• 문화기술의 융합
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• 제7권1호
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• pp.58-65
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• 2021

몸을 치장하기 위한 오브제는 인류가 시작된 원시시대부터 아주 중요한 문화였다. 사회적 지위나 부의 상징물, 또는 개인적 치장을 위한 장신구는 장식성, 화폐성, 희소성, 역사성 등의 다양한 특성을 지니며 발전해왔다. 그러나 귀중함을 중시하는 전통보다 지적 개념이 더욱 가치 있었던 20세기 후반부터 장신구 분야는 예술적 활동과 미적가치를 중요하게 생각하면서 작가중심의 표현주의적 성향을 가지게 되었다. 이와 같이 현대 장신구는 소재나 기술을 강조하던 전통적인 방식에서 벗어나 하나의 예술장르로 발전하였다. 이러한 표현주의적 성향은 예술성을 강조하면서 1960년대부터 장신구만을 위한 갤러리들이 생기기 시작하였고, 특히 이시기부터 전통적 방식에서 벗어난 실험적이고 혁신적인 많은 장신구 작품들이 전시되었다. 이처럼 장신구 전문 갤러리의 등장은 장신구가 예술의 한 장르로 발전하는데 큰 영향을 주었다. 이번 연구에서는 장신구를 전시하는 데 있어 인체와 의상의 결합을 통한 두 가지 전시유형의 연구이다. 첫 번째는 일반적인 전시방식에서 벗어나 패션쇼를 갤러리에 끌어들임으로써 관람자와의 소통을 위한 적극적 전시방법을 제시한다. 두 번째는 장신구와 의상과의 소통을 위해 의류브랜드와의 콜라보레이션 프로젝트를 기획하고 적극적 전시홍보를 위해 패션브랜드 매장에서의 전시방법을 제시한다.

• 기록학연구
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• 제74호
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• pp.119-153
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• 2022

메타버스는 현실과 가상의 세계를 결합하여 시공간의 제약 없이 현실에서의 모든 경험과 활동이 그대로 가상에서도 가능한 세계이다. 현재 사회, 경제, 문화의 영역으로 메타버스 기술이 확대 및 융합되고 있으며, 특히 주 이용자층인 MZ세대는 메타버스 세계에서 게임, 콘텐츠, 문화, 전시, 공연 등 다양한 문화 활동을 영위하고 있다. 문화기관 중 하나인 기록물관리기관은 MZ세대에게 기록물의 가치와 의미를 알릴 수 있도록 기록정보서비스를 메타버스 기술과 융합하여 새로운 형태의 서비스를 제공해야 한다. 이는 MZ세대들의 흥미를 유발시켜 자연스레 기록관의 인지도 상승과 방문 및 이용 증가로 이어질 것이며, 이용자 저변을 확대할 수 있는 계기가 될 것이다. 이에 본 연구에서는 메타버스의 개념, 유형, 서비스별 특징에 대하여 살펴보고, 서비스별 대표 메타버스 플랫폼을 선정하여 전시, 체험, 홍보 등의 기록정보서비스에 적합한 플랫폼 활용 방안을 제안하였다. 또한, 블록체인 기반 소셜형 메타버스 플랫폼인 '스페이셜(Spatial)'을 활용하여 직접 전시콘텐츠를 제작해봄으로써 제안하는 고려사항과 제작 공정 및 메타버스 전시의 이점을 확인하고자 한다.

• 한국실내디자인학회논문집
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• 제31호
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• pp.71-78
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• 2002

Understanding the consumer changed life styles are integrated, mutual complement for user's worth and consciousness, the life of consumption, etc. Recently, Apartment Model House has built for distribute to Apartment house When they enter the units after 2 or 3 years. So, Interior designer make an inference from the changed life styles. But, We don't have enough information to trace the design trend about residential space design. Design database is correspond with interior space and structured entity relationship. There are three parts in this Database, Type, Elements and Relation information. Type are composed size, ages, style, and space, Elements are materials and space elements. Relation information are publishing, designer, exhibition, construction company, remodeling, Intoner design and User favorite styles are the development in web environment. This research supplies interior design information for Web environment and trend analysis supports collaboration with development of interior design information database.

• 한국초등과학교육학회지:초등과학교육
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• 제26권2호
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• pp.209-215
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• 2007

The purpose of this study was to investigate the characteristics of the contents which were presented in the physics exhibits of the following three museums; Seoul National Science Museum, National Science Museum and the Exploration Center. The main findings of this research were as follows: Firstly, it was found that 73.7% of the exhibits were composed of 'dynamic exhibits', 87.6% of the exhibits were 'active involvement type exhibits', 48.3% of the exhibits were 'interest induction type exhibits' and 42.8% of the physics exhibits were composed of exhibits related to optics. Secondly, it was found that many elementary students seemed to have difficulty in understanding and executing the activities in the physics exhibits.

• 한국의류학회지
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• 제37권5호
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• pp.667-675
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• 2013

After analyzing excavated $17-18^{th}$ century silk fibers through a scanning electron microscopy, we discovered seven different kinds of fracture morphology. Using Morton & Hearle fiber fracture morphology, we classified the findings into four different categories. Type I is tensile failure resulting from brittle fracture, granular fracture, and ductile fracture. Type II is fatigue failure caused by tensile fatigue, flex fatigue, and axial split (fibrillation). Type III is bacterial deterioration discovered only in excavated artifacts. Type IV is a combination of the three above. Humid underground conditions and the infiltration of bacteria caused the fibers to swell and weaken its interfibrillar cohesion. Fractures occur when drying and processing an excavated artifact that is already in a fragile condition. Therefore, one must minimize damage through a prompt cleaning process and make sure that the least possible force is exerted on the fabric during any treatment for repair and exhibition.

• 박물관과 연구
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• 제1권
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• pp.330-355
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• 2024

국내에는 국외에 있는 우리 문화유산을 불행한 역사적 배경 아래 국외로 흩어진 환수의 대상으로 보는 시선과 한국의 오랜 역사와 문화를 외국에 널리 알리는 활용의 대상으로 보는 시선이 공존한다. 이러한 시선의 변화는 1945년 광복 이후 점진적으로 이루어졌는데, 크게 세 가지 유형의 인식이 존재했으며 특별전이나 상설전에서 이러한 변화를 살펴볼 수 있다. 첫 번째 유형은 환수 문화재 전시에서 강조한 환수의 당위성 인식이다. 불법 반출되어 반환되거나 구입이나 기증 형식으로 돌아온 문화재 전시에서 주로 확인된다. 한일 국교 정상화를 계기로 개최된 1966년 <반환문화재특별전>은 전시 제목처럼 일제강점기 불법 반출된 문화재 환수의 당위성을 강조하였다. 1980~90년대 전후 기간에는 기증 특별전이 열렸는데, 기증의 배경 역시 반환의 당위성에 기반하였으며 2011년 개최된 <외규장각의궤> 특별전은 환수에 대한 국민적 관심을 높이고, 역사의 상처를 치유하며, 우리의 문화적 자부심을 회복한 계기였다. 두 번째 인식의 유형은 국외의 우리 문화재를 한국문화를 복원하고 한국문화를 종합적인 시각으로 보기 위해 필수적인 문화재로 보는 인식으로 주제별로 국외에서 한국문화재를 대여 전시하는 특별전에 잘 나타난다. 호암미술관의 1995년 <대고려국보전>, 1997년 <조선전기 국보전>, 그리고 국립중앙박물관의 2010년 <고려불화대전>은 국외에 있는 우리 문화재가 한국문화사의 '복원'을 위해 얼마나 중요한지 각인시킨 전시이다. 세 번째 유형은 국외소재 한국 문화재 각각의 역사를 중시하는 인식으로 한국문화재 수집사 특별전이 개최되어 대중적 관심을 불러 일으켰다. 80년대 한국의 경제 성장을 기반으로 90년대 해외 박물관 신규 설치가 늘어나고 한국 문화재 전시가 늘어나자 입수 경위 등에 대한 관심이 높아졌기 때문이다. 1994년 <유길준과 개화의 꿈>, 2012년 <미국, 한국미술을 만나다> 전시는 한국실과 한국문화재에 대한 다양한 수집의 역사를 소개하고 미국 내 한국미술에 대한 인식도 함께 살펴보았다. 이를 계기로 한국실 설치와 지원에 대한 국민적 관심이 높아지면서 국외 우리 문화재에 대한 체계적인 조사와 연구가 활성화되고, 국외에 있는 우리문화재가 현지인의 이해를 돕고, 우리 문화를 알린다는 점에서 국외 한국 문화재에 대한 국내의 다양한 인식 변화가 이어졌다.

• 한국농촌건축학회논문집
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• 제14권4호
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• pp.11-18
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• 2012

This study is to establish the dwelling principle and architectural characteristics of Powhatan Indian Community in Eastern part of North America. To find a pattern and dwelling principle of town building and housing, I have researched both site survey of Powhatan at Jamestown Settlement in Virginia and a related references of North America Indian. In addition of study, I have tried to understand their life style in 17C, a spatial characteristics of space composition, and a using materials of Yehakin which means Powhatan's house in the exhibition hall of Jamestown Settlement. The results of this paper are as follows: First, the form of Powhatan house is like a longhouse which has two types that are oblong and rectangular house. Usually they had lived in the style of oblong house. Second, there are three patterns to set up the semi-permanent settlement of Powhatan, which are circle-type, street-type, and free-type of village. Third, the fire place of interior space that is most importance element to heat and cook is put it into the center of room, and the other beds and shelves are arranged by the side of wall which is covered of rush matt.

• 복식
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• 제55권7호
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• pp.156-170
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• 2005

As contemporary art tends to diverge from its fixed genres and intends to appeal to the public, fashion comes to contribute to the contemporary art area, by playing an important part in the creation of artistic value of art work. Nowadays, it is not unusual to see fashion work shown in an art exhibition parallel with art work, since some artists adopt costumes as the medium of their work in order to explore various means of expression. The occurrence of philosophical, sociological theories concerning human body parallelled with the prevalence of the post-structuralist ideas and occurrence of various styles of artistic expressions of body encouraged active research and attracted social attention to body. With such background, fashion art was formed by a means of the integration of body and fashion in order to create extreme artistic expression. 1 intend to investigate a variety of trends in fashion art from the viewpoint of body space. This study developed criteria for fashion image in contemporary art. Those criteria are based on the dichotomy that divides body into inner aspects and outer aspects. According to the criteria, Firstly, the extension type of body shape includes enlargement and reduction as its sub-types. Secondly, the opening-closure type includes opening type and closure type as its sub-types. Thirdly, the intensity type categorizes clothes into uniqueness and hybridity. Dynamism type classifies fashion art into fixation and moving. The various expressions of clothes type are interpreted as a means by which we can criticize many phenomena of modern society, such as loss of humanity, isolation of individuals, loss of identity, commercialism, and materialism. In the latter period of modern society, the integration of the double-faced nature of body and spirit was attempted and popular fashion was introduced into art in order to express desire, death, gender, identity, and sexual pleasure.

• 대한지구과학교육학회지
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• 제7권1호
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• pp.75-90
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• 2014

The purpose of this study was to explore the characteristics of STEAM program developed and implemented by two docents and its educational impact for the use of natural history museum. Two docents developed this program with the help of science educators who ran five times of workshop during five months. The STEAM program implemented in the natural history museum demonstrated the following characteristics. The exhibitions in museum were reached by visitors only for learning science concepts (S) out of five components in STEAM. The other components, T (technology) and E (engineering), were delivered through lectures in the room, not exhibition hall. M (Mathematics)was achieved by guessing the animal's size, or calculating the walking or running speed with the clue of foot prints. The three phases of STEAM program (presentation of context, creatively design the investigation, and emotional touch) were explicitly implemented but partially successful. Two docents participating in this study responded that they formed new or extended the understandings about STEAM education, but they had the difficulties in implementing STEAM program for various type of visitors. All visitors who participated in this study displayed the favorable responses in educational impact by STEAM program in natural history museum. The heavier emphasis on E and T of STEAM program is recommended through community-based learning. In addition, educator professional program through which docents can bridge theory into practice is suggested for revitalization of STEAM education.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.262-271
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• 2011

The purpose of this study was to classify types of family visitors' behaviors more concretely, which could be useful in planning of exhibition spaces in a science museum, with given priority to their behaviors according to interaction between them, and to understand characteristics of the behaviors. With this view, the scope of this study was restricted to subjects, who were family visitors of Gwacheon National Science Museum, consisting of parents and their one elementary school child per family unit. For understanding their behaviors, itinerary tracking and observation method of behavior were conducted. Moreover, for understanding substantial types and characteristics of family visitors' behaviors, multivariate analysis was applied. Accordingly, the results of the study are as follows. First, as a result of factor analysis, two main factors were derived. In other words, they were 'Durability of viewing' as the first and 'Interactivity between family members' as the second, which were shown valid in classification of the types of their behaviors. Second, according to the factors derived, the types of their behaviors were classified into in-depth cooperative viewing, selective independent viewing, interest concentration child-led viewing and consideration parent-led viewing. They were shown valid in topological localization and classification, as a result of analysis of the main factors. Third, in view of common characteristics of the types, it is judged that active orientation prior to regular viewing could encourage visitors coming to the museum for the first time to feel more friendly to unfamiliar exhibition environments, during the initial seek time, and to reduce visual supersaturation. Fourth, it is judged that distributed arrangement of exhibits, which result in continuous standby, could avoid confused visitor circulation by the estimated time required for viewing.