DOI QR코드

DOI QR Code

Research on the Characteristics of Virtual Space in Science Fiction Movies - Based on André Bazin's Film Ontology -

SF영화 속 가상공간의 특징에 대한 연구 - 앙드레 바쟁의 영화 존재론을 중심으로 -

  • Geng, Heqi (Dept. of Visual Countents, Dongseo University) ;
  • Choi, Donghyuk (Dept. of Visual Countents, Dongseo University)
  • Received : 2022.07.18
  • Accepted : 2022.09.08
  • Published : 2022.09.30

Abstract

In the display of virtual space, the degree of space virtualization cannot be judged only by the degree of material technology. Based on the non-material relationship, the virtual space that this research focuses on is a conceptual and ontological point of view (based on the conceptual and ontological viewpoints of non-material relations), including practical technical issues. The research on the characteristics of virtual space ontology not only has an impact on the space design of science fiction movies, but also becomes a powerful medium that brings changes to the world. In the future, there will be a large number of cases where fantasy things in science fiction movies are actualized. From this perspective, based on the study of several science fiction movies using virtual reality scenes, this paper puts forward a study on the representation characteristics of virtual space ontology. In addition, the study of the virtual reality is of great significance for verifying the possibility of virtual reality in the application of deep space technology in the future. At the same time, it provides reference value for the development of special effects film field from montage theory-based to Bazin theory-based expression, and contributes to the theoretical system of film space.

Keywords

Acknowledgement

This research was supported by Dongseo University.

References

  1. Y.L. Xiao, "The Authenticity Aesthetics of Film the Context of Digital TechnologyStarting from the Image Ontologyon Movies of Bazin," Journal of Hunan University, Vol. 27, No. 2, pp. 149-154, 2013.
  2. J.D. Wang, "Documentary Film Theory of Bazin and Its Expounding Logic," Journal of Chongqing Technology and Business University (Social Sciences Edition), Vol. 31, No. 4, pp. 26-31, 2014.
  3. Y.H. Jin and H. Jin, "Research on the Bazin's Photographic Image Ontology," Film Literature Press, Vol. 17, No. 64, pp. 14-15, 2008.
  4. X.Q. Hu, Virtual Space Technology and Application Practice, Beijing: Higher Education Press, pp. 21-28, 2004.
  5. N. Carroll, Translated by D.L. Zhang, Bazan's Place in Film Theory, Foreign Film Theory, pp. 83-92, 1998.
  6. K.R. Lee, Reading Philosophy and Art, Dongnyok Publishing Company, pp. 322-325, 2007.
  7. W.H. Choi, W.J. Lee and C.Y. Kim, "Advancement in Techne and Strategy of Image for Mimesis," Journal of Korea Multimedia Society, Vol. 17, No. 3, pp. 373-384, 2014. https://doi.org/10.9717/KMMS.2014.17.3.373
  8. A. Bazin, Translated by J.Y. Cui, What is A Movie, Beijing: China Film Publishing House, pp. 19-56, 1987.
  9. M. Heim, Philosophical Significance of Virtual Reality, Book World, p. 180, 1997
  10. P. levy, Virtual Reality in the Digital Age, Pondering, pp. 19-20, 2002.
  11. J. Levy and H. Bjelland, Create Your Own Virtual Reality System, Windcrest/McGrawHill, 1995.
  12. T.H. Kim and J.H. Chung, "A Study on the Ride Film Appearing in Virtual Reality - the focus of Warrior of the Dawn," Journal of Korea Multimedia Society, Vol. 11. No. 9, pp. 1204-1212, 2008.
  13. A.L. Dou, "The Ontological Thinking on Virtual Reality," Theoretical Journal, Vol. 120, No. 2, pp. 83-84, 2004.
  14. Y. Niu, "Reflections on Several Problems in Virtual Reality Technology," Journal of Educational Institute of Jilin Province, Vol. 29, No. 8, pp. 151-152, 2013.
  15. A. Bazin, Translated by J.Y. Cui, What is A Movie, Beijing: China Film Publishing House, p. 19, 1987.
  16. H. John and G.P. Church, World Cinema, Oxford University Press, USA, pp. 21-24, 2000.
  17. S. Prince, The Secret of Film: Form and Meaning, Cultural Development Press, pp. 512-540, 2018.
  18. W.H. Dan, "Research on the Application of Virtual Space Technology", Computer Fanatics, Vol. 1, No. 50, pp. 53, 2019.