• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2018년도 춘계 학술논문 발표대회
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• pp.177-178
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• 2018

Unlike the projects that the government has implemented recently to develop new cities under the New Deal project, Saeddeul Village projects to improve the environment of the city are gaining attention. The problem has been found to be that many of the buildings in Saeddeul Village are still not earthquake-proof by using drones to review the state of the town. It also revealed that after two years of earthquakes, Pilotis structures are the most vulnerable to earthquakes. However, it is suitable for small spaces in the city because it provides parking spaces as well as residential spaces. Accordingly, the focus should be on repair and reinforcement rather than reconstruction. In this study, a concrete-based seismic design and construction method is developed in the columns of the existing pylotis structure.

• 복식문화연구
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• 제21권2호
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• pp.234-245
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• 2013

The modern fashion was developed the basis on the western dress structure and its historical flow was continued until today. Particularly, the Britain has coexised the unique cultural identity in the aristocratic high culture and rebellious tendency of the subculture so it is necessary to the consideration about whole culture in order to grasp the British fashion identity. The purpose of this study was shown the methodological framework of the culture identity research of one country through the background of this formation of culture and process high culture and subculture study by analysis the culture identity in the today's Britain. Also, the purpose of this study that it draws whether the feature of the British fashion shows up as any aspect in this culture identity. The range of this study subdivides and considers with the imperialism, industrial revolution, aristocratism, union nations, and geographical aspect as the island country into the economy, politics, society, and natural characteristic about the Englishness and the notion of British culture then it draws the dichotomy of the British fashion through the culture identity formed in this society cultural background with both sides in the high culture and subculture aspect.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.3-13
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• 2014

After The Industrial Revolution in 18th century, constructions were done with universal material (concrete) in everywhere instead of using materials that are produced in each country because of development of industry material and transportation. This change caused the buildings to become trite with no local characteristics. Hereupon, the study intends to understand the essence of matter and restore various construction methods of each matter with the topic of 'Immateriality'. Immateriality is the revealed concept based on Materiality. Consequently the process and characteristics of immateriality shown on the works of Kuma Kengo and Herzog & de Meuron, three kinds of features can be found of immateriality expression mode. They are as in the following. First, there is a mode of transforming the shape and properties in physical or psychological way by observer. Second, there is a mode of conflating the shape and properties in physical or psychological way by observer. Third, there is a mode of mixing the shape and properties in physical or psychological way by observer.

• 복식
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• 제61권10호
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• pp.1-15
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• 2011

Constructivism is an avant-garde movement that began in 20th-century Russia, which rapidly turned into an industrial society. This was one of the most experimental art movements, that wanted to be at the center of social and political-ideological change as it pursued a unique style, which portrayed the true essence of art and humanity. Russian constructivism greatly influenced modern fashion and suggested a new artistic standard. First, the artistic elements of Russian constructivism include photo montages, geometrical structures, color abstraction, and an asymmetrical order, through which the ideals of the Russian Revolution were substantiated, idealized, and materialized into an artistic form. Second, the different forms of Russian constructivism have various artistic characteristics such as popularity, spatiality, structuralism, decorativeness, and mobility, which were then expressed in modern fashion elaborated below. This study intends to reconstruct the meaning of Russian formalism and reflect it on fashion; thereby reconsidering the characteristics and the meaning of Russian constructivism in the context of today's fashion. This will broaden the meaning of constructivism and suggest a new direction for modern fashion.

• 태양에너지
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• 제17권4호
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• pp.35-43
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• 1997

An increase in the design of commercial buildings with daylighting is beginning to receive more attention, claimed by some as a second revolution in architecture. The benefits of daylighting may vary significantly because a characteristic of daylight is the way in which it varies. Indirect sunlight, however, received in the interior of a building after reflection, can serve a useful purpose as the main source of illumination. In a cloudy climate it can serve as an occasional welcome addition to the available skylight. Also, site constraints or surrounding urban context may necessitate using reflected light sources, or such sources may be an integral part of the overall design objectives and aesthetics of the proposed projects. When reflected sunlight is introduced into a space, its role in general illumination is what is of interest in this study. Results show that reflected sunlight may help the general illumination in almost same level of significance as daylight from diffuse sky. It is also summarized that the contribution of reflected sunlight to general illumination through the year round may be even and uniform regardless of the season. Consequently, introduction of reflected sunlight should be regarded as one of the successful means to enhance the visual environment in quantitative and qualitative way.

• 한국실내디자인학회논문집
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• 제29호
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• pp.195-202
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• 2001

The stage facilities in the western culture originates in the scientifically planned Open Air Theater built in BC 3C and magnificent theaters built in the era of Rome. These buildings are the remains that reveal popularization of the play. Furthermore, the facilities continued to flourish in the medieval to the Industrial Revolution as stage art actualizing designers' imagination. Diverse systems developed in industrial technology have been transferred to the stage, and the balance between industrial and cultural art has been endeavored to be achieved. The conversion methods of the stage has been developing in various forms. Domestic stage setting arrangement techniques and material exploitation have also been developing. Therefore, in reality, it is very difficult to grasp the definite trend. Additionally, as for the stage system in Korea, plays are dependently directed by directors and stage artists. It is concluded that the current state should be understood based on actual examples to meet solve these problems. The purpose of the study is to provide basic data for stage facilities planning. To do this, how the stage system of large performance halls can be used in accordance with performance condition of the grounds in Korea and frequent scene changes is given a special attention. With this background, the surroundings of the stage and conversion system are examined.

• 디자인학연구
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• 16호
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• pp.65-74
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• 1996

러시아 전위 예술은 서유럽에서 발생한 새로운 미술사조를 러시아 예술가들이 그들의 전통문화와 접속시켜 독자적인 미술사조로 발전시킨 것에 커다란 의미가 있다. 러시아 혁명이후 사회 개혁에 러시아 전위 예술가들은 적극적으로 동참했다. 그들은 사회주의 사회의 이상 실현을 위해 미술, 영화, 건축, 연극 등 각 장르에서 활동했다. 이러한 새로운 사회에 필요한 전문 기능인력의 양성을 목적으로 Vchuthmas가 설립되었다. 학교의 교육목표는 예술분야(건축, 회화, 조각, 그래픽, 금속, 목공예, 도자기, 텍 스타일 등)의 지도자를 양성하는 것이었다. Vchuthmas에서는 러시아 전위예술가들의 구성주의와 기능주의의 원리에 바탕을 둔 교수법을 통해 학생들을 지도하였으며 이는 독일의 Bauhaus 교육에도 지대한 영향을 주었다.

• 스마트미디어저널
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• 제5권2호
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• pp.77-83
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• 2016

오늘날 IT 기술의 적극적인 활용을 통해 은행을 비롯한 금융 산업 전체에서 거대한 혁명이 진행되고 있으며, 이를 '핀테크'라 부른다. 핀테크는 2016년 10대 인터넷 산업 이슈의 하나로 조명 받고 있다. 본 논문에서는 보안 강화를 위하여 FIDO 프레임워크를 이용한 NFC 기반 전자 결제 및 쿠폰 시스템에 2 팩터 인증 기술을 적용하기 위한 초안을 설계한다. 세부적으로 프론트엔드의 단말 디바이스에는 2 팩터 인증과 전자 서명 기술의 적용과 백엔드에는 클라우드 기반의 PG를 위한 분석회피형 악성코드 탐지기술을 을 적용하기 위한 연구를 수행한다.

• 한국실내디자인학회논문집
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• 제32호
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• pp.64-71
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• 2002

Today, term of ‘industrial society’means the totally changing society by new technical innovation through the Industrial Revolution begun in England at the mid-nineteenth century and it made social structure centering agricultural culture change with industrial culture with expansion of goods by the massive production. Information working area has to bo a space not just for improving business efficiency in industrial society but for developing efficiency in working in harmony with the information and structural aspects based on computer and communication technology. There are two kinds of environmental elements of working space : the tangible ones are the area and the structure of working space, lights, network, layout and information machines in office, the intangible ones are a feeling of satisfaction of management and arrangement of office information machines capability of information delivery, common ownership of documents and their files, the security and connection between office workers, and harmony. According to the wave of information begun from the late twentieth century, structural layout of working area has become various by the working type through network of new developed information communication machines. But it is hard to apply them in actually.

• 한국실내디자인학회논문집
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• 제17권3호
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• pp.139-147
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• 2008

Modern architecture's optical mechanism focused on Ocuularcentrism neglects the tactility of vision and tends to eliminate the optical and tactile dualism of traditional spaces by representing spaces and surfaces that are abstract and cold-hearted. In other words, all sensory experiences, except for visual experiences, are eliminated to make it impossible to create the substantial core of architecture that combines time, image, and surface textures. The fast-changing social trends, the emergence of new materials and technologies, and the corresponding development of various types of media since the Industrial Revolution have changed the paradigm of human perception and representation. With the development of media, other sensory experiences besides visual experience have been stressed and human perception has converted from single perspective to complex perspective. In result, new sensory items, such as visual tactility, have replaced the traditional vision-centered hierarchy. The composition of architectural surfaces has represented the functional and commercial needs of technology, structure, as well as the socio-cultural needs of the community. In contemporary times, it is being changed and developed by the new tactility and the corresponding expression of modern architecture. Based on the visual representation of tactility of architectural surface, this study used a composition of surface that combines various events, meanings, and senses to examine how architecture can mediate and reproduce viewers' visual experiences and discover the existential relationship between architecture and men.