• 한국의상디자인학회지
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• 제15권3호
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• pp.167-185
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• 2013

Among korean traditional culture, TalChum(mask dance) which bears our unique cultural emotion, is about wearing a Tal(korean mask) and dancing, which express our ethnic feeling. The ethnic feeling was expressed into silhouette of hotel uniform which sightseers at home and abroad most frequently visit. This would be the best and the fastest way to show and deliver ethinic feeling of Korea. Fashion design of an uniform would be the best way to express group's unification and attachment. The purpose of this study was to design uniforms, in order to satisfy the property of function, aesthetic points, symbolism to inhere and to differentiate the group from others by using plastic and creative design. This study was meant to induce people to get near to characteristic of Korean culture, using hotel uniform design. Mask's plastic beauty of characteristic Chosun dynasty and express vividly Tal's image with Korean traditional reality was applied on hotel uniform design. By doing so, visitors can come back to the hotel with longtime memory of Korea. The characteristics and the humorous symbolism of Tal were designed and applied to uniform design on collar, bodice, pocket, and sleeves.

• 한국주거학회논문집
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• 제27권1호
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• pp.13-20
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• 2016

The paper takes the rural housings of the Chaoxian nationality of Ham-kyeongdo in the three provinces in Northeast China as research object, to discuss the spatial form andthe characteristic of the change in the housing. The research result shows that the dwellings' plane forms in the Tumen River, the coast of Yalu River and the Sino Russian border are mainly traditional "Jeong-ji central type (J)", while in Heilongjiang are mainly "Jeong-ji and corridor central type (J-C)". In the evolution of living space and behavior patterns, there appears sliding door and partition between Jeongjibang and kitchen in the former, and Badang space in the front of the Kang and the behavior pattern remains its original seat-type lifestyle mainly. While there forms Dikang space and living space in the process of different cultures blend and modernization in the later and appears some upright-type behavior patterns. There is distinct characteristic in regional changes in both.

• 한국도서관정보학회지
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• 제35권2호
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• pp.273-295
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• 2004

이 연구의 목적은 소외집단의 정보행태를 연구하는데 필요한 방법론적 토대를 세우는데 있다. 이를 위해, 소외집단은 크게 다민족사회에서의 소수민족집단과 사회경제적 소외계층으로 분류하고, 각 분야 별로 정보행태와 정보빈곤 문제를 다룬 주요 선행연구를 수집하여 분석하였다. 구체적으로, 이들 연구의 논점과 내용 그리고 한계에 대해 살펴보았으며, 특히, 각 연구에서 사용한 방법론적 특성에 대해 고찰하였다. 방법론에 대한 논의에 있어서는 이 분야 연구에서 사용한 주요 질의와 변수, 그리고 데이터의 수집과 해석 방법에서 나타나는 특성을 중점적으로 파악하였다.

• 복식
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• 제60권9호
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• pp.41-57
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• 2010

Yunnan, where twenty-six minor ethnics live, is located in Southwest part of China. They have preserved and developed their folk costume, artcraft, music and dance in their peculiar way with natural and cultural surroundings. So, Yunnan is known as a living folk museum. It's worth examining how climate and circumstances change has affected certain differences of dress shape in same ethnic. Research into costumes of minor ethnics can contribute to the study of origin of the trousers, as this group of people have well succeeded the basic form of trousers through their cultural history and everyday life. This study, at first, investigates geographical surroundings of each minor ethnic group, and figures out the style of all trousers by measuring the each size, then compares design color pattern and fabric. The origin of trousers examined by formative characteristics has been classified and comparatively studied. The study materials are twenty-three trousers selected from in Yunnan Folk Museum as well as other relevant literature records. This study suggests that one can examine the type of human culture through the forms of costume which reflects folk custom geography economy etc. This, in turn, can be used as a basic information for other studies, and in particular, for the study of origin and structure of the trousers.

• 대한건축학회논문집:계획계
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• 제35권9호
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• pp.101-108
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• 2019

Chinese ethnic minorities are inheriting their own traditions based on thousands of years of community life. Yunnan province in china is a castle in which many ethnic minorities have been living on the basis of various natural environments. Their traditional village can be regarded as a place reflecting minorities' thousands year of history and culture, and elements of positive social spaces are seen from the old village. Streets and places of the village are accumulated as images for residents. Based on their imagination-concept, sketch maps, reflecting residents' cognitive perception were collected. Analysis of 21 sketch maps shows that architectural elements, forming a unique landscape and community life contribute to establish a unity of one nation. the oldest tree in the village has a strong specificity as a place with the belief that the tree protects all residents in the village. Space in the head of the residents and Social spaces, embedded in the memories of the residents living in the community continued organically and the roads of the village showed clear recognition. Following this, the analysis methodology of social spaces and sketch will be examined in depth.

• 한국의상디자인학회:학술대회논문집
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• 한국의상디자인학회 2004년도 한국의상디자인학회:학술대회논문집*Proceedings of the Korea Fashion
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• pp.81-85
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• 2004

Yunnan(云南) province is located in southwest of China in which has four seasons and many historical remains. Twenty-six minor ethnics live in the Yunnan province which is known as a living folk museum. This is because they have preserved and developed their folk costume, artcraft, music and dance in their peculiar way with natural/cultural surroundings.(omitted)

• 한국도서관정보학회지
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• 제33권1호
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• pp.1-13
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• 2002

이 글에서는 새로이 설계된 국제백진분류법의 주류와 9개 보조표를 포함한 일반적인 개요와 특징에 대해 구체적으로 소개하였다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2010년도 춘계 종합학술대회 논문집
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• pp.478-482
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• 2010

Considering the globalization and the development of regional culture, culture and design become more and more closely connected. It is obvious that every country, based on politics, economy, society, industry, has a different understanding to the design. With the popularity of mobile phone, it has been in close contact with our lives. Mobile phone is changing our way of life, it also has become a culture, and is reflected in a period in different countries and different ethnic's cultural traditions and lifestyle. In this paper, the study is about the impact of culture on mobile telephone design and application, especially for appearance and input for mobile telephone.

• 예술인문사회 융합 멀티미디어 논문지
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• 제6권10호
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• pp.449-456
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• 2016

본 연구는 카자흐스탄 고려인인 민 타찌아나의 생애를 연구하여 이를 생애담으로 재구성한 것이다. 재외동포, 특히 고려인의 생애담 연구는 그들의 이민 시점, 강제이주라는 특별한 사건, 그리고 소비에트와 카자흐스탄 국민으로서의 삶, 한민족으로서의 삶이 담긴 다층적인 정체성을 담고 있다. 본 연구에서는 카자흐스탄에서 살고 있는 평범한 고려인인 민 타찌아나의 삶에 나타난 한민족의 결을 확인하였다. 민 타찌아나의 이야기는 결혼을 기점으로 '다문화사회에서 고려인으로 성장하기'와 '독립운동가 후손으로서의 삶을 사는 법' 두 가지 이야기로 재구성되었다. 그녀는 역사적으로 고려인 집단 거주지역인 크질오르다 지역에서 태어났으며, 현재 카자흐스탄에서 가장 많은 고려인들이 살고 있는 알마티에 거주하고 있다. 또한 그녀의 부모님은 지역인들에게 존경받는 분들이었으며 그녀의 시조부는 알려진 독립운동가였다. 이러한 점들이 그녀가 지금까지도 고려인의 정체성을 유지하는 데 도움을 주었다. 민 타찌아나의 이야기는 개인의 이야기이면서도 카자흐스탄에 거주하는 고려인이 살아온 사회 문화적 배경을 보여주는 질적 텍스트이다. 본 연구는 고려인이 가진 한민족적 특성과 함께 다층적인 삶의 면을 확인하는 데 도움을 줄 것으로 기대한다.

• 한국의상디자인학회지
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• 제6권2호
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• pp.63-75
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• 2004

The traditional Ukrain costume has been gradually developed and influenced by the climate and political, economical environments. The national costumes has represented the beliefs and understanding of people about the beauty and harmony of the world. Eastern Europe and Northern Asia are considered as the origins of the Korean traditional costume, and the artifacts ranged from over the Black Sea to ‘Skitai’ and Northern Asia to ‘Noinoola’ support this hypothesis. This study is investigate the formative characteristics of Ukrain national costume especially of the nineteenth century and the early twentieth century. In Ukrain, Men wear ‘Rubaha’ (shirts style's upper garment-in Ukrain Sarochka) and trousers, women wear ‘Rubaha’ with vest and a skirt and a head gear were worn. Ukrain is consisted with three group - 1) Dnipro region-included the Kiev region in the center of Ukrain, 2) Polissia region in the northwest of Ukra in and 3) Hutsul-Zakarpattia region in the west of Ukrain. These three groups have there own different formative characteristics of Ukrain traditional costume.