• 제목/요약/키워드: Film Interpretation

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Reconsideration of Film Music with Repetitive Rhythm Characteristics - Focusing on the Aesthetic and Functional Meaning of Philip Glass's Film Music - (반복적인 리듬 특성을 지닌 영화음악의 고찰 - 필립 글래스(Philip Glass)의 영화음악에 관한 미학적, 기능적 의미를 중심으로 -)

  • Lee, Sang-Yoon
    • Journal of Korea Entertainment Industry Association
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    • 제13권7호
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    • pp.183-192
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    • 2019
  • This study studied five major films from the 1980s to the 2000s when Philip Glass's minimal music was used, and studied the aesthetic and functional meaning of the minimal music. Minimal music has a repetitive rhythm and is understood to be aesthetically monotonous, to avoid a particular purpose, or as an expression of moveless. On the one hand, it can mean infinite persistence by repetitive rhythms, or sometimes repetition with subtle changes. The functions of film music were applied as the function of film music common to many theorists. As a result of the analysis of the music in five films, the aesthetic meaning of Philip Glass's minimal music was most relevant to the characteristics of the film story, and the functional meaning of the film music was determined by the structure, form, and genre of the film. Therefore, the theme of the film and the contents of the story played an important role in the aesthetic interpretation of film music with repetitive rhythm characteristics. And the elements of the plot such as the structure, form, and genre of the film are thought to have had a significant effect on the functional interpretation of the film music. The aesthetic value of the film music is closely related to the story of the film, and the functional meaning of the film music is interpreted as determined by the formal elements of the film.

THE STUDY OF THE INTERPRETATION OF THE TMJ RADIOGRAPHY USING SUBTRACTION TECHNIQUE (Subtraction법을 이용한 악관절 X-선사진 판독에 관한 연구)

  • Na Choon-Wha;Yoo Dong-Soo
    • Journal of Korean Academy of Oral and Maxillofacial Radiology
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    • 제17권1호
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    • pp.175-181
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    • 1987
  • The purpose of this study is to know the value of the photographic subtraction technic in the transcranial oblique lateral projection of the TMJ. The author examined the transcranial oblique lateral projection radiographs which comprise 50 cases of 32 persons, compared the transcranial oblique lateral projection films and those subtraction films. The following results were obtained. 1) The condyle at closed jaw position had showed a reversed tone image, but the condyle at the opening position had showed a re-reversed ordinary image. Both condyles had showed one subtraction film because radiographic interpretation of TMJ was easy. 2) On 50 cases of subtraction films, 46 cases had showed same radiographic images compared with trascranial oblique lateral projection films. Four cases (3 cases of erosion, 1 cases of sclerosis) had showed additional changes of images so that capability of interpretation was improved.

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The Wave-Optics Analysis in Thin-Film Optical Waveguide with Faraday Effect (순수 자기광효과가 았는 광도파관의 파동 광학적 해석)

  • 정상구;김상설
    • Journal of the Korean Institute of Telematics and Electronics
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    • 제24권5호
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    • pp.874-879
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    • 1987
  • An exact wave-optics analysis of wave propagation in thin-film optical waveguide using gyrotropic materials as the substrate or film of the guide is presented for the first time. Based on the Maxwell's equations and the boundary conditions of the guide, the field composition and the boundary conditions of the guide, the field composition and the phase velocity for the eigenmodes of the guide are determined. The field patterns of the guided waves are shown for the eigenmodes of the guides. The present analysos allows a new interpretation in the mode conversion of the thin-film optical waveguides.

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Comparative Analysis of History Film Viewers' Evaluation: Written History vs. Unwritten History (실재스토리 팩션 영화 대(對) 허구스토리 팩션 영화의 수용자 평가에 대한 비교연구: <명량, 2014>와 <군도, 2014>를 중심으로)

  • Choi, Bae Suk
    • The Journal of the Korea Contents Association
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    • 제16권2호
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    • pp.525-536
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    • 2016
  • is basically based on a written history but is narrated for an unwritten history with imagination. This study explored whether viewers of tow films and regard them as a real story or an unreal story. Analysis of film contents and data from a nationwide online survey(N = 300) were executed. This study found the following. First, viewers consider a true story but a imaginary story. Second, viewers show different ideologial and emcotional evaluation, and strength of memory between two films. Finally, viewers are not likely to evaluate performative value of two history films, which suggest a pluralistic interpretation of history, as they regard the films as an imaginary story or a recreation.

The study on Alfonso Cum-on's Great Expectations (알폰소 쿠아론의 <위대한 유산> 분석:원작의 해석과 장르변용에 있어서 작가의 역활을 중심으로)

  • Park, Chur-Woong
    • Cartoon and Animation Studies
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    • 통권16호
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    • pp.257-272
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    • 2009
  • I analysis Alfonso Cuaron's comparing it with Charles Dickens' the original novel and David Lean's . In order to evaluate film which is based on classic novel, formal difference between film and novel, people's preference in those days and director's interpretations should be considered besides how the film follow the original novel faithfully. Regarding to these valuation basis, David Lean's film is true to the original novel and same time successful to add director's interpretation by using Mise en secne in it. Alfonso Cuaron is also succeed in filming well-made, people-like work by modifying the original novel with the convention of melo-drama genre and by using modern film form without breaking Hollywood classic film grammar.

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Faction Contents' Practical Study for Korea Film Production's Variety (한국 영화 제작의 다양성을 위한 팩션 콘텐츠 활용 연구)

  • Han, Dal-Ho
    • The Journal of the Korea Contents Association
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    • 제9권2호
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    • pp.193-202
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    • 2009
  • This dissertation is considerably studied Faction Genre which is embossed as a new image content, and it is figured out practical used works' possibilities for Korea film production's varieties. Faction, a neologism, which is combined by Fiction and Fact, is a boundary as limits. If authentic history is closed to a truth, it is a record history description method. Also, if unauthorized history is closed to a fake, it is a fictitious history description method. In addition, macro history and micro history are respectively connected to social criticism's matter and personal action, and these can make various analyses, depend on a boundary's limits and personal analysis. On the other hand, history film could be remembered to audience merely history film itself without existed history's fact. However, there are Faction Genre's Genre possibility and film's attraction which indirectness experience of historic fact could be experienced through film. For Faction Genre’s developing solution, there are three cognitive switches; audience's interpretation ability about history film through watching perception, linking between the past and the present for audience through communication with history, audience's considerable decision about history first or fiction first as film writer's interpretation. Above all, hopefully filmic pressure can be shown with historical true to audience. Therefore, it would be Korea Faction Genre's attraction and hope.

Comparison of Time Analysis on the Film Based System Versus PACS in the CT Scanning (CT 검사에서 시간분석에 의한 필름시스템과 PACS의 비교 연구)

  • Kweon, Dae-Cheol;Hong, Sung-Man;Park, Peom
    • IE interfaces
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    • 제15권4호
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    • pp.439-443
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    • 2002
  • In this paper, we study to evaluate the relative time required to perform the CT scanning in the PACS versus a film-based system and helical versus non-helical studies. Time studies were performed in 175 consecutive CT scanning. Images from 85 examinations were electronically transferred to a PACS, and 90 were printed to film. The time required to obtain and electronically transfer the images or print the images to film and make the current and previous studies available to the radiologists for interpretation was recorded. The time required for a radiological technologist to complete a CT test was reduced by 43% with the PACS compared with the film-based system and nonhelical was reduced 10~20% with helical studies. This reduction was due to the elimination of a transfer and printing, such as the printing at window or level settings. The use of PACS can result in the elimination of time tasks for the radiological technologist, resulting in marked reduction in examination time. This reduction can result in decreased cost and increased productivity in PACS operation.

Comparison of Time study in Film-based versus PACS : Computed Tomography (시간분석법에 의한 필름시스템과 PACS의 비교 연구 : CT촬영을 중심으로)

  • Kweon, Dae-Cheol;Jeong, Woo-Jin;Chung, Kyung-Mo;Lee, Yong-Woo;Lee, Je-Ho
    • Korean Journal of Digital Imaging in Medicine
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    • 제5권1호
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    • pp.78-84
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    • 2002
  • To evaluate the relative time required to perform a CT(computed tomography) examination in a filmless versus a film-based system and helical versus nonhelical studies. Time and Motion studies were performed in 175 consecutive CT examinations. Images from 85 examinations were electronically transferred to a PACS, and 90 were printed to film. The time required to obtain and electronically transfer the images or print the images to film and make the current and previous studies available to the radiologists for interpretation was recorded. The time required for a radiological technologist to complete a CT examination was reduced by 43% with the PACS compared with the film-based system and nonhelical was reduced 10-20% with helical studies. This reduction was due to the elimination of a transfer and printing, such as the printing at window or level settings. The use of PACS can result in the elimination of time tasks for the radiological technologist, resulting in marked reduction in examination time. This reduction can result in decreased cost and increased productivity in PACS operation.

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On a Way in which Biographical Film Summons Character and History - Focusing on the Film, The Golden Era - (전기 영화가 인물과 역사를 소환하는 한 방식에 대해 - 영화 <황금시대>를 중심으로)

  • Jin, Sung-Hee
    • Cross-Cultural Studies
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    • 제39권
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    • pp.287-308
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    • 2015
  • Biographical film is a genre narrativizing the actual person and history, and reproducing the character and history in a biographical film is in a dimension different from a film focused on a fiction. Discussion between these methods of narrative composition and image reproduction in a biographical film is also, in line with artistic/aesthetic problems and ethical/philosophical theses of the film text. This study discusses the phase of the way of reproduction of the actual person, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ in the biographical film, The Golden Era and the time she lived in a biographical film and how the audience's discussion of the film and socio-cultural discourse differ depending on their attitude towards the cinematic introspection of the text. The narrative structure, the method of image reproduction and cinematic devices of the film, The Golden Era are completely off the point of the general format of the traditional biographical film. In The Golden Era, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and the history which she lived in did not revive depending on an omniscient subject's selective statement and meta-film structure. Ann Hui removed general, mythic images of $Xi{\bar{a}}o$ $H{\acute{o}}ng$ formed in the field of traditional Chinese culture and reproduced her through multilateral visions of a real, fictional narrator. Each spectator's judgment and interpretation of the film intervene in the multi-layered and sparse descriptions of the actual person's images and the era of the characters. Through this, it is possible to approach the uniqueness and authenticity a historical character, $Xi{\bar{a}}o$ $H{\acute{o}}ng$ and to have an opportunity of multi-layered reflection on how to secure a critical distance and make a perception in historical judgment.

LOCALIZATION TO THE PRODUCTION OF RADIOGRAPHIC IMAGE (X선상 형성과정에서 위치측정에 관하여)

  • Park T. W.
    • Journal of Korean Academy of Oral and Maxillofacial Radiology
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    • 제11권1호
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    • pp.75-78
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    • 1981
  • The diagnostic value of a intra oral film is related to projecting technic and interpretation. The intra-oral film is a single plane representation of a three dimensional object, therefore superimposition is inevitablly present. The purpose of this article is to show how foreign objects in the jaw may be localized. The author used double exposure technics, that are changed angulation of vertical or horizontal to one film. The obtained results are as fallow: 1. In the upper anterior region, the moving distance of the labially impacted reference object was greater than that of the palatally impacted one. 2. In the upper molar region, the moving distance of the mesiobuccal root apex was the greatest and that of palatal root apex was the shortest. 3. In the lower molar region, the change of the alveolar bone level in the buccal side was greater than that of lingual side.

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