• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2008년도 춘계학술발표대회 논문집
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• pp.46-49
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• 2008

This research does Complexity form, Interior epidermis cell re-organization, Object discovery that have correct numerical value concept by purpose. Research applied by Grid re-organization in form generation, Parameter variation of cell unit (morphor, tweener), Symbol, pattern of variation, self-organization cell substitution order. Representation through 3d digital modeler of polygon, Nurbs and street-sheet program(x,y,z coordinates & Network way of points) etc. of main work. Investigator specified numbers of U profiles*30, V point-20 that is 600 Paramaters individual in volume, and define circle radius of lighting in object, Projection size variously and tried difference. Transposition cell to point and Heightened brightness of color using pointillism of painting. Led lighting cell object is expressed being decoded by digital code.

• International journal of advanced smart convergence
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• 제12권4호
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• pp.286-292
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• 2023

This article is set against the backdrop of the rapid development of the metaverse and artificial intelligence technologies, and aims to explore the possibility and potential impact of integrating AI technology into the traditional 3D animation production process. Through an in-depth analysis of the differences when merging traditional production processes with AI technology, it aims to summarize a new innovative workflow for 3D animation production. This new process takes full advantage of the efficiency and intelligent features of AI technology, significantly improving the efficiency of animation production and enhancing the overall quality of the animations. Furthermore, the paper delves into the creative methods and developmental implications of artificial intelligence technology in real-time rendering engines for 3D animation. It highlights the importance of these technologies in driving innovation and optimizing workflows in the field of animation production, showcasing how they provide new perspectives and possibilities for the future development of the animation industry.

• International Journal of Internet, Broadcasting and Communication
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• 제16권2호
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• pp.81-86
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• 2024

Advancements in generative AI are reshaping graphic and 3D content design landscapes, where AI not only enriches graphic design but extends its reach to 3D content creation. Though 3D texture mapping through AI is advancing, AI-generated 3D modeling technology in this realm remains nascent. This paper presents AI 2D image-driven 3D modeling techniques, assessing their viability in 3D content design by scrutinizing various algorithms. Initially, four OBJ model-exporting AI algorithms are screened, and two are further evaluated. Results indicate that while AI-generated 3D models may not be directly usable, they effectively capture reference object structures, offering substantial time savings and enhanced design efficiency through manual refinements. This endeavor pioneers new avenues for 3D content creators, anticipating a dynamic fusion of AI and 3D design.

• 디지털콘텐츠학회 논문지
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• 제18권6호
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• pp.1017-1024
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• 2017

기술의 발달은 콘텐츠 미디어의 변화를 가져왔다. 구술 시대의 음성, 소리 미디어에서 시작하여 텍스트, 페인팅을 거쳐, 사실성의 사진 미디어, 이미지에 사운드를 더한 영상 미디어의 발달로 이어져 왔다. 여기서 생각해보아야 할 것은 기술의 발달로 인한 미디어의 변화라는 일방적 영향만이 아니라, 어떤 세대가 어떤 미디어를 접하느냐에 따라 정보의 이해도 및 집중력, 몰입도 등이 달라진다는 것이다. 이에 디지털을 주미디어로 활용하고 있는 디지털 네이티브 세대에 주목하게 된다. 디지털 네이티브 세대의 특징으로는 시각정보를 빠르게 처리하며, 멀티태스킹이 가능하고, 분할주의 능력을 지니고 있는 세대로 연구된 바 있다. 이에 본 논문에서는 디지털 네이티브 세대를 위하여 움직이는 픽토그램을 제안, 픽토그램 중에서도 한계성을 보이고 있는 비상구 픽토그램을 움직이는 픽토그램으로 제안하였으며, 설문지를 통하여 근거를 마련하였다. 디지털 네이티브 세대 특성에 맞춘 새로운 동적 픽토그램, 더 나아가 인터랙티브 동적 픽토그램은 생각하고 연구되어야 하는 분야로 본 논문은 첫 발을 내딛는 연구라고 볼 수 있다.

• 한국콘텐츠학회논문지
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• 제10권2호
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• pp.146-154
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• 2010

철학과 사상, 서사와 효과, 문화와 예술 영역으로 양분되어 논의되었던 포스트모더니즘의 담론은 디지털 테크놀로지의 발전으로 인하여 그 영역이 모호해졌다. 디지털 테크놀로지의 발전은 문화예술전반에 걸쳐 매체예술을 비롯하여 미학적 접근에 대하여도 변화를 가져왔다. 리얼리즘을 중심으로 디지털 이미지에 대한 해석은 기존의 이미지의 재현논리의 중심에서 디지털 기술이 만들어내는 이미지에 대한 특징 분석 및 해석과 함께 디지털 이미지들을 어떻게 수용해야하는가의 문제로 변화하고 있다. 하이퍼 리얼리티를 강조하는 디지털 이미지는 기존의 영화의 미학적 접근방식이 아닌 쇼트 단위로의 접근이 이루어져야 한다. 디지털 이미지는 프레임 단위 안에서 이미지의 현실 재현성을 강조하고 있으므로 기존의 총체적인 내러티브상의 영화 이미지의 미학적 특성에 대한 접근과는 다르게 이루어져야한다. CGI가 만들어내는 디지털 이미지는 프레임단위에서 재현되는 핍진성의 척도와 시뮬레이션, 극사실주의 개념으로써 해석이 이루어져야 하며 특히 환영성이 강조되는 영화에서는 내러티브상의 사실주의적 접근보다는 회화적 차원에서의 현실 재현적 차원으로의 미학적 접근이 이루어져야 한다.

• 한국게임학회 논문지
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• 제21권6호
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• pp.111-124
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• 2021

회화를 기점으로 영화, 만화, 게임을 아울러 관객의 시선을 묶는 행위의 주축을 담당하는 것은 프레임이다. 프레임에 대해 안다는 것은 프레임을 읽을 수 있게 되는 것이며, 사용할 수 있게 되는 것이다. 따라서 본 논문은 디지털 게임의 프레임, 그 중에서도 일차 프레임의 한정된 구성을 보완하는 다중 프레임에 관해 다룬다. 본 논문에서는 게임의 기본 구성인 구조적 프레임, 플레이어 행위의 출력인 가변적 프레임, 기존 시각 매체 특성을 나타내는 표면적 프레임으로 다중 프레임을 분류한다. 이를 통해 디지털 게임 설계 장치로서의 다중 프레임의 양상을 살펴본다. 본 논문은 향후 게임의 다중 프레임 활용 가능성을 도출하고 다중 프레임 분석의 기제를 제공했다는 데서 유의미하다.

• International Journal of Internet, Broadcasting and Communication
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• 제15권1호
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• pp.113-119
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• 2023

This research analyzed the importance and influence of color expression on psychological and emotional changes of visual perception in the creation of art works. This research takes the element of the sky in the works of Vincent William Van Gogh, a Dutch post-Impressionist representative painter, as the basic research objective to prove the influence of color expression of the same thing on the inner emotional communication of the creator. After synthesizing the contents of previous research and investigation on Van Gogh, this research will summarize the works containing sky elements in Van Gogh's works according to his four creative stages, and select representative works for color analysis and comparison. In this paper, by comparing the colors of the same elements of the sky, we can find Van Gogh's guidance of psychological and emotional changes through the expression of colors in his works, which will play a certain inspiring role in the creation of painting art.

• International Journal of Internet, Broadcasting and Communication
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• 제15권3호
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• pp.82-87
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• 2023

<Deep Sea> is an 3D animated film that stands out for its exceptional special effects and distinctive artistic style. The film employs a multitude of dazzling and vibrant ink particles, creating a strong sense of three-dimensionality and weightlessness, while simultaneously portraying a dreamlike and elegant representation of a deep sea ink painting. Furthermore, through the utilization of fragmented stream of consciousness narrative technique, the film establishes a unique artistic effect infused with a Chinese atmosphere. This paper by analyzing the unique particle ink art style and color and stream of consciousness narrative methods in film, this paper discusses the innovative art style generated by traditional ink art style combined with three-dimensional technology, and the integration of traditional ink art ideas and artistic conception in animated films. The objective is to cultivate a new ink art style and prove the importance of traditional cultural expression in animated films, while providing new perspectives for the future application of traditional art in animation.

• International Journal of Advanced Culture Technology
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• 제11권2호
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• pp.409-414
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• 2023

In recent years, the emergence of a number of AI image generation software represented by [Midjourney] has brought great impetus to the development of the field of AI-assisted art creation. Compared with the traditional hand-painted digital painting with the aid of electronic equipment, broke the traditional sense of animation character creation logic.This paper analyzes the application of AI technology in the field of animation character design through the practice of two-dimensional animation character . This is having a significant impact on the productivity and innovation of animation design and character modeling. The key results of the analysis indicate that AI technology, particularly through the utilization of "Midjourney,"enables the automation of certain design tasks, provides innovative approaches, and generates visually appealing and realistic characters. In conclusion, the integration of AI technology, specifically the application of "Midjourney," brings a new dimension to animation character design. The utilization of AI image generation software facilitates streamlined workflows, sparks creativity, and improves the overall quality of animated characters. As the animation industry continues to evolve, AI-assisted tools like "Midjourney" hold great potential for further advancement and innovation.

• International Journal of Internet, Broadcasting and Communication
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• 제15권4호
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• pp.178-184
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• 2023

AI image generation technology has become a popular research direction in the field of AI, which is widely used in the field of digital art and conceptual design, and can also be used in the process of 3D texture mapping. This paper introduces the production process of 3D texture mapping using AI image technology, and discusses whether it can be used as a new way of 3D texture mapping to enrich the 3D texture mapping production process. Two AI deep learning models, Stable Diffusion and Midjourney, were combined to generate high-quality AI textures. Finally, the lmage to material function of substance 3D Sampler was used to convert the AI-generated textures into PBR 3D texture maps. And applied in 3D environment. This study shows that 3D texture maps generated by AI image generation technology can be used in 3D environment, which not only has short production time and high production efficiency, but also has rich changes in map styles, which can be quickly adjusted and modified according to the design scheme. However, some AI texture maps need to be manually modified before they can be used. With the continuous development of AI technology, there will be great potential for further development and innovation of AI-generated image technology in the 3D content production process in the future.