• 제목/요약/키워드: Cyber Exhibition

검색결과 15건 처리시간 0.023초

Web GIS 도형 자료 구축을 위한 문화재 3차원 모델링 기법 (3D Modeling Method for Cultural Properties Web GIS Database Construction)

  • 정성혁;이재기
    • 대한공간정보학회지
    • /
    • 제12권2호
    • /
    • pp.37-42
    • /
    • 2004
  • 반만년 숭고한 문화유산을 지니고 있는 민족으로서 우수한 문화유산을 영구 보존하고 후손에 잘 전승하여야 하며, 세계에 널리 알려야 할 필요가 있다. 이러한 필요성을 인식하고 컴퓨터 기술의 발단에 따라 최근 국내외에서 문화재 및 역사적 가치를 지닌 구조물에 대한 3차원 데이터베이스 구축, 문화재 복원 및 사이버 공간에서 전시 기술 등에 관한 연구가 활발히 이루어지고 있다. 따라서, 본 연구에서는 문화재의 3차원 도형자료를 3차원 좌표취득이 용이한 사진측량기법으로 취득하고, VRML을 이용하여 문화재의 다양한 색상이나 질감 등 정성적 특성을 표현할 수 있는 3차원 모델링 기법을 제시하고자 한다.

  • PDF

3차원가상미술관 프레임워크디자인 - 국립현대미술관의 증강현실 창작모듈설계 (Fame-work Design on 3D Cyber Museum-Construction of Augmented Reality(AR) Creation Module of National Museum of Contemporary Art)

  • 임장훈
    • 트랜스-
    • /
    • 제9권
    • /
    • pp.93-122
    • /
    • 2020
  • 사용자 통합 환경의 시대에서 미술가와 그래픽디자이너들이 자신들의 자율의지로 제작한 창작물들을 자유롭게 전시할 수 있는 기반으로 3차원 가상공간의 증강현실 미술관을 구축하고자 한다. 본 연구의 목적은 통합개발환경(IDE)에서 3차원시뮬레이션 방식을 활용하는 미술가와 그래픽디자이너의 창작자들을 위한 풍족한 통합제작환경을 구축하는데 있다. 본 연구에서는 미술가와 그래픽디자이너가 자신의 자율의지로 마음껏 창작해 나갈 수 있는 통합개발환경에서 창작을 위한 3차원시뮬레이션엔진을 구성하고 안드로이드의 3차원가상공간 증강현실의 창작모듈을 설계한다. 이를 설계하여 미술가와 그래픽디자이너가 마음껏 창작한 그래픽을 무한한 디지털공간에 전시할 수 있도록 현재의 국립현대미술관을 3차원가상 공간의 전시실로 제작하여 관객의 사용자조사를 해보고 안드로이드스마트폰에 Tasking하여본다.

  • PDF

1990년대 스트리트 패션에 나타난 해체주의 경향 -S/S 프레타포르테 콜렉션을 중심으로- (Deconstruction of the Street Fashion in 1990s -Focus on S/S pret-a-porter Collections-)

  • 이영재;박민여
    • 한국의류학회지
    • /
    • 제24권8호
    • /
    • pp.1155-1166
    • /
    • 2000
  • The purpose of this study is to investigate deconstructive trends of the street fashion in the 1990s spring/summer(S/S) Collections. This study was carried out by both the qualitative analysis and the quantitative analysis. In the qualitative analysis, the important street fashion was grouped and deconstruction was sampling of category. In the quantitative analysis, it took frequency, percentage and $\chi$$^2$-test. The results of the quantitative analysis are as follows: 1. \"N대-Hippie/Grunge\" has been most popular street fashion through the 1990s. The next is \"Sportive Casual\". 2. According to \"deconstructive inner meanings\", there are significant differences between the S/S street fashion in the 1990s. In \"N대-Mods/Jazz\" style, \"Sportive Casual style\" and \"Technos/Cyber-punk\" style, \"Intertextuality\" is high. In \"N대-Hippie/Grunge\" style, \"Exhibition of Otherness\" is high. 3. According to the \"deconstructive outer description\", there are also significant differences between the S/S street fashion in the 1990s. But, In \"Neo-Mods/Jazz\" style, \"Not Included\" is high, which means the \"N대-Mods/Jazz\" isnt related to the \"deconstructive outer description\". In \"N대-Hippie/Grunge\" style, \"Poverty.outworn\" is high. In \"Sportive Casual\", \"Exposure\" is high. In the \"Technos/Cyber-punk\", \"Destruction.Division\" is high.

  • PDF

${\cdot}$ 공립계 박물관의 전시공간적 특징과 운영활성화 방안에 관한 연구 (A Study on Exhibition space Characteristics and Method of Operational Enlargement in National and Public-Founded Museum)

  • 최진;강인철
    • 한국실내디자인학회:학술대회논문집
    • /
    • 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
    • /
    • pp.71-76
    • /
    • 2004
  • The Public-founded Museum for Enlargement must Propel some articles of the following. Firstly, it can satisfy the regional inhabitants' desire but also make a role and function by means of synthesis of cultural artistic space. Secondly, it must build up The Operational system of The Central information System for the systematic managing or various kinds of data, The Thirdly the Spatial Creation in consideration of the citizens' advantage is needed for the citizen's easy approach to the museum. The Fourthly, it builds up public services like convenient facilities and resting areas. Fifthly, it must provide information through the build up the Cyber-Museum for the survival in the information-oriented, Globalization of current times. Next, it focus's on the public advantage of not mixing mean and purpose but of having a geared mind. Lastly, it educates the regional inhabitants through training professional human resources in each sphere.

  • PDF

무형문화재를 위한 사이버뮤지엄 구성체계에 관한 연구 III - 충남지역을 중심으로 - (A Study on the Cyber Museum Organization System for Intangible Cultural Properties III - Focused on the Chungnam Province -)

  • 한영호;장중식;정용섭
    • 한국실내디자인학회논문집
    • /
    • 제13권3호
    • /
    • pp.179-186
    • /
    • 2004
  • The findings of this study indicate that intangible cultural properties are worth preservation and transmission and should be considered as very important as tangible cultural properties. If the studies of intangible cultural properties are continued focusing on their characteristics and formational system, they can be expressed more properly by adding new interactive elements to database and expressive requisites. New techniques introduced in this study are believed to provide people with most reasonable and developmental motives for expression of the existing intangible cultural properties. Concerning Korea's cultural properties centered on intangible cultural properties, information construction should be made with a new idea of information based on database from the previous studies. The result will be able to set an important factor to give wide publicity to our cultural identity, which is currently shown in the process of background communication, and serve as a foothold to deliver exact information to our descendants. The intangible cultural properties are our people's mental cultural heritage resources. If museums or initiator groups, which are organized to spread cultural heritages, can use them as the subjects of exhibition through information construction and visualization, it will function to maximize the educational effect of transmitting our national mental world. The development of digital environment will provide the optimum conditions and tools making it possible to visualize intangible forms and ideas in a virtual cyber space. Given these viewpoints, steady studies and efforts for the improvement of Korea's cultural image should be made in the way of intangible cultural properties as well as tangible ones. They start from the country's accurate appreciation of cultural properties and are embodied in systematic adjustment and relationship between interdependent elements.