• Architectural research
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• v.16 no.4
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• pp.175-183
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• 2014

Contemporary architecture tends to deconstruct modern architecture based on rationalization just like reductionism and functionalism and secedes from it. It means change from mechanical to organic and ecological view of the world. According to these changes, consideration of a compositive relationship presented variety and complexity in architecture. Thus, the modern speculation based on rationalism cannot provide an alternative interpretation about complicated architectural phenomena. At this point in time, the purpose of this study is to investigate the possibilities of the fractal as an alternative tool of analysis and design in contemporary architecture. In this study, two major aspects are discussed. First, the fractal concepts just like 'fractal dimension', 'box-counting dimension' and 'fractal rhythm' can be applied to analysis in architecture. Second, the fractal formative principles just like 'scaling', 'superimposition trace', 'distortion' and 'repetition' can be applied to design in architecture. Fractal geometry similar to nature's patterned order can provide endless possibilities for analysis and design in architecture. Therefore further study of fractal geometry should be conducted synthetically from now on.

• BMB Reports
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• v.48 no.12
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• pp.677-684
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• 2015

Cardiovascular function is regulated by the rhythmicity of circadian, infradian and ultradian clocks. Specific time scales of different cell types drive their functions: circadian gene regulation at hours scale, activation-inactivation cycles of ion channels at millisecond scales, the heart's beating rate at hundreds of millisecond scales, and low frequency autonomic signaling at cycles of tens of seconds. Heart rate and rhythm are modulated by a hierarchical clock system: autonomic signaling from the brain releases neurotransmitters from the vagus and sympathetic nerves to the heart's pacemaker cells and activate receptors on the cell. These receptors activating ultradian clock functions embedded within pacemaker cells include sarcoplasmic reticulum rhythmic spontaneous Ca²⁺ cycling, rhythmic ion channel current activation and inactivation, and rhythmic oscillatory mitochondria ATP production. Here we summarize the evidence that intrinsic pacemaker cell mechanisms are the end effector of the hierarchical brain-heart circadian clock system.

• Proceedings of the KOSOMBE Conference
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• v.1997 no.11
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• pp.323-326
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• 1997

In this study, we investigated the circardian rhythm of complexity of cardiac dynamics in humans. Dynamic 24-hour electrocardiographic recordings were obtained from 30 healthy ambulant subjects aged 41 to 50 years. or each recordings, normalized low frequency (0.04-0.1 hertz) and high frequency (>0.15 hertz) component are calculated. our different indexes obtained from separate algorithms of nonlinear dynamics - approximate entropy, correlation dimension, Lyapunov exponent and fractal dimension - were calculated. During early morning, low frequency component rose rapidly with concomitant withdrawl of high frequency component. All the our indexes of nonlinear dynamics showed remarkably same circardian rhythm: an early morning dip preceded by a steep decline during late night, a gradual recovery during evening and a peak around midnight. These data indicate that the simultansous losses of all of the our different mechanisms of nonlinear control of heart rate during early morning, concomitent with the surge of symapathetic activity and reduction of vagal activity, may contribute to the increased incidence of cardiovascular events during morning hours.

• Proceedings of the Korea Contents Association Conference
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• 2004.05a
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• pp.449-455
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• 2004

In aspects of materializing rational and reasonable beauty in motion picture contents design area, it intends to conceptualize the visual design through studies of the invisible area, the virtual space of the dematerialized era, contrary to the commonly practiced visual design area of the concrete substance and to provide an opportunity to gain new senses and the embedded meanings of the motion picture graphics, which are created in the electronic space. Especially, although the invisible phenomenon such as electromagnetic wave exist in space, it was treated as a conceptual subject. However, it intends to seek a design approach about physical, poetical, aesthetical experience of the design in the invisible area, escaped from the limited existing perspective. Based on such theory, it denotes to secure the possibility of new design through the application of sound, rhythm, color and image in fractal design area.