• 문화기술의 융합
• /
• 제7권1호
• /
• pp.58-65
• /
• 2021

몸을 치장하기 위한 오브제는 인류가 시작된 원시시대부터 아주 중요한 문화였다. 사회적 지위나 부의 상징물, 또는 개인적 치장을 위한 장신구는 장식성, 화폐성, 희소성, 역사성 등의 다양한 특성을 지니며 발전해왔다. 그러나 귀중함을 중시하는 전통보다 지적 개념이 더욱 가치 있었던 20세기 후반부터 장신구 분야는 예술적 활동과 미적가치를 중요하게 생각하면서 작가중심의 표현주의적 성향을 가지게 되었다. 이와 같이 현대 장신구는 소재나 기술을 강조하던 전통적인 방식에서 벗어나 하나의 예술장르로 발전하였다. 이러한 표현주의적 성향은 예술성을 강조하면서 1960년대부터 장신구만을 위한 갤러리들이 생기기 시작하였고, 특히 이시기부터 전통적 방식에서 벗어난 실험적이고 혁신적인 많은 장신구 작품들이 전시되었다. 이처럼 장신구 전문 갤러리의 등장은 장신구가 예술의 한 장르로 발전하는데 큰 영향을 주었다. 이번 연구에서는 장신구를 전시하는 데 있어 인체와 의상의 결합을 통한 두 가지 전시유형의 연구이다. 첫 번째는 일반적인 전시방식에서 벗어나 패션쇼를 갤러리에 끌어들임으로써 관람자와의 소통을 위한 적극적 전시방법을 제시한다. 두 번째는 장신구와 의상과의 소통을 위해 의류브랜드와의 콜라보레이션 프로젝트를 기획하고 적극적 전시홍보를 위해 패션브랜드 매장에서의 전시방법을 제시한다.

• 한국실내디자인학회논문집
• /
• 제23권5호
• /
• pp.58-66
• /
• 2014

A desire to lightness of architecture has continued from the past to today. As Paul Virilio mentioned "The aesthetics of disappearance starts from a desire", the desire of architecture to lightness assumes the connection to hidden dimension of everything over the freedom of materials when it is related to the aesthetics of disappearance. This study assumes that the lightness of an architecture today can be interpreted by means of the aesthetics of disappearance. The lightness of an architecture is a concept for the potential possibility of an architecture. Therefore, it is to analyze the relationship by connecting the features of the lightness which is obtained from the examples of the Cartier foundation of Jean Nouvel and Seattle central library of Rem Koolhaas to the aesthetics of disappearance, that is, the disappearance of the materials, disappearance of the subjects, disappearance of the meaning and disappearance of physical. Based on these, it is also to prove the influence of the aesthetic of disappearance on the architecture as a social phenomenon of technology today.

• International Journal of Costume and Fashion
• /
• 제10권1호
• /
• pp.67-79
• /
• 2010

Cultural sensation by appearance of Elvis Aaron Presley is thought to have been greatly influenced by spread of popular culture beginning to form with the development of mess media in USA that was changed rapidly after the war, changing aspect of popular music in U.S.A through the media development and teenager culture of USA that has rapidly emerged. Elvis intended to change into 'music to be seen' deviating from 'music to be simply listened to' with expressing the conversion of sexual consciousness, defiance to older generation and a sense of value on wealth, and the like, and also suggested a new culture and style to the young people at that time. Flow of Elvis's fashion may be categorized into the classifications such as the fashion in the period. First, Formative period(before 1954) distinguished by pimp look and sideburns with tough image and wild clothes. Second, Establishment period(1954-57) may be categorized into the hot rockabilly style which showed a glittering fashion by brilliant and colorful costumes, the cool rockabilly style which changed him to a fashionable star of modem image(1958-60). Third, re-heyday(after 1968) where a brilliant and bold decoration was displayed. In Elvis fashion, the masculine sensualism, defiance to main value and expression of luxury and consuming culture, etc. are included as a unique aesthetic consciousness. 'Expression of masculine sensualism' represented the sensualism through sexual objectification of men's body by men's sexual ostentation which was prohibited. 'Defiance to main value' means that attempts of non-mainstream image for social class are expressed with an exercise of power by young people through the public. Although the Elvis look has fanned an anti-culture, it was expressed and accepted as having a normally capitalistic appearance. In addition, it being thought of as the standard, symbolizing a success and a wealth through the presentation of image which accepted this material benefit, we may classify this into 'expression of luxury and consuming culture'.