• 복식
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• 제29권
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• pp.171-182
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• 1996

This thesis is concerned with the study of the court attire the typical attire of the ju-dicial world in a point of time that more than 100 years have passed since the introduction of the modern judical system. In recognition of the fact that compiled data of the official uni-form or attire in Korea are insufficient this study placed its signification on the provision of information with focus on attire. As a result of studying court attire in Korea the conclusion was made as follows: Firstly Official attires in Yi Dynasty were divided by wearing embroidered insignia on the breast and the back of an official robe ac-cordint to court rank as well as by wearing Sa-mo in wadded clothes of Dan-ryeong and attaching all sorts of appurtenances including bands and shoes The Minister of Justice was equipped with Ho-pyo Dae-sa-heon equipped with Hae-chi the mayor of Seoul equipped with Un-an In the era of the Kng Young-jo the minister of Justice had no change in its of-ficial robe but the mayer(Pan-yun) of Seoul (Han-sung-bu) had Un-an(wild geese in clouds) changed into Un-hak In the King Ko-jog era the minister of Justice had Ho-pyo changed into Ssang-ho and the mayor of Seoul had Un-hak changed into Ssng-hak on embroideved insignia on the breast and back of an official robe. Laws and regulations concerning court attire began with the In-judgement Full-dress Uni-form Requlation for official-level Clerical Staff below the ordinary staff the Issue No. 14 of the Royal Ordinance in 1906 provided as $\ulcorner$the matter cincerning the Dress Regulation of the Tribunal staff of the Cho-sun Government-General$\lrcorner$the Issue No. 222 of the Royal Ordi-nance in 1911 and changed into$\ulcorner$the Regu-lation on the Dress of Judge Prosecutor At-torney and Law Count Clerk$\lrcorner$the Issue No. 12 of the Supreme Court Rule in 1953 affter the establishment of Korean Government since emancipation from the Japanese rule and into $\ulcorner$the Regulation concerning the Court Attire of Judge and law Court Clerical Staff$\lrcorner$the Issue No. 516 of the Supreme Court Rule in 1966. The judicial system in Korea is the system introduced from the foreign country rather than autogenously developed. And it came to pass through the Japanese colonial period it the beginning that it took root in Korea n was not stabilized in harmony with our native tradition. Accordingly the attare regulation in the judicial system took root in our society by accepting the Japanese attire regulation as it was and judical officials have come to wear the count attire similar to that of the Japanese imperialist era due to its influence though Korean independent goverment was established together with liberation form the Japanese rule. The more regrettable thing is that the current court attire has maintained the form greatly influenced by the U. S. court attire. Fortunately as the judicial circles have recently raised their voices for change in the court attire it has been told that the forma-tion of a meeting for a new court attire has been under way. The birth of the court attire into Which our tradition is sublimated is expected. This study end up with thinking that the must Korean thing is the most global thing in this era that people in the world are clamoring for globalization.

• 건축역사연구
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• 제26권6호
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• pp.67-76
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• 2017

Royal banquets under the reign of King Sunjo saw developments in the playacting stage, which exhibited characteristics unique to the transitionary period between Jeongjo and Gojong this period established the framework of the Joseon Dynasty's playacting stage construction. Starting with the Jagyeongjeon-Hall banquet and continuing into the Year of the Golden Rat banquet, the next-day banquet by the Crown Prince demonstrates a renewed format, with the stage also changing accordingly. This change was substantiated by more assertive use of the Red Blind and gabjang. Previously, the Red Blind has been installed in the palace hall and around the royal courtyard, to form three sides, but as next-day banquets became more frequent under Sunjo, the Red Blind developed and came to be installed in accordance with the hierarchy within the royal family. In the Year of the Golden Rat banquet, the Red Blind was lifted and the throne of the crown prince was situated in the palace hall. In the banquet of the following year, however, the Red Blind was let down and the crown prince's throne was placed outside, in palace court yard. This seems to have been a gesture to reorient the crown prince's political standing and restore Sunjo's sovereignty the following year. Hence, the installation of the Red Blind developed in accordance with the royal hierarchy and ranks under Sunjo's reign. The gabjang provided the second layer of protection for the playacting stage. The hongjeongju gabjang surrounded the stage in multiple layers and served as a partition. The gabjang from the Year of the Golden Bull banquet, in particular, boasted a unique installation, where it dangled from both sides of the royal palace's facade. Hongjeongju gabjang, lapis lazuli gabjang, red gabjang, and yellow curtains were installed in the stated order to reflect Sunjo's 40th birthday as well as the 30-year anniversary of his coronation. The Red Blind and gabjang from Sunjo's years were positioned in creative ways to reinstate the royal authority, and demonstrated many improvements from those of Jeongjo's reign.

• 대한한의학원전학회지
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• 제7권
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• pp.161-197
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• 1994

I hereby have gained the following results by investigation and classification according to the contents of Masterial theses of 1015 volumes and Doctorial theses of 288 volumes, which have collected at their central libriaries, of theses which have published, until 1991, at Oriental Medical College of Kyunghee Univ., Kyungsan Univ., Dongguk Univ. and Taejon Univ. 1. The laboratory theses are more plentiful in number than those of literatural or clinical ones, especially more outstanding trends in the case of doctors. 2. In clinical theses, clinical obserbation was high frequnt in master and accupunture in doctor. 3. In laboratory theses, the usage of pharmacy was more frequnt than that of accupuntures or moxibutions. 4. In laboratory theses, it was more plentiful the case of being taken ill before experiment. 5. In experimental method, the drugs were more used complexed or complexed extract, in the case of accupunture, the methods were more adopted by general accup. and aqureaccupunture. 6. In laboritory theses, theses was abundant of no description of normal, control and laboratory groop. 7. It was the great number wi thin a day in the laboratory terms, the rats were most adopted as the objects of lab., in the number of lab method, doctor's was more plentiful than master's. 8. In literatural theses, there was expressed high frequnt trends of study of china, in era, Chosun dynasty in korea and Jin-Han in china. 9. The theory and books were mainly adopted as objects of theses study in the field of literature. 10. In another theses, there was many investigation of contents and drug and sign of illness were main object of study. 11. Laboratory theses had totally more reference and quotation than those of other theses. According to the above results, the number of laboratory theses are superior than clincal and literature theses, other study or statistical theses. But unfortunately they were not enough the transmission of meaning of theses and contribution of learning, beacuse how to do theses was not uni form and description was not evident. So afterward I think it is needed more careful attention and study in the method of theses works.

• 한국광물학회지
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• 제31권1호
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• pp.23-32
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• 2018

뇌록은 조선시대 건축물의 바탕칠(가칠)에 사용된 녹색 안료이며, 불국사 대웅전 등 주요 건축물의 단청에 사용되었다. 본 연구에서는 한국 전통 안료 원료인 뇌록을 이용하여 소성온도에 따른 광물학적 특성 변화를 살펴보았다. 포항 뇌성산 일대에 국부적으로 산출하고 있는 뇌록은 주구성 광물이 셀라도나이트(celadonite)이며, 주요 구성 원소는 Fe, Si, K, Mg 등으로 주로 Fe가 풍부한 운모류임을 알 수 있다. $105^{\circ}C{\sim}1000^{\circ}C$까지 단계적 소성실험 결과, 색상이 녹색 ${\rightarrow}$ 담녹색 ${\rightarrow}$ 갈색 ${\rightarrow}$ 적색으로 변하였으며, 열분석에서는 $616^{\circ}C$ 부근에서 결정수의 탈수작용에 의한 흡열반응이 확인되었다. 광물의 변화는 $600^{\circ}C$ 이상에서 결정면[($11{\bar{1}}$), ($02{\bar{1}}$)]이 붕괴되고, $1000^{\circ}C$ 이상에서 철산화물이 형성되었다. 따라서 뇌록의 정출 온도가 $600^{\circ}C$ 이하인 것으로 추정되며, 셀라도나이트만이 확인되는 것으로 보아 Stage I 단계만의 변질을 겪은 것으로 판단된다.

• 한국의류학회지
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• 제17권1호
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• pp.49-62
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• 1993

This study intends to find out the correspondence of the costumes of the terracotta warriors at the tomb of Qin Shi Huang to the dress of nomadic people. The Chinese took the dress of nomadic people into their costumes so that they might practise shooting arrows from horse back in the Age Of Wars. The terracotta warriors at the tomb of Qin Sin Huang provide us with substantial evidence that Qin Dynasty inherited the system of wearing the dress of nomadic people from Zhao. Figures of calvarys wear the jackets of nomadic people, but figures of other warriors wear Han jackets. This means that the aim of taking the dress of nomadic people is to be convenient in practising shooting arrows from horse back. Nomadic people adjusted their jackets to left, because they road on a horse from left for being the tunga only on the left. But calvarys adjusted their jackets to right. In those days, China didn't have a tunga. So there was no necessity for riding from left. And Chinese were accustomed to adjusted their jackets to right. This is the reason why calvarys adjusted their jackets to right, though they wear the dress of nomadic people. Soldiers wear trousers. Some have puttee, some have their leg bounds. All the soldiers tightened their coats or jackets with belts which were inhereted from nomadic people. They wear either shoes or short boots. The figures are classified according to rank, espicially in their hats and armours. General wears a cap adorned with pheasant' feathers, officer wears an unadorned cap, and men are hatless or in turbans. Calvary's headgear looks like a p'ing-chin-tse which was correspondence to the headgear of nomadic people. Soldiers wear armours according to duty, and armours are differentiated by rank. From the state of terracotta warriors, I think that the warriors were made from BC 246 to BC 210 which is equal to the date of making the tomb of Qin Shi Huang. Then the date of making the terracotta warriors was between 60 and 100 years since the king Wu Ling of the state of Zhao took the dress of nomadic people.

• 보존과학회지
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• 제25권3호
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• pp.323-333
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• 2009

진천 사곡리 마애여래입상은 신라말의 마애불 양식을 계승하여 고려시대에 성행한 거군의 마애불로 암석의 종류는 흑운모화강암이다. 이 마애불은 2007년도에 세정을 통하여 생물학적 손상에 대해 보존처리를 실시했으나, 마애불 전면에 걸쳐 크고 작은 불연속면이 발달하고 있어 구조적 불안정을 야기하고 있다. 또한 암반상부에 일조량을 방해하는 수목으로 인하여 습도가 높은 환경에 노출되어 있다. 마애불이 조각된 암반의 구조적 안정성을 검토한 결과, 마애불의 두상과 수인, 법의부분에서 쐐기파괴의 가능성이 높은 것으로 분석되었다. 마애불에 발달한 불연속면의 보존처리는 먼저 절리면을 세정하고 에폭시수지(L-50)를 주입하여 내부를 완전히 충전하였다. 또한 티타늄봉의 삽입과 와이어로프를 설치하고 동종석분과 활석, 무기안료를 혼합한 에폭시수지(L-30)로 표면처리하여 이질감을 최소화하였다. 이 마애불의 균열 및 절리부위에는 균열측정기가 설치되어 모니터링과 함께 지속적인 보존관리가 수행되고 있다.

• 보존과학회지
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• 제29권4호
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• pp.345-354
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• 2013

태안군 마도 해역 해저에서 인양된 마도 1호선의 선체 내 외부에서 출토된 석탄의 지구화학적 및 광학적, 광물학적 특성을 분석하였다. 연구 결과, 석탄의 비중은 $1.28g/cm^3$로 약 10%의 광물질 함유 상태를 고려하면 순수한 석탄만의 비중은 $1.15g/cm^3$ 정도이며, 갈탄과 유연탄 사이의 범위 해당된다. X-선 회절분석 결과는 peak점의 $2{\theta}$는 $20^{\circ}{\sim}23^{\circ}$ 사이로 낮은 탄화정도의 석탄에 해당되었으며, 석탄구성물질 분류에서 비트리나이트 군이 93~94%, 엑시나이트 군이 5~6%, 인어티나이트군이 1% 이었다. 또한 석탄의 비트리나이트 평균반사율은 $R_{mean}$: 0.627로 고휘발분역청탄 C(high volatile bituminous C coal) 또는 아역청탄 A(sub-bituminous A coal)에 해당된다. 공업분석 결과 미국 광무국의 기준에 의하면 아역청탄 A(sub-bituminous A coal) 또는 고휘발분역청탄 C(high volatile bituminous C coal)에 해당되며, 원소 분석 결과 역청탄에 해당되는 점결탄으로 분류된다. 마도1호선 석탄과 국내 석탄을 비교 분석 결과 포항 인근 장기지역의 갈탄과 유사하였다.

• 보존과학연구
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• 통권33호
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• pp.109-124
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• 2012

조선초기에서 후기에 이르는 자기 생산지로 유명한 부산 기장군 장안읍 일대에 산재한 도요지 중 신리, 대룡, 하장안, 상장안, 용소, 두명리에서 출토된 상감청자, 백자 및 철화백자 편 등을 대상으로 성분과 미세구조를 분석하였고, 이러한 과학기술적 고찰을 통해 6개 도요지에서 출토된 자기의 태토원료, 제작기법, 번조상황 및 도요지간 상관관계 등을 규명하고자 하였다. 6개 사이트에서 출토된 자기에서 Cristobalite, Mullite, Quarts 등이 검출되었고, 결정구조에 따른 소성 온도는 두명리>상장안>대룡리>하장안>용소리>신리> 순으로 높았음이 확인되었다. 판별분석 결과 신리와 대룡리, 상장안리와 하장안리, 용소리, 두명리로 4개 그룹으로 분류되었다. 시편에 제작에 사용된 태토원료는 4개의 유사한 특성 분포를 가지고 있다. 기장군 도자기의 유약 두께는 $40{\sim}400{\mu}m$로 시유되었고, 기포는 $10{\sim}150{\mu}m$형성된 특징을 나타내고 있다. 태토의 균질성 측면에서도 두명리 출토 시편이 가장 우수한 특성을 나타내고 있는 것으로 밝혀졌다.

• 건축역사연구
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• 제18권5호
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• pp.59-80
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• 2009

The purpose of this study is to investigate the history, space structures, blueprint, and techniques of the construction of Nam-hea city walls. Nam-hea city walls were relocated in 1439 from Whagumhun-Sansung(火金峴山城) to the present site, nearby Nam-hea Um.(南海邑) The city walls were rebuilt after they were demolished during Japanese invasion on Korea in 1592 and their reconstruction was also done in 1757. At present, the city walls only partially remained due to the urbanization of the areas around them. A plane form of the City wall is a square, and the circumference os approximately 1.3km. According to the literature, the circumference of the castle walls is 2,876尺, the height is 13尺, and the width is 13尺 4寸. Hang-Kyo(鄕校). SaGikDan(社稷壇), YoeDan(厲壇), SunSo(船所) which is a harbor, as well as government and public offices such as Kaek-Sa(客舍) and Dong-Hun(東軒) existed inside the castle walls. Inside the castle walls were one well, five springs, one ditch, and one pond, and in the castle walls, four castle gates, three curved castle walls, and 590 battlements existed. The main government offices inside castle walls were composed of Kaek-Sa, Dong-Hun, and Han-Chung(鄕廳) their arrangements were as follows. Kaek-Sa was situated toward North. Dong-Hun was situated in the center of the west castle walls. The main roads were constructed to connect the North and South castle gate, and subsidiary roads were constructed to connect the East and West castle gate. The measurement used in the blueprint for castle wall was Pobaek-scale(布帛尺:1尺=46.66cm), and one side of it was 700尺. South and North gate were constructed in the center of South and North castle wall, and curved castle walls was situated there. One bastion was in the west of curved castle walls and two bastions were in the east of curved castle walls. The east gate was located in the five eighths of in the east castle wall. Two bastions were situated in the north, on bastion in the south, one bastion in the south, and four bastions in the west castle wall. The castle walls were constructed in the following order: construction of castle field, construction of castle foundation, construction of castle wall, and cover the castle foundation. The techniques used in the construction of the castle walls include timber pile(friction pile), replacement method by excavation.

• 한국한의학연구원논문집
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• 제15권2호
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• pp.101-109
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• 2009

The Pulse diagnosis is in the boundary of the Four Examinations, and it is called 切診, or palpation. It has a great impact on people in reminding of the Traditional Medicine that it is probably the first thing that people think of when they hear about Traditional Medicine. Hu-Jun quoted in the Treasured Mirror of Eastern Medicine "東醫寶鑑" that the doctor finds out the deficiency and the excess of the meridian of the patiant through the pulse, and that it is of the utmost necessity to know the "deficiency and the excess" of the meridian to decide the formula (君臣佐使) of the herbal medicine and the acupuncture/moxibustion treatment. The research on the studies of pulse diagnosis have been concentrated on the origin, history, and the theory of the pulse diagnosis throughout the years; however, the number of research on the image from the classics on pulse diagnosis have been less. With this in mind, this paper was written to study more on the origin and the history of the pulse diagnosis as well as to study on the image of pulse diagnosis shown on the classics on Traditional Medicine in China and Korea. The history of the pulse diagnosis has its root on the attempt to find out what is happening inside the body through the indication of the small changes of the pulse that is shown on the outer boundaries of the body. There were various kinds of pulse diagnosis including "Three positions and nine indicators method" and "Carotid pulsation and wrist pulse method" in the ancient period, and wrist pulse-taking method became the most popular since the completion of studying on palpation by 初보. The image of the palpation helps the rudimentary practitioners of Traditional Medicine. They are divided into two large categories, which are the area of diagnosis and the shape of the pulse itself. The historical classics including the image of the pulse diagnosis can be found since the Song Dynasty of China. There are various kinds of image of pulse diagnosis in the classic such as "The picture of the hand meridian" from "脈訣指掌病式圖說", "The picture of the image of meridian" from "察病指南", "The picture of the Seven exterior and Eight interior" from "校正圖注脈訣", and "The picture of the six parts of meridian" from Treasured Mirror of Eastern Medicine "東醫寶鑑". The Treasured Mirror of Eastern Medicine "東醫寶鑑" have analyzed the basic theories and made up the standards of pulse diagnosis by establishing "The picture of the six parts of meridian" based on "The method of placing the viscera and bowels corresponding to cun-guan-qi, or the meridian".