• 복식
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• 제63권1호
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• pp.108-119
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• 2013

This study examined the types and changes of collaboration in the domestic fashion industry by means of analyzing media articles or advertisement of collaboration in the domestic fashion industry that were published in Vogue and Fashion Biz between 2000 and 2011. The total number of collaboration articles and advertisements was 269, including 55 from Vogue and 214 from Fashion Biz. The data analysis was made using frequency, percentages, and the (chi-square) test. The results concerning fashion collaborations between 2000 and 2011 are as follows: First, when looking at the collaborations from 2000 to 2003, it showed that majority of collaborations during this period was done between apparel companies and individual designers. However, from 2004 to 2011, there was a increase in the number of collaborations between apparel companies and celebrities. Second, collaborations from 2000 to 2003 focused mainly on women's wear and innerwear. But, from 2004 to 2011, collaborations for casual wear has increased. And it should be noted that a rapid increase in collaborations have been observed for collaborations in sportswear and men's wear from 2004 to 2011.

• 한국의류산업학회지
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• 제18권6호
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• pp.844-857
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• 2016

The purpose of this study was to figure out the meaning and value of DIY shown in the fashion industry today, to analyze the types and characteristics of DIY applied to the products of domestic and global fashion brands, and to provide implications for brand marketing strategies. This study was based on qualitative research which was media contents analysis and brand case study on fashion DIY. The results were as follows: First, the concept of DIY involved the Semi-DIY way that meant individuals participated in not every step of design and making process but a part of them such as design process. Also, it was means for customization. Second, the value of DIY consisted of individual value, experiential value, enjoyable value, self-actualizaion value, social value, economic value and ethical value. Third, fashion DIY was classified into seven types: DIY choosing and assembling design components of a product, DIY modifying a design with trimming, DIY making a product by using DIY Kits, DIY modifying a design after making a product by using DIY Kits, DIY choosing design components, DIY designing, and DIY all making and designing. DIY could be applied as a key marketing strategy for mass customization to meet the value of individual consumer.

• 한국의류학회지
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• 제32권1호
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• pp.77-87
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• 2008

Modern fashion industry creates complex and multiple fashion by amalgamating and mixing all elements that emerged in fashion without limiting them to a specific genre. The results of study are as follows: First, with regard to the conceptual differences among poor look, anti-fashion, and resistance fashion and the background. second, As aesthetic categories of poor beauty, its image with the feeling of poorness, beggar-likeness, worthlessness, poorness, and uncleanness is divided into the beauty of moderation, deconstruction, unfinished beauty, natural beauty, and ostentatious poor beauty based on the formative characteristics and poor look. Third, Oriental and Western poor images are comparatively analyzed. The poor beauty found in Oriental fashion, which is based on Zen aesthetics, seeks loneliness, poorness, and simplicity as an empty origin and features internal meaning that expresses the purity of poor beauty itself and external form that is visualized through no decoration, no color, and asymmetry in material and composition. The poor beauty in the West features non-form of no shape, asymmetry and disharmony and the characteristic in its contents is "distortion", and the characteristic in its expression features external form of "incorrectness" and internal meaning implying modem humans' frustration, resistance to materialism, and skepticism about mechanicalism.

• 복식문화연구
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• 제29권2호
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• pp.167-184
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• 2021

The objective of this study was to develop a fashion therapy program for improving body image and self-esteem among male workers. Accordingly, the demand for fashion therapy programs was examined by conducting a literature review, survey, and in-depth interviews with men working in the Daegu and Gyeongbuk areas. The results are summarized as follows. The fashion therapy program followed a framework of "introduction-development-final" and was 60 minutes in length, for four sessions (one per week). The contents of the program consisted of a study of the participants' appearance and any concerns they had about their body in Session 1. In Session 2, differences in image perception were examined according to color coding of menswear and personal color. Session 3 comprised understanding what styling is required to supplement men's body shape and what style is suitable for each participant. The content of Session 4 determined how to build social performance or positive image using nonverbal elements. Overall, this study has great significance in that it has developed a study on fashion therapy program originally applied for psychological treatment with women that has been adapted as a program to help improve positive emotions and social competitiveness of male workers in an office environment.

• 디자인학연구
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• 16호
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• pp.161-170
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• 1996

현대사회는 정보사회이다. 오늘날의 패션산업은 정보의 산물이라고 이를 정도로 라디오, 텔레비젼 그리고 신문이나 잡지와 같은 다양한 정보매체에 의하여 전파되고 있다. 패션저널리즘이란 저널리즘의 한 분야로서 출판이나 방송 등 정보매체를 통해 패션에 관한 정보나 의견을 대중들에게 전달하는 활동을 이른다.1) 이미 영국과 같은 유럽 패션 선진국에서는 오래 전부터 패션저널리즘이 저널리즘의 한 분야로 정착되기 시작하였고 10년 전부터는 의상디자인 학과 내에 패션저널리즘 전공프로그램이 설정되어 신문, 잡지 등 저널리즘에 종사하는 패션저널리스트를 배출하는데 큰 몫을 담당하고 있으며 아울러 실무에 종사하고 있는 기자들의 재교육 프로그램으로도 활용되고 있다. 우리 나라의 여성잡지는 패션정보의 공급원으로서의 역할을 수행해 왔다 할 수 있으며 패션화보 기사를 처음 다룬$\boxDr$여원$\boxUl$을 효시로 하여 그 역사가 40년에 이른다. 본 연구는 우리 나라 패션저널리즘을 체계화할 필요성에서 시작되었으며 일반 대중을 대상으로 한 우리 나라의 패션관련잡지의 성향과 구성내용을 분석 하므로써 패션저널리즘의 동향을 파악하여 우리 나라 패션저널리즘의 틀을 구축하고자 하였다. 연구 방법은 최근 간행된 패션관련잡지에 실린 패션기사를 대상으로 하여 패션기사 량, 패션이미지, 패션기사의 성격을 정량적, 정성 적으로 비교 분석하고 잡지의 제호 변경이 패션 기사내용에 미치는 영향을 분석하였다. 연구 결과 여성지의 패션기사는 패션저널리즘의 역사적 발전 과정에서 점차 그 위치를 확고히 구축해 가고 있는 것이 발견되었는데, 결론적으로 우리 나라 패션저널리즘은 정보의 전문화, 독자 연령층의 하향화, 외국잡지의 국내 정착화의 과정에 놓여 있는 것이 뚜렷이 발견되고 있었다. 본 논문은 의상브랜드의 브랜드 포지션 닝을 통해서 패션저널리즘의 동향을 대상연령층과 패션이미지의 상관 관계로 정립해보고자 시도해 본 적이며 패션저널리즘 교육의 전문화와 패션저널리즘에 대한 지속적이고 심층적인 연구가 필요하다고 본다.

• 한국의상디자인학회지
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• 제16권2호
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• pp.139-150
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• 2014

The purposes of this study are to analyze current situation of fashion market of Vietnam who is mainly influenced by Korean wave, analyze preferred fashion brand product and street fashion style of women in 10~20s interested in fashion so much, and develop the design suitable for Vietnamese consumers' preference so as to seek the methods domestic fashion industry can have competitive edge in emerging economic market. It's significant to suggest the direction of Korean new contents and seek the possibility of advancing new market by getting out of domestic market which is stagnated by preparing the foothold of fiber and fashion industry, beyond the first effects of Korean wave. Through this study, current situation of Korean wave which recently becomes new Korean wave based on the K-pop and futhermore, one of worldwide cultural situation could be recognized. Based on the preference of the Korean wave, current situation of Korean fashion industry spread gradually in Vietnam and design characteristics of fashion style preferred by Vietnamese consumers could be grasped. As the result, the design which can satisfy various needs of Vietnamese female consumers preferring fashion style was developed based on the characteristics by product's styles of Vietnamese fashion market. In addition, it intended to be helpful to plan the design of casual wear which is more professional so that Korean fashion industry can advance Vietnamese market through it.

• 패션비즈니스
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• 제19권2호
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• pp.118-135
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• 2015

This study probed into the fashion of modern girls between the 1920's and the 1930's who led the mentality and fashion of women as the progenitor of the alpha girl in Korea. For this, the fashion of actual people who received attention as modern girls in various occupations and that of modern girl heroines reinterpreted in films were examined. Methods included the theoretical study based on fashion related newspaper articles at the time, specialized publications, advance researches, and internet data and the empirical study that involved contents analysis centering on visual data. The Western women's fashion between the 1920's-1930's was dominated by the garçonne look to promote women's entry into society and competition against men and the practical and mature long and slim look due to the influence of economic recess. Korean people also adapted Western clothes following Western fashion while also modified the traditional clothes and wore modified Korean clothes. The fashion of 5 actual modern girls of Korea and that of 3 film heroines were examined. The fashion of actual people most well represented the fashion trends at the time and that they used fashion as the means to express their mentality and their artistic propensity and professionalism were expressed through fashion. On the other hand, the fashion of film heroines substantially expressed various occupations of the characters in the film and reflected trendy clothes and cosmetics, and it showed sexy and romantic fashion trend due to the influence of modern trends and reinterpretations.

• 패션비즈니스
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• 제25권3호
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• pp.36-50
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• 2021

In the COVID-19 era, globally, companies in the fashion industry are pursuing new convergence methods through digital technology. Conventional fashion shows have become difficult to run exclusively, instead, the shows are run through a combination of offline and digital arrangements. This paper examines the trends of seven digital fashion show weeks in London, Paris, Milan, New York, Seoul, Shanghai, and Tokyo, and presents strategies applicable in Korea's Seoul Digital Fashion Week. We focused on the digital technology used in the digital fashion weeks fashion brands, and the characteristics of the host cities. The study conducted a literature review and case study through corporate and research report data, and the Fashion Week website. Based on the study results, changes in fashion industry calendars like 'See now, Buy now', seasonless, and unified collections for men and women, expansion of D2C system, the rise of short-form contents, and the expansion to the virtual world space and physical limitations can be cited as changed trends. The study provides insight into the incorporation of the Korean Wave and K-Pop singers, industrial structure change, and the establishment of B2B system in the Seoul digital fashion week. The shift to the digital runway is not only an alternative method to cope with the COVID-19 era but also a new "new normal". Fashion shows are no longer fixed and planned in free spaces. As a venue displaying the creator's personality, digital fashion week is expected advance in the future.

• 한국의류학회지
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• 제44권4호
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• pp.639-656
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• 2020

Consumers' shopping experience has recently expanded to mobile and social networks; in addition, online fashion retailers started to focus on real-time interaction services as an emerging marketing tool. This study explores the consumer' shopping experience based on social live streaming services (SLSS) to investigate consumer's response behavior and effects through perceived service quality. An online survey method was conducted and a total of 186 female consumer panels were collected. The results indicate that cognitive communion of co-experience had a significant effect on perceived SLSS service quality (responsiveness, contents informativeness, playfulness, system availability). Service quality of SLSS (responsiveness, contents informativeness, and playfulness) had significant effect on trust in SLSS seller while system availability had no significant effect. Also, trust in seller showed significant effect on purchase intention. Last, it was confirmed that the moderating effect of purchasing experience of SLSS was significant in the relationship between cognitive communion and responsiveness/playfulness. There was also an additional significant moderating effect of purchasing experience between system availability and trust in seller.

• 한국콘텐츠학회논문지
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• 제9권12호
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• pp.630-636
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• 2009

본 연구에서는 2008년 10~12월 발간된 월간 패션잡지를 대상으로 광고의 내용분석을 시도하였다. 7가지 유형의 패션잡지를 선정하여 총 368개의 광고물을 수집하였으며, Resnik and Stern의 정보 분류체계를 적용하여 광고정보의 양, 평균 정보량, 잡지유형별, 광고 사이즈별 정보성의 차이를 분석했다. 분석결과, 정보적으로 평가되는 광고가 차지하는 비중은 36.1%로 매우 낮게 나타났다. 그 중, 구입처를 제외한 나머지 13가지 정보단서는 5% 미만으로 나타나 선행연구들과 대조되는 차이를 보였다. 잡지유형별로는 Woman Sense에 게재된 광고물이 가장 많은 정보를 포함하고 있었으며, 광고 사이즈에 따른 정보성 차이를 분석한 결과에서는 잡지 광고물의 대형화등의 특징들을 발견할 수 있었다.