• 한국산학기술학회논문지
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• 제19권7호
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• pp.112-124
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• 2018

본 연구는 유아의 숲동화 구연학습이 자기감정조절과 공동체의식 함양에 미치는 효과를 밝히는데 목적을 갖고 S시소재 유아 40명을 대상으로 8주간 16회기 실험 연구 하였다. 연구결과 전체적으로 숲동화 구연학습을 한 실험집단이 통제집단보다 높게 나타나 실험집단의 숲동화 구연학습의 유용성을 입증해주었다. 특히 공동체의식 요인의 기본생활 습관과 공동체 의식, 사회성발달, 자기인식에서 모두 실험집단이 비교집단에 비해 높게 나타났다. 이는 숲 체험 활동에서의 자연과에서 소통과 함께 동화소재를 자연 속에서 읽으면서 듣고 직접 체험함으로써 유아들이 동화를 통해 주의 집중하고 자연과의 교감 속에 자연 그대로 느끼는 순수한 감성을 바탕으로 또래와 함께 상호 협력하고 공존을 위한 관계 향상은 물론 원칙과 질서를 지키고 이를 실천하려는 소중한 마음이 동화 속 이야기와 함께 자기감정조절까지 증가시킴을 실증해준 것으로 볼 수 있다. 이같은 결과는 숲 활동에 있어 단순한 놀이나 교육 중심에서 벗어나 숲동화 연계 활동을 통해 감정조절 뿐만 아니라 공동체의식 향상에도 긍정적인 교육효과를 가져다 줌에 따라 이의 활용이 보다 확산될 필요가 있음을 시사한 것으로 평가할 수 있다.

• 비교문화연구
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• 제39권
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• pp.241-286
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• 2015

This study explores how folktales' motifs are used in diverse cultural contents such as literature, movies, or comics. More precisely, it is concerned with mysterious characters like Babayaga and Koshchei who appear in Russian fairytales. When the motifs of the reviewed literature are analyzed, the following three criteria are used for classification: New Writing, Rewriting, and New Version. Or course, it is New Writing that is far from the original work. Most of the collected works, including Joan Aiken's The Kingdom Under the Sea, Patricia Polacco's Babushka's Doll, Babushka Baba Yaga, and Tai?-Marc Le Thanh's BABAYAGA, belong to New Writing. The New Writing type mainly focuses on Babayaga's secluded life. In fairytales, Babayaga is depicted as the goddess of Mother Earth, the heroine of the Nature, or the ruler of the Animal Kingdom. That is why she lives in the deep and uninhabited wood. She is related to the Coming of Age ceremony. Her 'Hut on hen's legs' is an obstacle for immature protagonists to face before they come of age. Protagonists are supposed to solve the problems posed by Babayaga. If they succeed, they can get her magical help so as to complete their final mission. Babayaga is likely to appear as their antagonist. Protagonist may be subjected to a terrible ordeal created by Babayaga, and then come of age by recovering from that ordeal. Sometimes, Babayaga helps protagonists to get a grip on reality. That is why she lives in a hut in the deep and dark forest which is on the borderline between life and death. On the other hand, Marianna Mayer's Baba Yaga and Vasilisa the Brave has been classified as a controversial work between New Writing and Rewriting. It is apparently closer to New Version. However, it cannot be classified as a work of New Version because the author incorporates 'probability' into her work. Among the reviewed works, it is Korean Writer Rye, Kami's The Spider Woman's House that best reflects the essence of Babayaga. Babayaga and other characters are amusing in movies because most of the movies are animations for children. In one sense, it is positive that the scary characters in folktales are approachable to children. In other sense, however, it is regrettable that symbolic motifs are completely eliminated. In Mike Mignola's Hellboy, Japanese animations such as Index or Narutaru, on-line games such as Cabal or Vampire: The masquerade, the essence of the supernatural characters in folktales is completely eliminated, and only their 'belligerent power' stands out. It is desirable to put stories into perspective whether they are written or told. The literature property of folktales provides a special opportunity to readers. In this light, a variety of motifs have a good reason to be reborn as modern cultural contents. The bottom line is to maintain its true nature.