• Clinical and Experimental Pediatrics
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• 제59권sup1호
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• pp.125-128
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• 2016

Harlequin syndrome, which is a rare disorder caused by dysfunction of the autonomic system, manifests as asymmetric facial flushing and sweating in response to heat, exercise, or emotional factors. The syndrome may be primary (idiopathic) with a benign course, or can occur secondary to structural abnormalities or iatrogenic factors. The precise mechanism underlying idiopathic harlequin syndrome remains unclear. Here, we describe a case of a 6-year-old boy who reported left hemifacial flushing and sweating after exercise. He had an unremarkable birth history and no significant medical history. Complete ophthalmological and neurological examinations were performed, and no other abnormalities were identified. Magnetic resonance imaging was performed to exclude lesions of the cerebrum and cervicothoracic spinal cord, and no abnormalities were noted. His final diagnosis was classic idiopathic harlequin syndrome. Herein, we report the first pediatric case of idiopathic harlequin syndrome in Korea.

• Journal of Chest Surgery
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• 제50권2호
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• pp.130-132
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• 2017

Harlequin syndrome is a rare disorder of the sympathetic nervous system characterized by unilateral facial flushing and sweating. Although its etiology is unknown, this syndrome appears to be a dysfunction of the autonomic nervous system. To the best of our knowledge, thus far, very few reports on perioperative Harlequin syndrome after thoracic surgery have been published in the thoracic surgical literature. Here, we present the case of a 6-year-old patient who developed this unusual syndrome following the resection of a posterior mediastinal mass.

• 한국패션뷰티학회지
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• 제5권1호
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• pp.97-111
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• 2007

This study was motivated not only by the curiosity of clown as a comedian, but also by the clown's special makeup coordination. To analyze the clown makeup coordination Carnivalism, the researcher inquired 1) clown's meaning, sorts, periodic roles and stages, 2) Mikhail Bakhtin's Carnival theory, and 3) makeup coordination of clowns (Harlequin, Pierrot, Auguste and White Face Clown) as the theoretical background. The clown makeup coordination carnival characteristics were shown in masquerade, amusement and ambiguity. The masquerade was expressed on the mask for Harlequin and white makeup for Pierrot, Auguste and White Face Clown. The amusement was revealed on the fall and the inharmony of the grotesque makeup and childish costumes. And also the ambiguity was expressed on the sexless and the infant of clown's real nature and costumes.

• Journal of Genetic Medicine
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• 제16권2호
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• pp.62-66
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• 2019

Harlequin ichthyosis (HI, OMIM #242500) is one of the most severe skin diseases among the autosomal recessive congenital ichthyoses, with high morbidity and mortality, particularly in newborns. Clinically, it is characterized by a typical appearance of generalized, thick, yellowish, hyperkeratotic plates with deep erythematous fissures on the skin. Herein, we present the case of a newborn girl with HI that was genetically confirmed by targeted gene panel analysis. The premature baby was encased in an opaque white membrane with erosion covering the skin of the entire body except the lips, with her hands and feet restricted by the membrane. Humidification, emollient, and retinoic acid treatment were started; the thick ichthyosis gradually peeled off and the underlying skin was only covered with thin scales. Targeted gene panel analysis using next-generation sequencing and validation with Sanger sequencing and quantitative polymerase chain reaction analyses confirmed compound heterozygous mutations of the ABCA12 gene (p.N1380S and a partial gene deletion encompassing exon 9). The parents were carriers for each of the identified mutations. Early recognition of the genetic etiology of congenital ichthyosis can, thus, facilitate genetic counseling for patients and their families.

• 한국의상디자인학회지
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• 제17권1호
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• pp.53-68
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• 2015

The purpose of this study is to analyze check pattern of nail art from 2011 to 2013. The results of this study are as follows; 1) Check pattern of nail art is total 257 patterns, and there are 84 argyle, 29 tartan, 24 harlequin, 24 over, 23 window-pane, 15 stitcheds, 13 hound tooth, 10 block, 10 madras, 8 gingham, 8 gradation, 7 shepherd, and 2 tattersall check patterns. Through this result, in nail art, the relatively simple patterns such as a vertical pattern, a horizontal pattern, and cross or overlap diagonal line are used more than elaborate and complex check patterns of a fibrous tissue from a weaving process. 2) In check pattern of nail art, N-affiliated color and R-affiliated color are remarkably well-used, because of the effects of argyle, tartan, window-pane, harlequin, stitched, over, and hound tooth check patterns used the most during the past three years. Especially, most tartan, harlequin, over, and hound tooth check patterns use their own special colors such as R-affiliated colors and N-affiliated colors as it is, and argyle, window-pane, stitched, and over check patterns use well by arranging N-affiliated colors and R-affiliated colors. 3) The most used expressive technique is hand painting to express check pattern in nail art, because new products related to UV gel are well launched. These materials can draw fine line that is hard to express by existing polish easily and simply, and not only have set quickly hard, so procedure time is very short, so it is compatible to draw check pattern personally, but also it is well covered, so check pattern is more clearly expressed.

• 대중서사연구
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• 제25권3호
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• pp.41-66
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• 2019

본고는 1980년대 문고본 로맨스 소설의 독자 상정과 출판 전략을 '하이틴'이라는 기호로 살펴보려 한다. 저널리즘에서 사용되었던 '하이틴'이라는 기호에 어떤 함의가 포함되어 있는지, 1980년대 문고본 로맨스 시리즈의 출판 현상을 통해 확인하는 것이 이 글의 목적이다. 문고본 로맨스 중에서도 캐나다 출판사 '할리퀸(Harlequin)'의 로맨스 시리즈의 해적판/정식판본과, 같은 독자를 상정하고 출간되었던 잡지 매체의 광고 홍보 문구를 토대로 연구를 진행하였다. 1970년대부터 대중매체는 10대 청소년을 하이틴으로 바라보고 이들을 중요한 소비주체로 호명한 바 있다. 하이틴이 교복을 입은 10대 청소년, 그중에서도 주로 여학생을 일컫는 용어였다면 1980년대 '하이틴' 역시 새로운 소비주체로 상정되었고, 출판 시장에서는 이들을 포섭하기 위한 여러 출판 전략을 내세웠다. 『하이틴 로맨스』를 비롯한 문고본 로맨스는, '하이틴'이라는 독자들을 10대 후반 여학생, 베스트셀러/밀리언 셀러에 민감한 소비주체, 사랑과 연애 이야기를 독서하는 취향을 가지며, 미·서구 문화에 호의적인 독자로 상정하였다. 1980년대 이후 문고본 로맨스 시장은 침체되었지만, 독자들은 '할리퀸' 시리즈를 수용-로컬화하여 '로맨스'라는 장르소설의 명맥을 계속해서 유지해왔다. 웹소설이라는 새로운 매체가 부상함에 따라 로맨스 장르에 대한 관심이 폭증하는 현재, 이 연구가 (여성)독자와 로맨스 독서/향유에 대한 다양한 논의를 이끌어내는 시작점이 될 것이라 기대한다.

• 한국임상수의학회:학술대회논문집
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• 한국임상수의학회 2006년도 춘계학술대회
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• pp.116-116
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• 2006

• 대중서사연구
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• 제25권3호
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• pp.67-99
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• 2019

이 논문은 1980년대 한국에 수입된 로맨스 소설을 분석하며 당시 한국 소녀 문화의 특징을 살펴보았다. 이를 위해 1980년대 삼중당 출판사에서 간행한 하이틴로맨스 시리즈와 서울 출판사의 프린세스 베스트셀러, 중앙일보사의 실루엣 로맨스를 연구 대상으로 선정하였다. 문고본 로맨스의 수입 양상, 작가 특징, 작품의 내용, 그리고 독자 반응을 통해 1980년대 한국 문화에서 장르로서의 로맨스가 어떤 위치를 차지하였고, 한국 문화에 어떤 영향을 미쳤는지 분석하였다. 1980년대 문고본 로맨스는 대부분 할리퀸 출판사의 카테고리 로맨스 중 현대적이고 진취적인 프레젠트 라인을 번역하였다. 주로 소개되는 작가도 샬롯 램처럼 진보적인 성격의 작가가 많았다. 할리퀸 로맨스는 관능적인 사랑의 이야기를 그려냈다. 이를 번역한 1980년대 문고본 로맨스는 소녀들에게 성과 사랑의 문제를 자유롭게 상상할 수 있게 하였다. 특히 여성의 섹슈얼리티에 대한 새로운 시각을 보여주었다. 한국 연애소설 속 여성의 섹슈얼리티는 남성의 시선에 의해 대상화되어 있었다. 이를 비판하며 나온 여대생 작가들의 소설은 여성의 섹슈얼리티를 다루었지만 순결 이데올로기에 대한 비판과 저항에 초점이 맞춰져 있다. 문고본 로맨스는 현실의 윤리적 기준에서 벗어나 여성의 섹슈얼리티를 자유롭게 향유할 수 있게 하였다. 또한 문고본 로맨스는 사랑의 좌절에서 벗어났다. 한국 연애소설 속 사랑이 정신과 육체의 합일을 이루지 못해 언제나 비극으로 끝났다면, 문고본 로맨스는 사랑을 처음 느끼는 소녀의 두려움에서 시작해서, 그 불안을 이기고 사랑을 확인하여 행복한 결혼에 이르는 과정을 보여주었다. 이를 통해 소녀들은 순결 이데올로기에 종속되지 않는 보편적 사랑을 이해하며, 사랑을 긍정적으로 받아들일 수 있었다. 장르로서의 로맨스가 한국 문화 속에 정착되는 과정과 그 독자층의 특징은 아직 명확하게 밝혀지지 않았다. 이 논문은 한국에서 로맨스 장르의 시장을 개척한 문고본 로맨스를 당대 다른 연애소설들과 비교함으로써, 로맨스 장르가 1980년대 한국 문화 속에서 차지하는 위치와 의미를 밝혔다. 이를 통해 한국 로맨스 장르의 역사적 전개 과정을 구체화할 수 있었다.

• Archives of Plastic Surgery
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• 제38권1호
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• pp.77-80
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• 2011

Purpose: We report a patient with DiGeorge syndrome who was later diagnosed as mild metopic synostosis and received anterior 2/3 calvarial remodeling. Methods: A 16-month-old boy, who underwent palatoplasty for cleft palate at Chungnam National University Hospital when he was 12 months old of age, visited St. Mary's Hospital for known DiGeorge syndrome with craniosynostosis. He had growth retardation and was also diagnosed with hydronephrosis and thymic agenesis. His chromosomal study showed microdeletion of 22q11.2. On physical examination, there were parieto-occipital protrusion and bifrontotemporal narrowing. The facial bone computed tomography showed premature closure of metopic suture, orbital harlequin sign and decreased anterior cranial volume. The interorbital distance was decreased (17 mm) and the cephalic index was 93%. Results: After the correction of metopic synostosis by anterior 2/3 calvarial remodeling, the anterior cranial volume expanded with increased interorbital distance and decreased cephalic index. Fever and pancytopenia were noted at 1 month after the operation, and he was diagnosed as hemophagocytic lymphohistiocytosis by bone marrow study. He however, recovered after pediatric treatment. There was no other complication during the 12 month follow up period. Conclusion: This case presents with a rare combination of DiGeorge syndrome and metopic synostosis. When a child is diagnosed with DiGeorge syndrome soon after the birth, clinicians should keep in mind the possibility of an accompanying craniosynostosis. Other possible comorbidities should also be evaluated before the correction of craniosynostosis in patients as DiGeorge syndrome. In addition, postoperative management requires a thorough follow up by a multidisciplinary team of plastic surgeons, neurosurgeons, ophthalmologists and pediatricians.

• 영어영문학
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• 제55권4호
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• pp.745-765
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• 2009

The Eighteenth Century Shakespeare's Women Audiences: From Objects of Sexual Appetite to Ladies of Quality Abstract Younglim Han (Kyungpook National U) This paper aims to give an account of the eighteenth century Shakespeare's women audiences who marked a turning-point in the history of Shakespeare's popularity. The 1736 formation of the 'Shakespeare Ladies Club' as a leading group of the female audience encouraged the theater managers to perform more Shakespeare. Stage productions relied more than ever on the favorites of women audiences. The establishment of female patronage was associated with the popularity of Shakespeare's crossed-dressed comedies and actresses in 'breeches' part. The outstanding achievement of the Ladies was their contribution to the promotion of Shakespeare's status as an embodiment of British culture and the acknowledgement of the dignity of national literature. They were successful in securing the native sense of Shakespeare in place of Italian opera and Harlequin pantomime. The recognition of the national significance of Shakespeare led a campaign to erect his monument in Westminster Abbey. The female audience's claim to the respectable Shakespeare provided the stimulus for transforming his plays in the interests of family values such as marital duty and domestic morality. Marina (1738), George Lillo's adaptation of Pericles that was dedicated to the Ladies, was an exemplary case. The domestic versions of Shakespeare stressed the importance of women characters and the idealization of them. Thus the reception of Shakespeare in the eighteenth century was characteristic of formulating the women audiences-performers-characters association. The female yearning for a refined theater was a significant achievement, considering its influence on ways of establishing the canonical Shakespeare in the eighteenth century.