dancing in Moondoong drum dance by GoseongOgwangdae - Focusing on Moondoong drum dance directed by Yong Bae Cho - (고성오광대 문둥북춤의 춤사위와 연행구조 전승양상 고찰 - 조용배 연행의 문둥북춤을 중심으로 -)

  • Park, In-Soo
    • (The) Research of the performance art and culture
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    • no.38
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    • pp.71-109
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    • 2019

  • In this study, succession aspects of direction structure and dancing were reviewed in Moondoong drum dance succeeded by Yong Bae Cho of Goseong Ogwangdae. Sung Rak Hong who succeeded to Moondoong drum dance before Yong Bae Cho directed only 'drum dance' mainly with Goodguri rhythm. While Sung Rak Hong succeeded, the drum of Moondoong Gwangdae became smaller, which was changed from drum before 1965, to semi-drum in 1966 and tabor in 1967 and thereafter. Yong Bae Cho succeeded to Moondoong drum dance since 1970, adding 'Moondoong dance' directing tabor at the floor together with 'drum dance' before August 1972 and directing Dutbaegi rhythm. From the first succession of Goseong Ogwangdae since the winter in 1974, obscene movements were disappeared, and the setting with Yangban and contents to sublimate resentment were added in Moondoong drum dance. These changes seemed to be affected by succession format of Tongyoung Ogwangdae Moondoong drum dance and Ok Jin Gong's idiot dance. There are succession patterns when reviewing Moondoong drum dance directed by Yong Bae Cho. In case of 'Moondoong' dance, repeated forms were succeeded including 'fixed dance'->'impromptu dance'->'jump' in center of three fixed dances. In case of 'drum dance,' repeated forms were succeeded including 'fixed dance'->'rolling tabor'->'concluding' -> 'impromptu dance'->'jump' in center of four fixed dances. In 'drum dance' by Yong Bae Cho, many parts of succeeded dance by Sung Rak Hong who was a prior successor were remained. After Yong Bae Cho's death, Jong Bok Heo summarized the dance with more completed order focusing on the structure of Moondoong drum dance succeeded by Yong Bae Cho. Since then, multiple scenes were added continuously including hobbled appearance by Jong Won Heo, happy scene eating barley and scene to catch tabor stick difficultly, by Chang Ryol Heo. Yong Bae Cho added 'Moondoong dance' to the prior works only with 'drum dance' and started adding the story with resentment. The direction structure summarized by Yong Bae Cho became the basic framework in which the following directors added the scenes very easily. Like this, Yong Bae Cho was an excellent director of Goseong Ogwangdae who inherited Moondoong drum dance from the previous generation to establish and develop to hand over the next generations.