• Asian-Australasian Journal of Animal Sciences
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• 제14권4호
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• pp.491-495
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• 2001

The behaviour of 5 Jersey and 5 Guernsey heifers, grazing on natural vegetation in a sub-humid tropical environment in Kenya, was studied during the dry (January and February) and wet (April and May) seasons in 1999. The heifers grazed for 12 hours daily in both seasons. Observations on feeding, standing, lying and ruminating were done chronometrically, at five-minute intervals, between 0600 and 1800 h. During the dry season, the average feeding, standing, lying and ruminating times per 12 h period for Jerseys was 8.0, 3.13, 0.87, and 1.40 respectively, while those for Guernseys were 8.6, 3.26, 0.4, and 1.35 respectively. In the wet (green) season, the mean feeding, standing, lying and ruminating times for Jerseys were found to be 7.54, 3.07, 1.39, and 1.27 respectively, and for Guernseys were 8.42, 3.10, 0.48, and 0.44 respectively. In both seasons Guernseys spent more time feeding (p<0.05) in comparison with the Jerseys. It was also observed that lying occurred more often in Jerseys than the Guernseys (p<0.05) in both seasons. During the wet season, Jerseys ruminated longer (p<0.05) than the Guernseys. The health status of the animals was determined by examining the respiratory frequency, heart rate, rectal temperature, haemoglobin erythrocytes and leucocytes of the experimental animals. All the clinical and physiological parameters were within the normal physiological range of healthy cattle. It was concluded that there are differences in grazing behaviour between Jerseys and Guernseys in the sub-humid tropical environment of Kenya and Jerseys seem to be more adapted to the tropical climatic conditions.

• 환경생물
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• 제40권3호
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• pp.301-306
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• 2022

The vegetative and reproductive morphology of some parasitic Janczewskia Solms-Laubach species including the type species was examined based on specimens collected from various localities around the world. In J. gardneri Setchell et Guernsey on Osmundea spectabilis (Postels et Ruprecht) Nam from California, secondary pit connections are not found between epidermal cells and vegetative axial cells have two pericentral cells. As its host, J. gardneri also has a typical filament type male structure in an apical urn-shaped pit of branches rather than the trichoblast type in other species including the type J. verruciformis Solms-Laubach and tetrasporangial origin of epidermal cells rather than pericentral cells. These significant differences between the species suggest that J. gardneri should be separated from the genus Janczewskia. Based on this morphological data, the section Heterojanczewskia Setchell including J. gardneri, together with an emendation of the generic delineation of Janczewskia, is elevated to the genus level. Relevant nomenclatural changes for some Janczewskia species are also included here.

• 한국의상디자인학회지
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• 제4권2호
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• pp.139-161
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• 2002

This study investigates the characteristics of Nordic sweaters works from a historical perspective. Specifically, this study deals with the following research topics: 1) development of Nordic sweaters, 2) the characteristics of Nordic sweaters industry according to the change of times, 3) the comparison of local knitting patterns, 4) the symbolic meaning of the designs in the Nordic sweaters and patterns. The results of the study are summarized as follows. 1. Knitted work developed mostly in Northern Europe, a cold area, and the barren, mountainous coastal areas where people frequently used woolen materials for clothes. It was also developed in Scandinavian regions which lead the fashion in modern days. Scandinavian knitting techniques have been diffused into the east coast of England and Northern Europe by Vikings. 2. Scandinavian countries are distinguished from other countries by their conservative but creative cultural tradition. Their knitting patterns are characterized by small geometric figures such as dots, triangles, squares, rhombuses, and crosses used often with stars and roses. Scandinavian knitting is also salient for its vertical stripes and simple motifs repeating at short intervals. 1) Norway ; Simple and geometric Norwegian patterns are classified into three groups of motifs: (a) the motifs of cross, diamond, X, and swastika (equation omitted). (b) the motifs of human figures, animals and birds, (c) floral motifs (especially eight-petal roses). Their use of color is also simple, and is limited to more than two colors. (2) Sweden ; Swedish patterns are colorful and geometric. They are characterized by features such as brocade, complex embroidery, and contrast of red and black colors. They also show Guernsey patterns. Initials and production years were knitted in sweaters which have different patterns in their trunks and sleeves. 3) Denmark ; The Danish pattern is the purl stitch knitted against the stockinette stitch. The technique is used to copy woven damask motifs. The patterns are seen most clearly when they are knit with smooth yarn. The Faeroe sweaters are the representative work of Danish knitting. Faeroe knitting, incorporates stranded pattern and is knit in the round, either with circular needles. 4) Finland ; Finnish patterns are similar to Norwegian patterns. Finnish knitted work show very colorful, variety and free-flowing geometric patterns. 5) Iceland ; Icelandic knitting shows original ribbon pattern. Lope sweater is the representative work. 3. The traditional knitting patterns not only carried symbolic meanings but also served as means of communication. First of all, patterns had incantatory meanings. Patterns were symbolic of one's social standing, too. The colors, motifs and their arrangements were very important features symbolizing one's social position or family line. People often communicated by certain pieces of knitted work or patterns. In short, the knitted work in the Nordic sweaters served the function of admiring the beauty of nature and symbolizing various meanings. The unique designs and colors of the knitted work reflected the characteristics of the culture those works belonged to. This study also turns our attention to the issue of how the traditional colors and designs of the knitted work can contribute to the development of modern designs, and by doing so, if makes us realize the importance of knitted works in modern society.