• Proceedings of the IEEK Conference
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• 1999.11a
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• pp.577-580
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• 1999

Padding is a technique that enables applying conventional discrete cosine transform to encode boundary blocks of arbitrarily shaped objects by assigning imaginary values to the pixels that are not included in the object. Padding prevents the increase of high frequency DCT coefficients. However, in some boundary blocks, too many padded pixels are coded due to a small portion of object pixels. To reduce the number of padded pixels and to improve coding efficiency, we propose a block merging method for texture coding. The proposed mothed searches the shape information of boundary blocks and excludes the 4$\times$4 pixels of 8$\times$8 blocks if all the 4$\times$4 pixels are in the background region, and merges the remained 4$\times$4 pixels into new 8$\times$8 blocks. Experimental results show that our proposed method yields a rate-distortion gain about 0.5~1.6㏈ compared to conventional padding method, LPE

• Journal of the Korean Institute of Telematics and Electronics B
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• v.31B no.10
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• pp.130-139
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• 1994

Video compression algorithms are based on removing spatial and/or temproal redundancy inherent in image sequences by predictive(DPCM) encoding, transform encoding, or a combination of predictive and transform encoding. In this paper, each 8$\times$8 DCT coefficient of DFD(displaced frame difference) is adaptively quantized by one of the four quantizers depending on total distortion level, which is determined by characteristics of HVS(human visual system) and buffer status. Therefore, the number of possible quantizer selection vectors(patterns) is 4$^{64}$. If this vectors are coded, toomany bits are required. Thus, the quantizer selection vectors are limited to 2048 for Y and 512 for each U, V by the proposed method using SWAD(sum of weighted absolute difference) for discriminating vectors. The computer simulation results, using the codebook vectors which are made by the proposed method, show that the subjective and objective image quality (PSNR) are goor with the limited bit allocation. (17Mbps)

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2019.06a
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• pp.82-83
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• 2019

본 논문에서는 휘도 및 색차 성분에 따른 SHVC 계층간 참조 픽처 생성 방법의 부호화 성능을 분석한다. SHVC 상위 계층에서는 하위 계층의 픽처를 DCT-IF 기반 업샘플링하여 사용한다. 상위 계층의 부호화 성능을 높이기 위해 딥러닝 기반 필터링을 이용하여 휘도, 색차 성분의 고주파 신호 복원이 부호화 성능에 미치는 영향을 분석한다. 기존 Y 성분에만 VDSR 네트워크를 이용하여 필터링을 적용하였을 때보다 색차 성분까지 필터링을 진행할 경우 최대 2.18%, 평균 1.5% 감소된 결과를 보였다.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.40 no.5
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• pp.378-387
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• 2003

Digital watermarking is the technique that embeds invisible signalsincluding owner identification information, specific code, or pattern into multimedia data such as image, video and audio. Watermarking techniques can be classified into two groups; robust watermarking and fragile(semi-fragile) watermarking. The main purpose of the robust watermarking is the protection of copyright, whereas fragile(semi-fragile) watermarking prevents image or video data from illegal modifications. To achieve this goal watermark should survive from unintentional modifications such as random noise or compression, but it should be fragile for malicious manipulations. In this paper, an invertible semi-fragile watermarkingalgorithm for authentication and detection of manipulated location in MPEG-2 bit-stream is proposed. The proposed algorithm embeds two kinds of watermarks, which are embedded into quantized DCT coefficients. So it can be applied directly to the compressed bit-stream. The first watermark is used for authentication of video data. The second one is used for detection of malicious manipulations. It can distinguish transcodingin bit-stream domain from malicious manipulation and detect the block-wise locations of manipulations in video data. Also, since the proposed algorithm has an invertible property, recovering original video data is possible if the watermarked video is authentic.

• Journal of Advanced Navigation Technology
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• v.11 no.1
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• pp.105-111
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• 2007

This paper is concerned with fuzzy inference-based optimal sub-bands decision scheme which is to be embedded the watermark. It concentrated not only on design of fuzzy inference algorithm but also on human visual parameters (HVP), such as contrast sensitivity, texture degree. In the first, such human visual parameters as contrast sensitivity, texture degree as well as statistical characteristics are involved to select the optimal coefficients region. Secondly, fuzzy if - then rule which can be able to adapt the wide variety of environments is developed. The performance of proposed approach is evaluated with respect to the imperceptibility and correctness of watermark. According to some experimental results, contrast sensitivity function is superior in smooth image. On the other hand, statistical characteristics provide good results in rough images.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.11 no.5
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• pp.2741-2761
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• 2017

With the purpose of copyright protection for digital video, a novel H.264/AVC watermarking algorithm based on JND model is proposed. Firstly, according to the characteristics of human visual system, a new and more accurate JND model is proposed to determine watermark embedding strength by considering the luminance masking, contrast masking and spatial frequency sensitivity function. Secondly, a new embedding strategy for H.264/AVC watermarking is proposed based on an analysis on the drift error of energy distribution. We argue that more robustness can be achieved if watermarks are embedded in middle and high components of $4{\times}4$ integer DCT since these components are more stable than dc and low components when drift error occurs. Finally, according to different characteristics of middle and high components, the watermarks are embedded using different algorithms, respectively. Experimental results demonstrate that the proposed watermarking algorithm not only meets the imperceptibility and robustness requirements, but also has a high embedding capacity.

• Journal of Intelligence and Information Systems
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• v.19 no.4
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• pp.147-157
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• 2013

With the advent of the digital environment that can be accessed anytime, anywhere with the introduction of high-speed network, the free distribution and use of digital content were made possible. Ironically this environment is raising a variety of copyright infringement, and product images used in the online shopping mall are pirated frequently. There are many controversial issues whether shopping mall images are creative works or not. According to Supreme Court's decision in 2001, to ad pictures taken with ham products is simply a clone of the appearance of objects to deliver nothing but the decision was not only creative expression. But for the photographer's losses recognized in the advertising photo shoot takes the typical cost was estimated damages. According to Seoul District Court precedents in 2003, if there are the photographer's personality and creativity in the selection of the subject, the composition of the set, the direction and amount of light control, set the angle of the camera, shutter speed, shutter chance, other shooting methods for capturing, developing and printing process, the works should be protected by copyright law by the Court's sentence. In order to receive copyright protection of the shopping mall images by the law, it is simply not to convey the status of the product, the photographer's personality and creativity can be recognized that it requires effort. Accordingly, the cost of making the mall image increases, and the necessity for copyright protection becomes higher. The product images of the online shopping mall have a very unique configuration unlike the general pictures such as portraits and landscape photos and, therefore, the general image watermarking technique can not satisfy the requirements of the image watermarking. Because background of product images commonly used in shopping malls is white or black, or gray scale (gradient) color, it is difficult to utilize the space to embed a watermark and the area is very sensitive even a slight change. In this paper, the characteristics of images used in shopping malls are analyzed and a watermarking technology which is suitable to the shopping mall images is proposed. The proposed image watermarking technology divide a product image into smaller blocks, and the corresponding blocks are transformed by DCT (Discrete Cosine Transform), and then the watermark information was inserted into images using quantization of DCT coefficients. Because uniform treatment of the DCT coefficients for quantization cause visual blocking artifacts, the proposed algorithm used weighted mask which quantizes finely the coefficients located block boundaries and coarsely the coefficients located center area of the block. This mask improves subjective visual quality as well as the objective quality of the images. In addition, in order to improve the safety of the algorithm, the blocks which is embedded the watermark are randomly selected and the turbo code is used to reduce the BER when extracting the watermark. The PSNR(Peak Signal to Noise Ratio) of the shopping mall image watermarked by the proposed algorithm is 40.7~48.5[dB] and BER(Bit Error Rate) after JPEG with QF = 70 is 0. This means the watermarked image is high quality and the algorithm is robust to JPEG compression that is used generally at the online shopping malls. Also, for 40% change in size and 40 degrees of rotation, the BER is 0. In general, the shopping malls are used compressed images with QF which is higher than 90. Because the pirated image is used to replicate from original image, the proposed algorithm can identify the copyright infringement in the most cases. As shown the experimental results, the proposed algorithm is suitable to the shopping mall images with simple background. However, the future study should be carried out to enhance the robustness of the proposed algorithm because the robustness loss is occurred after mask process.

• Journal of the Korean Society of Radiology
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• v.7 no.3
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• pp.175-179
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• 2013

To find out the appropriate defensive measures for protectors and radiation workers in rotating radiation generating devices such as CBCT and panorama, irradiation dose depending on the position was compared and analyzed. The devices such as panorama DP-90-P PAX-500 (Vatech, Korea) and CBCT DCT-90-P IMPLAGRAPHY Dental CT system (Vatech, Korea) were used. As irradiation dose measuring instruments, Ion chamber model 2026 and Reader 20X5-60E were used. The exposure conditions were set as the factor used in the clinical trial. The result of the experiment showed that panorama was the highest, 81${\mu}R$, at point A where the test starts first and the lowest, 53${\mu}R$, at point D where the test ends. In case of CBCT, it was the highest, 1,021${\mu}R$, at point D where the test ends and was measured as the highest, 809.67${\mu}R$, at point A where the test starts. If protectors and radiation workers are forced to examine a patient holding him, they should be positioned in the middle of the point where X ray tube starts to rotate and the point where it ends to avoid the position where radiation dose is the most. And due to the nature of equipment, it will be the safest for them to stand at the opposite side of the machine and to uphold it from the rear rather than upholding it from the side of a patient and they should wear appropriate the protection gear.

• The KIPS Transactions:PartB
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• v.12B no.1 s.97
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• pp.9-16
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• 2005

This paper focuses on the study of the face authentication system and the robustness of fact authentication methods under illumination changes. Four different face authentication methods are tried. These methods are as fellows; PCA(Principal Component Analysis), GMM(Gaussian Mixture Modeis), 1D HMM(1 Dimensional Hidden Markov Models), Pseudo 2D HMM(Pseudo 2 Dimensional Hidden Markov Models). Experiment results involving an artificial illumination change to fate images are compared with each other. Face feature vector extraction based on the 2D DCT(2 Dimensional Discrete Cosine Transform) if used. Experiments to evaluate the above four different fate authentication methods are carried out on the ORL(Olivetti Research Laboratory) face database. Experiment results show the EER(Equal Error Rate) performance degrade in ail occasions for the varying ${\delta}$. For the non illumination changes, Pseudo 2D HMM is $2.54{\%}$,1D HMM is $3.18{\%}$, PCA is $11.7{\%}$, GMM is $13.38{\%}$. The 1D HMM have the bettor performance than PCA where there is no illumination changes. But the 1D HMM have worse performance than PCA where there is large illumination changes(${\delta}{\geq}40$). For the Pseudo 2D HMM, The best EER performance is observed regardless of the illumination changes.

• Journal of Intelligence and Information Systems
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• v.24 no.2
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• pp.21-35
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• 2018

Since the introduction of MP3 players, CD recordings have gradually been vanishing, and the music consuming environment of music users is shifting to mobile devices. The introduction of smart devices has increased the utilization of music through music playback, mass storage, and search functions that are integrated into smartphones and tablets. At the time of initial MP3 player supply, the bitrate of the compressed music contents generally was 128 Kbps. However, as increasing of the demand for high quality music, sound quality of 384 Kbps appeared. Recently, music content of FLAC (Free License Audio Codec) format using lossless compression method is becoming popular. The download service of many music sites in Korea has classified by unlimited download with technical protection and limited download without technical protection. Digital Rights Management (DRM) technology is used as a technical protection measure for unlimited download, but it can only be used with authenticated devices that have DRM installed. Even if music purchased by the user, it cannot be used by other devices. On the contrary, in the case of music that is limited in quantity but not technically protected, there is no way to enforce anyone who distributes it, and in the case of high quality music such as FLAC, the loss is greater. In this paper, the author proposes an audio watermarking technology for copyright protection of high quality stereo music. Two kinds of information, "Copyright" and "Copy_free", are generated by using the turbo code. The two watermarks are composed of 9 bytes (72 bits). If turbo code is applied for error correction, the amount of information to be inserted as 222 bits increases. The 222-bit watermark was expanded to 1024 bits to be robust against additional errors and finally used as a watermark to insert into stereo music. Turbo code is a way to recover raw data if the damaged amount is less than 15% even if part of the code is damaged due to attack of watermarked content. It can be extended to 1024 bits or it can find 222 bits from some damaged contents by increasing the probability, the watermark itself has made it more resistant to attack. The proposed algorithm uses quantization in DCT so that watermark can be detected efficiently and SNR can be improved when stereo music is converted into mono. As a result, on average SNR exceeded 40dB, resulting in sound quality improvements of over 10dB over traditional quantization methods. This is a very significant result because it means relatively 10 times improvement in sound quality. In addition, the sample length required for extracting the watermark can be extracted sufficiently if the length is shorter than 1 second, and the watermark can be completely extracted from music samples of less than one second in all of the MP3 compression having a bit rate of 128 Kbps. The conventional quantization method can extract the watermark with a length of only 1/10 compared to the case where the sampling of the 10-second length largely fails to extract the watermark. In this study, since the length of the watermark embedded into music is 72 bits, it provides sufficient capacity to embed necessary information for music. It is enough bits to identify the music distributed all over the world. 272 can identify $4*10^{21}$, so it can be used as an identifier and it can be used for copyright protection of high quality music service. The proposed algorithm can be used not only for high quality audio but also for development of watermarking algorithm in multimedia such as UHD (Ultra High Definition) TV and high-resolution image. In addition, with the development of digital devices, users are demanding high quality music in the music industry, and artificial intelligence assistant is coming along with high quality music and streaming service. The results of this study can be used to protect the rights of copyright holders in these industries.