• 복식
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• 제58권1호
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• pp.116-132
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• 2008

Continuity and discontinuity is a relative concept, and there are various categories of the continuity and discontinuity in our circumference. In the thought of postmodernism of the late of 20th Century, continuous creations of the difference and the repetition have being regarded as a discontinuity. But, because of that catches the moment occurring qualitative skip though the flowing of the everlasting time, this has been known to a shortsighted viewpoint overlooking characteristic of the qualitative continuity of an organism, which have being created continuous formation for life through the flowing of the time. Therefore, this had studied like this complex social condition and various relationships expressed in modern fashion focusing on permanently creative movements and behaviors equal to the qualitative continuity. This Thesis is following study about continuity, and aims at understanding of those formative characteristics through consideration about characteristics of qualitative continuity. And, this analyzes formative characteristics of the qualitative continuity into 5 sets: enlargement, conversion, structural variability, mutual combination, and deconstruction. This thesis intends to grasp complex modern social phenomenon and modern fashion into qualitative continuity that means continuous formation and the change of various relationships according to recognition about the course toward open thinking.

• 디자인학연구
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• 제15권1호
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• pp.339-347
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• 2002

컷 분할 그림책은 이야기를 표현하는 연속적인 여러 개의 화면 또는 여러 개의 컷으로 분할된 화면으로 구성된다. 시각에 의한 정보전달 매체로서 컷 분할 그림책은 구체적인 시각 경험을 가능하게 하는 동시에 창조적 사고 발달과 정서 함양에 효과적이고, 그에 따른 미적 체험으로 다양한 조형 감각을 일깨우게 된다. 본 연구는 시각적 흐름에 따른 구체적 형태의 컷 분할을 이용한 일러스트레이션의 연결 표현에 관하여 알아보고 그에 따른 작품 분석을 통하여 영상 매체의 전달 특성을 수용한 컷 분할 형식의 일러스트레이션을 분석하였다. 컷 분할 형식의 일러스트레이션을 통하여 그림 자체로서 메시지를 전달하는 그림책 일러스트레이션은 인간에게 보다 발전된 의미에서의 시각적 경험을 할 수 있는 계기를 마련해주고, 다양한 표현과 일러스트레이션 제작을 통해 좀 더 새로운 조형 요소를 이해하고 시각적 경험을 할 수 있게 한다.

• 패션비즈니스
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• 제4권2호
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• pp.1-17
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• 2000

Kitsch is one of the various mass-cultural phnomena in the late 20th century, with it's own new aesthetic value, 'self-expression' through 'destruction', denying the existing established way of thinking and escaping from the stereotypes or fixed ideas. This is called 'aesthetic inadequacy'. The purposes of this study are to examine the different preferences between the western and the domestic Kitsch Fashions to investigate the formative and aesthetic characteristics of domestic Kitsch Fashion based on substantial data, and to propose the creative Kitsch design. The results of this study are as follows; 1. The formative characteristics of domestic Kitsch Fashion are marked by amusement, disharmony, epicureanism, satire, and use of imitation. 2. Then, based on theoretic research, this study applies aesthetic characteristics of Kitsch to the creative design. According to the formative characteristics for Kitsch Fashion, the Design Concepts are developed in order of Optimism, Multi Form, Decadence Chic, Neo-Naturalism, and Poor Vintage. And the Fabric direction is given in Design Story with sub theme such as Cheerful, Game, Decadence, Environment, and Grunge.

• 한국수학교육학회지시리즈D:수학교육연구
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• 제18권3호
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• pp.223-234
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• 2014

Research shows that formative assessment has a more powerful effect on student learning than summative assessment. This case study of an 8th grade algebra classroom focuses on how the implementation of Formative Assessment Lessons (FALs) and the participation in teacher learning communities related to FALs changed in the teacher's instructional practices, over the course of a year, to promote students' mathematical reasoning and justification. Two classroom observations are analyzed to identify how the teacher elicited and built on students' mathematical reasoning, and how the teacher prompted students to respond to and develop one another's mathematical ideas. Findings show that the teacher solicited students' reasoning more often as the academic year progressed, and students also began developing mathematical reasoning in meaningful ways, such as articulating their mathematical thinking, responding to other students' reasoning, and building on those ideas leading by the teacher. However, findings also show that teacher change in teaching practices is complicated and intertwined with various dimensions of teacher development. This study contributes to the understanding of changes in teaching practices, which has significant implications for teacher professional development and frameworks for investigating teacher learning.

• 수산해양교육연구
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• 제28권1호
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• pp.289-299
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• 2016

The purpose of the study was to develop evaluation methods which would measure student achievement and progress without traditional paper-pencil tests such as mid-term and final examinations. More specifically, the main research focus were to establish general directions of student assessment during free semester, to build evaluation models supporting student's participation and learning, and to report and record various student evaluation results. As research results, we found that student evaluation of free semester should be organized to improve a) experience learning activity, self-regulatory and collaboratory study, b) high-order thinking ability and character-building, and c) teacher-student-parent cooperation. Since traditional paper-pencil tests were restricted in free semester, student achievement should be provided by a way of performance descriptions on transcripts rather than quantitative grade points. Student performance descriptions had to show not only subject knowledge but also students efforts, motivation, and participation. These multiple and educationally meaningful information would be collected by teacher-student-parent communication and collaboration.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.21-30
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• 2015

The visual expression system of space realized in Baroque aesthetics is basically grounded on the philosophical view to the world of the time, that is to say the changes of the thinking system in the Renaissance and ontology based on it. Structural aesthetics in Baroque freed from Plato's system of harmony but grounded on Leibniz's process philosophy formed a crucial background to highlight the formal nature of the whole and build a structure based on the inclusive principle of formativity. Also, to solve problems to realize the order and consistency of forms from the whole, Baroque adopted the nonlinear and nonphysical formative system as the principle of building space in works of art. Combining the order system of nature in the Renaissance with manneristic dynamicity as well as formative principle taking shape geometrically, it did establish a variety of aesthetic concepts based on the results of infiniteness and exaggeration expressed from the two forces, the Renaissance and mannerism. This study has found that such Baroque aesthetics did overcome classical planeness and draw continuous mobility from the structures and forms based on that with the transborder concepts of structures, the components of space, as an ultimate system of formative expression. Moreover, this author has drawn and analyzed with the cases of the 17th-century art and architecture the transborder elements manifesting the nature of diverse formative visual elements produced in artistic expressions with that principle of aesthetics, that is the intangible concept of Baroque. Based on that, this researcher intends to come up with technical solutions to solve a lot of environmental and architectural problems we are severely facing nowadays in terms of environmental, physical, and emotional aspects with the theoretical clues and results acceptable to this contemporary era.

• 정보교육학회논문지
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• 제24권1호
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• pp.117-129
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• 2020

본 논문은 기존 컴퓨팅 사고력 평가 연구를 분석하고 보완하여 형성적 관점에서 컴퓨팅 사고력을 평가하는 방안을 탐색하고, 텍스트 기반 프로그래밍 언어인 파이선을 활용한 프로그래밍 언어 학습 평가를 위한 평가 프로세스를 설계하기 위해 수행되었다. 이와 같은 목적으로 컴퓨팅 사고력 영역을 탐색하고 평가 설계에 관련된 연구를 분석하였다. 또한, 초보자가 학습하는 파이선 프로그래밍의 학습 영역을 확인하고, 파이선 학습을 통해 획득할 수 있는 컴퓨팅 사고력 영역을 규명하였다. 이들을 종합하여 컴퓨팅 사고력에 해당하는 구문을 분석하여 피드백을 제공하는 평가 방법을 설계하였다. 아울러, 순서도와 의사코드를 활용하여 아이디어를 나타내게 함으로써 반성적 사고를 통한 자기평가가 가능하게 하고, 커뮤니티를 활용한 코드공유 및 의사소통을 통해 동료피드백이 가능한 평가 프로세스를 설계하였다는 데에 본 연구의 시사점이 있다.

• 한국지구과학회지
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• 제36권6호
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• pp.591-608
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• 2015

이 연구의 목적은 중학교 천문 수업에 대한 과학 교사의 교수 실행에서 나타나는 시스템 사고를 분석하는 것이다. 이를 위해 4명의 중학교 8학년 과학 교사의 천문 단원 수업을 녹화하였고 녹화된 수업은 모두 전사하였으며, 선행 연구의 시스템 사고 위계 구조를 수정하여 개발한 시스템 사고 분석틀을 적용하여 이들을 분석하였다. 또한, 수업 분석 후 참여 교사의 과학 수업에 대한 지향과 교수학적 생각을 심층적으로 분석하기 위해 비디오 자극 회상 면담을 실시하였다. 연구 결과는 다음과 같다: 모든 참여 교사들은 천문 수업에서 시스템 사고의 위계를 제대로 반영하지 못하였으며, 낮은 수준의 시스템 사고만을 활용하는 것으로 나타났다. 또한, 교사가 학생 중심의 교수 지향을 지녔다 하더라도 시스템 사고의 교수 실행은 교사 중심으로 진행되는 것으로 나타났다. 천문 수업의 교수 실행에서 시스템 사고가 부족하게 나타나는 것은 공간적 사고에 보다 집중하는 것과 지구과학 비전공 교사로서의 천문 내용 및 형성 평가 지식 부족 때문인 것으로 판단된다. 이러한 연구 결과를 바탕으로 천문 수업에서 효과적인 시스템 사고의 도입 방안을 논의하였다.

• 한국수학교육학회지시리즈A:수학교육
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• 제60권1호
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• pp.77-110
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• 2021

본 연구는 학생의 수학적 사고를 주제로 한 참여형 수업을 학생 사고기반 수학 수업이라 명하고, 이러한 수업을 지원하는 방법으로 수업 설계에 주목했다. 교사가 학생 사고기반 수학 수업을 실천하기 위해서는 학생들의 사고와 그에 대한 교육적 피드백을 여러 측면에서 예상할 뿐 아니라, 예상한 학생 답변을 의도적으로 배열하고 그것들을 목표와 연결하는 방법을 미리 계획할 필요가 있다. 학교에서 일반적으로 사용되는 3단계 수업 설계안은 교사가 수업의 도입, 전개, 그리고 정리에 따라 일련의 수업 계획을 기록해볼 수 있는 틀을 제공하지만, 외현적 수업 활동에만 초점을 두게 한다는 제한점이 있다. 이에 본 연구는 3단계 수업 설계안을 보완한 학생 사고기반 수업 설계안을 제시했다. 그리고 학생 사고기반 수학 수업을 위한 과제, 학생 참여, 그리고 교사 역할에 관련된 문헌 검토 결과를 종합한 개념적 틀을 렌즈로 하여 예비교사들이 작성한 3단계 수업 설계안과 학생 사고기반 수업 설계안의 차이를 분석했다.

• 한국실내디자인학회논문집
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• 제14권1호
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• pp.37-44
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• 2005

Currently, the space design has been expressed the space in kinetic design by digital technology. To look into the concept of digital design, there is the tendency to pursue the harmony of the nature. The digital space designer, Greg Lynn who has been paid attention by international researchers. To compared with the reputation of his works, the information about him has been limited to us. The purpose of this study was to investigate the Greg Lynn's digital design matrix toward the design process in his representative 11 works in his website; www.glform.com. The contents analyses methods were used in this study. Greg Lynn's internet website survey was carried out in the respects of thinking method, space formative language and animate form. The major results of this study are as follows: \circled1 Lynn's design concept and digital methodology were affected by Paolo Soleri and Peter Eisenman: natural architectural concept and digital animate form \circled2 Lynn's space formative languages were 10 items; blob, blob, fold, strand, shred, flower, skin, teeth, branch and lattice \circled3 Lynn's digital design matrix was divided into 3 types; MS(Mass + Structure), PC(Path + Circulation) and FD(Form + Detail) \circled4 According to the analysis of longitudinal, his works have been changed from the MS and PC to FD. This research will be a basic reference to understand digital space design.