• 대한한의학방제학회지
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• 제22권1호
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• pp.47-64
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• 2014

Objectives : Bi-jeung is a traditional oriental medical name. Bi-jeung is similar to rheumatoid arthritis(RA). This study was investigated to get the practical use of Bi-jeung prescriptions in Byunjeungrok. Methods: Original records related Bi-jeung in Byunjeungrok are interpreted and contemplated. Results: Bi-jeung prescriptions in Byunjeungrok are put stress on Byunjeung in conformity with entrails good energy enforcing as well as evil energy eliminating removing damp-evil among wind-evil cold-evil and damp-evil showing concrete prognosis. Conclusions: This study indicates that Bi-jeung prescriptions in Byunjeungrok have an influences for RA. It may also suggest that Bi-jeung prescriptions may expand therapy field for treatment of RA. and its complications.

• 복식
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• 제60권4호
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• pp.45-57
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• 2010

The costume in musical is an important visual factor that contributes to the level of stage completion by for the character and overall atmosphere of the whole play. Besides, as if it is has a fixed times in the drama, it has to produce to consider an opinion of producer to express the theme, atmosphere of a play and especially in the period adventure drama, to revive as it is historical dress, there is not creation at stage of today. This research is studied into the stage costume of the musical 'Jekyll and Hyde' an adapted to express image of good and evil in the one character. For this research, it researched costume of Victoria period in England, study character of main actor by analysis of the play in an original work, examine the stage costume of the musical 'Jekyll and Hyde' performed in the inside and outside of the country. In the musical stage costume, by character difficult of stage costume, factor of design feature divided to good and evil and compare feature design of stage costume, research new design express method to consider musical acting, moreover through designing and producing the costume to be suitable for the content of the work. This research consists of research and actual production of work, study of documentary records, collection and analysis of overseas performances, news releases, video material and internet research were the methods of this study.

• 한국융합학회논문지
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• 제9권4호
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• pp.127-135
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• 2018

인간은 선과 악을 함께 가지고 있기 때문에 양면적이라 할 수 있다. 이러한 인간은 악을 더욱 구체화하기 위해 악을 형상화하여 조형적 요소로 악의 상징물을 만들었다. 이에 본 연구자는 악의 개념부터 인간이 가지고 있는 악에 본질이 상징물로 표현되었을 때 나타나는 조형성에 관하여 조사 분석해 보고자 하였다. 조형성의 분류 항목을 구축하여 설문지를 작성하여 다음과 같은 분석의 결과를 도출하였다. 구성유형에서는 문자보다는 그림 또는 기호로 표현되었으며, 표현대상에서는 신화 속 인물과 동물의 형태로 나타났다. 레이아웃에서는 방사형이 가장 많이 나타났으며 묘사방법에서는 단순성과 복잡성의 형태로 외곽형태는 원형이 가장 높게 나타났다. 이러한 구성유형의 항목들이 높은 점수를 보인 상징물은 서로간의 조형적인 상관관계로 그려지고 사용되었으며, 발전해 왔다는 것을 알 수 있었다.

• 수완나부미
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• 제15권1호
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• pp.181-203
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• 2023

Cultures often adopt the good versus evil dichotomy within their narratives of religious texts, aural anecdotes, and cultural mythologies. The Ramayana narrates a divine story that transcends time of the battle between the forces of good and evil, between Prince Rama and Ravana. Numerously adapted through time, the Ramayana is today told through moving visuals and has been adapted by Mani Ratnam through Raavanan (2010). Raavanan is adapted to the premise of hero versus villain using the good versus evil premise as Dev Prakash (Rama) searches to rescue his wife Raagini (Sita), who is abducted by Veeraiya (Ravana). The film, however, departs from the Ramayana as Raavanan is told through the perspective of Veeraiya. In the film, Veeraiya is portrayed as a flawed anti-hero who battles against injustice instead of being the antagonist. He seeks revenge for his sister and stands up against the oppression of his tribe. In this battle, he questions ideological understandings of justice and morality that have been conventionally interpellated within society. This paper discusses how Mani Ratnam, through the film Raavanan, contests hegemony, ideology, and class differences within modern cinema and society alongside the more significant question surrounding India's sociocultural conditions.

• 대한예방한의학회지
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• 제23권3호
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• pp.83-107
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• 2019

Objective : We compare the nurturing theories of Between the Nurturing Theory of Dogyogwonseonseo(道敎勸善書) JeungjungGyeongsinrok(增訂敬信錄), Gyeongsinrokeonseok(敬信錄諺釋), Taisanggauempyeondosul(太上感應篇圖說) and Guahwajonsin(過化存神) vs Dongui-Susebowon-Sasang-Chobongwon(東醫壽世保元四象草本卷) and Dongui-Susebowon(東醫壽世保元) of Lee-Jema. And the influences that Dogyogwonseonseo had on Nurturing Theory of Lee-Jema. Method : We sort out the identical or similar vocabularies and abstract the important concepts from all four kinds of Dogyogwonseonseo and two kinds of Lee-Jema's books mentioned above and compare them respectively. The prehistories of vocabularies and concepts needed such as Bok(福, good fortune) and Su (壽, longevity) will be traced. And the synchronic understanding needed such as 'Good deed leads to longevity and good fortune whereas evil deed leads to short life' in late Choseon dynasty will be surveyed by investigating the controversy of the time. Results : The Nurturing Theory of Lee-Jema was influenced by all four kinds of Dogyogwonseonseo mentioned above. We can ascertain the influence from Lee-Jema's Concept of Myeong(命), Nurturing Life through everyday life, 'Good deed leads to longevity and good fortune whereas evil deed leads to short life', deceiving mind(詐心), betraying mind(欺負心) and the jealousy of Man and Woman. Conclusion : The influences Dogyogwonseonseo had on Lee-Jema's nurturing theory were key concept words such as Myeong(命), the ways of thinking like 'Good deed leads to longevity and good fortune whereas evil deed leads to short life' and vocabularies such as deceiving mind(詐心).

• 문화기술의 융합
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• 제9권2호
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• pp.245-250
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• 2023

이 논문은 국내 영화 <거울속으로>와 리메이크인 <미러>를 비교 분석하는 것이다. 두 영화는 거울에 반사된 이미지와 실제와의 차이를 부각시키는 21세기 초 국내 영화의 경향을 예시한다. 기본적인 설정과 플롯에는 유사성이 있지만, 내러티브를 이끌어가는 동기 등에서 주요한 차이점들이 있다. <거울속으로>는 원혼설화의 서사전통을 따르는데, 권선징악의 구도에 사회 비판 의식이 내포되어 있다. 거울을 통한 악령의 사악한 작용이 지배적인 <미러>는 서양의 공포영화의 전통을 따르고 있다. 이 리메이크는 동양문화를 근간으로 하는 서사를 기독교 문화가 지배적인 서구적 관점에서 재해석하고 재창조하는 한 방식을 예시해준다.

• 건축사
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• 통권505호
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• pp.17-17
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• 2011