• Journal of Fashion Business
• /
• v.22 no.4
• /
• pp.47-58
• /
• 2018

The Belgian textile wallcovering has the following background. The unique oceanic climate is optimized for flax. Beginning in the thirteenth century, British wool was produced for export to Britain or neighboring countries. Since the 15th century, Flemish paintings were influenced by color implementations, and these colors have influenced the developments of tapestry and art. Since that time, tapestry and paintings combined with paper technologies and Oriental civilizations, such as silk, that had been developed through trade ports, have been transformed into the form of current wallcoverings. Belgium produces the highest quality textile wallcovering using natural materials i.e., a combination of irregular and modern materials, and the implementation of different colors. The Belgian textile wallcovering is also a good representation of nature at the Heimtextil 2018, It provides a wide range of colors while retaining the best styles for wallcoverings in Belgium. The characteristics of Belgian wall coverings are: First, the high proportion of achromatic colors, especially the white ones, are analyzed for current trends. Second, it expresses the characteristics of materials by using only one material. This not only shows a high level of understanding of natural materials, but also shows a high level of development in terms of processing technology. Thirdly, linen was made into a formative expression using wrinkle processing and by printing geometric patterns, the rough texture of natural materials was expressed in harmony with modern patterns.

• Journal of Fashion Business
• /
• v.23 no.4
• /
• pp.1-12
• /
• 2019

The study investigated trends in wall-covering displays in interior design stores. Although studies reported design trends at well-known exhibitions overseas such as Heimtextil and Maison objet, many different cases present actual realistic design flows. This study analyzes the actual market flow rather than design as an exhibition concept, and presents the interior CMF trends in 2019. The CMF design of wall-covering displayed in New York D&D Building in 2019 can be summarized as follows: W was the most frequently seen show-window, but like R, which is a strong color, it is also used to convey surrealistic images. The store entrance was designed to attract consumers' attention inside, and was constructed to reflect the actual trend. In the 2019 New York market, the wall-covering of Gray and YR were displayed through the shop entrance to suggest substantial sales. In addition, the demand for gold metallic wall-covering is significant as gold was strong in many forms. This study represents a valuable resource to identify trends in wall-covering from 2017 to 2019 compared with previous studies. This study represents a valuable foundation for a wide range of topics related to the use of wall-covering for interior decoration.

• Korean Institute of Interior Design Journal
• /
• no.23
• /
• pp.109-115
• /
• 2000

The purpose of this study is to examine the interior textile color changes and trends by analyzing the characteristics of interior color hues and tones. Heimtextil in the interior field was selected for color trend analysis from 1996 to 2000. The conclusions of this study are as follows: First, In terms of hue, warm colors like Y, YR, and R were most prominent in all four years. Some new colors, however, emerged with higher frequency. The frequency of GY and B increased in 96/97, GY, BG and PB in 97/98 PB and B in 98/99, and B and PB in 99/2000. Especially between 96/2000, the frequency of PB and B has been increased, although the frequency of GY has been decreased. Over the four years, P, RP, and Neutral showed medium frequency, and G and BG showed low frequency. Gold appeared as an accent color in two years while silver appeared in one year. In summary, warm colors like Y, YR, and R were most prominent in interior color. Second, In terms of tone, p, b, v, and sf were most prominent over the four years. Although 에 and ltg appeared with high frequency n general, a wide variation was presented. The tones such as p, dp, and v appeared with high frequency in the three years of 96/97, 97/98 b and sf in 97/98 ; lt, dk and sf in 98/99. On the other hand, a new trend emerged in 99/2000. In this year, ltg, sf, s, d and dkg appeared with high frequency unlike the other three years. In other words, soft or light tones, such as pale, soft, light, grayish, and deep, and strong tones, such as vivid and bright, appeared with high frequency.