• 한국심리학회지 : 문화 및 사회문제
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• 제26권3호
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• pp.303-327
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• 2020

영역 만족도와 삶의 만족도의 상관관계에 대한 연구는 많이 진행되어 왔다. 하지만 다양한 영역 만족도를 종합적으로 고려하여 개별 영역 만족도가 삶의 만족도 및 정서적 안녕감 각각에 미치는 영향력을 살펴본 연구는 부족한 실정이다. 게다가 관련 연구들은 대부분 서구 문화권에서 진행되어 왔으며 문화비교 연구는 많이 이뤄지지 않았다. 이에 본 연구에서는 각 영역 만족도(건강한 라이프스타일, 가족관계, 외모, 재정상황, 학업 성적에 대한 만족도)가 개인의 삶의 만족도 및 정서적 안녕감과 어떤 관계를 가지는지 살펴봄과 동시에, 문화별로 어떤 특정 영역이 삶의 만족도와 정서적 안녕감을 더 잘 예측하는지 한국과 캐나다 두 문화권의 대학생 참가자들을 대상으로 알아보았다. 그 결과, 두 문화에서 다섯 영역의 만족도는 삶의 만족도 및 정서적 안녕감과 정적 상관관계를 보였다. 흥미롭게도, 다섯 영역을 종합적으로 고려했을 때, 문화별로 삶의 만족도와 정서적 안녕감을 예측하는 가장 중요한 요인들에 차이가 있었다. 한국인의 경우 건강한 라이프스타일이 삶의 만족도와 정서적 안녕감을 가장 잘 설명하는 요인으로 나타났다. 반면, 유럽계 캐나다인의 경우 외모 만족도가 삶의 만족도와 정서적 안녕감 모두를 예측하는 가장 중요한 요인으로 나타났으며, 다음으로는 건강한 라이프스타일 만족도가 행복 요소들을 가장 잘 설명하였다. 본 연구 결과는 개인의 주관적 안녕감의 예측에 있어, 문화 공통적으로 영향을 끼치는 삶의 영역이 있으며, 더불어 문화의 특성에 따라 더 좋은 예측력을 가지는 삶의 영역도 있음을 보여준다.

• 수완나부미
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• 제3권1호
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• pp.47-66
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• 2011

Malay society is rooted on the Islamic concept. That Islam influenced every corner of that Malay society which had ever been an edge of the civilizations of the Indus and Ganges. Once the letters of that Hindu religion namely Sanscrit was adopted to this Malay society for the purpose of getting the Malay language, that is, Bahasa Melayu down to the practical literation but in vain. The Sanscrit was too complicated for Malay society to imitate and put it into practice in everyday life because it was totally different type of letters which has many of the similar allographs for a sound. In the end Malay society gave it up and just used the Malay language without using any letters for herself. After a few centuries Islam entered this Malay society with taking Arabic letters. It was not merely influencing Malay cultures, but to the religious life according to wide spread of that Islam. Finally Arabic letters was to the very means that Malay language was written by. It means that Arabic letters had been used for Arabic language in former times, but it became a similar form of letters for a new language which was named as Malay language. This Arabic letters for Arabic language has no problems whereas Arabic letters for Malay language has some of it. Naturally speaking, arabic letters was not designed for any other language but just for Arabic language itself. On account of this, there occurred a few problems in writing Malay consonants, just like p, ng, g, c, ny and v. These 6 letters could never be written down in Arabic letters. Those 6 ones were never known before in trying to pronounce by Arab people. Therefore, Malay society had only to modify a few new forms of letters for these 6 letters which had frequently been found in their own Malay sounds. As a result, pa was derived from fa, nga was derived from ain, ga was derived from kaf, ca was derived from jim, nya was derived from tha or ba, and va was derived from wau itself. Where must these 6 newly modified letters be put on this Arabic keyboard? This is the very core of this working paper. As a matter of course, these 6 letters were put on the place where 6 Arabic signs which were scarecely written in Malay language. Those 6 are found when they are used only in the 'shift-key-using-letters.' These newly designed 6 letters were put instead of the original places of fatha, kasra, damma, sukun, tanween and so on. The main differences between the 2 set of 6 letters are this: 6 in Arabic orginal keyboard are only signs for Arabic letters, on the other hand 6 Malay's are real letters. In others words, 6 newly modified Malay letters were substituted for unused 6 Arabic signs in Malay keyboard. This type of newly designed Malay Jawi Script keyboard is still used in Malaysia, Brunei and some other Malay countries. But this sort of keyboard also needs to go forward to find out another way of keyboard system which is in accordance with the alphabetically ordered keyboard system. It means that alif is going to be typed for A key, and zai shall be typed when Z key is pressed. This keyboard system is called 'Malay Jawi-English Rumi matching keyboard system', even though this system should probably be inconvenient for Malay Jawi experts who are good at Arabic 'alif-ba-ta'order.