• 디자인학연구
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• 제17권2호
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• pp.301-310
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• 2004

본 연구는 환경조형물을 대상으로 도시환경의 질적 수준을 향상시킬 수 있는 기초 자료를 제시하는데 그 목적이 있다. 이를 위해 환경조형물의 개념을 정립하고 도시가로경관에서의 환경조형물의 역할을 고찰하였다. 아울러 도시가로경관의 시각적 조화에 영향을 미치는 요소를 추출하여 시각적 만족도와의 관련성을 분석하였는데, 연구의 결과는 다음과 같다. 20개 경관사진의 시각적 만족도는 우선적으로 환경조형물 자체의 조형성 및 심미성이 높은 작품들이 좋은 평가를 받고 있었다. 주변 환경과의 조화 측면에서는 바닥면, 건물, 주변요소와의 어울림이 뛰어난 환경조형물이 높은 평가를 받았다. 또한, 전체적으로는 명료한 느낌을 주면서 시각적인 안정성을 주는 경관이 만족도가 높은 것으로 분석되었다. 경관의 만족도와 도시경관에 영향을 미치는 5개 변수의 관계 분석결과 형태조화도가 도시가로경관의 만족도에 영향을 주는 중요한 변수로 나타났다.

• 디지털융복합연구
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• 제15권6호
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• pp.551-556
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• 2017

인간의 창조는 주어진 상황에서 출발한다. 무관해 보이는 것들 사이에 새로운 관계를 형성하는 것이다. 미술의 제작과정은 이미지로 떠오른 영감을 구체화하는 창의성을 요하는 작업이다. 폐품을 활용한 조형물의 제작은 주어진 사물을 탈범주화하여 인지하기 쉽다는 장점이 있고 분해된 조형요소들을 새로운 형상에 따라 통합적으로 바라보는 전체적인 시각을 필요로 한다는 점에서 또한 창의적이라고 할 것이다. 학생들은 항상 무엇인가 찾으려고 하는 호기심, 사물을 관찰하는 눈, 재료 사용 방법의 수준, 재료의 선택과정 등에 의해서 폭넓은 시각을 갖게 되며 창의성과 창조성은 달라진다. 본 연구는 무의미해 보이는 폐품에 대한 인식전환을 통하여 환경의식, 생명에 대한 존중을 함의하는 조형물을 생산해 내는 포괄적인 창의성교육을 시사한다.

• 한국산업보건학회지
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• 제29권4호
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• pp.452-463
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• 2019

Objectives: The purpose of this study is to evaluate airborne concentrations of volatile organic compounds(VOCs) during nail art practice by college students. Methods: Personal samples for students were measured using passive samplers(OVM 3500) during three kinds of practice, including polish nail, gel nail and acrylic French sculpture at two universities located in Gyeongsangbuk-do Province. We also monitored area concentrations using active samplers and real-time total VOC monitors(ppbRAE 3000). All samples were analyzed with a gas chromatography flame ionized detector. Statistical analysis for monitored data were conducted using a web-based Bayesian toolkit, EXPOSTATS(www.expostats.ca). Results: Twenty-four personal samples and ten area samples were collected and five chemicals(acetone, butyl acetate, ethyl acetate, ethyl methacrylate(EMA) and methyl methacrylate(MMA)) were detected. Acetone was detected in all personal samples and ranged from 2.58 ppm to 50.3 ppm. EMA was detected in all personal and area samples with a maximum concentration of 9.78 ppm during acrylic French sculpture. Personal exposure levels to acetone, butyl acetate and mixtures were significantly higher with high occupant density (p<0.05). Geometric mean (GM) concentrations of 3.61 ppm for EMA personal samples were significantly higher than that of area samples, 1.5 ppm (p<0.05). Since there was no local ventilation, total VOC concentration continued to increase as the practice progressed. Conclusions: In order to minimize VOCs exposure for trainees, it is necessary to introduce a local ventilation system and maintain adequate occupant density.

• 한국조경학회지
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• 제35권1호
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• pp.20-27
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• 2007

This paper presents a landscape design for the meeting plaza around the "Myeonmok" subway station. The site is located at 120-1 Myeonmok 1-dong, Jnngrang-gu, Seoul, and its area is approximately $2,664.7m^2$. The goal of the design was to make an environmentally friendly meeting and rest place which was related to the subway station. To achieve this goal, concepts of history, tradition, sense of place, community, environmental friendliness, and function were developed. For history, stone sculpture and art tiles symbolizing the paleolithic area were introduced because the site is located near an archaeological site of paleolithic min. For tradition, considering that the site is a 'sailing ship' form in terms of Pungsu theory, a sculpture symbolizing a sailing ship and paving patterns symbolizing waves were introduced. For asense of place, a grass hill, a waterfall and a pond symbolizing an old meadow for horse pasture was introduced. In addition, a multi-purpose round plaza as a meeting place for local community and subway users was proposed. A zelkova grove symbolizing a village forest was proposed for a restand relaxation area. All areas were designed to be environmentally friendly and barrier-free. Concepts for a defensible space wereadapted for safety because the site was a crime-prone area.

• 한국환경교육학회지:환경교육
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• 제12권1호
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• pp.225-241
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• 1999

The art subject deals with aesthetic experience within natural environment around and artificial environment, and it represents the experience through formative arts. And it also extends the aesthetic experience by making students appreciation of the works of art. In the main text of this study was studied with the connection with environmental education on the basis of the characteristics of art subject. That is, in the art education there can be an understanding of the harmony between natural environment and artificial one and their relationship and, furthermore, more positive environmental education can be possible by environmental murals, environmental sculpture, environmental design, packing design, poster design, elf through systematic formative arts. In addition, the art education can make students keep sensitivity to the natural and artificial environment through the appreciation of a variety of art works made with a theme of environment or through the appreciation of the works in the environment around our lives. Also, it can lead to acquire the desirable values and attitudes toward the environment by discussing the harmony of environmental development and environmental preservation visually. In the second place, this relation described in detail by each grade according to the contents of the 7th curriculum for the art subject. In the third place, the following were suggested: the goals for the environmental education in the art subject, the direction of environmental education, the organization of contents related to environment and their emphases, and the main teaching and learning methods for environmental education.

• 한국조경학회지
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• 제38권4호
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• pp.45-53
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• 2010

본 연구는 유비쿼터스 환경에서 참여형 환경조형물의 이용자 만족도에 관한 연구를 통하여 앞으로 유비쿼터스 시대에 이용자들이 사용하게 될 환경조형물에 대한 만족도의 체감을 높이기 위한 사용성과 서비스, 기능성, 조형성에 대한 유비쿼터스 도시 공간 속에서의 U-환경조형물의 좀 더 발전적인 방향을 제시하고자 강남대로 U-Street에 설치되어진 U-환경조형물인 미디어 폴을 조사 대상지로 선정하였다. 연구결과를 요약하면 다음과 같다. 유비쿼터스 환경에서 시작단계의 환경조형물인 미디어 폴의 부문별 만족도 중에서 서비스 만족도, 기능성 만족도, 조형성 만족도와 미디어 폴의 종합적인 만족도로 설정한 후 조사 분석하여 만족도 연구를 수립하였다. 미디어 폴의 부문별 만족도에서 서비스 만족도는 대중교통 안내도, 기능성 만족도는 거리문화의 촉매제, 조형성 만족는 '형태성', 미디어 폴의 부문별 만족도와 종합 만족도 관계에서 기능성 만족도가 가장 큰 영향을 주는 것으로 나타났다. 이는 미디어 폴의 만족도에 가장 큰 영향을 주는 요인으로 나타난 만큼 도시공간에서 U-환경조형물의 만족도의 체감을 높이기 위한 미디어 폴의 다양한 컨텐츠 개발과 사용, 편리한 기술개발, 미디어 폴의 기능성 만족도에 대한 지속적 연구와 강남의 랜드 마크가 되기 위해서는 시민들과 소통하기 위한 즐거움과 감동을 줄 수 있는 스토리가 담긴 인간 중심의 기능성 요소 개발이 중요할 것이다. 현재 유비쿼터스의 초기단계는 가로 경관으로서 자연성이 결여, 환경조형물의 외피에 대한 개발, 인간에게 감동을 줄 수 있는 스토리텔링의 부재, 기술적 측면 부족, 수익성을 낼 수 있는 다양한 컨텐츠 개발, 투자에 비해 수익성 창출의 어려움, 사회소통 매개로서의 기능 등의 문제점을 보완해야 하며, 첨단 기술만이 아니라 경제적, 사회적, 문화적 측면을 고려한 똑똑한 기술보다는 편안하고 친인간적 기술로서 공간개발과 U-환경조형물의 설치가 요구되어야 할 것이다.

• Journal of the Korean Wood Science and Technology
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• 제38권5호
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• pp.391-398
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• 2010

In this study, the figure of domestic hardwood was observed using the naked eye and the possibility of substituting imported wood with domestic one in the making woodcraft or furniture was investigated. It was known from the investigation on 8 different hardwoods that there were various figures such as cloud-shaped figure, blister figure, crotch figure, bird's eye figure, etc. in Zelkova serrata wood and the beautiful pigment figure in Diospyros Kaki wood. There were the unusual figures such as wavy grain figure, fiddle back figure, etc. in Cedrela sinensis wood and was clear ray-fleck figure in Quercus variabilis wood. There were also various figures such as wavy grain figure, blister figure, pigment figure, etc. in Sophra japonica, Tilia amurensis, Castanea crenata, Kalopanax septemlobus wood, etc. It is thus that distinguished figures appeared in each kind of wood can be used for craft, sculpture, furniture, and interior material. These kinds of figures can also be used for instrument, toy, stationery, life article material and souvenir, etc. And it can be expected that they will replace the imported wood has been mainly used to make the woodcraft or furniture until now.

• Journal of Forest and Environmental Science
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• 제8권1호
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• pp.51-66
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• 1992

This study was carried out to investigate the micromorphology of vessel wall sculpture such as shape of perforation plate, perforation rim, steepness of perforation plate, occurrence of vestured pit, warty layer and ray-vessel pitting on 13 species of Fagaceae in Korea. The results were summarized as follows ; 1. In the species examined, all sample species except Fagus crenata var. multinervis have simple perforation plate. But Fagus crenata var. multinervis has simple and scalariform perforation plate (it was called to combination perforation plate) in a tree stem. 2. The shapes of perforation rim could be classified into five types; Type A without tail, Type B with small tail on both sides, Type C with long tail on both sides, Type D with tail only one side and Type E with the very short interval between perforations. Among five types, Type Band C have higer frequency of distribution than the others. 3. The steepness of perforation plate measured was about 20 degree on pore zone and 43 degree on outside parts of pore zone. 4. Species with vestured pit were Q. aliena, Q, dentata, Q. variabilis, Fagus crenata var. multinervis, Castanopsis cuspidata var sieboldii, Q. acuta, Q. stenophylla, and Q. glauca. But the extent of vesturing was very slight and vestured pits were observed mainly in ray-vessel pit of some vessel elements. 5. Species with warty layer on the inner surface wall of all vessel elements were Q. acuta, Q. stenophylla, Q. glauca, Fagus crenata var. multinervis and species with warty layer of some vessel elements were Q. aliena, Q, dentata, Q. variabilis, Castanopsis cuspidata var. sieboldii. 6. Species with palisade ray-vessel pit were Q. acuta, Q. stenophylla, Q. glauca, Castanea crenata, Castanea bungeana, Q. aliena, Q. serrata, Q. mongolica, and species with scalariform ray-vessel pit was Fagus crenata var. multinervis and species with oval ray-vessel pit were Q, dentata, Castanopsis cuspidata var sieboldii.

• 한국실내디자인학회논문집
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• 제27호
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• pp.120-127
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• 2001

The purpose of this study is to examine the characteristics of space design of Isamu Noguchi's works barred on the stage sets and environmental designs. From the end of 19th century, space which was begun to be studied about in architects has continued to be researched by not only scientists but artists. Recently, space Is expressed in free and new forms due to diversity of societies and advancement of technology, As a result, space has become an essential part in art and is used in the titles of many art exhibitions. This study scrutinizes space in Isamu Noguchi's works. No other 20th century artist has as clear and progressive space conception as Noguchi's. His notion of modern art was modified through space in the tradition of cubism and Russian Constructivism and Bauhaus. Combined with his experience in the traditional Japanese houses and gardens, these influences led toward a broadened conception of sculpture as the creation of living space. These modernist's characteristics are found in his early expression of stage sets for choreographer Martha Graham, and they would lead to a wide range of design activities, from gardens and interiors to fountains and furniture. Isamu Noguchi had created a body of work that crossed the boundary between fine and applied art as a sculptor, and as an environmental designer.

• 한국실내디자인학회논문집
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• 제25권3호
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• pp.112-120
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• 2016

The purpose of the thesis is to explore ways of improving the quality of urban life by analyzing the Luzinterruptus's work looking for a new perspective on the relationship between environmental color and society. The street artist Luzinterruptus was born in Spain, is a leader in the field of New Genre Public Art brush on a canvas of light in the night. They should seek the views of other common color system and color environments. The method of research is urban design, we consider the concept of the public good understanding, and New Genre Public Art. It also analyzes the environmental color of Luzinterruptus to take advantage of the phenomenology by David Katz color classification. The scope of the thesis is focused on the analysis of the works featured in their website and webzine. Then select a sculpture installation information is stated on the environmental color of their work. The role of environmental color in their work is not an aesthetic experience of harmonious urban landscape was seeking Public Art. The citizens of the area and the installation work themselves. Also it listed as demolition after the exhibition to realize the difference with other people and take advantage to environmental color. Therefore, they the contemporary agenda in many part of narrative takes in the garbage or disposables that you can easily look at our surroundings, In addition, citizens are directly experiencing the fantastic custom-made lights and colors and objects of the oversize as a potential recalls memories. Thus, the use of environmental color comfortable life there is horizontal participation and communication of the 'citizens' critical perspective of the 21st century cumulative cities.