• Journal of Gastric Cancer
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• 제4권2호
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• pp.89-94
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• 2004

Purpose: There is no established treatment-related prognostic factor for gastric cancer except a curative tumor resection. This study was done to clarify the prognostic value of early postoperative intraperitoneal chemotherapy (EPIC) in patients with serosa-positive gastric cancer. Materials and Methods: We analyzed retrospectively the postoperative survival data of 209 patients with serosapositive gastric cancer treated by surgery and chemotherapy. The survival period for patients was calculated from the date of resection until cancer-related death or the last date of follow-up; Kaplan-Meier survival curves were plotted and compared by using the log-rank test. A multivariate analysis was done by using the Cox proportional hazards model. Results: Statistically significant differences in survival rates were noted based on gender, depth of invasion, lymph node metastasis, distant metastasis, stage, location of tumor, macroscopic type, extent of gastric resection, curability of surgery, and adjuvant chemotherapy. Five-year survival rates of patients who received EPIC and systemic chemotherapy were 49 per cent and 25 per cent, respectively (P=0.009). A multivariate analysis revealed that invasion of an adjacent organ, lymph node metastasis, total gastrectomy, and palliative surgery were poor independent prognostic factors. Also, EPIC had a marginal prognostic value (P=0.056). Conclusion: Perioperative intraperitoneal chemotherapy can possibly be one of the independent prognostic indicators in case of serosa-positive gastric cancer. (J Korean Gastric Cancer Assoc 2004;4:89-94)

• 영어영문학
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• 제58권5호
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• pp.859-880
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• 2012

This paper aims at analyzing Robert Southey's Thalaba the Destroyer in relation to cultural colonialism of the British Romantic period and investigating the ways in which this text portrays the Other through its literary representation of the East. Especially, this paper attempts to show that the Oriental world constructed in Southey's text reveals the imperial subject's self-conscious awareness of its unstable relation with the unknown Other. For this purpose, this paper attends to the formal aspects of Thalaba the Destroyer, examining the process by which the reader's generic expectations about the "epic" undergo complex revisions and frustrations through reading this text. The epic elements contained in Thalaba the Detroyer include the battle between good and evil and the hero's moral epiphany arising from his struggle against malicious enemies. Yet, Thalaba the Destroyer constantly destabilizes the distinction between self and other by leading the reader to recognize the uncomfortable similarity between the poem's tyrannical figures and imperialistic monarchs in the Western civilization. Thus, when the hero enacts a revolution against despotism, the resistant power points not only to the imagined false kingdom within the text, but to the core of the real Empire that seeks to construct its own "garden" in the global scene. In addition, Southey's "panoramic" description of Oriental objects and stories in his footnotes lacks a framing perspective, erasing and de-stabilizing subject/object distinctions. In these footnotes, he exposes his profound attraction to the culture of "Other" and also conveys his aspiration to transforming Eastern myths and stories into profitable literary texts. Southey's attitude to the East in the footnotes appears to be partially grounded upon the interest of mercantile capitalists of the West, who need to discover potential commodities. Yet, simultaneously, he reveals a sense of moral hesitation about his own desire for the materiality of the East, along with deep anxiety arising from the fear of punishment.

• 공연문화연구
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• 제36호
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• pp.103-135
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• 2018

본고는 판소리의 중국 강창문학 기원설을 재검토하는 것을 연구의 목적으로 삼는다. 김학주에 의해 처음 제시된 판소리 강창문학 기원설은 판소리와 중국 강창문학의 공통점과 연관성을 확인하는 데에는 성공했지만, 작품 내용 비교나 연행 형식 비교를 통해 판소리가 중국 강창문학에서 기원했음을 직접적으로 입증할 수 있는 근거를 제시하지는 못했다. 실제로 판소리와 중국 강창문학이 가지고 있는 공통적 요소들은 판소리와 강창문학이 '한 사람'의 창자가 서사를 연행하면서 다양한 역할과 기능을 맡아야하는 연행적 상황 하에서 똑같이 드러날 수밖에 없는 현상에서 기인한 것이다. 또한 이러한 연행적 환경의 동일성 때문에 판소리 광대론과 고사계강창의 예인론이 매우 유사함을 확인할 수 있다. 또한 한 사람의 창자가 커다란 서사의 스펙트럼을 다수의 청중에게 제시하기 위해, 강창문학과 판소리는 핍진한 묘사가 문체의 주요한 특징을 이루고 있음을 확인하였고, 더 나아가 강창문학과 판소리의 문체에서 시점 혼용과 침투가 자유로울 수 있음을 밝혔다. 하나의 이야기를 말과 노래를 섞어 긴 시간 연행하는 것을 '강창' 혹은 '구비 서사시'로 개념화할 수 있다면, 사실상 중국 강창문학과 판소리는 '강창' 혹은 '구비서사시'라는 큰 틀 안에서 유사성을 가지면서 각자의 특색을 발전시켜 나간 갈래라고 볼 수 있다.

• 전기저널
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• 통권348호
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• pp.30-30
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• 2005

대한전기협회에서는 외국자료를 수집하여 한전 전력연구원 전력정보센터에 매월 제공하고 있습니다. 전력정보센터에 제공된 외국의 전기기술 및 전기계의 동향에 관한 자료를 독자 여러분들에게 간단히 소개 합니다. 자세한 내용은 전력정보센터(www.epic.or.kr/)의 해외저널/기술문헌을 참고하시기 바랍니다.

• 한국CDE학회지
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• 제10권2호
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• pp.28-33
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• 2004

1992년 id Software가 최초의 3차원 게임인 Wolfenstein 3D(그림 1)를 선보인 이래, 3차원 게임은 게임 시장에서 주류의 자리를 차지하게 되었다. 저사양의 하드웨어에서 구동되는 모바일 게임을 제외하고는 현재 대부분의 게임이 3차원으로 제작된다고 보아도 무방할 것이다. 이 같은 시장 수요에 부응하여 다수의 3차원 렌더링 엔진이 개발되었는데, 대표적인 것으로는 id Software의 Doom Ⅲ, Criterion의 Renderware, Epic Games의 Unreal Ⅱ 및 Ⅲ, Intrinsic의 Alchemy, NDL의 GameBryo 등이 있다. (중략)

• 동굴
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• 제7호
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• pp.29-36
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• 1998

It is written in the ancient Indian epic, the Ramayana, that Rama - deadly fatigued from the chase after the kidnappers of his wife, Sita, in the forests of the Vindhya Range - took refuge in a cave. Breathing in the balsamic cave air and gulping the crystal clear stream water, he and his companions regenerated very quickly and could soon resume their chase, successful in the end.(omitted)

• International Journal of Fuzzy Logic and Intelligent Systems
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• 제12권2호
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• pp.113-120
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• 2012

In this paper we study various properties of the fuzzy linear maps over the fuzzy quotient spaces. In particular we obtain some exact sequences of the fuzzy linear maps over the fuzzy quotient spaces.

• 대한기계학회논문집A
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• 제26권7호
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• pp.1426-1437
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• 2002

Using the Lagrangian explicit time-integration finite element code NET3D which can treat three-dimensional high-velocity impact problems, oblique penetration processes of long rod projectile with yaw against thin plate are simulated. Through the comparison of simulation result with experimental result and other code's computational result, the adaptability and accuracy of NET3D is evaluated under the complex situation in which yaw angle and oblique angle exist simultaneously. Main research contents to be handled in this paper include the followings. First, the accuracy and efficiency estimation of NET3D code result obtained from the oblique penetration simulations of long rod projectile with yaw against thin plate. Second, the effect of increasing impact velocity. Third, the effect of initial yaw for the spaced-plate target. Residual velocities, residual lengths, angular velocities, and final deformed configurations obtained from the NET3D computations are compared with the experimental results and other code's computational results such as Eulerian code MESA and Lagrangian code EPIC. As a result of comparisons, it has been found that NET3D code is superior to EPIC code and MESA code in the prediction capability of residual velocity and residual length of penetrator. The key features obtained from the experiment can be successfully reproduced through NET3D simulations. Throughout the study, the applicability and accuracy of NET3D as a metallic armor system design tool is verified.

• 한국정보처리학회논문지
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• 제7권2호
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• pp.470-476
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• 2000

본 논문은 소자 수준의 설계방법 보다아키텍쳐와 같은사위수준의 설계방법을 적용하여 IP(Intellectual Property)에 활용하기 적합한 저전력 마이크로콘트롤러 코어 설계를 다루었다. 스위칭 캐패시턴스를 줄이기 위하여 자주 사용되는 레지스터 전달 마이크로 오퍼레이션에 레지스터간의 직접적인 전달 구조를 적용하였다. 입력데이터의 상승예지 시간을 줄이기 위하여 분산 버퍼구조를 제안하였다. 또한 성능저하 없이 소비전력을 줄이기 위하여 파이프라인 구조에 적용된다. 본 논문에서는 CISC 명령어를 처리하기에 적합한 파이프라인이 설계되었다. 설계된마이크로콘트롤러는 전력소모를 20%정도 감소시켰다. 전력소모를 측정하기 위해서는 SYNOPSYS의 EPIC powermill과 현대 0.6um CMOS 파라메터를 적용하였다.

• 디지털산업정보학회논문지
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• 제15권3호
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• pp.111-118
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• 2019

Chapter 1 and 2 of this study examined the methodology of modern storytelling using the hero narrative structure. This involved analyses of Joseph Campbell's monomyth structure, which is the prototype model of modern storytelling and Christopher Vogler's story structure in which the monomyth structure is classified into 3 Acts and 12 Stages. In addition, the movie 'Captain America' was analyzed based on Vogler's narrative structure theory. According to the analyses results, the hero of 'Captain America' fully follows Christopher Vogler's hero narrative structure but in some cases, he does not follow the existing hero narrative structure. It is interpreted that this is because heroes of modern tales have different birth backgrounds from mythical heroes. There is also a difference even in the stage where a hero completes all adventures and returns home between modern tales and myths due to different social backgrounds. Therefore, these findings provide a basis for modification and supplementation of a modern hero epic. Through this analysis, the modified modern hero narrative structure is evaluated to be appropriate as a basic model for modern storytelling. Further, it is expected that those who frame a film script can complete a new hero epic while following the structure of syntagmatic systems by selecting a level among Northrop Frye's paragmatic systems based on this structure and considering story themes and heroes' personality and characteristics.