• 한국멀티미디어학회논문지
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• 제23권2호
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• pp.376-382
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• 2020

In the 1970s and 1980s, space installations in films became a new approach to film research. Many film directors and theoretical scholars believe that the space setting in films, other than textual stories, is an important core of film narrative research. Early film scholars have proposed that the film space with sensory narrative mode as the core motive force can promote people's in-depth understanding of the film content. Therefore, many researchers have tried to emphasize the importance of space in films through Hitchcock's films, but have not analyzed the elements and techniques of film space performance in detail. Reviewing the Hitchcock's classic crime film, through the space set in the traditional film, we can discover the movie techniques and concepts related to space. Therefore, this study takes Hitchcock's classic crime film as an example, and through analysis of film space expression techniques, attempts to propose factors for film space creation and bring new spatial perception effects to the audience.

• 한국실내디자인학회논문집
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• 제33호
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• pp.62-67
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• 2002

Architecture and Film have been interested in each other since 1895. This concern manifests various aspects and is continued up to now. If we examine into detail of relationship between film and architecture, those share the integration of time and space as the art of time and space. Film makes inexpressible time into space by showing the change of space in the issue that is the merger of time and space. Then, this is the issue of movement that compiling element was intervened. And the creative space of film which is the timely expression stimulates the person to experience whole form through spatial experience. Consequently, the architecture as an image maker must be developed through a research about film as an image creator. Also a discussion about film and architecture do not apply one to the other but must be focused on the mutual relationship.

• 한국엔터테인먼트산업학회논문지
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• 제13권3호
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• pp.343-350
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• 2019

중요한 시각적 요소로서 애니메이션영화의 색은 현실을 묘사할 수 있을 뿐만 아니라, 영화 공간을 형성하는 데 중요한 역할을 하는 감정과 의미를 전달할 수 있다. 가장 성공적인 애니메이션영화 중 하나로 <코코>는 영화 공간을 형성하기 위해 대담하고 독특한 색 언어를 사용한다. 민족 색상은 이야기 공간을 만들어 이야기 배경을 멕시코 지역 및 문화 풍습으로 가득 채우며, 색상 대조로 물리적 공간을 만들고 공간 모델링 및 차원 감을 뚜렷이 표현하며, 색상 연상 형식으로 심리적 공간을 만들어 관중들은 영화 정신세계에 인도하게 한다. <코코>의 공간 색상 분석을 통해, 애니메이션영화 공간 모델링은 색상의 특성 및 기능을 충분히 활용하고, 공간의 특성에 따라, 다른 색상 언어를 사용해야 하며 영화 공간의 표현 형식을 확장하고 영화 공간의 의미를 깊게 한다.

• International Journal of Advanced Culture Technology
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• 제7권2호
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• pp.113-124
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• 2019

Stanley Kubrick's 1968 film titled 2001: A Space Odyssey has generally been considered as a monumental piece of mainstream epic science-fiction. However, this film can be evaluated as having properties of experimental cinema by boldly trying technical innovation and aesthetic experiment in various aspects. From the filmmaker's process to filmic structure, technical innovations, screening method, $mise-en-sc\grave{e}ne$, cinematic style and its (auto-)reflexivity, 2001: A Space Odyssey is highly experimental. We will attempt to separate out aspects of 2001: A Space Odyssey that derive explicitly from traditions in experimental cinema, whether adopting those traditions or innovating within them, by identifying the film's experimental strategies and relating them to other experimental films that came before and after. This will show that the purely formal characteristics of the film's conception carry meanings on their own relating to Kubrick's personal expression, ideas about cinema and philosophy that go beyond the scope of the film's narrative.

• 한국멀티미디어학회논문지
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• 제25권9호
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• pp.1356-1366
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• 2022

In the display of virtual space, the degree of space virtualization cannot be judged only by the degree of material technology. Based on the non-material relationship, the virtual space that this research focuses on is a conceptual and ontological point of view (based on the conceptual and ontological viewpoints of non-material relations), including practical technical issues. The research on the characteristics of virtual space ontology not only has an impact on the space design of science fiction movies, but also becomes a powerful medium that brings changes to the world. In the future, there will be a large number of cases where fantasy things in science fiction movies are actualized. From this perspective, based on the study of several science fiction movies using virtual reality scenes, this paper puts forward a study on the representation characteristics of virtual space ontology. In addition, the study of the virtual reality is of great significance for verifying the possibility of virtual reality in the application of deep space technology in the future. At the same time, it provides reference value for the development of special effects film field from montage theory-based to Bazin theory-based expression, and contributes to the theoretical system of film space.

• 한국엔터테인먼트산업학회논문지
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• 제14권1호
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• pp.41-49
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• 2020

서사 활동은 인류가 처한 공간과 공간에 대한 의식과 밀접한 관계가 있다. 봉준호 감독은 영화 <기생충>(2019)에서 도시 공간 배치에 대한 독특한 견해를 통해 명확한 계급 분화가 존재하는 상하 대립의 공간을 구축했을 뿐만 아니라 공간에 대한 복잡하고 자연스러운 서사를 진행하였다. 봉준호는 현실주의 기법을 사용해 각기 다른 공간에서 살아가는 사람들의 일상적인 생활환경과 충돌을 통해 자본주의 사회 계층 사이에 존재하는 차별과 화해될 수 없는 모순을 표현하였다. 본 연구는 봉준호 영화 <기생충>의 공간 서사에 주목하고 이를 토대로 인물 사이의 관계와 사회 계급 관계에 대한 고찰을 통해 봉준호 감독의 공간 서사 의식과 영화 창작 스타일을 탐구하고자 한다. 공간은 영화 서사의 중요 요소이고 또한 영화 <기생충>에서도 많은 비중을 차지하고 있으며, 공간은 이 영화의 서사 전개를 위한 기초가 된다. 영화의 공간 서사는 물리적 공간에 한정되지 않고, 인물과 사회 사이의 관계를 밝히는 은유적 의미를 지니고 있다. 또한 해당 영화는 유형 영화일 뿐만 아니라 시대 발전 과정에서 사회 계층의 모습에 대한 기록 역할도 담당한다. 전체 영화는 사상성과 예술성이 적절히 결합되었고, 관객들은 이 영화를 통해 일정한 공감을 얻을 수 있으며, 또한 사회의 상황에 대해 깊이 생각하게 만들었다.

• 패션비즈니스
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• 제15권3호
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• pp.67-83
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• 2011

Korean film "Swiri"(1999) as well as a popular film is the first Korean blockbuster Film. In addition, the number of viewers is very common in Korea a large ripple effect that Korea film "Swiri" in his works were selected to act as a hero and contextual significance confrontation between the two figures through the symbolic analysis of clothing styles and colors Analyzing the meaning of space and a scene in the background with the colorful costumes and would like to study. In detail, the film's central character theme and image suggesting that dramatic reversal the character's personality through the clothes I was expressed through clothing styles and colors were analyzed with symbolism. Korean film "Swiri" the film's DVD player application from the situation or story that is considered to be important psychological conflicts selected twenty-seven screens in the study were collected still images. Data collected for the effect of color contrast and color analysis technical. The center of the video footage, the film's main characters costumes and background colors of the space was to examine the significance and symbolism.

• 한국진공학회:학술대회논문집
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• 한국진공학회 2009년도 제36회 동계학술대회 초록집
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• pp.132.2-132.2
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• 2009

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.58-67
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• 2015

Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people's consciousness became impoverished, and it was created by the artists as a reaction against this, and notable achievements were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented in the films were classified. Based on this, the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among modern spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects' inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

• Design & Manufacturing
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• 제12권2호
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• pp.5-10
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• 2018

Vacuum-assisted thermoforming is one of the critical steps for successful application of film insert molding(FIM) to parts of complex shape. In this study, the simulations and experiments of thermoforming processes were performed to investigate the effects of process conditions on thickness distribution and printed pattern deformation of films in vacuum-assisted thermoforming. The film thickness uniformity increased with decreasing film heating time, whereas it increased with increasing vacuum delay time. After thermoforming of films with uniform pattern space of 5mm, the maximum space was 9.432mm. Based on the simulation, a modified pattern was calculated to obtain uniform spaces after thermoforming. In the experiments for film with the modified pattern, the maximum space appeared 5.837mm. In, addition. the predicted patterns were in good agreement with the experimental results.