• 디자인학연구
• /
• 제13권
• /
• pp.165-172
• /
• 1996

스웨덴 국립 디자인 대학은 150여 년의 역사를 가진 세계에서 가장 오래된 디자인 교육기관의 하나로 스칸디나비아 디잔인 발전에 주도적인 역할을 해왔다. 콘스트 팍(Konstfack)이라 불리워 지는 이 학교는 바우하우스의 영향을 받아 근대적인 모습으로 탈바꿈했으며 1970년대에 이르러 오늘날과 같은 실험적인 교과과정과 독특한 교육방식을 완성했다. 이 학교의 상징 엠블 렘에는 'Insight och Flit'라는 말이 새겨져 있는데 이것은 창조적인 직관과 끊임없는 노력을 중시하는 콘스트 팍의 정신을 그대로 표현한 것이라고 할 수 있다. 우리 나라와 스웨덴은 정치, 경제, 사회제도나 문화적인 측면에서도 매우 다르다. 1800년대 후반의 스웨덴은 유럽 내에서 가장 늦게 산업혁명을 겪은 변두리 국가로서 경제적으로도 매우 낙후된 국가였다. 문화적으로도 영국이나, 프랑스, 독일 등의 유럽의 강국들과 비교하면 열세였고 국가적인 정체성도 채 확보되지 않은 상황이었다. 그러나 1900년대 초반의 스웨덴의 지식인들은 스웨덴 적인 것이 무엇인가 하는 문제로 고민하였고 이들의 그러한 노력은 1950년대에 와서 스칸디나비안 그레이스, 스웨디쉬 모던이라고 하는 스타일을 만들어 내게 하였다. 이러한 과정에서 스웨덴 국립 디자인 대학은 스웨덴 디자인 협회, 디자인 전문잡지 <스벤스크 포름>등과 함께 스웨덴 디자인 발전에 견인차 역할을 해왔다.

• 한국진공학회:학술대회논문집
• /
• 한국진공학회 2015년도 제49회 하계 정기학술대회 초록집
• /
• pp.51.2-51.2
• /
• 2015

Understanding interfacial phenomena has been one of the main research issues not only in semiconductors but only in life sciences. I have been trying to meet the atomic scale surface and interface analysis challenges from semiconductor industries and furthermore to extend the application scope to biomedical areas. Optical imaing has been most widely and successfully used for biomedical imaging but complementary ion beam imaging techniques based on mass spectrometry and ion scattering can provide more detailed molecular specific and nanoscale information In this presentation, I will review the 27 years history of medium energy ion scattering (MEIS) development at KRISS and DGIST for nanoanalysis. A electrostatic MEIS system constructed at KRISS after the FOM, Netherland design had been successfully applied for the gate oxide analysis and quantitative surface analysis. Recenlty, we developed time-of-flight (TOF) MEIS system, for the first time in the world. With TOF-MEIS, we reported quantitative compositional profiling with single atomic layer resolution for 0.5~3 nm CdSe/ZnS conjugated QDs and ultra shallow junctions and FINFET's of As implanted Si. With this new TOF-MEIS nano analysis technique, details of nano-structured materials could be measured quantitatively. Progresses in TOF-MEIS analysis in various nano & bio technology will be discussed. For last 10 years, I have been trying to develop multimodal nanobio imaging techniques for cardiovascular and brain tissues. Firstly, in atherosclerotic plaque imaging, using, coherent anti-stokes raman scattering (CARS) and time-of-flight secondary ion mass spectrometry (TOF-SIMS) multimodal analysis showed that increased cholesterol palmitate may contribute to the formation of a necrotic core by increasing cell death. Secondly, surface plasmon resonance imaging ellipsometry (SPRIE) was developed for cell biointerface imaging of cell adhesion, migration, and infiltration dynamics for HUVEC, CASMC, and T cells. Thirdly, we developed an ambient mass spectrometric imaging system for live cells and tissues. Preliminary results on mouse brain hippocampus and hypotahlamus will be presented. In conclusions, multimodal optical and mass spectrometric imaging privides overall structural and morphological information with complementary molecular specific information, which can be a useful methodology for biomedical studies. Future challenges in optical and mass spectrometric imaging for new biomedical applications will be discussed.

• 복식
• /
• 제50권
• /
• pp.129-144
• /
• 2000

In the history of the costume of Western Europe one of the most interesting apects is that the silhouette of women's dress has been continuously evolved. There can be various origins in this changing silhouette but the most important origin is that clothes of any period are the reflection of the architectural political religious and economic background against which they are worn they must also be djusted to the texture and design of the materials produced at the time and of course there is always the basic instinct of sex attraction. The changing line in men's and women's clothes has been demanded by each period but man's great active life did not required the development of exaggerated line which could restrict his movements. Exaggeration in men's clothes has usually been confined to accessories only details could be simplified or abandoned altogether in time of action. However Woman has no great concern in these restrivtions and when an era demanded an exaggerated silhouette she developed it to the utmost limit with out any hesitation plunged herself into whalebone cane and steel for the desired line and then later to adapt herself to a changing world just as without any hesitaion abandoned all these artificial props. In this study first of all the origin of the corset and the evolution of silhouette will be chronologically studied and rearranged on the basis of written materials such as text books theses and catalogs which are related to corset In this section the most important backgrounds-social religious and economic-which caused the chages of silhouette will be scrutinized in a time order. Then the shapes and functions of corsets will be looked into in a more detailed way. In addition the materials and decorations which were preferred to achieve the desired silhouette will be examined. Finally underwear which was and has been worn for cleanness protection the shapes of outer clothes and erotic mood will be studied.

• 한국의류산업학회지
• /
• 제5권5호
• /
• pp.481-494
• /
• 2003

The Gamrotenghwa of the Choson Dynasty is a unique genre of buddhist painting in that the destiny of the dead souls and the guidance to nirvana are expressed in reality. More than 50 of the Gamrotenghwa are known to be present, and the lower part of the paintings includes a wide assortment of folk customary scenes reflecting the social life style of the time when the painting was drawn, such as difficulties in life. public life, punishment and war. Changes in the costume of the people shown on the customary scenes of the Gamrotenghwa according to the time based changes in painting style were investigated in this study. The results are summarized in three points. First, the costumes of bureaucrats showed a tendency of preservation without any major changes in the painting. On the other hand, costumes of public and entertainer in the scenes were very close to those worn by the people at that time. The realistic description of public life in the painting may establish the value of the Gamrotenghwa as the historical documents. Second, the costume of the people in the painting showed a dual structure as the social positions; bureaucrats wore various official hats, large coats and belts to expose their social prestige. while the general public wore simple and convenient clothing which is divided into shirt and pants. The dual structure of the costume in the painting is in well accordance with that of the later period of Choson dynasty, suggesting that the customary scenes in the painting represent the social life style of the period. Finally, the customary scenes in the Gamrotenghwa are very variegated. which shows a variety of beauty of wearing even though they look coarse in a sense. The diversity of wearing beauty in the picture may contribute to the recreation of the beauty of shape in the new design of Hanbok.

• 정보처리학회논문지D
• /
• 제9D권1호
• /
• pp.167-172
• /
• 2002

최근 전자상거래에서 지능적인 소프트웨어 에이전트를 이용하여 사용자에게 더욱 능률적이고 효과적인 경매시스템으로 발전시키고자 하는 연구 및 개발이 주목을 받고 있다. 단순한 게시판 형식의 인터넷 경매 시스템에 인공지능 에이전트를 도입하여 해당 경매 상품에 대해 판매자에게 적정한 경매 시기와 초기값을 계산하고 예측하여 최대한의 이익을 남길 수 있도록 해주는 에이전트 시스템에 대한 연구가 본 논문의 목적이다. 상품을 인터넷 경매에 올리는 판매자가 판매하고자 하는 경매 상품에 대한 정보를 인터넷 경매 시스템의 에이전트에게 메일로 보내면 에이전트는 해당 상품과 유사한 상품에 대하여 필터링하여 이미 학습되고 있는 유사 상품에 대한 정보 즉, 데이터베이스에 저장되어 있는 경매상품에 대한 입찰 히스토리로부터 경매시간, 경매방법, 낙찰가격 등을 계산한다. 본 논문은 이를 통하여 해당 상품에 대하여 판매자가 어느 시기에 얼마의 초기 가격으로 경매를 시작하면 최대한의 이익을 남길 수 있는지에 대한 정보를 메일로 푸쉬하여 주는 시스템을 제안한다.

• 복식
• /
• 제55권4호
• /
• pp.62-78
• /
• 2005

The modern period was the time that the most radical and extensive social and mental changes were occurring throughout the history, and modernism was prevailing as a general cognition system of people. Modernism, which carries principles of progress, belief in application of scientific technology, worship of reason, ideal of liberty as a col-e value of civilization, was plated as a leading ideology in the realm of society, culture and art In the early 20th century. In this study, the formative characteristics of modernism seen in architecture and fashion are analogized and analyzed in four ways ell the basis of the theory of p. Greenhalgh. First, 'Standardization for mass-production', which is analogized which P. Greenhalgh's 'Decompart-mentalisation', 'Social Morality', and' Technology'. Standardization for mass-production in architecture focuses on the development of a design prototype in order to mass produce; the development of ready-made clothes is actively done ill the fashion area for the same purpose as well. Second, 'Rational functionality' coming from P. Greenhalgh's 'The total work of art' and 'Function'. While rational functionality in architecture puts an emphasis on the rational operation of all the functions in regard to the relation between each part and the whole, rational functionality in fashion call be mainly seen in a dramatic increase in physical activity which could be hardly found before the modernism period. Namely, all the fashion design elements are developed for a certain rational and functional design on each part as well as on the whole in order to greatly increase physical activity. Third, 'the pursuit for genuineness of objects and universality of beauty' is on the analogy of P Greenhalgh's 'Truth', 'Anti-historicism', 'Abstraction', 'Internationalism/Universality'. This idea is adopted in architecture in the form of design of geometrical abstraction. In the same way, design using geometrical abstraction comes to have a significant meaning in fashion of the modernism period. So to speak, modernism architecture and fashion can be reborn to become an inter·national style by giving up the decorative and regional design prevailing before modernism and by expressing universal aesthetics in the form of simplicity and abstraction instead. Fourth, 'Expression of progress through a change in a viewpoint' stems from P. Greenhalgh's 'Progress', 'Transformation of Consciousness', 'Theology'. In architecture, this concept appears by using new construction materials and methods and by representing new aesthetical idea. As a result, it makes it possible for people to make progress for better lives. Like in architecture, new attempts for material application and processing are made in fashion. This gives rise to a general change in a viewpoint related to fashion, so that a flew fashion design which there has never been before can come out.

• 조형예술학연구
• /
• 제11권
• /
• pp.79-108
• /
• 2007

"Printing is an Art of reproduction & a Technique of However printing has extended its limitation from a genre of reproduction itself and now it stands on the turning point as an art such as painting or sculpture which expresses artist's originality. Early Printing has had relations in depth with press printing in terms of information recording, preservation, and transmission. It was acknowledged value in a way of information satisfaction different from how it is valued as a pure art today. But, later printing has transferred its function from a mean of reproduction to pure art due to the development of printing skills and photography invention. It can be said that the concept of modern printing is taking over its genealogy as a creative work not as just printing. Also its expression capability is widen to dimensional printing and high-tech multimedia from original tradition techniques. As we discussed above, modern painting is very open to various changes. This modern painting aspect can be seen as an extended interpretation of 'board' concept. This dissertation raises a question why monotype and monoprint couldn't secure its position in printing history in spite of numerous artists' tryouts in its way. Monotype and monoprint fundamentally based on intaglio technique in its history. Yet, its systematic study hasn't been worked out. This is because of the lack of recognition of monotype and monoprint's originality as printing. Especially in monoprint, it has known as an early stage in copperplate printing process which is an attempt to solve the technique limitation or trial work for edition. Likewise the reason why monotype and monoprint remains at the edge of printing border ambiguously is because of conceptual, technical characteristics which are against traditional printing. In traditional printing, the concept of board is important as a method of reproduction. Different from the fact, monotype and monoprint accept the form of medium 'board' conceptually out of limited condition as mentioned. Thus monotype and monoprint hasn't stand out for several reasons until late 20th century when it started come out to public as people starts to have interests that works from famous artists are actually based on monotype and monoprint. This dissertation likes to step into the monotype and monoprint theoretically which is not well known in domestic and try to study the meaning of monotype and monoprint as a printing medium which is also hasn't been considered sincerely. For this study the process follow as below. First, look into how monotype and monoprint has a concept and history. Next, check differences through comparison with traditional printing and how printing can be understood in what aspects at the same time. After, verify how monotype and monoprint have influence on the acceptance of extended concept of 'board'. This study will show the expressional possibility of monotype and monoprint which has already known as 'tableau printing' in today's situation where adventurous experiments of printing medium are going on with the development of technology.

• 한국철학논집
• /
• 제38호
• /
• pp.189-220
• /
• 2013

본고에서는 음양가(陰陽家)의 등장 과정과 아울러 묵가(墨家)의 음양오행론(陰陽五行論)을 제가(諸家)와의 비교를 통해서 살펴보았다. 사마천(司馬遷)이 열전(列傳)에서 시사한 바대로 추연(鄒衍)으로 대표되는 음양가는 당시 유가(儒家)와도 일정한 관련이 있었던 것으로 보인다. 음양 관념은 본래 햇빛과 관련이 있었지만 전국 중기 이후 기(氣), 혹은 도(道) 관념과 연계되면서 점점 추상화되었다. 오행 관념 또한 본래 일상생활에 필수적인 오재(五材) 관념에서 출발하여 인간과 자연의 모든 것을 포괄하는 분류 기준으로 발전하였다. 오덕종시설(五德終始說)로 대표되는 추연을 비롯한 음양가 혹은 음양오행가의 사상은 근본적으로 왕조 교체의 법칙성을 도출하기 위한 것이었다. 그러나 이러한 관점은 전국말에 이르기까지 백가쟁명의 주제로서 부각되지 못하였다. 비록 제가에서 공통적으로 음양오행론에 대한 기본적인 이해를 전제로 그것을 활용하고 있는 것은 사실이지만 각각의 사상체계에 연계되지 못하였다. 묵가 또한 음양오행 관념을 수용하고 군사학 방면에 활용하면서도 일관되게 합리적인 관점을 유지하고 있다. 이것은 제가의 현실인식과 역사관의 차이에서 근본적인 원인을 찾을 수 있을 것이다.

• 복식
• /
• 제59권5호
• /
• pp.71-82
• /
• 2009

The purpose of this study is to help understanding of patterns and to play a guideline's role in the development of designs and the prediction of trends for present and future fashion designers and textile designers. The methods of this study are the study of academic literatures as well as practical study through the analysis about actual works. The results of study are like followings. An inquiry of Pattern history in 20c is divided into six periods by the classification of styles and the styles of fashion culture according to other artistic formative will. Main trends of Pattern's image in each period and characteristics in each dimensions of Pattern image positioning are like followings. Art Nouveau style period from 1900 to 1910 is , Art Deco style period from 1910 to 1920 is , Elegance style period of 1930s is , and New Romantic style period from 1945 to mid 1950s and Pop style period from late 1950s to mid 1970s does not show main Pattern image but they are shown in four Pattern image of , , , . Compromising style period from late 1980s to 1990s shows all of four Pattern image, at the same time shows intensive main Pattern's image, .

• 한국지리정보학회지
• /
• 제6권4호
• /
• pp.37-50
• /
• 2003

이 논문은 객체관계형 데이터베이스 시스템의 객체지향적 특성인 추상데이터타입과 속성 및 연산의 상속성을 이용하여 구현가능한 시공간 질의 확장에 대하여 기술한다. 실세계의 공간 객체는 시간상에서 변화한다. 시공간 데이터베이스는 이러한 객체의 이력을 위해 공간 차원뿐만 아니라 시간차원을 관리하는 것을 지원한다. 제시된 시공간 데이터베이스는 공간 및 시간 차원을 각각 최상위 클래스로 구성하고, 시공간 클래스들은 이 클래스들을 상속 및 확장하여 구현되었다. 이 연구에서 수행된 시공간 데이터베이스를 위한 시간과 공간 확장은 기존 시스템에서 시공간 데이터베이스 시스템으로 전환을 용이하게 할 뿐 아니라 새로운 시공간 데이터베이스의 지원을 위한 기존 데이터베이스의 변경을 필요하지 않은 장점을 갖는다.