• 영미문화
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• 제18권4호
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• pp.103-137
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• 2018

Harold Pinter's One for the Road(1984) is a play about violence. Nicholas, who appears to be the manager of a place, interrogates Victor, Nicky, and Victor's wife Gila in a room for one day from morning to night. There is no direct physical violence in this play. But hints about the atrocities that took place outside the stage make the audience guess the violence and cruelty. Violence, which is not seen as such, is the central theme of the play. One for the road is worth reading as a resistance to breaking the mirror of global ideology, not as it deals with violent events confined to Turkey. The problem which Pinter had in mind, in particular, is that the United States plays a leading role in producing world-class ideologies, and that Britain is involved in collusion with the United States in cultivating such ideological fantasies, both abroad and at home. This thesis analyzes the contrasting reactions of each character in the play based on this social context. In particular, the conflicting reactions of the characters on the system are the most important conflict in the drama. Nicolas is a manager who moves on the system without seeing the truth. Victor and his family, on the other hand, do not move within the same ideology as Nicholas. This paper will take a look at what their strategies of resistance is and how they are revealed in the work. In fact, Nicholas appears split. Nicholas seemingly reacted decisively to the interpellation of the system. He expresses his belief and respect for the legitimacy of his actions. However, he has repeatedly sought the respect and love of Victor. Nicholas is now swaying. The theme that Nicholas presents consciously by grabbing at his own sway is 'Patriotism.' But this fantasy splits through Victor's silence and death demands. Therefore, the questions to be answered are: So why does Nicolas appear to be torn apart in a system that directs violence? But why is he forced to assimilate into the system? What other figures imply? To answer these questions, this thesis will take Slavoj Zizek's view of ideology. On the other hand, there are previous studies that read the system of violence in One for the road from the Althusser's perspective. Surely, this play explores the role of Ideological State Apparatus. However, from the point of view of Althusser, it is not possible to read Nicholas's division and the point of resistance seen by Victor's family. Pinter does not limit the scope of the ideological system as a closed one that regenerates ideologies, but secures the domain of main body resistance and struggle. On the other hand, there are already several domestic theses that read Pinter's work in Zizek's perspective. But these theses are mainly focused on analysis of Mountain Language. What this thesis would suggest is that there is a potential for an ethical figure of Zizek to be considered in One for the Road.

• 한국지역지리학회지
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• 제19권1호
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• pp.14-30
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• 2013

1945년 분단 이후 북한은 지명을 사회주의 혁명의 도구로서 이용하였고, 언어 정책의 일환으로 이를 관리하였다. 1952년 행정구역 개편과정에서 시 군 리 지명을 언어 관리 차원에서 바꾸었고, 1966년 지명조사 사업의 완료 이후 주체사상을 반영하면서 지명을 관리하였다. 지명의 전부 요소에 고유어와 인명을 이용한 지명이 적지 않게 등장하였고, 후부 요소도 남한과는 다른 용어를 사용하기 시작하였다. 지명 관리의 일환으로 사전을 적극적으로 편찬하였다. 지명 연구는 사회성과 역사성을 반영한 논문들이 발표되고 있다. 연구 주제는 1990년대 이전에는 사회주의 지명을 찬양하는 글들이 많아 발표되나 2000년대 이후에는 지역 내에서 지명 특성을 소개하는 글들의 비중이 높아졌다. 이 시기에는 지명으로 학위를 취득한 학자들이 증가하면서 이전의 연구 내용과 차이를 보이고 있다.

• 국제지역연구
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• 제13권3호
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• pp.827-848
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• 2009

이 연구의 목적은 다음과 같다. 첫째, 피임사용에 영향을 미치는 남편과 부인의 인구사회학적 특성을 비교하는 것이다. 둘째, 출생순위에 따라 피임 사용에 영향을 미치는 결정요인들이 변화하는지를 분석하는 것이다. 셋째, 각 출산순위에서의 피임사용에 영향을 미치는 결정요인들이 출산시기에 따라 변화하는지를 분석하는 것이다. 예상과 같이, 피임사용자 비율은 부인의 인구사회학적 특성뿐 아니라 남편의 인구사회학적 특성에 의해서도 영향을 받았다. 피임사용에 영향을 미치는 결정요인들은 출산순위와 출산시기에 따라 변화하였다. 그 밖의 주된 발견은 다음과 같다. 첫째, 여성의 취업은 출생순위와 출생시점에 상관없이 피임사용에 영향을 미쳤다. 둘째, 부부관계를 중시하는 이데올로기보다 부모와 자식 간의 관계를 중시하는 이데올로기가 피임사용에 적극적인 영향을 미쳤다.

• 서비스연구
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• 제11권4호
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• pp.21-42
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• 2021

본 연구는 대한민국을 영속적으로 유지 발전시킬 수 있는 한국인 모델 도출을 위해 수행되었다. 한국사회를 분석하고, 특히 대한민국 건국의 주역이 된 근대 한국의 한국인을 심층 분석한 후, 지속 가능한 인류사회로서의 중심으로서 한국사회를 이끌어갈 수 있는 한국인 모델을 도출하였다. 대한민국과 한국인의 상황을 근본적 차원에서 분석하였다. 분열과 갈등이 심화되고 있고 자유와 정의의 개념조차 모호해지는 근본 원인을 분석하고, 이러한 문제를 해결하기 위해 대한민국의 건국이념과 헌법정신에 기반을 둔 대한민국의 한국인 모델을 제시하였다. 한국인으로서의 필요조건은 대한민국의 건국이념과 헌법정신, 한국의 고유사상과 한국인의 멋과 생활 등을 통해 도출하였으며, 한국인으로서의 충분조건은 인류사회의 리더 및 구성원으로서 한국인이 가져야하는 바람직한 사상을 기반으로 도출하였다. 또한 한국인 모델을 위한 기본 공리를 제시하고, 이를 기반으로 한국인 모델의 구조를 디자인하였다. 한국인이 인류사회를 이끌어가는 주체가 되어 오래도록 행복할 수 있도록 한국인 모델을 제시하였다. 현대 한국인의 사상적 기반에 대한 심층적 분석 결과를 반영하여, 다양한 사상을 가진 한국인들이 함께 잘 살 수 있는 장기 지속 가능한 새로운 구조를 제시하였다. 새로운 한국인 모델은 서비스주의 한국인 모델로 명명되었다. 모든 대립자들 간의 철저한 견제와 균형이 중심이 되는 모델이기 때문이며, 단순 선형 1차원 한국인 모델이 아니라 다차원 동태적 모델이기 때문이고, 또한 한국인의 정체성을 정확하게 표현하는 화쟁태극 모델이기 때문이다. 한국사회의 지속적 발전이 가능할 수 있는 모델로 제안되었다. 향후 구체적인 한국인 교육 프로그램에 대한 후속 연구가 필요하다.

• 가정과삶의질연구
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• 제23권2호
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• pp.49-61
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• 2005

The study reported a phenomenological analysis of the interviews with 19 mothers who had a child preparing a college entrance examination. The research question was what mothers experienced in supporting their child in his/her study for the examination. Results indicated that 'the senior year in a highschool' was described as the most stressful period affecting all the family members. Mothers' experiences were portrayed from three perspectives: mothers, as family members, experiencing the attachment to her child but conflicts with her husband; mothers, as individuals, adjusting by trying to setting realistic academic goals for her child while supporting him/her physically, emotionally, and spiritually; and mothers, as critics to extrafamily systems, blaming the inconsistency of educational policies. 1bis study was conducted with a holistic view, and highlighted the importance of interactions between traditional ideology about the mother roles and socioeconomic contexts when interpreting mothers' supporting their child in study for a college entrance examination.

• 통상정보연구
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• 제8권4호
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• pp.177-207
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• 2006

DMZ is came from the antagonism of ideology of the cold war and will of peace embodiment of Gangwon province, the only divided province in the world, at the time of opening physical distribution transportation time on ground between south and north Korea. Analyze the central plan of Gangwon province that includes Mt. Geumgang sightseeing, the Gyeongwon line and the Donghae line. As regaining the overland route with Eurasian continent that lost because of the division of Korea into north and south, We have lived as people in a island country actually for the last 60 years. we should extend the racial imagination that lean toward the ocean to the continent again. As we present the use of efficient overland distribution transportation that is endowed with the fitness of the Gangwon province's plan to make a new developing opportunity physically and mentally. we would seek the revitalization of Gangwon economy and inter Korean trade.

• International Journal of Fuzzy Logic and Intelligent Systems
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• 제13권4호
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• pp.291-297
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• 2013

Chaotic dynamics have been studied by many researchers in the fields of biology, physics, and engineering. Interest in chaos is also expanding to the social sciences such as politics, economics, and others, including the prediction of societal events. The concept of leisure has developed from a passive concept correlated with relaxation, entertainment, and ideology formation into a positive concept that assumes a more active role. As information and communications technology develops, digital leisure activity is expected to continue spreading. This expansion of digital leisure function correctly, as well as. Traditional leisure activity functions correctly more, whereas digital leisure activity is predicted to function incorrectly more often. In this paper, we propose a mathematical addiction model of digital leisure that deals with its dysfunctions such as addiction to digital leisure, including computer games, internet search, internet chatting, and social media. Herein, to solve addiction to digital leisure, we propose a model derived from a nicotine addiction.

• 복식
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• 제57권6호
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• pp.17-31
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• 2007

Fashion of one period is symbolic and figurative means of expression reflecting spirit, ideology, emotion and aesthetic values of that period. Designs of school uniforms fer girls also went through changes in various shapes along with changes in sociocultural and philosophical backgrounds in each period. Thus, in this study, in examining girls' school uniforms, how girls' school uniforms have evolved with what kind of design characteristics was observed along with process of historical changes, and investigation was made on realistic conditions of girls school uniforms since 1996 when active advancements in school uniform design were started. Also, through examination of girls' school uniform designs from homepage of large student uniform companies and catalogues, characteristics of girls' school uniforms after 1996 were observed. On the result, we could know that girl's school uniforms from 1996 to 2006 were designed in various forms compared to those of the past time and changing Arends of the era were reflected on the school uniform designs. Narrow waistline, shorter blouse, changes in the length of jacket and skirt showed that current school uniform designs pursue the fashionable and trendy designs unlike those of the past times that were uniform and strict. This study include organizing characteristics of girls' school uniform designs by each period, providing fundamental and realistic data for clothes manufacturing and marketing activities through analysis on designs of girls' school uniforms since 1996, and providing directions for future school uniform designs.

• 디지털융복합연구
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• 제19권4호
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• pp.267-274
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• 2021

본 연구의 목적은 선거 결과 인포그래픽 디자인이 지역과 이념의 분할을 부추기지 않고 포용적 정보를 제공할 수 있도록 디자인 속성지표를 도출하고 이에 기반을 둔 디자인에 대한 평가와 해석을 통하여 선거 결과 인포그래픽 디자인의 전망을 제시하는 것이다. 연구의 방법과 결과는 첫째, 이론적 고찰을 통해 인포그래픽 디자인의 특성을 파악하여 데이터의 시각화가 중요함을 확인하고, 선거 결과 인포그래픽 디자인의 사례조사를 통해 다양한 형식의 디지털 인터랙션을 활용한 카토그램 형식의 디자인이 주요 흐름인 것을 파악하였다. 둘째, 제21대 국회의원 선거 결과 인포그래픽 디자인에 대한 반응 조사를 통해 5개의 디자인 속성지표(합목적성, 편의성, 심미성, 이해 용이성, 공공성)를 도출하고 선정한 5개 디자인에 대해 설문조사와 전문가 인터뷰를 통해 디자인 지표와의 적합성을 평가하고 분석하였다. 결론적으로, 선거 결과 인포그래픽 디자인은 기본적인 목적과 기능에 맞으면서 수요자가 요구하는 정보를 선택할 수 있는 다양한 형식의 인포그래픽 디자인을 제공함으로써 수요자 요구에 맞는 포용적 정보를 제공하여 지역과 이념의 분할 적 관념을 상쇄하는 방향으로 발전할 것으로 전망한다.

• 미술이론과 현장
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• 제7호
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• pp.37-64
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• 2009

The theories of Korean Public Art originated by the artists who were against dictatorship and they associated with democratic politicians. They criticized the Fine art that were supported by the dictatorship and gave their efforts for restoration of 'resistance paintings(against dictatorship)', 'proletarian painting', 'realism painting'. In addition, they participated new social ideology(democracy) movement and demonstrated for their rights in arts. These became the main kernel the public art theory was initiated. The public artists splitted into several different parts and participated in the democratic social movement as well as the art movement for freedom. They opened various art exhibitions within different genre, diverse space for various art section such as an exhibition hall, a factories, a university, or a congregation square. Furthermore, the public art theorists published their divergent views through newspaper/broadcasting or unauthorized printed materials. Most of the public artist and the theorists kept their relationship strongly until 1985, the time when 'National Arts Association' started. In 1983 and 1984, they were clearly separated into two parts; artists(move only in art museums) and activists(move in public spaces like school, convention square etc). Their ideological separation also took out national problems. The division; professional artists and armatures, became the social issue as a social stratification matter. And in creating method, there are also other conflicts; critical realism, and public realism as well as western painting and traditional one. These kinds of separation and conflicts made different Public artists associations, under divergent names; 'Reality and Speak'(R&S), 'KwangJu Art Association', 'Durung', 'Dang(Land)', and 'Local Youth Students Association'. In addition, their ideology and pursuit toward art movements were very difference. However, the differences and conflicts weakened When the oppression of democratic education from new dictatorship(Pres. Jun, Doo Hwan) came out. In August. 1985 the government opened to the public so called, 'The draft of School stabilization law'(Hankwon Anjung Bup) to control the teachers' rights and that initiated bigger street demonstration and conflicts between police and educators. In November.1985, assembly meeting of National Arts Association in democracy opened as 'ONE' combined organization. In this presentation, I'd like to summarize the stream of art movement until 1984, and clarify the main art theories that lead the Public Art Movements in 1980s. The main theories in 1980s are crucial because they become the origin of public art theories. This presentation started with O,youn's "Hyunsil Dong In the first declaration" and explained the absent of practice in 1970s. In addition, Won, Dong Suk 's theory was mentioned as all over struggles in theories before 1980s. GA and R&S 's founding declarations in 1970s were the start of public art theorists' activities and this article reported the activities after the declarations. First, realism base on the consciousness of reality. Second, practice art democratization based on the ideology. Third, the subject of public art movement based on understanding people's social stratification structure. Fourth, the matters of national forms and creative ways in arts based on showing reality. Fifth, the strong points in arts that the practitioners accepted. About the public art theories around 1984, I discussed the dividing point of public art theories that were shown in 'generation theory', 'organization theory', and 'popularization theory' by the practitioners. The public realism theory that subjects the contradiction of reality and point out the limits of critical realism not only showing the new creative ways but also giving the feeling of solidarity to the public art activist groups. After that, public art movements expressed 'Dismentlement of Capitalism' and 'Public revolution'. In addition, the direction of public art movements were established strongly. There were various opinions and views during the start and formation of the public art theories. The foundation of theorists activities derived from the practitioners who had the concept based on stratification and nationalism. The strong trend of group division spreaded out by practitioners who opened art work together in factories, universities, squares and rural areas. Now many lively active practitioners are gone to the other field not related with arts, and others join into professional art field not public art one with unknown reason. The theorists have the same situation with the practitioners. It means to me that theory always have to be based on the practice.